+++ /dev/null
-\documentclass[mathserif]{beamer}
-
-% FOR BEAMER SLIDES
-%\usepackage{palatino}
-%\usepackage{helvet}
-%\usepackage{eulervm}
-\usepackage{mathpazo}
-%\documentclass[sans,mathserif]{beamer}
-%\usepackage{kerkis}
-%\usepackage{kmath}
-\usepackage{beamerthemeCambridgeUS}
-%\usepackage{beamerthemeBoadilla}
-%\usepackage{beamerthemeDarmstadt}
-%\usepackage{beamerthemeGoettingen}
-\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
-\usepackage{colortbl}
-\usepackage{amsmath,amssymb,amsfonts}
-\usepackage{latexsym}
-\usepackage{amsthm}
-\usepackage{newlfont}
-\usepackage{url}
-\urlstyle{footnotesize}
-\usepackage[french]{babel}
-\usepackage[latin1]{inputenc}
-\columnsep 1cm
-\columnsep 1cm
-\definecolor{rouge}{rgb}{0.7,0.1,0.1}
-\newcommand{\chref}[2]{
- \href{#1}{\color{rouge}\underline{#2}}
-}
-\newcommand{\dchref}[1]{
- \href{#1}{\color{rouge}\underline{#1}}
-}
-\newcommand{\curl}[1]{
- \color{rouge}\underline{\url{#1}}
-}
-\title{\textbf{Projet Telemeta}}
-\author{Anthroponet, CREM, MNHN, LAM, Parisson}
-\institute{Guillaume Pellerin (Parisson SARL) \\
- Joséphine Simonnot (CREM)}
-\date{\today\ - v0.3.4}
-
-\begin{document}
-\frame{\titlepage}
-
-
-\section[Plan]{}
-\frame{\tableofcontents}
-
-\section{Introduction}
-
-\subsection{Le fond d'archives du CREM}
-\frame{\frametitle{Le fond d'archives du CREM}
-Un fond ethnomusicologique unique :
-\begin{itemize}
- \item 4291 collections (inédit et édité)
- \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
- \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
- \item 3500 heures de sons édités soit 4,5 To environ
- \item 300 heures environ de video ($\approx$ 4 To)
-\end{itemize}
-\vspace{0.5cm}
-Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
-}
-
-
-\frame{\frametitle{Modèle de données du CREM}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=12cm]{img/data_model2}
- \end{center}
-}
-
-
-\subsection{Vers la numérisation}
-\frame{\tableofcontents[currentsubsection]}
-
-\frame{\frametitle{L'archivage classique sur supports physiques}
-Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
-
-\begin{columns}[c]
-
-\column{6cm}
-\begin{itemize}
- \item Buts :
- \begin{itemize}
- \item Conformité à l'oeuvre originale
- \item Reproductibilité
- \item Accessibilité
- \end{itemize}
- \item Problèmes :
- \begin{itemize}
- \item Fragilité : rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...
- \item Nécessité d'appareils de lecture specifiques
- \item Pérennité
- \end{itemize}
-\end{itemize}
-\column{6cm}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
-\end{columns}
-
-}
-
-\frame{\frametitle{L'archivage sur disque dur}
-\begin{itemize}
- \item Avantages :
- \begin{itemize}
- \item Information magnétique
- \item Confinement et compacité
- \item Vitesse et capacité d'accès (lecture et écriture)
- \item $\Rightarrow$ Valorisation
- \end{itemize}
- \item Inconvénients :
- \begin{itemize}
- \item Maintenance (recopie)
- \end{itemize}
-\end{itemize}
-\begin{center}
-\pgfimage[width=5cm]{img/HDMAXTOR}
-\end{center}
-}
-
-
-\section{Objectifs du projet Telemeta}
-\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Objectifs du projet Telemeta}
-\begin{itemize}
- \item Pérenniser les archives audionumériques (logiciels et formats)
- \item Valoriser le patrimoine culturel par la consultation légale
- \item Optimiser la transmission des méta-données (OAI-PMH)
- \item Augmenter les capacités de Recherche (web sémantique, interopérabilité, croisement de données)
- \item Définir un systématisme de sauvegarde et de publication des oeuvres audiovisuelles
-\end{itemize}
-\vspace{3mm}
-\begin{center}
-$\Rightarrow$ Demande de financement à TGE Adonis (AAP 2009)\\
-$\Rightarrow$ Demande de financement à l'ANR (AAP 2009)
-\end{center}
-\begin{center}
-\begin{columns}[c]
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
-\end{center}\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
-\column{2cm}
-\begin{center}
-\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
-\end{columns}
-\end{center}
-}
-
-
-\section{Technologies}
-\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Telemeta : un projet libre et ouvert}
-\textbf{Les fondamentaux du logiciel libre :}
-\begin{itemize}
- \item Pérenniser les ressources informatiques
- \item Dynamiser le développement (partage, communautés internationales)
- \item Limiter les coûts de déploiement à grande échelle
-\end{itemize}
-\vspace{3mm}
-\textbf{Briques 100\% 0pen Source :}
-\begin{itemize}
- \item \chref{http://python.org}{Python} : langage \\
- \item \chref{http://djangoproject.com}{Django} : framework \\
- \item \chref{http://mysql.com}{MySQL} : base de données relationnelle \\
- \item \chref{http://linux.com}{Linux} : noyau serveur \\
- \item \chref{http://scipy.org}{Scipy}, \chref{http://www.ar.media.kyoto-u.ac.jp/members/david/softwares/audiolab/}{Audiolab} : traitement des signaux audio
- \item \chref{http://www.cecill.info}{CeCILL} : licence libre conforme au droit français
-\end{itemize}
-}
-
-\frame{\frametitle{Les standards et normes utilisés par Telemeta}
-\begin{itemize}
- \item Web :
- \begin{itemize}
- \item \chref{http://www.w3schools.com/html/}{HTML} : langage hypertextuel
- \item \chref{http://www.w3.org/Style/CSS/}{CSS} : styles
- \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
- \end{itemize}
- \item Audio :
- \begin{itemize}
- \item \chref{http://fr.wikipedia.org/wiki/WAVEform_audio_format}{WAV} : archivage audio brut
- \item \chref{http://fr.wikipedia.org/wiki/MP3}{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
- \item \chref{http://www.vorbis.com}{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
- \item \chref{http://fr.wikipedia.org/wiki/FLAC}{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
- \end{itemize}
- \item Métadonnées :
- \begin{itemize}
- \item \chref{http://en.wikipedia.org/wiki/XML}{XML} (W3C)
- \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
- \item \chref{http://mysql.com}{SQL}
- \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
- \end{itemize}
-\end{itemize}
-}
-
-\frame{\frametitle{Plateforme communautaire de développement}
-\begin{center}
-\vspace{-0.2cm}
-\dchref{http://telemeta.org}
- \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
-\end{center}
-}
-
-% \subsection{Architecture}
-% \frame{\frametitle{L'architecture de Telemeta}
-% \begin{center}
-% \vspace{-0.2cm}
-% \pgfimage[width=11cm]{img/architecture_fr}
-% \end{center}
-% }
-
-
-\section{Développement}
-\frame{\tableofcontents[currentsection]}
-
-\subsection{Version 0.3.2}
-
-\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
-\begin{center}
-
-\dchref{http://crem.parisson.com}
-\end{center}
- \begin{center}
- \vspace{-0.3cm}
- \pgfimage[width=11cm]{img/crem_telemeta-0.3.2}
- \end{center}
-}
-
-
-% \subsection{Démonstration}
-% \frame{\tableofcontents[currentsubsection]}
-
-
-\subsection{Besoins}
-\frame{\frametitle{Objectifs pour une version 1.0 de production}
-Elements à programmer et/ou consolider pour la version 1.0 de production
-\begin{itemize}
- \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
- \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
- \item \textbf{Sauvegarde} externe (audio + meta-données)
- \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
- \item \textbf{Marqueurs} temporels, lecture dynamique avec pièces attachées (texte, images)
- \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
- \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
- \item Fonctions de test
-\end{itemize}
-}
-
-
-\frame{\frametitle{En route pour 0.4 (edition)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
- \end{center}
-}
-
-
-\frame{\frametitle{En route pour 0.4 (vue item)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/maquette_v0.4_item_view}
- \end{center}
-}
-
-
-
-\frame{\frametitle{Partenariats}
-Partenaires participants :
-\begin{itemize}
- \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
- \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
- \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
- \item Museum National d'Histoire Naturelle (\textbf{MNHN})
- \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
- \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
-\end{itemize}
-Partenaires potentiels :
-\begin{itemize}
- \item Bibliothèque Nationale de France (\textbf{BNF})
- \item Institut National de l'Audiovisuel (\textbf{INA})
- \item Institut de Recherche et d'Innovation (\textbf{IRI})
- \item Queen Mary University (\textbf{QMU}, Londres)
-\end{itemize}
-}
-
-
-\section{Conclusion et perspectives}
-\frame{\frametitle{Conclusion et perspectives}
-\begin{itemize}
- \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
- \item \textbf{Déploiement} et \textbf{pérennité} optimisés grâce à l'\textbf{Open Source}
- \item \textbf{Intégration souple} de données ``métiers'' hétérogènes (sciences humaines et sciences informatiques)
- \item Plateforme de \textbf{développement} ouverte
- \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions et l'export des fonctions vers d'autres logiciels.
- \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
-\end{itemize}
-}
-
-\frame{\frametitle{Merci !}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=3cm]{img/logo_telemeta_sat}\\
- \dchref{http://telemeta.org}\\
- \vspace{10mm}
- \pgfimage[width=3.5cm]{img/parisson_logo_200}\\
- \dchref{http://parisson.com}\\
- \vspace{10mm}
- \pgfimage[width=1cm]{img/88x31.png}\\
- Ce document est mise à disposition sous un \chref{http://creativecommons.org/licenses/by-nc-sa/2.0/fr/}{contrat Creative Commons}.
- \end{center}
-}
-
-
-\end{document}
\ No newline at end of file
+++ /dev/null
-\documentclass[mathserif]{beamer}
-
-% FOR BEAMER SLIDES
-%\usepackage{palatino}
-%\usepackage{helvet}
-%\usepackage{eulervm}
-\usepackage{mathpazo}
-%\documentclass[sans,mathserif]{beamer}
-%\usepackage{kerkis}
-%\usepackage{kmath}
-\usepackage{beamerthemeCambridgeUS}
-%\usepackage{beamerthemeBoadilla}
-%\usepackage{beamerthemeDarmstadt}
-%\usepackage{beamerthemeGoettingen}
-\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
-\usepackage{colortbl}
-\usepackage{amsmath,amssymb,amsfonts}
-\usepackage{latexsym}
-\usepackage{amsthm}
-\usepackage{newlfont}
-\usepackage{url}
-\urlstyle{footnotesize}
-\usepackage[french]{babel}
-\usepackage[latin1]{inputenc}
-\columnsep 1cm
-\columnsep 1cm
-\definecolor{rouge}{rgb}{0.7,0.1,0.1}
-\newcommand{\chref}[2]{
- \href{#1}{\color{rouge}\underline{#2}}
-}
-\newcommand{\dchref}[1]{
- \href{#1}{\color{rouge}\underline{#1}}
-}
-\newcommand{\curl}[1]{
- \color{rouge}\underline{\url{#1}}
-}
-\title{\textbf{Projet Telemeta}}
-\author{Anthroponet, CREM, MNHN, LAM, Parisson}
-\institute{Guillaume Pellerin (Parisson SARL) \\
- Joséphine Simonnot (CREM)}
-\date{\today\ - v0.3.4}
-
-\begin{document}
-\frame{\titlepage}
-
-
-\section[Plan]{}
-\frame{\tableofcontents}
-
-\section{Introduction}
-
-\subsection{Le fond d'archives du CREM}
-\frame{\frametitle{Le fond d'archives du CREM}
-Un fond ethnomusicologique unique :
-\begin{itemize}
- \item 4291 collections (inédit et édité)
- \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
- \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
- \item 3500 heures de sons édités soit 4,5 To environ
- \item 300 heures environ de video ($\approx$ 4 To)
-\end{itemize}
-\vspace{0.5cm}
-Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
-}
-
-
-\frame{\frametitle{Modèle de données du CREM}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=12cm]{img/data_model2}
- \end{center}
-}
-
-
-\subsection{Vers la numérisation}
-\frame{\tableofcontents[currentsubsection]}
-
-\frame{\frametitle{L'archivage classique sur supports physiques}
-Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
-
-\begin{columns}[c]
-
-\column{6cm}
-\begin{itemize}
- \item Buts :
- \begin{itemize}
- \item Conformité à l'oeuvre originale
- \item Reproductibilité
- \item Accessibilité
- \end{itemize}
- \item Problèmes :
- \begin{itemize}
- \item Fragilité : rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...
- \item Nécessité d'appareils de lecture specifiques
- \item Pérennité
- \end{itemize}
-\end{itemize}
-\column{6cm}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
-\end{columns}
-
-}
-
-\frame{\frametitle{L'archivage sur disque dur}
-\begin{itemize}
- \item Avantages :
- \begin{itemize}
- \item Information magnétique
- \item Confinement et compacité
- \item Vitesse et capacité d'accès (lecture et écriture)
- \item $\Rightarrow$ Valorisation
- \end{itemize}
- \item Inconvénients :
- \begin{itemize}
- \item Maintenance (recopie)
- \end{itemize}
-\end{itemize}
-\begin{center}
-\pgfimage[width=5cm]{img/HDMAXTOR}
-\end{center}
-}
-
-
-\section{Objectifs du projet Telemeta}
-\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Objectifs du projet Telemeta}
-\begin{itemize}
- \item Pérenniser les archives audionumériques (logiciels et formats)
- \item Valoriser le patrimoine culturel par la consultation légale
- \item Optimiser la transmission des méta-données (OAI-PMH)
- \item Augmenter les capacités de Recherche (web sémantique, interopérabilité, croisement de données)
- \item Définir un systématisme de sauvegarde et de publication des oeuvres audiovisuelles
-\end{itemize}
-\vspace{3mm}
-\begin{center}
-$\Rightarrow$ Demande de financement à TGE Adonis (AAP 2009)\\
-$\Rightarrow$ Demande de financement à l'ANR (AAP 2009)
-\end{center}
-\begin{center}
-\begin{columns}[c]
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
-\end{center}\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
-\column{2cm}
-\begin{center}
-\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
-\end{columns}
-\end{center}
-}
-
-
-\section{Technologies}
-\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Telemeta : un projet libre et ouvert}
-\textbf{Les fondamentaux du logiciel libre :}
-\begin{itemize}
- \item Pérenniser les ressources informatiques
- \item Dynamiser le développement (partage, communautés internationales)
- \item Limiter les coûts de déploiement à grande échelle
-\end{itemize}
-\vspace{3mm}
-\textbf{Briques 100\% 0pen Source :}
-\begin{itemize}
- \item \chref{http://python.org}{Python} : langage \\
- \item \chref{http://djangoproject.com}{Django} : framework \\
- \item \chref{http://mysql.com}{MySQL} : base de données relationnelle \\
- \item \chref{http://linux.com}{Linux} : noyau serveur \\
- \item \chref{http://scipy.org}{Scipy}, \chref{http://www.ar.media.kyoto-u.ac.jp/members/david/softwares/audiolab/}{Audiolab} : traitement des signaux audio
- \item \chref{http://www.cecill.info}{CeCILL} : licence libre conforme au droit français
-\end{itemize}
-}
-
-\frame{\frametitle{Les standards et normes utilisés par Telemeta}
-\begin{itemize}
- \item Web :
- \begin{itemize}
- \item \chref{http://www.w3schools.com/html/}{HTML} : langage hypertextuel
- \item \chref{http://www.w3.org/Style/CSS/}{CSS} : styles
- \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
- \end{itemize}
- \item Audio :
- \begin{itemize}
- \item \chref{http://fr.wikipedia.org/wiki/WAVEform_audio_format}{WAV} : archivage audio brut
- \item \chref{http://fr.wikipedia.org/wiki/MP3}{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
- \item \chref{http://www.vorbis.com}{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
- \item \chref{http://fr.wikipedia.org/wiki/FLAC}{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
- \end{itemize}
- \item Métadonnées :
- \begin{itemize}
- \item \chref{http://en.wikipedia.org/wiki/XML}{XML} (W3C)
- \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
- \item \chref{http://mysql.com}{SQL}
- \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
- \end{itemize}
-\end{itemize}
-}
-
-\frame{\frametitle{Plateforme communautaire de développement}
-\begin{center}
-\vspace{-0.2cm}
-\dchref{http://telemeta.org}
- \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
-\end{center}
-}
-
-% \subsection{Architecture}
-% \frame{\frametitle{L'architecture de Telemeta}
-% \begin{center}
-% \vspace{-0.2cm}
-% \pgfimage[width=11cm]{img/architecture_fr}
-% \end{center}
-% }
-
-
-\section{Développement}
-\frame{\tableofcontents[currentsection]}
-
-\subsection{Version 0.3.2}
-
-\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
-\begin{center}
-
-\dchref{http://crem.parisson.com}
-\end{center}
- \begin{center}
- \vspace{-0.3cm}
- \pgfimage[width=11cm]{img/crem_telemeta-0.3.2}
- \end{center}
-}
-
-
-% \subsection{Démonstration}
-% \frame{\tableofcontents[currentsubsection]}
-
-
-\subsection{Besoins}
-\frame{\frametitle{Objectifs pour une version 1.0 de production}
-Elements à programmer et/ou consolider pour la version 1.0 de production
-\begin{itemize}
- \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
- \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
- \item \textbf{Sauvegarde} externe (audio + meta-données)
- \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
- \item \textbf{Marqueurs} temporels, lecture dynamique avec pièces attachées (texte, images)
- \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
- \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
- \item Fonctions de test
-\end{itemize}
-}
-
-
-\frame{\frametitle{En route pour 0.4 (edition)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
- \end{center}
-}
-
-
-\frame{\frametitle{En route pour 0.4 (vue item)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/maquette_v0.4_item_view}
- \end{center}
-}
-
-
-
-\frame{\frametitle{Partenariats}
-Partenaires participants :
-\begin{itemize}
- \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
- \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
- \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
- \item Museum National d'Histoire Naturelle (\textbf{MNHN})
- \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
- \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
-\end{itemize}
-Partenaires potentiels :
-\begin{itemize}
- \item Bibliothèque Nationale de France (\textbf{BNF})
- \item Institut National de l'Audiovisuel (\textbf{INA})
- \item Institut de Recherche et d'Innovation (\textbf{IRI})
- \item Queen Mary University (\textbf{QMU}, Londres)
-\end{itemize}
-}
-
-
-\section{Conclusion et perspectives}
-\frame{\frametitle{Conclusion et perspectives}
-\begin{itemize}
- \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
- \item \textbf{Déploiement} et \textbf{pérennité} optimisés grâce à l'\textbf{Open Source}
- \item \textbf{Intégration souple} de données ``métiers'' hétérogènes (sciences humaines et sciences informatiques)
- \item Plateforme de \textbf{développement} ouverte
- \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions et l'export des fonctions vers d'autres logiciels.
- \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
-\end{itemize}
-}
-
-\frame{\frametitle{Merci !}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=3cm]{img/logo_telemeta_sat}\\
- \dchref{http://telemeta.org}\\
- \vspace{10mm}
- \pgfimage[width=3.5cm]{img/parisson_logo_200}\\
- \dchref{http://parisson.com}\\
- \vspace{10mm}
- \pgfimage[width=1cm]{img/88x31.png}\\
- Ce document est mise à disposition sous un \chref{http://creativecommons.org/licenses/by-nc-sa/2.0/fr/}{contrat Creative Commons}.
- \end{center}
-}
-
-
-\end{document}
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--- /dev/null
+\documentclass[a4paper,11pt,french]{article}
+\usepackage[francais]{babel}
+\usepackage{pdf_article_profile}
+
+\author{Auteurs : \\
+\vspace{0.5cm}
+Guillaume Pellerin : directeur R$\&$D, Parisson SARL\\
+Joséphine Simonnot : ingénieur de recherche CNRS, CREM\\}
+
+
+\title{
+\huge{\bf{Telemeta : un système libre de gestion d'archives musicales orienté web}}\\
+\rule{15cm}{0.5mm}\\
+\vspace{0.5cm}
+\large{article pour la Revue Francophone d'Informatique Musicale}\\
+version 0.8 - \today \\
+\vspace{0.5cm}
+}
+
+
+\begin{document}
+
+\renewcommand{\labelitemi}{$\bullet$}
+
+\maketitle
+
+\tableofcontents
+\newpage
+
+\section*{Résumé}
+
+
+\section{Introduction}
+
+Telemeta est une solution libre d'archivage et d'indexation audio basée sur une interface de type web. Elle offre des fonctions avancées d'édition, d'indexation, de transcodage, de publication et de sauvegarde d'archives audio et de leurs méta-données. Il donne accès aux ressources distantes publiées ou privatisés issues de collections numérisées (fichiers, CD audio, vinyl ou bandes magnétiques) par l'intermédiaire d'un simple navigateur ou d'une application dédiée en accord avec les standards du web.\\
+
+\subsection{Historique}
+
+Initié en 2007 lorsque le besoin en système d'archivage pérenne du CREM et les développements en cours de Parisson se sont rencontrés, le projet Telemeta a proposé plusieurs objectifs :\\
+
+\begin{itemize}
+\item valoriser le fonds d'archives en faisant converger les archives sonores numérisées et leurs méta-données vers une plateforme de type web, \\
+\item concevoir et produire un une application orientée recherche pour la gestion collaborative des archives, \\
+\item définir le processus de migration de la base de données du CREM mais aussi de l'importation des fichiers numériques existants. \\
+\end{itemize}
+
+L'assistance à la maîtrise ouvrage fournie par Parisson pour la conception puis le développement de l'application a permis de livrer en 2009 un prototype logiciel qui a trouvé un écho favorable dans la communauté de chercheurs et des développeurs. En juin 2011, après une phase d'optimisation, Parisson a opéré la migration et l'importation finale de la base de données structurée du CREM (méta-données, ontologies géographiques ou thésaurus d'instruments) et des fichiers numérisés. Depuis, les chercheurs et les documentalistes participent de manière collaborative à l'amélioration de l'indexation de plus 35000 archives.\\
+
+Le code du logiciel "Telemeta" dans sa version 1.0 est désormais publié et les archives du CREM disponibles (\url{http://archives.crem-cnrs.fr}). \\
+
+Chronologie:
+
+\begin{itemize}
+ \item 2007 : rencontre du CREM avec Parisson et le LAM, contour des besoins mutuels, soutiens du projet Anthroponet
+ \item 2008 : définition du cahier des charges, choix du framework, modélisation, migrateur 4D $>$ MySQL
+ \item 2009 : prototypage (v0.5), recherche de partenaires
+ \item 2010 : corrections, développement agile (v0.9), soutien du TGE Adonis
+ \item 2011 : migration définitive, v1.0 déployée sur serveur, mise en production
+\end{itemize}
+
+
+\begin{figure}[htp]
+ \centering
+ \pgfimage[width=15cm]{img/shots/index}
+ \caption{Page d'accueil de Telemeta}
+ \label{index1}
+\end{figure}
+
+
+
+\subsection{Objectifs}
+
+D'un point de vue fonctionnel:
+
+\begin{itemize}
+ \item Pérenniser les archives audionumériques (logiciels et formats)
+ \item Valoriser le patrimoine culturel par la consultation légale
+ \item Faciliter et optimiser la transmission des méta-données par l'intermédiaire de protocoles et de standards ouverts
+ \item Augmenter les capacités de recherche et de travail collaboratif (saisie en ligne, géo-localisation, web sémantique, interopérabilité, statistiques)
+ \item Définir une ergonomie d'indexation et de publication collaborative, i.e. aussi un principe de flux de travail dans un contexte de sauvegarde pérenne d'oeuvres audio-visuelles.
+\end{itemize}
+
+D'un point de vue technique:
+
+\begin{itemize}
+ \item architecture "<fluide"> : streaming, SOD
+ \item langage objet, déploiement
+ \item standards (W3C, open source, ressources JavaScript, HTML5)
+\end{itemize}
+
+\subsection{Partenariats}
+
+Les partenaires participants au projet:
+
+\begin{itemize}
+ \item CREM : Centre de Recherche en Ethnomusicologie du Laboratoire d'Ethnologie et de Sociologie Comparée (LESC), UMR 7186
+ \item LAM : équipe Lutheries, Acoustique et Musique de l'Institut Jean le Rond d'Alembert (IJLRA), UMR 7190
+ \item MAE : Médiathèque Eric-de-Dampierre de la MAE, Nanterre
+ \item MNHN : Museum National d'Histoire Naturelle
+ \item IRI : Institut de Recherche et d'Innovation
+ \item MuCEM : Musée des Civilisations de l'Europe de la Méditerranée
+ \item MMSH : Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme
+ \item TGE Adonis : Très Grand Equipement pour les sciences humaines et sociales du CNRS
+\end{itemize}
+
+
+example : CREM
+
+\subsection{Fonctionnalités}
+
+Liste des fonctionnalités principales :
+
+\begin{itemize}
+\item Edition, archivage pérenne sécurisé, indexation collaborative sur la base d'une application web
+\item Interface utilisateur conforme aux standards ouverts du web
+\item Moteur de recherche par mots clés ou par critères (géographques, ethniques, etc...)
+\item Lecteur audio avancé dynamique et paramétrable. Tous formats audio et video supportés.
+\item Moteur d'analyse et de visualisation audio basée sur une structure de modules paramétrables
+\item Transcodage vers les formats FLAC, OGG, MP3 et WAV avec encapsulation des métadonnées à la volée
+\item Gestion complète des droits et profils utilisateurs
+\item Gestion de listes de lecture personnelles avec export CSV
+\item Indexation temporelle à la volée (marqueurs textuels sur le lecteur web audio)
+\item Base de données relationnelle (type MySQL)
+\item Service d'accès aux données par le protocole OAI-PMH (moissonnage)
+\item Compatibilité DublinCore
+\item Geo-navigateur pour la géolocalisation audio (Google Maps)
+\item Flux RSS dynamique des dernières modifications
+\item Sauvegarde sérialisée des aarchives et de leurs métadonnées aux formats WAV + XML
+\item Flux RSS dynamique des dernières modifications
+\item Traduction complète anglais / français (détection automatique et/ou contrainte manuelle)
+\end{itemize}
+
+Telemeta incorpore ainsi un ensemble de fonctions spécifiques au travail des archives temporelles comme la musique ou la voix parlée / chantée, l'interface ayant été pensée par et pour les chercheurs. Les services de transposition des méta-données au format DublinCore à travers le protocole OAI-PMH permet de proposer l'ensemble des méta-données aux services de moissonnage institutionels tels que Isidore créé par le TGE Adonis pour les sciences humaines (http://www.rechercheisidore.fr).
+
+\subsection{Licence}
+
+Telemeta est publié selon les termes de la licence libre CeCILL \footnote{\dchref{http://www.cecill.info}} conforme au droit français et publiée par le CNRS, l'INRIA et le CEA.
+
+
+
+\section{Technologies et philosophie}
+
+
+\subsection{Les fondamentaux du logiciel libre}
+
+Pérenniser les ressources informatiques, copies à grandes échelles, réutilisation des innovations
+
+Dynamiser le développement (partage, communautés internationales)
+
+Limiter les coûts de déploiement à grande échelle
+
+sécurité
+
+
+
+\subsection{Standards et normes}
+
+Contraintes
+
+\subsubsection{Web, navigateurs}
+
+ \begin{itemize}
+ \item HTML5 : langage hypertextuel avec balises $<$audio$>$ $<$video$>$
+ \item CSS : feuilles de styles
+ \item JavaScript : langage côté navigateur (interfaces et lecteur dynamique)
+ \end{itemize}
+
+\subsubsection{Audio}
+
+Alors que l'application est capable de décoder tous les formats audio-visuels connus grâce à la librairie GStreamer \footnote{\url{http://gstreamer.freedesktop.org}}, nous avons fait le choix de certains formats d'export pour l'encodage audio. Alors que, par défaut, la lecture en ligne s'effectue en streaming au format MP3 ou OGG Vorbis selon la disponibilité du navigateur, certains voudront télécharger un fichier FLAC compressé sans pertes encapsulant les méta-données DublinCore ou encore au format d'origine comme le WAV.
+
+\subsubsection{Métadonnées}
+
+ \begin{itemize}
+ \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
+ \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
+ \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
+ \end{itemize}
+
+
+\subsection{Briques principales}
+
+Telemeta utilise de nombreuses briques logicielles libres, éprouvées et conformes aux standards de la programmation scientique:
+
+\begin{itemize}
+\item Linux : noyau serveur conseillé
+\item Apache : serveur web frontal (+ module WSGI)
+\item Python : langage interprété orienté objet
+\item Django : framework web pour Python
+\item MySQL : base de données relationnelle
+\item Scipy / Numpy : modules d'analyse mathématique en Python
+\item TimeSide \footnote{\url{http://code.google.com/p/timeside}} : traitement des signaux audio, lecteur audio web dynamique
+\end{itemize}
+
+
+\section{Architecture serveur}
+
+ coté serveur
+
+L'architecture de Telemeta
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=15cm]{img/architecture_fr}
+ \end{center}
+
+\subsection{Modèle de données}
+
+Modèle de données du CREM
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=15cm]{img/data_model2}
+ \end{center}
+
+\subsection{Droits d'accès}
+
+Droits d'accès
+\begin{itemize}
+ \item \textbf{Utilisateurs} : profils, droits, gestion des mots de passe
+ \item \textbf{Groupes} : administrateur, documentaliste, chercheur, membre, anonyme
+ \item \textbf{Droits} : ajouter, supprimer ou modifier les objets selon les règles
+ \item Pour tous les utilisateurs : \textbf{listes de lecture} personnelle, ajout de \textbf{marqueurs temporels}
+ \item \textbf{Droits particuliers} pour la lecture audio (date glissante de 50 ans, paramètre ``public access'')
+\end{itemize}
+
+Détail des droits des groupes
+\begin{itemize}
+ \item \textbf{Anonyme} : parcours du site, lecture selon les autorisations de chaque objet
+ \item \textbf{Membre} : ajout de listes de lectures personnelles, ajout de marqueurs
+ \item \textbf{Chercheur} : ajout et edition des fiches documentaires
+ \item \textbf{Documentaliste} : suppression d'objets, tous droits sur la base de données (hors utilisateurs), lecture audio de tous les items
+ \item \textbf{Administrateur} : ajouter des utilisateurs
+\end{itemize}
+\vspace{5mm}
++ droits spéciaux au cas par cas :
+\begin{itemize}
+ \item Lecture audio de tous les items
+ \item Téléchargement de tous les items
+\end{itemize}
+
+\subsection{Traitement audio}
+
+TimeSide : web audio components
+
+\begin{figure}[htp]
+ \centering
+ \pgfimage[width=15cm]{img/timeside_schema}
+ \caption{Schéma fonctionnel de la librairie TimeSide}
+ \label{index1}
+\end{figure}
+
+
+Pour l'analyse, le transcodage et la lecture des signaux, le projet connexe TimeSide a été créé par Parisson et d'autres développeurs externes. Cette librairie est dotée d'une architecture de processeurs de signaux temporels donnant accès à un ensemble de modules de calculs. Ces modules - écrits entièrement en Python grâce aux fonctions avancées du projet de calcul scientifique Numpy - font référence à une API simple et publiée. L'accès aux flux audio, aux flux de méta-données et aux ressources de calcul est définie par une API simple et publiée. Une couche graphique dynamique - écrite en AJAX / CSS / Javascipt y est également disponible pour la lecture et l'interfaçage du navigateur, côté client, pour l'affichage des résultats d'analyse et d'autres fonctions avancées comme l'indexation temporelle. La liste des modules diponibles peut petre agrémentée aisément de sorte que les plateformes externes, comme Telemeta, disposent automatiquement des nouveaux outils publiés. A ce jour, TimeSide est utisé par Telemeta pour calculer les images (formes d'onde, spectrogramme, etc), les propriétés acoustiques et informatique globales et moyennées des média sonores, le décodage et l'encodage des flux audio. Pour plus d'informations : \href{http://code.google.com/p/timeside/}{http://code.google.com/p/timeside/} \\
+
+
+\subsection{Moissonnage et sauvegarde}
+
+Moissonnage et sauvegarde
+
+\begin{itemize}
+\item mapping Dublin Core
+\item serveur OAI-PMH intégré
+\item flux RSS (revisions)
+\item sauvegarde sérialisée : XML + WAV
+\item upload accumulatif
+\end{itemize}
+
+\subsection{Installation}
+
+voir INSTALL.rst
+
+
+\section{Interface web}
+
+côté client
+
+\subsection{Espace utilisateur}
+
+
+\begin{figure}[htp]
+ \centering
+ \pgfimage[width=15cm]{img/shots/home1}
+ \caption{Espace de travail personnel : listes de lectures, suivi des dernières modifications}
+ \label{index1}
+\end{figure}
+
+
+\subsection{Edition}
+
+formulaires générés automatiquement selon le modèle de données
+
+\subsection{Moteur de recherche}
+
+par mot clés
+
+avancée
+
+
+\begin{figure}[htp]
+ \centering
+ \pgfimage[width=15cm]{img/shots/search1}
+ \caption{Exemple de requête de recherche avancée avec complétion dynamique des termes géographiques}
+ \label{search1}
+\end{figure}
+
+
+\subsection{Lecture et analyse audio}
+
+formats standards orientés web
+
+TimeSide UI : lecteur audio dynamique
+\begin{itemize}
+\item Lecture audio
+\item Affichage audio
+\item Indexation temporelle
+\item Portabilité
+\item Principes du modèle de développement
+\item \chref{http://code.google.com/p/timeside/wiki/UiGuide}{code.google.com/p/timeside/wiki/UiGuide}
+\end{itemize}
+
+
+\begin{figure}[htp]
+ \centering
+ \pgfimage[width=15cm]{img/shots/player_mark}
+ \caption{Exemple d'un item en cours de lecture avec affichage dynamique des contenus des marqueurs}
+ \label{item1}
+\end{figure}
+
+\subsection{Media associés}
+
+
+\subsection{Administration}
+
+\begin{itemize}
+\item Collections, Items
+\item Enumérations ou thésaurus
+\item Ontologie éthnographique
+\item Ontologie instrumentale
+\item Compositions
+\item Mots clés
+\item Marqueurs temporels
+\end{itemize}
+
+\begin{figure}[htp]
+ \centering
+ \pgfimage[width=15cm]{img/shots/admin2}
+ \caption{Page d'accueil de l'administration générale du site}
+ \label{item1}
+\end{figure}
+
+
+
+\section{Développement}
+
+\subsection{Contexte}
+
+
+Plateforme de développement : \chref{http://telemeta.org}{telemeta.org}
+
+Présentation, installation, documentation, Blog, tickets, bugs, Mailing list, Wiki
+
+utilisation de \chref{http://git-scm.org}{Git} (versionnement décentralisé) \\
+
+dépôts : vcs.parisson.com, github, vous !
+
+ \begin{verbatim}
+ git clone http://vcs.parisson.com/git/telemeta.git
+ \end{verbatim}
+
+
+
+\subsection{Modélisation}
+
+Voir \chref{telemeta/models/}{http://github.com/yomguy/Telemeta.git/telemeta/models/}
+
+\subsection{Controlleurs}
+
+Voir web/ et url.py
+
+\subsection{Vues}
+
+Voir templates/telemeta\_default/
+
+
+\subsection{Feuille de route}
+
+Objectifs pour Telemeta 1.x:
+
+\begin{itemize}
+ \item Compatibilté HTML5 totale du lecteur audio
+ \item Accès spéciaux par adresses IP
+ \item Intégration et MAJ des \textbf{ontologies} (langues, géographie)
+\end{itemize}
+\vspace{0.3cm}
+
+Objectifs pour Telemeta 2.x:
+\begin{itemize}
+ \item \textbf{Modèle générique} de données
+ \item \textbf{Fonctions d'analyse} augmentée (reconnaissance, recoupement statistique) : ANR CONTINT 2011 \textbf{DIADEMS} et ANR CORPUS 2011 \textbf{DicA2Ref}
+ \item \textbf{Déploiement mutualisé} (CNRS IN2P3)
+ \item Définition d'une \textbf{API}
+\end{itemize}
+
+
+\section{Conclusion et perspectives}
+
+\begin{itemize}
+ \item Technologie et ergonomie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine musical
+ \item \textbf{Déploiement} et \textbf{pérennité} optimisés avec les briques open source
+ \item \textbf{Intégration souple} de données métiers hétérogènes (sciences humaines et sciences informatiques)
+ \item \textbf{Plateforme collaborative} à un niveau international
+ \item Exemple au CREM du 18/05 au 25/06 : plus de \textbf{450} fiches en moyenne éditées par semaines !
+ \item Plateforme de \textbf{développement} ouverte
+\end{itemize}
+
+
+\newpage
+
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=3cm]{img/logo_telemeta_800}\\
+ \dchref{http://telemeta.org}\\
+ \vspace{1cm}
+ Telemeta 1.3 ``Bell''\\
+ \chref{http://pypi.python.org/packages/source/T/Telemeta/Telemeta-1.3.tar.gz}{http://pypi.python.org/packages/source/T/Telemeta/Telemeta-1.3.tar.gz}\\
+ \vspace{10mm}
+ \tiny{Ce document est mise à disposition selon un \chref{http://creativecommons.org/licenses/by-nc-sa/2.0/fr/}{contrat Creative Commons}}
+ \end{center}
+
+
+
+\end{document}
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-\title{\textbf{Projet TeleMeta}}
-\author{CREM, Anthroponet, MNHN, LAM, Parisson}
-\institute{Guillaume Pellerin (Parisson SARL) \\
- Joséphine Simonnot (CREM)}
-\date{\today\ - v0.4.1}
-
-\begin{document}
-\frame{\titlepage}
-
-
-\section[Plan]{}
-\frame{\tableofcontents}
-
-\section{Introduction}
-
-\subsection{Le fond d'archives du CREM}
-\frame{\frametitle{Le fond d'archives du CREM}
-Un fond ethnomusicologique unique :
-\begin{itemize}
- \item 4291 collections (inédit et édité)
- \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
- \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
- \item 3500 heures de sons édités soit 4,5 To environ
- \item 300 heures environ de video ($\approx$ 4 To)
-\end{itemize}
-\vspace{0.5cm}
-Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
-}
-
-
-\frame{\frametitle{Modèle de données du CREM}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=12cm]{img/data_model2}
- \end{center}
-}
-
-
-\subsection{Vers la numérisation}
-\frame{\tableofcontents[currentsubsection]}
-
-\frame{\frametitle{L'archivage classique sur supports physiques}
-Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
-
-\begin{columns}[c]
-
-\column{6cm}
-\begin{itemize}
- \item Buts :
- \begin{itemize}
- \item Conformité à l'oeuvre originale => \textbf{pérennité}
- \item Reproductibilité => \textbf{accessibilité}
- \end{itemize}
- \item Problèmes :
- \begin{itemize}
- \item Accès difficile aux archives
- \item Fragilité (rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...)
- \item Appareils de lecture specifiques
- \item Copie des archives disque par disque
- \end{itemize}
-\end{itemize}
-\column{6cm}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
-\end{columns}
-
-}
-
-\frame{\frametitle{L'archivage sur disque dur}
-\begin{itemize}
- \item Avantages :
- \begin{itemize}
- \item Information magnétique
- \item Confinement et compacité
- \item Vitesse et capacité d'accès (lecture et écriture)
- \item Valorisation par accès logiciel + réseau
- \item Recopie complète des données et du logiciel
- \end{itemize}
- \item Inconvénients :
- \begin{itemize}
- \item ?
- \end{itemize}
-\end{itemize}
-\begin{center}
-\pgfimage[width=5cm]{img/HDMAXTOR}
-\end{center}
-}
-
-
-\section{Objectifs du projet Telemeta}
-\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Objectifs du projet Telemeta}
-\begin{itemize}
- \item Pérenniser les archives audionumériques (logiciels et formats)
- \item Valoriser le patrimoine culturel par la consultation légale
- \item Optimiser la transmission des méta-données (OAI-PMH)
- \item Augmenter les capacités de Recherche (web sémantique, interopérabilité, croisement de données)
- \item Définir une ergonomie d'indexation, de publication et de sauvegarde des oeuvres audio.
-\end{itemize}
-\vspace{3mm}
-\begin{center}
-$\Rightarrow$ Demande de financement à TGE Adonis (AAP 2009)\\
-\end{center}
-\begin{center}
-\begin{columns}[c]
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
-\end{center}\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
-\column{2cm}
-\begin{center}
-\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
-\end{columns}
-\end{center}
-}
-
-
-\section{Technologies}
-\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Telemeta : un projet libre et ouvert}
-\textbf{Les fondamentaux du logiciel libre :}
-\begin{itemize}
- \item Pérenniser les ressources informatiques
- \item Dynamiser le développement (partage, communautés internationales)
- \item Limiter les coûts de déploiement à grande échelle
-\end{itemize}
-\vspace{3mm}
-\textbf{Briques 100\% 0pen Source :}
-\begin{itemize}
- \item \chref{http://python.org}{Python} : langage \\
- \item \chref{http://djangoproject.com}{Django} : framework \\
- \item \chref{http://mysql.com}{MySQL} : base de données relationnelle \\
- \item \chref{http://linux.com}{Linux} : noyau serveur \\
- \item \chref{http://scipy.org}{Scipy}, \chref{http://www.ar.media.kyoto-u.ac.jp/members/david/softwares/audiolab/}{Audiolab} : traitement des signaux audio
- \item \chref{http://www.cecill.info}{CeCILL} : licence libre conforme au droit français
-\end{itemize}
-}
-
-\frame{\frametitle{Les standards et normes utilisés par Telemeta}
-\begin{itemize}
- \item Web :
- \begin{itemize}
- \item \chref{http://www.w3schools.com/html/}{HTML} : langage hypertextuel
- \item \chref{http://www.w3.org/Style/CSS/}{CSS} : styles
- \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
- \end{itemize}
- \item Audio :
- \begin{itemize}
- \item \chref{http://fr.wikipedia.org/wiki/WAVEform_audio_format}{WAV} : archivage audio brut
- \item \chref{http://fr.wikipedia.org/wiki/MP3}{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
- \item \chref{http://www.vorbis.com}{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
- \item \chref{http://fr.wikipedia.org/wiki/FLAC}{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
- \end{itemize}
- \item Métadonnées :
- \begin{itemize}
- \item \chref{http://en.wikipedia.org/wiki/XML}{XML} (W3C)
- \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
- \item \chref{http://mysql.com}{SQL}
- \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
- \end{itemize}
-\end{itemize}
-}
-
-\frame{\frametitle{Plateforme communautaire de développement}
-\begin{center}
-\vspace{-0.2cm}
-\dchref{http://telemeta.org}
- \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
-\end{center}
-}
-
-% \subsection{Architecture}
-% \frame{\frametitle{L'architecture de Telemeta}
-% \begin{center}
-% \vspace{-0.2cm}
-% \pgfimage[width=11cm]{img/architecture_fr}
-% \end{center}
-% }
-
-
-\section{Développement}
-\frame{\tableofcontents[currentsection]}
-
-\subsection{Prototype 0.4.1}
-
-\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
-\begin{center}
-
-\dchref{http://crem.parisson.com}
-\end{center}
- \begin{center}
- \vspace{-0.3cm}
- \pgfimage[width=11cm]{img/crem_telemeta-0.3.2}
- \end{center}
-}
-
-
-% \subsection{Démonstration}
-% \frame{\tableofcontents[currentsubsection]}
-
-
-\subsection{Besoins}
-\frame{\frametitle{Objectifs pour la version 1.0 de production}
-Elements à programmer et/ou consolider pour la version 1.0 de production
-\begin{itemize}
- \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
- \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
- \item \textbf{Sauvegarde} externe (audio + meta-données)
- \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
- \item \textbf{Marqueurs} temporels, lecture dynamique avec le moteur \chref{http://code.google.com/p/timeside/}{TimeSide}
- \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
- \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
- \item Fonctions de test
-\end{itemize}
-}
-
-\frame{\frametitle{TimeSide : librairie de composants audio pour le web}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/timeside_schema}
- \end{center}
-}
-
-
-\frame{\frametitle{En route pour 1.0 (edition)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
- \end{center}
-}
-
-
-\frame{\frametitle{En route pour 1.0 (vue item)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/maquette_v0.4_item_view}
- \end{center}
-}
-
-
-
-\frame{\frametitle{Partenariats}
-Partenaires participants :
-\begin{itemize}
- \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
- \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
- \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
- \item Museum National d'Histoire Naturelle (\textbf{MNHN})
- \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
- \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
-\end{itemize}
-Partenaires potentiels :
-\begin{itemize}
- \item Bibliothèque Nationale de France (\textbf{BNF})
- \item Institut National de l'Audiovisuel (\textbf{INA})
- \item Institut de Recherche et d'Innovation (\textbf{IRI})
- \item Queen Mary University (\textbf{QMU}, Londres)
-\end{itemize}
-}
-
-
-\section{Conclusion et perspectives}
-\frame{\frametitle{Conclusion et perspectives}
-\begin{itemize}
- \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
- \item \textbf{Déploiement} et \textbf{pérennité} optimisés avec les briques Open Source
- \item \textbf{Intégration souple} de données métiers hétérogènes (sciences humaines et sciences informatiques)
- \item Plateforme de \textbf{développement} ouverte
- \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions et l'export des fonctions vers d'autres logiciels.
- \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
-\end{itemize}
-}
-
-\frame{\frametitle{Merci !}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=3cm]{img/logo_telemeta_sat}\\
- \dchref{http://telemeta.org}\\
- \vspace{10mm}
- \pgfimage[width=3.5cm]{img/parisson_logo_200}\\
- \dchref{http://parisson.com}\\
- \vspace{10mm}
- \pgfimage[width=1cm]{img/88x31.png}\\
- Ce document est mise à disposition sous un \chref{http://creativecommons.org/licenses/by-nc-sa/2.0/fr/}{contrat Creative Commons}.
- \end{center}
-}
-
-
-\end{document}
\ No newline at end of file
+++ /dev/null
-\documentclass[mathserif]{beamer}
-
-% FOR BEAMER SLIDES
-%\usepackage{palatino}
-%\usepackage{helvet}
-%\usepackage{eulervm}
-\usepackage{mathpazo}
-%\documentclass[sans,mathserif]{beamer}
-%\usepackage{kerkis}
-%\usepackage{kmath}
-\usepackage{beamerthemeCambridgeUS}
-%\usepackage{beamerthemeBoadilla}
-%\usepackage{beamerthemeDarmstadt}
-%\usepackage{beamerthemeGoettingen}
-\usepackage[latin1]{inputenc}
-\usepackage[]{fontenc}
-\usepackage[francais]{babel}
-\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
-\usepackage{colortbl}
-\usepackage{amsmath,amssymb,amsfonts}
-\usepackage{latexsym}
-\usepackage{amsthm}
-\usepackage{newlfont}
-\usepackage{url}
-\urlstyle{footnotesize}
-\columnsep 1cm
-\columnsep 1cm
-\definecolor{rouge}{rgb}{0.7,0.1,0.1}
-\newcommand{\chref}[2]{
- \href{#1}{\color{rouge}\underline{#2}}
-}
-\newcommand{\dchref}[1]{
- \href{#1}{\color{rouge}\underline{#1}}
-}
-\newcommand{\curl}[1]{
- \color{rouge}\underline{\url{#1}}
-}
-\title{\textbf{Projet TeleMeta}}
-\author{CREM, Anthroponet, MNHN, LAM, Parisson}
-\institute{Guillaume Pellerin (Parisson SARL) \\
- Joséphine Simonnot (CREM)}
-\date{\today\ - v0.4.1}
-
-\begin{document}
-\frame{\titlepage}
-
-
-\section[Plan]{}
-\frame{\tableofcontents}
-
-\section{Introduction}
-
-\subsection{Le fond d'archives du CREM}
-\frame{\frametitle{Le fond d'archives du CREM}
-Un fond ethnomusicologique unique :
-\begin{itemize}
- \item 4291 collections (inédit et édité)
- \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
- \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
- \item 3500 heures de sons édités soit 4,5 To environ
- \item 300 heures environ de video ($\approx$ 4 To)
-\end{itemize}
-\vspace{0.5cm}
-Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
-}
-
-
-\frame{\frametitle{Modèle de données du CREM}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=12cm]{img/data_model2}
- \end{center}
-}
-
-
-\subsection{Vers la numérisation}
-\frame{\tableofcontents[currentsubsection]}
-
-\frame{\frametitle{L'archivage classique sur supports physiques}
-Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
-
-\begin{columns}[c]
-
-\column{6cm}
-\begin{itemize}
- \item Buts :
- \begin{itemize}
- \item Conformité à l'oeuvre originale : \textbf{pérennité}
- \item Reproductibilité : \textbf{accessibilité}
- \end{itemize}
- \item Problèmes :
- \begin{itemize}
- \item Accès difficile aux archives
- \item Fragilité (rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...)
- \item Appareils de lecture specifiques
- \item Copie des archives disque par disque
- \end{itemize}
-\end{itemize}
-\column{6cm}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
-\end{columns}
-
-}
-
-\frame{\frametitle{L'archivage sur disque dur}
-\begin{itemize}
- \item Avantages :
- \begin{itemize}
- \item Information magnétique
- \item Confinement et compacité
- \item Vitesse et capacité d'accès (lecture et écriture)
- \item Valorisation par accès logiciel + réseau
- \item Recopie complète des données et du logiciel
- \item Coût de l'octet très réduit
- \end{itemize}
- \item Inconvénients :
- \begin{itemize}
- \item ?
- \end{itemize}
-\end{itemize}
-\begin{center}
-\pgfimage[width=5cm]{img/HDMAXTOR}
-\end{center}
-}
-
-
-\section{Objectifs du projet Telemeta}
-\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Objectifs du projet Telemeta}
-\begin{itemize}
- \item Pérenniser les archives audionumériques (logiciels et formats)
- \item Valoriser le patrimoine culturel par la consultation légale
- \item Optimiser la transmission des méta-données (OAI-PMH)
- \item Augmenter les capacités de Recherche (web sémantique, interopérabilité, croisement de données)
- \item Définir une ergonomie d'indexation, de publication et de sauvegarde des oeuvres audio.
-\end{itemize}
-\vspace{3mm}
-\begin{center}
-$\Rightarrow$ Demande de financement à TGE Adonis (AAP 2009)\\
-\end{center}
-\begin{center}
-\begin{columns}[c]
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
-\end{center}\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
-\column{2cm}
-\begin{center}
-\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
-\end{columns}
-\end{center}
-}
-
-
-\section{Technologies}
-\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Telemeta : un projet libre et ouvert}
-\textbf{Les fondamentaux du logiciel libre :}
-\begin{itemize}
- \item Pérenniser les ressources informatiques
- \item Dynamiser le développement (partage, communautés internationales)
- \item Limiter les coûts de déploiement à grande échelle
-\end{itemize}
-\vspace{3mm}
-\textbf{Briques 100\% 0pen Source :}
-\begin{itemize}
- \item \chref{http://python.org}{Python} : langage \\
- \item \chref{http://djangoproject.com}{Django} : framework \\
- \item \chref{http://mysql.com}{MySQL} : base de données relationnelle \\
- \item \chref{http://linux.com}{Linux} : noyau serveur \\
- \item \chref{http://scipy.org}{Scipy}, \chref{http://www.ar.media.kyoto-u.ac.jp/members/david/softwares/audiolab/}{Audiolab} : traitement des signaux audio
- \item \chref{http://www.cecill.info}{CeCILL} : licence libre conforme au droit français
-\end{itemize}
-}
-
-\frame{\frametitle{Les standards et normes utilisés par Telemeta}
-\begin{itemize}
- \item Web :
- \begin{itemize}
- \item \chref{http://www.w3schools.com/html/}{HTML} : langage hypertextuel
- \item \chref{http://www.w3.org/Style/CSS/}{CSS} : styles
- \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
- \end{itemize}
- \item Audio :
- \begin{itemize}
- \item \chref{http://fr.wikipedia.org/wiki/WAVEform_audio_format}{WAV} : archivage audio brut
- \item \chref{http://fr.wikipedia.org/wiki/MP3}{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
- \item \chref{http://www.vorbis.com}{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
- \item \chref{http://fr.wikipedia.org/wiki/FLAC}{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
- \end{itemize}
- \item Métadonnées :
- \begin{itemize}
- \item \chref{http://en.wikipedia.org/wiki/XML}{XML} (W3C)
- \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
- \item \chref{http://mysql.com}{SQL}
- \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
- \end{itemize}
-\end{itemize}
-}
-
-\frame{\frametitle{Plateforme communautaire de développement}
-\begin{center}
-\vspace{-0.2cm}
-\dchref{http://telemeta.org}
- \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
-\end{center}
-}
-
-% \subsection{Architecture}
-% \frame{\frametitle{L'architecture de Telemeta}
-% \begin{center}
-% \vspace{-0.2cm}
-% \pgfimage[width=11cm]{img/architecture_fr}
-% \end{center}
-% }
-
-
-\section{Développement}
-\frame{\tableofcontents[currentsection]}
-
-\subsection{Prototype 0.4.1}
-
-\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
-\begin{center}
-
-\dchref{http://crem.parisson.com}
-\end{center}
- \begin{center}
- \vspace{-0.3cm}
- \pgfimage[width=11cm]{img/crem_telemeta-0.3.2}
- \end{center}
-}
-
-
-% \subsection{Démonstration}
-% \frame{\tableofcontents[currentsubsection]}
-
-
-\subsection{Besoins}
-\frame{\frametitle{Objectifs pour la version 1.0 de production}
-Elements à programmer et/ou consolider pour la version 1.0 de production (voir CDC fonctionnel fourni au CREM en juillet 2009)
-\vspace{3mm}
-\begin{itemize}
- \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
- \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
- \item \textbf{Sauvegarde} externe (audio + meta-données)
- \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
- \item \textbf{Marqueurs} temporels, lecture dynamique avec le moteur \chref{http://code.google.com/p/timeside/}{TimeSide}
- \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
- \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
- \item Fonctions de test
-\end{itemize}
-}
-
-\frame{\frametitle{TimeSide : librairie de composants audio pour le web}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=8cm]{img/timeside_schema}
- \vspace{5mm}
- \url{http://code.google.com/p/timeside}
- \end{center}
-}
-
-
-\frame{\frametitle{En route pour 1.0 (edition)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
- \end{center}
-}
-
-
-\frame{\frametitle{En route pour 1.0 (vue item)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/maquette_v0.4_item_view}
- \end{center}
-}
-
-
-
-\frame{\frametitle{Partenariats}
-Partenaires participants :
-\begin{itemize}
- \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
- \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
- \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
- \item Museum National d'Histoire Naturelle (\textbf{MNHN})
- \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
- \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
-\end{itemize}
-Partenaires potentiels :
-\begin{itemize}
- \item Bibliothèque Nationale de France (\textbf{BNF})
- \item Institut National de l'Audiovisuel (\textbf{INA})
- \item Institut de Recherche et d'Innovation (\textbf{IRI})
- \item Queen Mary University (\textbf{QMU}, Londres)
-\end{itemize}
-}
-
-
-\section{Conclusion et perspectives}
-\frame{\frametitle{Conclusion et perspectives}
-\begin{itemize}
- \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
- \item \textbf{Déploiement} et \textbf{pérennité} optimisés grâce aux briques Open Source
- \item \textbf{Intégration souple} de données métiers hétérogènes (sciences humaines et sciences informatiques)
- \item Plateforme de \textbf{développement} ouverte
- \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions et l'export des fonctions vers d'autres logiciels.
- \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
-\end{itemize}
-}
-
-\frame{\frametitle{Merci !}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=3cm]{img/logo_telemeta_sat}\\
- \dchref{http://telemeta.org}\\
- \vspace{10mm}
- \pgfimage[width=3.5cm]{img/parisson_logo_200}\\
- \dchref{http://parisson.com}\\
- \vspace{10mm}
- \pgfimage[width=1cm]{img/88x31.png}\\
- Ce document est mise à disposition selon les termes de la licence \chref{http://creativecommons.org/licenses/by-nc-sa/2.0/fr/}{Creative Commons}.
- \end{center}
-}
-
-
-\end{document}
\ No newline at end of file
+++ /dev/null
-\documentclass[mathserif]{beamer}
-
-% FOR BEAMER SLIDES
-%\usepackage{palatino}
-%\usepackage{helvet}
-%\usepackage{eulervm}
-\usepackage{mathpazo}
-%\documentclass[sans,mathserif]{beamer}
-%\usepackage{kerkis}
-%\usepackage{kmath}
-\usepackage{beamerthemeCambridgeUS}
-%\usepackage{beamerthemeBoadilla}
-%\usepackage{beamerthemeDarmstadt}
-%\usepackage{beamerthemeGoettingen}
-\usepackage[utf8]{inputenc}
-\usepackage[]{fontenc}
-\usepackage[francais]{babel}
-\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
-\usepackage{colortbl}
-\usepackage{amsmath,amssymb,amsfonts}
-\usepackage{latexsym}
-\usepackage{amsthm}
-\usepackage{newlfont}
-\usepackage{url}
-\urlstyle{footnotesize}
-\columnsep 1cm
-\columnsep 1cm
-\definecolor{rouge}{rgb}{0.7,0.1,0.1}
-\newcommand{\chref}[2]{
- \href{#1}{\color{rouge}\underline{#2}}
-}
-\newcommand{\dchref}[1]{
- \href{#1}{\color{rouge}\underline{#1}}
-}
-\newcommand{\curl}[1]{
- \color{rouge}\underline{\url{#1}}
-}
-\title{\textbf{Projet Telemeta CREM}}
-\institute{J. Simonnot (CREM), G. Pellerin (Parisson), R. Zaccarelli (Parisson)\\ R. Walter (TGE Adonis), J. Lambert (CREM)}
-\date{\today\ - CREM - v1.0}
-
-\begin{document}
-\frame{\titlepage
-\vspace{-1cm}
-\begin{center}
-\pgfimage[width=3cm]{img/logo_telemeta_800}
- \end{center}
-}
-
-\section[Plan]{}
-\frame{\tableofcontents}
-
-\section{Introduction}
-% R. Walter, J. Lambert
-
-
-\subsection{Les archives du CREM}
-\frame{\tableofcontents[currentsubsection]}
-% J. Simonnot
-\frame{\frametitle{Des cylindres au web}
-Le CREM : un fond ethnomusicologique unique
-\begin{itemize}
- \item Plus de 5300 collections (inédit et édité)
- \item Plus de 34000 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
- \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
- \item 3500 heures de sons édités soit 4,5 To environ
- \item 300 heures environ de video ($\approx$ 4 To)
-\end{itemize}
-\vspace{0.5cm}
-Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
-}
-
-
-\subsection{Historique du projet}
-\frame{\tableofcontents[currentsubsection]}
-% J. Simonnot
-
-
-\section{Présentation du logiciel}
-
-\subsection{Objectifs}
-\frame{\tableofcontents[currentsubsection]}
-
-\frame{\frametitle{Telemeta : Web Audio Content Management System}
-\begin{itemize}
- \item Pérenniser les archives audionumériques (logiciels et formats)
- \item Valoriser le patrimoine culturel par la consultation légale
- \item Faciliter et optimiser la transmission des méta-données
- \item Augmenter les capacités de recherche et de travail collaboratif (saisie en ligne, géo-localisation, web sémantique, interopérabilité, croisement de données)
- \item Définir une ergonomie d'indexation et de publication, un principe de sauvegarde des oeuvres musicales
-\end{itemize}
-\vspace{3mm}
-
-\begin{center}
-\begin{columns}[c]
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2cm]{img/tge_logo}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
-\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
-\column{2cm}
-\begin{center}
-\pgfimage[width=1.2cm]{img/logo-mnhn}\end{center}
-\end{columns}
-\end{center}
-}
-
-
-\subsection{Technologies}
-\frame{\tableofcontents[currentsubsection]}
-
-\frame{\frametitle{Telemeta : un projet libre et ouvert}
-\textbf{Les fondamentaux du logiciel libre :}
-\begin{itemize}
- \item Pérenniser les ressources informatiques
- \item Dynamiser le développement (partage, communautés internationales)
- \item Limiter les coûts de déploiement à grande échelle
-\end{itemize}
-\vspace{3mm}
-\textbf{Briques 100\% 0pen Source :}
-\begin{itemize}
- \item \chref{http://python.org}{Python} et \chref{http://djangoproject.com}{Django} : langage côté serveur et framework web \\
- \item \chref{http://code.google.com/p/timeside}{TimeSide} : traitement des signaux audio, lecteur audio dynamique
- \item \chref{http://mysql.com}{MySQL} : base de données relationnelle \\
- \item \chref{http://linux.com}{Linux} : noyau serveur \\
- \item \chref{http://www.cecill.info}{CeCILL} : licence libre conforme au droit français (CNRS, INRIA, CEA)
-\end{itemize}
-}
-
-\frame{\frametitle{Les standards et normes utilisés par Telemeta}
-\begin{itemize}
- \item Web :
- \begin{itemize}
- \item \chref{http://www.w3schools.com/html/}{HTML} : langage hypertextuel
- \item \chref{http://www.w3.org/Style/CSS/}{CSS} : styles
- \item \chref{http://fr.wikipedia.org/wiki/JavaScript}{JavaScript} : langage côté navigateur (interfaces et lecteur dynamiques)
- \end{itemize}
- \item Audio :
- \begin{itemize}
- \item \chref{http://fr.wikipedia.org/wiki/WAVEform_audio_format}{WAV} : archivage audio brut
- \item \chref{http://fr.wikipedia.org/wiki/MP3}{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
- \item \chref{http://www.vorbis.com}{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
- \item \chref{http://fr.wikipedia.org/wiki/FLAC}{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
- \end{itemize}
- \item Métadonnées :
- \begin{itemize}
- \item \chref{http://en.wikipedia.org/wiki/XML}{XML} (W3C)
- \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
- \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
- % \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
- \end{itemize}
-\end{itemize}
-}
-
-
-\subsection{Développement}
-\frame{\tableofcontents[currentsubsection]}
-
-\frame{\frametitle{Plateforme communautaire de développement}
-\chref{http://telemeta.org}{telemeta.org}
-\begin{itemize}
- \item Présentation, installation, documentation
- \item Blog, tickets, bugs
- \item Mailing list
- \item Wiki
-\end{itemize}
-\vspace{0.5cm}
-\chref{http://code.google.com/p/timeside}{code.google.com/p/timeside}
-\begin{itemize}
- \item Présentation, installation, examples, documentation
- \item tickets, bugs
- \item Wiki
-\end{itemize}
-}
-
-\frame{\frametitle{L'architecture de Telemeta}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=11cm]{img/architecture_fr}
- \end{center}
-}
-
-\subsection{Modèle de données}
-\frame{\tableofcontents[currentsubsection]}
-
-\frame{\frametitle{Modèle de données du CREM}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=12cm]{img/data_model2}
- \end{center}
-}
-
-\subsection{Interface web}
-\frame{\tableofcontents[currentsubsection]}
-
-\subsection{Droits d'accès}
-\frame{\tableofcontents[currentsubsection]}
-\frame{\frametitle{Droits d'accès}
-\begin{itemize}
- \item \textbf{Utilisateurs} : profils, droits, gestion des mots de passe
- \item \textbf{Groupes} : administrateur, documentaliste, chercheur, membre, anonyme
- \item \textbf{Droits} : ajouter, supprimer ou modifier les objets selon les règles
- \item Pour tous les utilisateurs : \textbf{listes de lecture} personnelle, ajout de \textbf{marqueurs temporels}
- \item \textbf{Droits particuliers} pour la lecture audio (date glissante de 50 ans, paramètre ``public access'')
-\end{itemize}
-}
-
-\frame{\frametitle{Détail des droits des groupes}
-\begin{itemize}
- \item \textbf{Anonyme} : parcours du site, lecture selon les autorisations de chaque objet
- \item \textbf{Membre} : ajout de listes de lectures personnelles, ajout de marqueurs
- \item \textbf{Chercheur} : ajout et edition des fiches documentaires
- \item \textbf{Documentaliste} : suppression d'objets, tous droits sur la base de données (hors utilisateurs), lecture audio de tous les items
- \item \textbf{Administrateur} : ajouter des utilisateurs
-\end{itemize}
-\vspace{5mm}
-+ droits spéciaux au cas par cas :
-\begin{itemize}
- \item Lecture audio de tous les items
- \item Téléchargement de tous les items
-\end{itemize}
-
-}
-
-\subsection{Edition / Saisie}
-\frame{\tableofcontents[currentsubsection]}
-\frame{\frametitle{Edition des objets}
-\begin{itemize}
-\item Saisie documentaire
-\item Collections, Items
-\item Enumérations (Thésaurus)
-\item Lieux
-\item Instruments
-\item Compositions
-\item Mots clés
-\item Marqueurs temporels
-\end{itemize}
-}
-
-\subsection{Traitement et lecture audio}
-\frame{\tableofcontents[currentsubsection]}
-\frame{\frametitle{TimeSide : Web Audio Components}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/timeside_schema}
- \end{center}
-}
-
-\frame{\frametitle{TimeSide UI : lecteur audio dynamique (R. Zaccarelli)}
-\begin{itemize}
-\item Lecture audio
-\item Affichage audio
-\item Indexation temporelle
-\item Portabilité
-\item Principes du modèle de développement
-\item \chref{http://code.google.com/p/timeside/wiki/UiGuide}{code.google.com/p/timeside/wiki/UiGuide}
-\end{itemize}
-}
-
-\subsection{Moissonnage et sauvegarde}
-\frame{\tableofcontents[currentsubsection]}
-\frame{\frametitle{Moissonnage et sauvegarde}
-\begin{itemize}
-\item Dublin Core
-\item OAI-PMH
-\item Flux RSS (revisions)
-\item XML + WAV
-\end{itemize}
-}
-
-
-\frame{\frametitle{Partenariats}
-Partenaires participants :
-\begin{itemize}
- \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
- \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
- \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
- \item Museum National d'Histoire Naturelle (\textbf{MNHN})
- \item Institut de Recherche et d'Innovation (\textbf{IRI})
- \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
- \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
-\end{itemize}
-Partenaires potentiels :
-\begin{itemize}
- \item Bibliothèque Nationale de France (\textbf{BNF})
- \item Institut National de l'Audiovisuel (\textbf{INA})
- \item Queen Mary University (\textbf{QMU}, Londres)
-\end{itemize}
-}
-
-
-\section{Conclusion et perspectives}
-\frame{\frametitle{Conclusion et perspectives}
-\begin{itemize}
- \item Technologie et ergonomie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine musical
- \item \textbf{Déploiement} et \textbf{pérennité} optimisés avec les briques open source
- \item \textbf{Intégration souple} de données métiers hétérogènes (sciences humaines et sciences informatiques)
- \item \textbf{Plateforme collaborative} à un niveau international
- \item Exemple au CREM du 18/05 au 25/06 : plus de \textbf{450} fiches en moyenne éditées par semaines !
- \item Plateforme de \textbf{développement} ouverte
-\end{itemize}
-}
-
-
-\frame{\frametitle{Objectifs pour Telemeta 1.X}
-\begin{itemize}
- \item \textbf{Modèle générique} de données
- \item \textbf{Documents attachés} (images, textes, vidéos, etc...)
- \item \textbf{Compatibilté HTML5} totale du lecteur
- \item \textbf{Fonctions d'analyse} augmentée (reconnaissance, recoupement statistique) : ANR CONTINT 2011 \textbf{DIADEMS}
- \item \textbf{Déploiement mutualisé} (CNRS IN2P3)
- \item \textbf{Accès spéciaux} par adresses IP
- \item Définition d'une \textbf{API}
-\end{itemize}
-}
-
-\frame{\frametitle{Merci !}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=3cm]{img/logo_telemeta_2}\\
- \dchref{http://telemeta.org}\\
- \vspace{1cm}
- Telemeta 1.0 ``Bell''\\
- \chref{http://debian.parisson.org/telemeta-1.0.tar.gz}{debian.parisson.org/telemeta-1.0.tar.gz}\\
- \vspace{10mm}
- \tiny{Ce document est mise à disposition selon un \chref{http://creativecommons.org/licenses/by-nc-sa/2.0/fr/}{contrat Creative Commons}}
- \end{center}
-}
-
-
-\end{document}
\ No newline at end of file
+++ /dev/null
-../Common/img/
\ No newline at end of file
+++ /dev/null
-../Common/pdf_article_profile.sty
\ No newline at end of file
--- /dev/null
+@Misc{OAI-PMH,
+ key = "OAI-PMH",
+ url = "http://www.openarchives.org/pmh/",
+ title = "Open Archives Initiative Protocol for Metadata
+ Harvesting"
+}
+
+
+@Misc{DublinCore,
+ key = "DublinCore",
+ title = "{Dublin Core} Metadata Initiative",
+ url = "http://dublincore.org/"
+}
+
+
+
+@Misc{telemetaCREM,
+ key = "telemetaCREM",
+ title = "Archives sonores du {CNRS} - {Musée de l'Homme}",
+ url = "http://archives.crem-cnrs.fr"}
+
+
+@PhdThesis{BrossierPhD,
+ author = {Paul Brossier},
+ title = {Automatic annotation of musical audio for
+ interactive systems},
+ school = {Centre for Digital music, Queen Mary University of
+ London, UK},
+ year = 2006
+}
+
+
+@inproceedings{yaafe_ISMIR2010,
+ author = {Mathieu, Benoît and Essid, Slim and Fillon, Thomas
+ and Prado, Jacques and Richard, Gaël},
+ title = {Yaafe, An Easy To Use And Efficient Audio Feature
+ Extraction Software},
+ booktitle = {Proc. of ISMIR 2010, Utrecht, Netherlands},
+ year = 2010,
+ pages = {441-446},
+ publisher = {International Society for Music Information
+ Retrieval},
+ url =
+ {http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}
+}
+
+@Misc{vamp-plugins,
+ key = {vamp},
+ title = {The {Vamp} audio analysis plugin system},
+ url = {http://www.vamp-plugins.org}
+}
+
--- /dev/null
+\r
+%%%%%%%%%%%%%%%%%%%%%%% file typeinst.tex %%%%%%%%%%%%%%%%%%%%%%%%%\r
+%\r
+% This is the LaTeX source for the instructions to authors using\r
+% the LaTeX document class 'llncs.cls' for contributions to\r
+% the Lecture Notes in Computer Sciences series.\r
+% http://www.springer.com/lncs Springer Heidelberg 2006/05/04\r
+%\r
+% It may be used as a template for your own input - copy it\r
+% to a new file with a new name and use it as the basis\r
+% for your article.\r
+%\r
+% NB: the document class 'llncs' has its own and detailed documentation, see\r
+% ftp://ftp.springer.de/data/pubftp/pub/tex/latex/llncs/latex2e/llncsdoc.pdf\r
+%\r
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
+\r
+\r
+\documentclass[runningheads,a4paper]{llncs}\r
+\r
+\usepackage{amssymb}\r
+\setcounter{tocdepth}{3}\r
+\usepackage{graphicx}\r
+\usepackage{xcolor}\r
+\usepackage{hyperref}\r
+\usepackage[utf8]{inputenc}\r
+\usepackage[T1]{fontenc}\r
+\r
+\newcommand{\keywords}[1]{\par\addvspace\baselineskip\r
+\noindent\keywordname\enspace\ignorespaces#1}\r
+\r
+\pagestyle{headings}\r
+\r
+\begin{document}\r
+\r
+\mainmatter % start of an individual contribution\r
+\r
+% first the title is needed\r
+\title{TELEMETA, audio web Content Management System for ethnomusicological sound archives}\r
+\r
+% a short form should be given in case it is too long for the running head\r
+\titlerunning{TELEMETA, audio web CMS for ethnomusicological sound archives}\r
+\r
+% the name(s) of the author(s) follow(s) next\r
+%\r
+% NB: Chinese authors should write their first names(s) in front of\r
+% their surnames. This ensures that the names appear correctly in\r
+% the running heads and the author index.\r
+%\r
+\author{Thomas Fillon\inst{1,2} \and Guillaume Pellerin\inst{1} \and Paul Brossier\inst{1}\r
+ \and Jos{\'e}phine Simonnot\inst{3} \r
+\thanks{This work was partially done inside the DIADEMS project funded by the national french agency ANR (CONTINT)}\r
+}\r
+%\r
+\authorrunning{Thomas Fillon \and Guillaume Pellerin \and Paul Brossier \and Jos{\'e}phine Simonnot}\r
+% (feature abused for this document to repeat the title also on left hand pages)\r
+\r
+% the affiliations are given next; don't give your e-mail address\r
+% unless you accept that it will be published\r
+\institute{\r
+% 1 - PARISSON\r
+\href{http://www.parisson.com}{PARISSON}, 16 rue Jacques Louvel-Tessier 75010 Paris, France\r
+\url{{thomas.fillon,guillaume.pellerin}@parisson.com}\r
+% 2 - LAM / UPMC\r
+\and \r
+LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,\\ \r
+ 11 rue de Lourmel, 75015 Paris, France\r
+% 3 - CREM\r
+\and\r
+CREM, LESC, UMR CNRS 7186\\ MAE, Université Paris Ouest Nanterre La Défense,\r
+21 Allée de l'Université - 92023 Nanterre\\\r
+\url{josephine.simonnot@mae.u-paris10.fr}}\r
+\r
+%\toctitle{Lecture Notes in Computer Science}\r
+%\tocauthor{Authors' Instructions}\r
+\maketitle\r
+\r
+% Reset Footnote counter after author definition\r
+\setcounter{footnote}{0}\r
+\r
+\r
+\begin{abstract}\r
+\emph{Telemeta} is an open-source audio web Content Management System (CMS) dedicated to digital sound archives secure storing, indexing and publishing. The demonstration presents the features of this platform in the context of \emph{ethnomusicological} research. It focuses on the enhance and collaborative user-experience in accessing audio items and their associated metadata and on the possibility for the expert user to further enrich those metadata. \emph{Telemeta} also provides integrated audio signal processing tools for automatic analysis of sound items.\r
+\keywords{Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}\r
+\end{abstract}\r
+\r
+\r
+\section{Introduction}\r
+\r
+In social sciences like anthropology and linguistics, researchers have to work on multiple types of multimedia documents such as photos, videos, sound recordings or databases. The need to easily access, visualize and annotate such materials can be problematic given their diverse formats, sources and given their chronological nature.\r
+With this in mind, some laboratories\footnote{The Research Center on Ethnomusicology (CREM), the Musical Acoustics Laboratory (LAM, UMR 7190) and the sound archives of the Mediterranean House of Human Sciences (MMHS)} involved in ethnomusicological research have been working together on that issue.\r
+\r
+The CREM laboratory and Parisson, a company specialized in the management of audio databases, have been developing an innovative, collaborative and interdisciplinary open-source web-based multimedia platform since 2007. This platform, \emph{Telemeta} is designed to fit the professional requirements from both sound archivists and researchers in ethnomusicology. The first prototype of this platform has been online\footnote{Archives sonores du CNRS, Musée de l'Homme, \url{http://archives.crem-cnrs.fr}} since 2008.\r
+\r
+\section{Telemeta}\label{sec:Telemeta}\vspace{-0.2cm}\r
+\subsection{Web audio content management features and architecture}\r
+Telemeta\footnote{\url{http://telemeta.org}} is a free and open source\footnote{Telemeta code is available under the \href{http://cecill.info/licences/Licence_CeCILL_V2-en.html}{CeCILL Free Software License Agreement}} web audio content management system which introduces efficient and secure methods for back-uping, indexing, transcoding, analysing and publishing any digitalized audio file with its metadata. \r
+\r
+An overview of the Telemeta's web interface is illustrated in Figure~\ref{fig:Telemeta}\r
+\begin{figure}[htbp]\r
+ \centering\r
+ \includegraphics[width=10cm]{img/telemeta.png}\r
+ \caption{Screenshot excerpt of the \emph{Telemeta} web interface}\label{fig:Telemeta}\r
+\end{figure}\r
+\r
+Telemeta is ideal for professionals who wants to easily organize, backup, archive and publish documented sound collections of audio files, CDs, digitalized vinyls and magnetic tapes over a strong database, in accordance with open web standards. \r
+\emph{Telemeta} architecture is flexible and can easily be adapted to particular database organization of a given sound archives. \r
+\r
+The main features of \emph{Telemeta} are:\r
+\vspace{-0.1cm}\r
+\begin{itemize}\r
+\item \emph{Pure HTML} web user interface including high level \emph{search engine}\r
+\item Smart \emph{workflow management} with contextual user lists, profiles and rights\r
+ % \item RSS and JSON feed generators\r
+ % \item XML serialized backup\r
+\item Strong Structured Query Language (SQL) or Oracle backend\r
+\item Model-View-Controller (MVC) architecture \r
+\end{itemize}\r
+Beside database management, the audio support is mainly provided through an external component, TimeSide, which is described in Section~\ref{sec:Timeside}.\r
+\r
+\subsection{Metadata}\label{sec:metadata}\r
+In addition to the audio data, an efficient and dynamic management of the associated metadata is also required. %Consulting metadata provide both an exhaustive access to valuable information about the source of the data and to the related work of peer researchers. \r
+Dynamically handling metadata in a collaborative manner optimises the continuous process of knowledge gathering and enrichment of the materials in the database. \r
+%One of the major challenge is thus the standardization of audio and metadata formats with the aim of long-term preservation and usage of the different materials.\r
+The compatibility with other systems is facilitated by the integration of the metadata standards protocols \emph{Dublin Core} and \emph{OAI-PMH} (Open Archives Initiative Protocol for Metadata Harvesting) \cite{DublinCore,OAI-PMH}.\r
+\vspace{-0.2cm}\r
+%Metadata provide two different kinds of information about the audio item: contextual information and annotations.\r
+\paragraph{Contextual Information}\r
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format. \vspace{-0.2cm}\r
+\paragraph{Annotations and segmentation}\r
+Metadata also consist in temporal information such as a list of \emph{time-coded markers} associated with annotations and a list of of \emph{time-segments} associated with labels. The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).\r
+It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis (see Section~\ref{sec:Timeside}).\r
+\r
+\r
+\section{TimeSide}\label{sec:Timeside}\vspace{-0.2cm}\r
+One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with audio signal processing analysis capabilities. Figure~\ref{fig:TimeSide_Archi} illustrates the overall architecture of \emph{TimeSide}.\r
+\r
+\begin{figure}[htbp]\r
+ \centering\r
+ \includegraphics[width=10.5cm]{img/timeside_schema.pdf}\r
+ \caption{TimeSide architecture (see \url{https://code.google.com/p/timeside/})}\label{fig:TimeSide_Archi}\r
+\end{figure}\r
+\r
+\vspace{-0.4cm}\r
+\subsection{Audio management}\r
+TimeSide provides the following main features:\r
+\begin{itemize}\r
+\item \emph{Secure archiving, editing and publishing of audio files} over\r
+ internet.\r
+\item Smart \emph{audio player} with enhanced visualisation (waveform, spectrogram)\r
+\item \emph{Multi-format support}: reads all available audio and video formats through Gstreamer, transcoding with smart streaming and caching methods% (FLAC, OGG, MP3, WAV and WebM)\r
+ % \item \emph{Playlist management} for all users with CSV data export\r
+\item "On the fly" \emph{audio analyzing, transcoding and metadata\r
+ embedding} based on an easy plugin architecture\r
+\end{itemize}\r
+\vspace{-0.4cm}\r
+\subsection{Audio features extraction}\r
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as \href{http://aubio.org}{Aubio}, \href{http://yaafe.sourceforge.net}{Yaafe} and \href{http://www.vamp-plugins.org}{Vamp plugins} \cite{brossierPhD,yaafe_ISMIR2010,vamp-plugins}.\r
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.\r
+Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide automatic annotation, segmentation and similarity analysis.\r
+\vspace{-0.2cm}\r
+\section{Conclusion - Purpose of the demonstration}\vspace{-0.1cm}\r
+The demonstration presents the features offered by \emph{Telemeta} as detailed in Section~\ref{sec:Telemeta} in the context of ethnomusicological sound archiving \cite{telemetaCREM}. It focuses on the enhance and collaborative user-experience when accessing audio items and their associated metadata, and on the possibility for the expert user to further enrich those metadata.\r
+Another goal of this demonstration is to present the integrated audio analysis tools described in Section~\ref{sec:Timeside}.\r
+\r
+\vspace{-0.3cm}\r
+\section*{Acknowledgments} \vspace{-0.2cm}\r
+The authors would like to thank all the people that have been involved in \emph{Telemeta} specification and development or have provide useful input and feedback. \r
+The project has been partially funded by the French National Centre for Scientific Research (CNRS), the French Ministry of Culture and Communication, the TGE Adonis Consortium, and the Centre of Research in Ethnomusicology (CREM).\r
+\r
+\vspace{-0.3cm}\r
+\bibliographystyle{splncs03}\r
+\bibliography{cmmr_2013}\r
+\r
+\r
+\end{document}\r
--- /dev/null
+% LLNCS DOCUMENT CLASS -- version 2.17 (12-Jul-2010)\r
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+\r
+\let\if@openright\iftrue\r
+\let\if@openbib\iffalse\r
+\DeclareOption{openbib}{\let\if@openbib\iftrue}\r
+\r
+% languages\r
+\let\switcht@@therlang\relax\r
+\def\ds@deutsch{\def\switcht@@therlang{\switcht@deutsch}}\r
+\def\ds@francais{\def\switcht@@therlang{\switcht@francais}}\r
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+\def\appendixname{Appendix}\r
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+\def\corollaryname{Corollary}\r
+\def\definitionname{Definition}\r
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+to0pt{\kern0.35\wd0\vrule height0.45\ht0\hss}\hbox\r
+to0pt{\kern0.55\wd0\vrule height0.5\ht0\hss}\box0}}\r
+{\setbox0=\hbox{$\scriptstyle \rm S$}\hbox{\raise0.5\ht0\hbox\r
+to0pt{\kern0.35\wd0\vrule height0.45\ht0\hss}\raise0.05\ht0\hbox\r
+to0pt{\kern0.5\wd0\vrule height0.45\ht0\hss}\box0}}\r
+{\setbox0=\hbox{$\scriptscriptstyle\rm S$}\hbox{\raise0.5\ht0\hbox\r
+to0pt{\kern0.4\wd0\vrule height0.45\ht0\hss}\raise0.05\ht0\hbox\r
+to0pt{\kern0.55\wd0\vrule height0.45\ht0\hss}\box0}}}}\r
+\def\bbbz{{\mathchoice {\hbox{$\mathsf\textstyle Z\kern-0.4em Z$}}\r
+{\hbox{$\mathsf\textstyle Z\kern-0.4em Z$}}\r
+{\hbox{$\mathsf\scriptstyle Z\kern-0.3em Z$}}\r
+{\hbox{$\mathsf\scriptscriptstyle Z\kern-0.2em Z$}}}}\r
+\r
+\let\ts\,\r
+\r
+\setlength\leftmargini {17\p@}\r
+\setlength\leftmargin {\leftmargini}\r
+\setlength\leftmarginii {\leftmargini}\r
+\setlength\leftmarginiii {\leftmargini}\r
+\setlength\leftmarginiv {\leftmargini}\r
+\setlength \labelsep {.5em}\r
+\setlength \labelwidth{\leftmargini}\r
+\addtolength\labelwidth{-\labelsep}\r
+\r
+\def\@listI{\leftmargin\leftmargini\r
+ \parsep 0\p@ \@plus1\p@ \@minus\p@\r
+ \topsep 8\p@ \@plus2\p@ \@minus4\p@\r
+ \itemsep0\p@}\r
+\let\@listi\@listI\r
+\@listi\r
+\def\@listii {\leftmargin\leftmarginii\r
+ \labelwidth\leftmarginii\r
+ \advance\labelwidth-\labelsep\r
+ \topsep 0\p@ \@plus2\p@ \@minus\p@}\r
+\def\@listiii{\leftmargin\leftmarginiii\r
+ \labelwidth\leftmarginiii\r
+ \advance\labelwidth-\labelsep\r
+ \topsep 0\p@ \@plus\p@\@minus\p@\r
+ \parsep \z@\r
+ \partopsep \p@ \@plus\z@ \@minus\p@}\r
+\r
+\renewcommand\labelitemi{\normalfont\bfseries --}\r
+\renewcommand\labelitemii{$\m@th\bullet$}\r
+\r
+\setlength\arraycolsep{1.4\p@}\r
+\setlength\tabcolsep{1.4\p@}\r
+\r
+\def\tableofcontents{\chapter*{\contentsname\@mkboth{{\contentsname}}%\r
+ {{\contentsname}}}\r
+ \def\authcount##1{\setcounter{auco}{##1}\setcounter{@auth}{1}}\r
+ \def\lastand{\ifnum\value{auco}=2\relax\r
+ \unskip{} \andname\\r
+ \else\r
+ \unskip \lastandname\\r
+ \fi}%\r
+ \def\and{\stepcounter{@auth}\relax\r
+ \ifnum\value{@auth}=\value{auco}%\r
+ \lastand\r
+ \else\r
+ \unskip,\r
+ \fi}%\r
+ \@starttoc{toc}\if@restonecol\twocolumn\fi}\r
+\r
+\def\l@part#1#2{\addpenalty{\@secpenalty}%\r
+ \addvspace{2em plus\p@}% % space above part line\r
+ \begingroup\r
+ \parindent \z@\r
+ \rightskip \z@ plus 5em\r
+ \hrule\vskip5pt\r
+ \large % same size as for a contribution heading\r
+ \bfseries\boldmath % set line in boldface\r
+ \leavevmode % TeX command to enter horizontal mode.\r
+ #1\par\r
+ \vskip5pt\r
+ \hrule\r
+ \vskip1pt\r
+ \nobreak % Never break after part entry\r
+ \endgroup}\r
+\r
+\def\@dotsep{2}\r
+\r
+\let\phantomsection=\relax\r
+\r
+\def\hyperhrefextend{\ifx\hyper@anchor\@undefined\else\r
+{}\fi}\r
+\r
+\def\addnumcontentsmark#1#2#3{%\r
+\addtocontents{#1}{\protect\contentsline{#2}{\protect\numberline\r
+ {\thechapter}#3}{\thepage}\hyperhrefextend}}%\r
+\def\addcontentsmark#1#2#3{%\r
+\addtocontents{#1}{\protect\contentsline{#2}{#3}{\thepage}\hyperhrefextend}}%\r
+\def\addcontentsmarkwop#1#2#3{%\r
+\addtocontents{#1}{\protect\contentsline{#2}{#3}{0}\hyperhrefextend}}%\r
+\r
+\def\@adcmk[#1]{\ifcase #1 \or\r
+\def\@gtempa{\addnumcontentsmark}%\r
+ \or \def\@gtempa{\addcontentsmark}%\r
+ \or \def\@gtempa{\addcontentsmarkwop}%\r
+ \fi\@gtempa{toc}{chapter}%\r
+}\r
+\def\addtocmark{%\r
+\phantomsection\r
+\@ifnextchar[{\@adcmk}{\@adcmk[3]}%\r
+}\r
+\r
+\def\l@chapter#1#2{\addpenalty{-\@highpenalty}\r
+ \vskip 1.0em plus 1pt \@tempdima 1.5em \begingroup\r
+ \parindent \z@ \rightskip \@tocrmarg\r
+ \advance\rightskip by 0pt plus 2cm\r
+ \parfillskip -\rightskip \pretolerance=10000\r
+ \leavevmode \advance\leftskip\@tempdima \hskip -\leftskip\r
+ {\large\bfseries\boldmath#1}\ifx0#2\hfil\null\r
+ \else\r
+ \nobreak\r
+ \leaders\hbox{$\m@th \mkern \@dotsep mu.\mkern\r
+ \@dotsep mu$}\hfill\r
+ \nobreak\hbox to\@pnumwidth{\hss #2}%\r
+ \fi\par\r
+ \penalty\@highpenalty \endgroup}\r
+\r
+\def\l@title#1#2{\addpenalty{-\@highpenalty}\r
+ \addvspace{8pt plus 1pt}\r
+ \@tempdima \z@\r
+ \begingroup\r
+ \parindent \z@ \rightskip \@tocrmarg\r
+ \advance\rightskip by 0pt plus 2cm\r
+ \parfillskip -\rightskip \pretolerance=10000\r
+ \leavevmode \advance\leftskip\@tempdima \hskip -\leftskip\r
+ #1\nobreak\r
+ \leaders\hbox{$\m@th \mkern \@dotsep mu.\mkern\r
+ \@dotsep mu$}\hfill\r
+ \nobreak\hbox to\@pnumwidth{\hss #2}\par\r
+ \penalty\@highpenalty \endgroup}\r
+\r
+\def\l@author#1#2{\addpenalty{\@highpenalty}\r
+ \@tempdima=15\p@ %\z@\r
+ \begingroup\r
+ \parindent \z@ \rightskip \@tocrmarg\r
+ \advance\rightskip by 0pt plus 2cm\r
+ \pretolerance=10000\r
+ \leavevmode \advance\leftskip\@tempdima %\hskip -\leftskip\r
+ \textit{#1}\par\r
+ \penalty\@highpenalty \endgroup}\r
+\r
+\setcounter{tocdepth}{0}\r
+\newdimen\tocchpnum\r
+\newdimen\tocsecnum\r
+\newdimen\tocsectotal\r
+\newdimen\tocsubsecnum\r
+\newdimen\tocsubsectotal\r
+\newdimen\tocsubsubsecnum\r
+\newdimen\tocsubsubsectotal\r
+\newdimen\tocparanum\r
+\newdimen\tocparatotal\r
+\newdimen\tocsubparanum\r
+\tocchpnum=\z@ % no chapter numbers\r
+\tocsecnum=15\p@ % section 88. plus 2.222pt\r
+\tocsubsecnum=23\p@ % subsection 88.8 plus 2.222pt\r
+\tocsubsubsecnum=27\p@ % subsubsection 88.8.8 plus 1.444pt\r
+\tocparanum=35\p@ % paragraph 88.8.8.8 plus 1.666pt\r
+\tocsubparanum=43\p@ % subparagraph 88.8.8.8.8 plus 1.888pt\r
+\def\calctocindent{%\r
+\tocsectotal=\tocchpnum\r
+\advance\tocsectotal by\tocsecnum\r
+\tocsubsectotal=\tocsectotal\r
+\advance\tocsubsectotal by\tocsubsecnum\r
+\tocsubsubsectotal=\tocsubsectotal\r
+\advance\tocsubsubsectotal by\tocsubsubsecnum\r
+\tocparatotal=\tocsubsubsectotal\r
+\advance\tocparatotal by\tocparanum}\r
+\calctocindent\r
+\r
+\def\l@section{\@dottedtocline{1}{\tocchpnum}{\tocsecnum}}\r
+\def\l@subsection{\@dottedtocline{2}{\tocsectotal}{\tocsubsecnum}}\r
+\def\l@subsubsection{\@dottedtocline{3}{\tocsubsectotal}{\tocsubsubsecnum}}\r
+\def\l@paragraph{\@dottedtocline{4}{\tocsubsubsectotal}{\tocparanum}}\r
+\def\l@subparagraph{\@dottedtocline{5}{\tocparatotal}{\tocsubparanum}}\r
+\r
+\def\listoffigures{\@restonecolfalse\if@twocolumn\@restonecoltrue\onecolumn\r
+ \fi\section*{\listfigurename\@mkboth{{\listfigurename}}{{\listfigurename}}}\r
+ \@starttoc{lof}\if@restonecol\twocolumn\fi}\r
+\def\l@figure{\@dottedtocline{1}{0em}{1.5em}}\r
+\r
+\def\listoftables{\@restonecolfalse\if@twocolumn\@restonecoltrue\onecolumn\r
+ \fi\section*{\listtablename\@mkboth{{\listtablename}}{{\listtablename}}}\r
+ \@starttoc{lot}\if@restonecol\twocolumn\fi}\r
+\let\l@table\l@figure\r
+\r
+\renewcommand\listoffigures{%\r
+ \section*{\listfigurename\r
+ \@mkboth{\listfigurename}{\listfigurename}}%\r
+ \@starttoc{lof}%\r
+ }\r
+\r
+\renewcommand\listoftables{%\r
+ \section*{\listtablename\r
+ \@mkboth{\listtablename}{\listtablename}}%\r
+ \@starttoc{lot}%\r
+ }\r
+\r
+\ifx\oribibl\undefined\r
+\ifx\citeauthoryear\undefined\r
+\renewenvironment{thebibliography}[1]\r
+ {\section*{\refname}\r
+ \def\@biblabel##1{##1.}\r
+ \small\r
+ \list{\@biblabel{\@arabic\c@enumiv}}%\r
+ {\settowidth\labelwidth{\@biblabel{#1}}%\r
+ \leftmargin\labelwidth\r
+ \advance\leftmargin\labelsep\r
+ \if@openbib\r
+ \advance\leftmargin\bibindent\r
+ \itemindent -\bibindent\r
+ \listparindent \itemindent\r
+ \parsep \z@\r
+ \fi\r
+ \usecounter{enumiv}%\r
+ \let\p@enumiv\@empty\r
+ \renewcommand\theenumiv{\@arabic\c@enumiv}}%\r
+ \if@openbib\r
+ \renewcommand\newblock{\par}%\r
+ \else\r
+ \renewcommand\newblock{\hskip .11em \@plus.33em \@minus.07em}%\r
+ \fi\r
+ \sloppy\clubpenalty4000\widowpenalty4000%\r
+ \sfcode`\.=\@m}\r
+ {\def\@noitemerr\r
+ {\@latex@warning{Empty `thebibliography' environment}}%\r
+ \endlist}\r
+\def\@lbibitem[#1]#2{\item[{[#1]}\hfill]\if@filesw\r
+ {\let\protect\noexpand\immediate\r
+ \write\@auxout{\string\bibcite{#2}{#1}}}\fi\ignorespaces}\r
+\newcount\@tempcntc\r
+\def\@citex[#1]#2{\if@filesw\immediate\write\@auxout{\string\citation{#2}}\fi\r
+ \@tempcnta\z@\@tempcntb\m@ne\def\@citea{}\@cite{\@for\@citeb:=#2\do\r
+ {\@ifundefined\r
+ {b@\@citeb}{\@citeo\@tempcntb\m@ne\@citea\def\@citea{,}{\bfseries\r
+ ?}\@warning\r
+ {Citation `\@citeb' on page \thepage \space undefined}}%\r
+ {\setbox\z@\hbox{\global\@tempcntc0\csname b@\@citeb\endcsname\relax}%\r
+ \ifnum\@tempcntc=\z@ \@citeo\@tempcntb\m@ne\r
+ \@citea\def\@citea{,}\hbox{\csname b@\@citeb\endcsname}%\r
+ \else\r
+ \advance\@tempcntb\@ne\r
+ \ifnum\@tempcntb=\@tempcntc\r
+ \else\advance\@tempcntb\m@ne\@citeo\r
+ \@tempcnta\@tempcntc\@tempcntb\@tempcntc\fi\fi}}\@citeo}{#1}}\r
+\def\@citeo{\ifnum\@tempcnta>\@tempcntb\else\r
+ \@citea\def\@citea{,\,\hskip\z@skip}%\r
+ \ifnum\@tempcnta=\@tempcntb\the\@tempcnta\else\r
+ {\advance\@tempcnta\@ne\ifnum\@tempcnta=\@tempcntb \else\r
+ \def\@citea{--}\fi\r
+ \advance\@tempcnta\m@ne\the\@tempcnta\@citea\the\@tempcntb}\fi\fi}\r
+\else\r
+\renewenvironment{thebibliography}[1]\r
+ {\section*{\refname}\r
+ \small\r
+ \list{}%\r
+ {\settowidth\labelwidth{}%\r
+ \leftmargin\parindent\r
+ \itemindent=-\parindent\r
+ \labelsep=\z@\r
+ \if@openbib\r
+ \advance\leftmargin\bibindent\r
+ \itemindent -\bibindent\r
+ \listparindent \itemindent\r
+ \parsep \z@\r
+ \fi\r
+ \usecounter{enumiv}%\r
+ \let\p@enumiv\@empty\r
+ \renewcommand\theenumiv{}}%\r
+ \if@openbib\r
+ \renewcommand\newblock{\par}%\r
+ \else\r
+ \renewcommand\newblock{\hskip .11em \@plus.33em \@minus.07em}%\r
+ \fi\r
+ \sloppy\clubpenalty4000\widowpenalty4000%\r
+ \sfcode`\.=\@m}\r
+ {\def\@noitemerr\r
+ {\@latex@warning{Empty `thebibliography' environment}}%\r
+ \endlist}\r
+ \def\@cite#1{#1}%\r
+ \def\@lbibitem[#1]#2{\item[]\if@filesw\r
+ {\def\protect##1{\string ##1\space}\immediate\r
+ \write\@auxout{\string\bibcite{#2}{#1}}}\fi\ignorespaces}\r
+ \fi\r
+\else\r
+\@cons\@openbib@code{\noexpand\small}\r
+\fi\r
+\r
+\def\idxquad{\hskip 10\p@}% space that divides entry from number\r
+\r
+\def\@idxitem{\par\hangindent 10\p@}\r
+\r
+\def\subitem{\par\setbox0=\hbox{--\enspace}% second order\r
+ \noindent\hangindent\wd0\box0}% index entry\r
+\r
+\def\subsubitem{\par\setbox0=\hbox{--\,--\enspace}% third\r
+ \noindent\hangindent\wd0\box0}% order index entry\r
+\r
+\def\indexspace{\par \vskip 10\p@ plus5\p@ minus3\p@\relax}\r
+\r
+\renewenvironment{theindex}\r
+ {\@mkboth{\indexname}{\indexname}%\r
+ \thispagestyle{empty}\parindent\z@\r
+ \parskip\z@ \@plus .3\p@\relax\r
+ \let\item\par\r
+ \def\,{\relax\ifmmode\mskip\thinmuskip\r
+ \else\hskip0.2em\ignorespaces\fi}%\r
+ \normalfont\small\r
+ \begin{multicols}{2}[\@makeschapterhead{\indexname}]%\r
+ }\r
+ {\end{multicols}}\r
+\r
+\renewcommand\footnoterule{%\r
+ \kern-3\p@\r
+ \hrule\@width 2truecm\r
+ \kern2.6\p@}\r
+ \newdimen\fnindent\r
+ \fnindent1em\r
+\long\def\@makefntext#1{%\r
+ \parindent \fnindent%\r
+ \leftskip \fnindent%\r
+ \noindent\r
+ \llap{\hb@xt@1em{\hss\@makefnmark\ }}\ignorespaces#1}\r
+\r
+\long\def\@makecaption#1#2{%\r
+ \small\r
+ \vskip\abovecaptionskip\r
+ \sbox\@tempboxa{{\bfseries #1.} #2}%\r
+ \ifdim \wd\@tempboxa >\hsize\r
+ {\bfseries #1.} #2\par\r
+ \else\r
+ \global \@minipagefalse\r
+ \hb@xt@\hsize{\hfil\box\@tempboxa\hfil}%\r
+ \fi\r
+ \vskip\belowcaptionskip}\r
+\r
+\def\fps@figure{htbp}\r
+\def\fnum@figure{\figurename\thinspace\thefigure}\r
+\def \@floatboxreset {%\r
+ \reset@font\r
+ \small\r
+ \@setnobreak\r
+ \@setminipage\r
+}\r
+\def\fps@table{htbp}\r
+\def\fnum@table{\tablename~\thetable}\r
+\renewenvironment{table}\r
+ {\setlength\abovecaptionskip{0\p@}%\r
+ \setlength\belowcaptionskip{10\p@}%\r
+ \@float{table}}\r
+ {\end@float}\r
+\renewenvironment{table*}\r
+ {\setlength\abovecaptionskip{0\p@}%\r
+ \setlength\belowcaptionskip{10\p@}%\r
+ \@dblfloat{table}}\r
+ {\end@dblfloat}\r
+\r
+\long\def\@caption#1[#2]#3{\par\addcontentsline{\csname\r
+ ext@#1\endcsname}{#1}{\protect\numberline{\csname\r
+ the#1\endcsname}{\ignorespaces #2}}\begingroup\r
+ \@parboxrestore\r
+ \@makecaption{\csname fnum@#1\endcsname}{\ignorespaces #3}\par\r
+ \endgroup}\r
+\r
+% LaTeX does not provide a command to enter the authors institute\r
+% addresses. The \institute command is defined here.\r
+\r
+\newcounter{@inst}\r
+\newcounter{@auth}\r
+\newcounter{auco}\r
+\newdimen\instindent\r
+\newbox\authrun\r
+\newtoks\authorrunning\r
+\newtoks\tocauthor\r
+\newbox\titrun\r
+\newtoks\titlerunning\r
+\newtoks\toctitle\r
+\r
+\def\clearheadinfo{\gdef\@author{No Author Given}%\r
+ \gdef\@title{No Title Given}%\r
+ \gdef\@subtitle{}%\r
+ \gdef\@institute{No Institute Given}%\r
+ \gdef\@thanks{}%\r
+ \global\titlerunning={}\global\authorrunning={}%\r
+ \global\toctitle={}\global\tocauthor={}}\r
+\r
+\def\institute#1{\gdef\@institute{#1}}\r
+\r
+\def\institutename{\par\r
+ \begingroup\r
+ \parskip=\z@\r
+ \parindent=\z@\r
+ \setcounter{@inst}{1}%\r
+ \def\and{\par\stepcounter{@inst}%\r
+ \noindent$^{\the@inst}$\enspace\ignorespaces}%\r
+ \setbox0=\vbox{\def\thanks##1{}\@institute}%\r
+ \ifnum\c@@inst=1\relax\r
+ \gdef\fnnstart{0}%\r
+ \else\r
+ \xdef\fnnstart{\c@@inst}%\r
+ \setcounter{@inst}{1}%\r
+ \noindent$^{\the@inst}$\enspace\r
+ \fi\r
+ \ignorespaces\r
+ \@institute\par\r
+ \endgroup}\r
+\r
+\def\@fnsymbol#1{\ensuremath{\ifcase#1\or\star\or{\star\star}\or\r
+ {\star\star\star}\or \dagger\or \ddagger\or\r
+ \mathchar "278\or \mathchar "27B\or \|\or **\or \dagger\dagger\r
+ \or \ddagger\ddagger \else\@ctrerr\fi}}\r
+\r
+\def\inst#1{\unskip$^{#1}$}\r
+\def\fnmsep{\unskip$^,$}\r
+\def\email#1{{\tt#1}}\r
+\AtBeginDocument{\@ifundefined{url}{\def\url#1{#1}}{}%\r
+\@ifpackageloaded{babel}{%\r
+\@ifundefined{extrasenglish}{}{\addto\extrasenglish{\switcht@albion}}%\r
+\@ifundefined{extrasfrenchb}{}{\addto\extrasfrenchb{\switcht@francais}}%\r
+\@ifundefined{extrasgerman}{}{\addto\extrasgerman{\switcht@deutsch}}%\r
+}{\switcht@@therlang}%\r
+\providecommand{\keywords}[1]{\par\addvspace\baselineskip\r
+\noindent\keywordname\enspace\ignorespaces#1}%\r
+}\r
+\def\homedir{\~{ }}\r
+\r
+\def\subtitle#1{\gdef\@subtitle{#1}}\r
+\clearheadinfo\r
+%\r
+%%% to avoid hyperref warnings\r
+\providecommand*{\toclevel@author}{999}\r
+%%% to make title-entry parent of section-entries\r
+\providecommand*{\toclevel@title}{0}\r
+%\r
+\renewcommand\maketitle{\newpage\r
+\phantomsection\r
+ \refstepcounter{chapter}%\r
+ \stepcounter{section}%\r
+ \setcounter{section}{0}%\r
+ \setcounter{subsection}{0}%\r
+ \setcounter{figure}{0}\r
+ \setcounter{table}{0}\r
+ \setcounter{equation}{0}\r
+ \setcounter{footnote}{0}%\r
+ \begingroup\r
+ \parindent=\z@\r
+ \renewcommand\thefootnote{\@fnsymbol\c@footnote}%\r
+ \if@twocolumn\r
+ \ifnum \col@number=\@ne\r
+ \@maketitle\r
+ \else\r
+ \twocolumn[\@maketitle]%\r
+ \fi\r
+ \else\r
+ \newpage\r
+ \global\@topnum\z@ % Prevents figures from going at top of page.\r
+ \@maketitle\r
+ \fi\r
+ \thispagestyle{empty}\@thanks\r
+%\r
+ \def\\{\unskip\ \ignorespaces}\def\inst##1{\unskip{}}%\r
+ \def\thanks##1{\unskip{}}\def\fnmsep{\unskip}%\r
+ \instindent=\hsize\r
+ \advance\instindent by-\headlineindent\r
+ \if!\the\toctitle!\addcontentsline{toc}{title}{\@title}\else\r
+ \addcontentsline{toc}{title}{\the\toctitle}\fi\r
+ \if@runhead\r
+ \if!\the\titlerunning!\else\r
+ \edef\@title{\the\titlerunning}%\r
+ \fi\r
+ \global\setbox\titrun=\hbox{\small\rm\unboldmath\ignorespaces\@title}%\r
+ \ifdim\wd\titrun>\instindent\r
+ \typeout{Title too long for running head. Please supply}%\r
+ \typeout{a shorter form with \string\titlerunning\space prior to\r
+ \string\maketitle}%\r
+ \global\setbox\titrun=\hbox{\small\rm\r
+ Title Suppressed Due to Excessive Length}%\r
+ \fi\r
+ \xdef\@title{\copy\titrun}%\r
+ \fi\r
+%\r
+ \if!\the\tocauthor!\relax\r
+ {\def\and{\noexpand\protect\noexpand\and}%\r
+ \protected@xdef\toc@uthor{\@author}}%\r
+ \else\r
+ \def\\{\noexpand\protect\noexpand\newline}%\r
+ \protected@xdef\scratch{\the\tocauthor}%\r
+ \protected@xdef\toc@uthor{\scratch}%\r
+ \fi\r
+ \addtocontents{toc}{\noexpand\protect\noexpand\authcount{\the\c@auco}}%\r
+ \addcontentsline{toc}{author}{\toc@uthor}%\r
+ \if@runhead\r
+ \if!\the\authorrunning!\r
+ \value{@inst}=\value{@auth}%\r
+ \setcounter{@auth}{1}%\r
+ \else\r
+ \edef\@author{\the\authorrunning}%\r
+ \fi\r
+ \global\setbox\authrun=\hbox{\small\unboldmath\@author\unskip}%\r
+ \ifdim\wd\authrun>\instindent\r
+ \typeout{Names of authors too long for running head. Please supply}%\r
+ \typeout{a shorter form with \string\authorrunning\space prior to\r
+ \string\maketitle}%\r
+ \global\setbox\authrun=\hbox{\small\rm\r
+ Authors Suppressed Due to Excessive Length}%\r
+ \fi\r
+ \xdef\@author{\copy\authrun}%\r
+ \markboth{\@author}{\@title}%\r
+ \fi\r
+ \endgroup\r
+ \setcounter{footnote}{\fnnstart}%\r
+ \clearheadinfo}\r
+%\r
+\def\@maketitle{\newpage\r
+ \markboth{}{}%\r
+ \def\lastand{\ifnum\value{@inst}=2\relax\r
+ \unskip{} \andname\\r
+ \else\r
+ \unskip \lastandname\\r
+ \fi}%\r
+ \def\and{\stepcounter{@auth}\relax\r
+ \ifnum\value{@auth}=\value{@inst}%\r
+ \lastand\r
+ \else\r
+ \unskip,\r
+ \fi}%\r
+ \begin{center}%\r
+ \let\newline\\\r
+ {\Large \bfseries\boldmath\r
+ \pretolerance=10000\r
+ \@title \par}\vskip .8cm\r
+\if!\@subtitle!\else {\large \bfseries\boldmath\r
+ \vskip -.65cm\r
+ \pretolerance=10000\r
+ \@subtitle \par}\vskip .8cm\fi\r
+ \setbox0=\vbox{\setcounter{@auth}{1}\def\and{\stepcounter{@auth}}%\r
+ \def\thanks##1{}\@author}%\r
+ \global\value{@inst}=\value{@auth}%\r
+ \global\value{auco}=\value{@auth}%\r
+ \setcounter{@auth}{1}%\r
+{\lineskip .5em\r
+\noindent\ignorespaces\r
+\@author\vskip.35cm}\r
+ {\small\institutename}\r
+ \end{center}%\r
+ }\r
+\r
+% definition of the "\spnewtheorem" command.\r
+%\r
+% Usage:\r
+%\r
+% \spnewtheorem{env_nam}{caption}[within]{cap_font}{body_font}\r
+% or \spnewtheorem{env_nam}[numbered_like]{caption}{cap_font}{body_font}\r
+% or \spnewtheorem*{env_nam}{caption}{cap_font}{body_font}\r
+%\r
+% New is "cap_font" and "body_font". It stands for\r
+% fontdefinition of the caption and the text itself.\r
+%\r
+% "\spnewtheorem*" gives a theorem without number.\r
+%\r
+% A defined spnewthoerem environment is used as described\r
+% by Lamport.\r
+%\r
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
+\r
+\def\@thmcountersep{}\r
+\def\@thmcounterend{.}\r
+\r
+\def\spnewtheorem{\@ifstar{\@sthm}{\@Sthm}}\r
+\r
+% definition of \spnewtheorem with number\r
+\r
+\def\@spnthm#1#2{%\r
+ \@ifnextchar[{\@spxnthm{#1}{#2}}{\@spynthm{#1}{#2}}}\r
+\def\@Sthm#1{\@ifnextchar[{\@spothm{#1}}{\@spnthm{#1}}}\r
+\r
+\def\@spxnthm#1#2[#3]#4#5{\expandafter\@ifdefinable\csname #1\endcsname\r
+ {\@definecounter{#1}\@addtoreset{#1}{#3}%\r
+ \expandafter\xdef\csname the#1\endcsname{\expandafter\noexpand\r
+ \csname the#3\endcsname \noexpand\@thmcountersep \@thmcounter{#1}}%\r
+ \expandafter\xdef\csname #1name\endcsname{#2}%\r
+ \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#4}{#5}}%\r
+ \global\@namedef{end#1}{\@endtheorem}}}\r
+\r
+\def\@spynthm#1#2#3#4{\expandafter\@ifdefinable\csname #1\endcsname\r
+ {\@definecounter{#1}%\r
+ \expandafter\xdef\csname the#1\endcsname{\@thmcounter{#1}}%\r
+ \expandafter\xdef\csname #1name\endcsname{#2}%\r
+ \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#3}{#4}}%\r
+ \global\@namedef{end#1}{\@endtheorem}}}\r
+\r
+\def\@spothm#1[#2]#3#4#5{%\r
+ \@ifundefined{c@#2}{\@latexerr{No theorem environment `#2' defined}\@eha}%\r
+ {\expandafter\@ifdefinable\csname #1\endcsname\r
+ {\newaliascnt{#1}{#2}%\r
+ \expandafter\xdef\csname #1name\endcsname{#3}%\r
+ \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#4}{#5}}%\r
+ \global\@namedef{end#1}{\@endtheorem}}}}\r
+\r
+\def\@spthm#1#2#3#4{\topsep 7\p@ \@plus2\p@ \@minus4\p@\r
+\refstepcounter{#1}%\r
+\@ifnextchar[{\@spythm{#1}{#2}{#3}{#4}}{\@spxthm{#1}{#2}{#3}{#4}}}\r
+\r
+\def\@spxthm#1#2#3#4{\@spbegintheorem{#2}{\csname the#1\endcsname}{#3}{#4}%\r
+ \ignorespaces}\r
+\r
+\def\@spythm#1#2#3#4[#5]{\@spopargbegintheorem{#2}{\csname\r
+ the#1\endcsname}{#5}{#3}{#4}\ignorespaces}\r
+\r
+\def\@spbegintheorem#1#2#3#4{\trivlist\r
+ \item[\hskip\labelsep{#3#1\ #2\@thmcounterend}]#4}\r
+\r
+\def\@spopargbegintheorem#1#2#3#4#5{\trivlist\r
+ \item[\hskip\labelsep{#4#1\ #2}]{#4(#3)\@thmcounterend\ }#5}\r
+\r
+% definition of \spnewtheorem* without number\r
+\r
+\def\@sthm#1#2{\@Ynthm{#1}{#2}}\r
+\r
+\def\@Ynthm#1#2#3#4{\expandafter\@ifdefinable\csname #1\endcsname\r
+ {\global\@namedef{#1}{\@Thm{\csname #1name\endcsname}{#3}{#4}}%\r
+ \expandafter\xdef\csname #1name\endcsname{#2}%\r
+ \global\@namedef{end#1}{\@endtheorem}}}\r
+\r
+\def\@Thm#1#2#3{\topsep 7\p@ \@plus2\p@ \@minus4\p@\r
+\@ifnextchar[{\@Ythm{#1}{#2}{#3}}{\@Xthm{#1}{#2}{#3}}}\r
+\r
+\def\@Xthm#1#2#3{\@Begintheorem{#1}{#2}{#3}\ignorespaces}\r
+\r
+\def\@Ythm#1#2#3[#4]{\@Opargbegintheorem{#1}\r
+ {#4}{#2}{#3}\ignorespaces}\r
+\r
+\def\@Begintheorem#1#2#3{#3\trivlist\r
+ \item[\hskip\labelsep{#2#1\@thmcounterend}]}\r
+\r
+\def\@Opargbegintheorem#1#2#3#4{#4\trivlist\r
+ \item[\hskip\labelsep{#3#1}]{#3(#2)\@thmcounterend\ }}\r
+\r
+\if@envcntsect\r
+ \def\@thmcountersep{.}\r
+ \spnewtheorem{theorem}{Theorem}[section]{\bfseries}{\itshape}\r
+\else\r
+ \spnewtheorem{theorem}{Theorem}{\bfseries}{\itshape}\r
+ \if@envcntreset\r
+ \@addtoreset{theorem}{section}\r
+ \else\r
+ \@addtoreset{theorem}{chapter}\r
+ \fi\r
+\fi\r
+\r
+%definition of divers theorem environments\r
+\spnewtheorem*{claim}{Claim}{\itshape}{\rmfamily}\r
+\spnewtheorem*{proof}{Proof}{\itshape}{\rmfamily}\r
+\if@envcntsame % alle Umgebungen wie Theorem.\r
+ \def\spn@wtheorem#1#2#3#4{\@spothm{#1}[theorem]{#2}{#3}{#4}}\r
+\else % alle Umgebungen mit eigenem Zaehler\r
+ \if@envcntsect % mit section numeriert\r
+ \def\spn@wtheorem#1#2#3#4{\@spxnthm{#1}{#2}[section]{#3}{#4}}\r
+ \else % nicht mit section numeriert\r
+ \if@envcntreset\r
+ \def\spn@wtheorem#1#2#3#4{\@spynthm{#1}{#2}{#3}{#4}\r
+ \@addtoreset{#1}{section}}\r
+ \else\r
+ \def\spn@wtheorem#1#2#3#4{\@spynthm{#1}{#2}{#3}{#4}\r
+ \@addtoreset{#1}{chapter}}%\r
+ \fi\r
+ \fi\r
+\fi\r
+\spn@wtheorem{case}{Case}{\itshape}{\rmfamily}\r
+\spn@wtheorem{conjecture}{Conjecture}{\itshape}{\rmfamily}\r
+\spn@wtheorem{corollary}{Corollary}{\bfseries}{\itshape}\r
+\spn@wtheorem{definition}{Definition}{\bfseries}{\itshape}\r
+\spn@wtheorem{example}{Example}{\itshape}{\rmfamily}\r
+\spn@wtheorem{exercise}{Exercise}{\itshape}{\rmfamily}\r
+\spn@wtheorem{lemma}{Lemma}{\bfseries}{\itshape}\r
+\spn@wtheorem{note}{Note}{\itshape}{\rmfamily}\r
+\spn@wtheorem{problem}{Problem}{\itshape}{\rmfamily}\r
+\spn@wtheorem{property}{Property}{\itshape}{\rmfamily}\r
+\spn@wtheorem{proposition}{Proposition}{\bfseries}{\itshape}\r
+\spn@wtheorem{question}{Question}{\itshape}{\rmfamily}\r
+\spn@wtheorem{solution}{Solution}{\itshape}{\rmfamily}\r
+\spn@wtheorem{remark}{Remark}{\itshape}{\rmfamily}\r
+\r
+\def\@takefromreset#1#2{%\r
+ \def\@tempa{#1}%\r
+ \let\@tempd\@elt\r
+ \def\@elt##1{%\r
+ \def\@tempb{##1}%\r
+ \ifx\@tempa\@tempb\else\r
+ \@addtoreset{##1}{#2}%\r
+ \fi}%\r
+ \expandafter\expandafter\let\expandafter\@tempc\csname cl@#2\endcsname\r
+ \expandafter\def\csname cl@#2\endcsname{}%\r
+ \@tempc\r
+ \let\@elt\@tempd}\r
+\r
+\def\theopargself{\def\@spopargbegintheorem##1##2##3##4##5{\trivlist\r
+ \item[\hskip\labelsep{##4##1\ ##2}]{##4##3\@thmcounterend\ }##5}\r
+ \def\@Opargbegintheorem##1##2##3##4{##4\trivlist\r
+ \item[\hskip\labelsep{##3##1}]{##3##2\@thmcounterend\ }}\r
+ }\r
+\r
+\renewenvironment{abstract}{%\r
+ \list{}{\advance\topsep by0.35cm\relax\small\r
+ \leftmargin=1cm\r
+ \labelwidth=\z@\r
+ \listparindent=\z@\r
+ \itemindent\listparindent\r
+ \rightmargin\leftmargin}\item[\hskip\labelsep\r
+ \bfseries\abstractname]}\r
+ {\endlist}\r
+\r
+\newdimen\headlineindent % dimension for space between\r
+\headlineindent=1.166cm % number and text of headings.\r
+\r
+\def\ps@headings{\let\@mkboth\@gobbletwo\r
+ \let\@oddfoot\@empty\let\@evenfoot\@empty\r
+ \def\@evenhead{\normalfont\small\rlap{\thepage}\hspace{\headlineindent}%\r
+ \leftmark\hfil}\r
+ \def\@oddhead{\normalfont\small\hfil\rightmark\hspace{\headlineindent}%\r
+ \llap{\thepage}}\r
+ \def\chaptermark##1{}%\r
+ \def\sectionmark##1{}%\r
+ \def\subsectionmark##1{}}\r
+\r
+\def\ps@titlepage{\let\@mkboth\@gobbletwo\r
+ \let\@oddfoot\@empty\let\@evenfoot\@empty\r
+ \def\@evenhead{\normalfont\small\rlap{\thepage}\hspace{\headlineindent}%\r
+ \hfil}\r
+ \def\@oddhead{\normalfont\small\hfil\hspace{\headlineindent}%\r
+ \llap{\thepage}}\r
+ \def\chaptermark##1{}%\r
+ \def\sectionmark##1{}%\r
+ \def\subsectionmark##1{}}\r
+\r
+\if@runhead\ps@headings\else\r
+\ps@empty\fi\r
+\r
+\setlength\arraycolsep{1.4\p@}\r
+\setlength\tabcolsep{1.4\p@}\r
+\r
+\endinput\r
+%end of file llncs.cls\r
--- /dev/null
+% this style was created by Philippe Dreuw and Thomas Deselaers
+\ProvidesPackage{beamerthemeTF}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\RequirePackage{colorsTF}
+\selectcolormodel{cmyk}
+\mode<presentation>
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\definecolor{veryLightBlue}{rgb}{0.95,0.9,0.95} %
+\definecolor{lightBlue}{rgb}{0.8,0.8,1} % dark blue
+\definecolor{darkBlue}{rgb}{0,0,0.7} % dark blue
+\definecolor{textBG}{rgb}{0.95,0.95,1} % dark blue
+
+
+\setbeamercolor{headline}{fg=black,bg=white}
+\setbeamercolor{footline}{fg=black, bg=white}
+\setbeamerfont{footline}{size=\large,series=\sf}
+\setbeamercolor{separation line}{bg=black}
+\setbeamercolor{title in headline}{fg=black, bg=}
+\setbeamercolor{author in headline}{fg=black, bg=}
+\setbeamercolor{institute in headline}{fg=black, bg=}
+
+\setbeamercolor{framesubtitle}{fg=ta3orange, bg=veryLightBlue}
+\setbeamercolor{author in head/foot}{fg=black, bg=white}
+\setbeamercolor{title in head/foot}{fg=black, bg=white}
+
+\setbeamercolor*{normal text}{fg=black, bg=veryLightBlue}
+
+\setbeamercolor*{block body}{bg=white,fg=black}
+\setbeamercolor*{block title}{bg=telemetaRed,fg=white}
+\setbeamerfont{block title}{size=\large,series=\bf}
+\setbeamercolor{upper separation line head}{fg=red}
+
+\setbeamercolor*{example body}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example text}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example title}{bg=taorange,fg=ta2gray}
+
+\setbeamercolor{alerted text}{fg=red, bg=white}
+\setbeamercolor*{alerted body}{fg=ta3aluminium,bg=white}
+
+%\setbeamercolor{example text}{fg=taorange}
+\setbeamercolor{structure}{fg=ta3skyblue}
+
+\setbeamertemplate{itemize items}[triangle]
+\setbeamertemplate{navigation symbols}{} % no navigation on a poster
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\setbeamertemplate{block begin}{
+ \vskip.75ex
+ \begin{beamercolorbox}[rounded=true,shadow=true,leftskip=1cm,colsep*=.75ex]{block title}%
+ \usebeamerfont*{block title}\insertblocktitle
+ \end{beamercolorbox}%
+ {\ifbeamercolorempty[bg]{block body}{}{\nointerlineskip\vskip-0.5pt}}%
+ \usebeamerfont{block body}%
+ \begin{beamercolorbox}[rounded=true,shadow=true,colsep*=.75ex,sep=.75ex,vmode]{block body}%
+ \ifbeamercolorempty[bg]{block body}{\vskip-.25ex}{\vskip-.75ex}\vbox{}%
+ }
+ \setbeamertemplate{block end}{
+ \end{beamercolorbox}
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\setbeamertemplate{headline}{
+ \leavevmode
+ \begin{beamercolorbox}[wd=\paperwidth]{headline}
+ \begin{columns}[T]
+ \begin{column}{.02\paperwidth}
+ \end{column}
+ \begin{column}{.07\paperwidth}
+ \begin{center}
+ \includegraphics[width=1.2\linewidth]{img/logo_CREM.png}\\
+ % \hspace{1cm}
+ \includegraphics[width=1.2\linewidth]{img/logo_LESC.png}
+ \end{center}
+ \vskip1ex
+ \end{column}
+ \begin{column}{.675\paperwidth}
+ \vskip4ex \raggedleft
+
+ \usebeamercolor{title in
+ headline}{\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
+ \usebeamercolor{author in
+ headline}{\color{fg}\large{\insertauthor}\\[1ex]}
+ \usebeamercolor{institute in
+ headline}{\color{fg}\large{\insertinstitute}\\[1ex]}
+ \end{column}
+ \begin{column}{.25\paperwidth}
+ \vskip1cm
+ \begin{center}
+ \includegraphics[width=.65\linewidth]{img/parisson_logo_FINALE_com.pdf}\\
+ \vspace{2.5cm}
+ \includegraphics[width=.6\linewidth]{img/upmc.png}
+ \end{center}
+ \vskip1.5cm
+ \end{column}
+ \begin{column}{.03\paperwidth}
+ \end{column}
+ \end{columns}
+ \end{beamercolorbox}
+ \begin{beamercolorbox}[wd=\paperwidth]{lower separation line head}
+ \rule{0pt}{2pt}
+ \end{beamercolorbox}
+}
+
+% \setbeamertemplate{headline}{
+% \leavevmode
+% \begin{beamercolorbox}[sep=0.5cm,wd=.8\paperwidth]{headline}
+% \usebeamercolor{title in headline}{\raggedleft\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
+% \usebeamercolor{author in headline}{\raggedleft\color{fg}\large{\insertauthor}\\[1ex]}
+% \usebeamercolor{institute in headline}{\raggedleft\color{fg}\large{\insertinstitute}\\[1ex]}
+% \end{beamercolorbox}%
+% \begin{beamercolorbox}[wd=.2\paperwidth]{logo in headline}
+% \centering
+% \LARGE{LOGO}
+% \end{beamercolorbox}
+
+
+%}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\setbeamertemplate{footline}{}
+
+% \begin{beamercolorbox}[wd=\paperwidth]{Footer}
+% \begin{center}
+ % \includegraphics[width=0.5\paperwidth]{img/CMMR2013banner.png}
+% \end{center}
+
+% \end{beamercolorbox}
+
+% \begin{beamercolorbox}[wd=\paperwidth]{upper separation line foot}
+% \rule{0pt}{2pt}
+% \end{beamercolorbox}
+% \vskip1ex
+% \leavevmode%
+% \begin{beamercolorbox}[ht=5ex,leftskip=1cm,rightskip=1cm]{author in head/foot}%
+% %\includegraphics[width=5.5cm]{img/CMMR2013footer.png} \hskip2cm%
+% {\large \textbf{10th International Symposium on Computer Music Multidisciplinary Research (CMMR) Sound, Music and Motion , \hspace{1cm} Marseilles , \hspace{1cm} 15-18 October 2013}}
+
+% \vskip1ex
+% \end{beamercolorbox}
+
+% \vskip0pt%
+% \begin{beamercolorbox}[wd=\paperwidth]{lower separation line foot}
+% \rule{0pt}{2pt}\begin{picture}(0,0) \put(0,0){\includegraphics[width=\paperwidth]{img/CMMR2013footer_alpha.png}}\end{picture}
+% \end{beamercolorbox}
+%}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Display a grid to help align images ... and it looks nice with this color scheme
+%\beamertemplategridbackground[1cm]
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\mode<all>
+
--- /dev/null
+% this style was created by Philippe Dreuw and Thomas Deselaers
+\ProvidesPackage{beamerthemeTF}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\RequirePackage{colorsTF}
+\selectcolormodel{cmyk}
+\mode<presentation>
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\definecolor{veryLightBlue}{rgb}{0.95,0.9,0.95} %
+\definecolor{lightBlue}{rgb}{0.8,0.8,1} % dark blue
+\definecolor{darkBlue}{rgb}{0,0,0.7} % dark blue
+\definecolor{textBG}{rgb}{0.95,0.95,1} % dark blue
+
+
+\setbeamercolor{headline}{fg=black,bg=white}
+\setbeamercolor{footline}{fg=black, bg=white}
+\setbeamerfont{footline}{size=\large,series=\sf}
+\setbeamercolor{separation line}{bg=black}
+\setbeamercolor{title in headline}{fg=black, bg=}
+\setbeamercolor{author in headline}{fg=black, bg=}
+\setbeamercolor{institute in headline}{fg=black, bg=}
+
+\setbeamercolor{framesubtitle}{fg=ta3orange, bg=veryLightBlue}
+\setbeamercolor{author in head/foot}{fg=black, bg=white}
+\setbeamercolor{title in head/foot}{fg=black, bg=white}
+
+\setbeamercolor*{normal text}{fg=black, bg=veryLightBlue}
+
+\setbeamercolor*{block body}{bg=white,fg=black}
+\setbeamercolor*{block title}{bg=telemetaRed,fg=white}
+\setbeamerfont{block title}{size=\large,series=\bf}
+\setbeamercolor{upper separation line head}{fg=red}
+
+\setbeamercolor*{example body}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example text}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example title}{bg=taorange,fg=ta2gray}
+
+\setbeamercolor{alerted text}{fg=red, bg=white}
+\setbeamercolor*{alerted body}{fg=ta3aluminium,bg=white}
+
+%\setbeamercolor{example text}{fg=taorange}
+\setbeamercolor{structure}{fg=ta3skyblue}
+
+\setbeamertemplate{itemize items}[triangle]
+\setbeamertemplate{navigation symbols}{} % no navigation on a poster
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\setbeamertemplate{block begin}{
+ \vskip.75ex
+ \begin{beamercolorbox}[rounded=true,shadow=true,leftskip=1cm,colsep*=.75ex]{block title}%
+ \usebeamerfont*{block title}\insertblocktitle
+ \end{beamercolorbox}%
+ {\ifbeamercolorempty[bg]{block body}{}{\nointerlineskip\vskip-0.5pt}}%
+ \usebeamerfont{block body}%
+ \begin{beamercolorbox}[rounded=true,shadow=true,colsep*=.75ex,sep=.75ex,vmode]{block body}%
+ \ifbeamercolorempty[bg]{block body}{\vskip-.25ex}{\vskip-.75ex}\vbox{}%
+ }
+ \setbeamertemplate{block end}{
+ \end{beamercolorbox}
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\setbeamertemplate{headline}{
+ \leavevmode
+ \begin{beamercolorbox}[wd=\paperwidth]{headline}
+ \begin{columns}[T]
+ \begin{column}{.02\paperwidth}
+ \end{column}
+ \begin{column}{.07\paperwidth}
+ \begin{center}
+ \includegraphics[width=1.2\linewidth]{img/logo_CREM.png}\\
+ % \hspace{1cm}
+ \includegraphics[width=1.2\linewidth]{img/logo_LESC.png}
+ \end{center}
+ \vskip1ex
+ \end{column}
+ \begin{column}{.675\paperwidth}
+ \vskip4ex \raggedleft
+
+ \usebeamercolor{title in
+ headline}{\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
+ \usebeamercolor{author in
+ headline}{\color{fg}\large{\insertauthor}\\[1ex]}
+ \usebeamercolor{institute in
+ headline}{\color{fg}\large{\insertinstitute}\\[1ex]}
+ \end{column}
+ \begin{column}{.25\paperwidth}
+ \vskip1cm
+ \begin{center}
+ \includegraphics[width=.65\linewidth]{img/parisson_logo_FINALE_com.pdf}\\
+ \vspace{2.5cm}
+ \includegraphics[width=.6\linewidth]{img/upmc.png}
+ \end{center}
+ \vskip1.5cm
+ \end{column}
+ \begin{column}{.03\paperwidth}
+ \end{column}
+ \end{columns}
+ \end{beamercolorbox}
+ \begin{beamercolorbox}[wd=\paperwidth]{lower separation line head}
+ \rule{0pt}{2pt}
+ \end{beamercolorbox}
+}
+
+% \setbeamertemplate{headline}{
+% \leavevmode
+% \begin{beamercolorbox}[sep=0.5cm,wd=.8\paperwidth]{headline}
+% \usebeamercolor{title in headline}{\raggedleft\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
+% \usebeamercolor{author in headline}{\raggedleft\color{fg}\large{\insertauthor}\\[1ex]}
+% \usebeamercolor{institute in headline}{\raggedleft\color{fg}\large{\insertinstitute}\\[1ex]}
+% \end{beamercolorbox}%
+% \begin{beamercolorbox}[wd=.2\paperwidth]{logo in headline}
+% \centering
+% \LARGE{LOGO}
+% \end{beamercolorbox}
+
+
+%}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\setbeamertemplate{footline}{
+
+ \begin{beamercolorbox}[wd=\paperwidth]{CMMR 2013 footer}
+ \begin{center}
+ \includegraphics[width=0.5\paperwidth]{img/CMMR2013banner.png}
+ \end{center}
+
+ \end{beamercolorbox}
+
+% \begin{beamercolorbox}[wd=\paperwidth]{upper separation line foot}
+% \rule{0pt}{2pt}
+% \end{beamercolorbox}
+% \vskip1ex
+% \leavevmode%
+% \begin{beamercolorbox}[ht=5ex,leftskip=1cm,rightskip=1cm]{author in head/foot}%
+% %\includegraphics[width=5.5cm]{img/CMMR2013footer.png} \hskip2cm%
+% {\large \textbf{10th International Symposium on Computer Music Multidisciplinary Research (CMMR) Sound, Music and Motion , \hspace{1cm} Marseilles , \hspace{1cm} 15-18 October 2013}}
+
+% \vskip1ex
+% \end{beamercolorbox}
+
+% \vskip0pt%
+% \begin{beamercolorbox}[wd=\paperwidth]{lower separation line foot}
+% \rule{0pt}{2pt}\begin{picture}(0,0) \put(0,0){\includegraphics[width=\paperwidth]{img/CMMR2013footer_alpha.png}}\end{picture}
+% \end{beamercolorbox}
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Display a grid to help align images ... and it looks nice with this color scheme
+%\beamertemplategridbackground[1cm]
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\mode<all>
+
--- /dev/null
+% this style was created by Philippe Dreuw and Thomas Deselaers
+\ProvidesPackage{beamerthemeTF}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\RequirePackage{colorsTF}
+\selectcolormodel{cmyk}
+\mode<presentation>
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\definecolor{veryLightBlue}{rgb}{0.95,0.9,0.95} %
+\definecolor{lightBlue}{rgb}{0.8,0.8,1} % dark blue
+\definecolor{darkBlue}{rgb}{0,0,0.7} % dark blue
+\definecolor{textBG}{rgb}{0.95,0.95,1} % dark blue
+
+
+\setbeamercolor{headline}{fg=black,bg=white}
+\setbeamercolor{footline}{fg=black, bg=white}
+\setbeamerfont{footline}{size=\large,series=\sf}
+\setbeamercolor{separation line}{bg=black}
+\setbeamercolor{title in headline}{fg=black, bg=}
+\setbeamercolor{author in headline}{fg=black, bg=}
+\setbeamercolor{institute in headline}{fg=black, bg=}
+
+\setbeamercolor{framesubtitle}{fg=ta3orange, bg=veryLightBlue}
+\setbeamercolor{author in head/foot}{fg=black, bg=white}
+\setbeamercolor{title in head/foot}{fg=black, bg=white}
+
+\setbeamercolor*{normal text}{fg=black, bg=veryLightBlue}
+
+\setbeamercolor*{block body}{bg=white,fg=black}
+\setbeamercolor*{block title}{bg=telemetaRed,fg=white}
+\setbeamerfont{block title}{size=\small,series=\bf}
+\setbeamercolor{upper separation line head}{fg=red}
+
+\setbeamercolor*{example body}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example text}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example title}{bg=taorange,fg=ta2gray}
+
+\setbeamercolor{alerted text}{fg=red, bg=white}
+\setbeamercolor*{alerted body}{fg=ta3aluminium,bg=white}
+
+%\setbeamercolor{example text}{fg=taorange}
+\setbeamercolor{structure}{fg=ta3skyblue}
+
+\setbeamertemplate{itemize items}[triangle]
+\setbeamertemplate{navigation symbols}{} % no navigation on a poster
+
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+ \end{beamercolorbox}%
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+ \usebeamerfont{block body}%
+ \begin{beamercolorbox}[rounded=true,shadow=true,colsep*=.75ex,sep=.75ex,vmode]{block body}%
+ \ifbeamercolorempty[bg]{block body}{\vskip-.25ex}{\vskip-.75ex}\vbox{}%
+ }
+ \setbeamertemplate{block end}{
+ \end{beamercolorbox}
+}
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+ \hskip3cm
+ \raisebox{2cm}{\includegraphics[width=0.45\linewidth]{img/logo_LESC.png}}
+ \end{center}
+ %\vskip1ex
+ \end{column}
+ \begin{column}{.55\paperwidth}
+ \vskip4ex \raggedleft
+ \usebeamercolor{title in headline}{\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
+ \usebeamercolor{author in headline}{\color{fg}\large{\insertauthor}\\[1ex]}
+ \usebeamercolor{institute in headline}{\color{fg}\large{\insertinstitute}\\[1ex]}
+ \end{column}
+ \begin{column}{.20\paperwidth}
+ \vskip1cm
+ \begin{center}
+ \includegraphics[width=.8\linewidth]{img/parisson_logo_FINALE_com.pdf}\\
+ \vspace{1.5cm}
+ \includegraphics[width=.6\linewidth]{img/upmc.png}
+ \end{center}
+ %\vskip1.5cm
+ \end{column}
+ \begin{column}{.02\paperwidth}
+ \end{column}
+ \end{columns}
+ \end{beamercolorbox}
+ \begin{beamercolorbox}[wd=\paperwidth]{lower separation line head}
+ \rule{0pt}{2pt}
+ \end{beamercolorbox}
+}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\setbeamertemplate{footline}{}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Display a grid to help align images ... and it looks nice with this color scheme
+%\beamertemplategridbackground[1cm]
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\mode<all>
+
--- /dev/null
+% Defines the tango palette for use with LaTeX.
+%
+% Copyright 2006 by Patrick Pletscher <pat _at_ pletscher.org>
+%
+% This program can be redistributed and/or modified under the terms
+% of the GNU Public License, version 2.
+
+% butter (yellowish)
+\definecolor{tabutter}{rgb}{0.98824, 0.91373, 0.30980} % #fce94f
+\definecolor{ta2butter}{rgb}{0.92941, 0.83137, 0} % #edd400
+\definecolor{ta3butter}{rgb}{0.76863, 0.62745, 0} % #c4a000
+
+% orange
+\definecolor{taorange}{rgb}{0.98824, 0.68627, 0.24314} % #fcaf3e
+\definecolor{ta2orange}{rgb}{0.96078, 0.47451, 0} % #f57900
+\definecolor{ta3orange}{rgb}{0.80784, 0.36078, 0} % #ce5c00
+
+% chocolate (brownish)
+\definecolor{tachocolate}{rgb}{0.91373, 0.72549, 0.43137} % #e9b96e
+\definecolor{ta2chocolate}{rgb}{0.75686, 0.49020, 0.066667} % #c17d11
+\definecolor{ta3chocolate}{rgb}{0.56078, 0.34902, 0.0078431} % #8f5902
+
+% chameleon (greenish)
+\definecolor{tachameleon}{rgb}{0.54118, 0.88627, 0.20392} % #8ae234
+\definecolor{ta2chameleon}{rgb}{0.45098, 0.82353, 0.086275} % #73d216
+\definecolor{ta3chameleon}{rgb}{0.30588, 0.60392, 0.023529} % #4e9a06
+
+% sky blue
+\definecolor{taskyblue}{rgb}{0.44706, 0.56078, 0.81176} % #728fcf
+\definecolor{ta2skyblue}{rgb}{0.20392, 0.39608, 0.64314} % #3465a4
+\definecolor{ta3skyblue}{rgb}{0.12549, 0.29020, 0.52941} % #204a87
+
+% plum (violettish)
+\definecolor{taplum}{rgb}{0.67843, 0.49804, 0.65882} % #ad7fa8
+\definecolor{ta2plum}{rgb}{0.45882, 0.31373, 0.48235} % #75507b
+\definecolor{ta3plum}{rgb}{0.36078, 0.20784, 0.4} % #5c3566
+
+% scarlet red
+\definecolor{tascarletred}{rgb}{0.93725, 0.16078, 0.16078} % #ef2929
+\definecolor{ta2scarletred}{rgb}{0.8, 0, 0} % #cc0000
+\definecolor{ta3scarletred}{rgb}{0.64314, 0, 0} % #a40000
+
+% aluminium
+\definecolor{taaluminium}{rgb}{0.93333, 0.93333, 0.92549} % #eeeeec
+\definecolor{ta2aluminium}{rgb}{0.82745, 0.84314, 0.81176} % #d3d7cf
+\definecolor{ta3aluminium}{rgb}{0.72941, 0.74118, 0.71373} % #babdb6
+
+% gray
+\definecolor{tagray}{rgb}{0.53333, 0.54118, 0.52157} % #888a85
+\definecolor{ta2gray}{rgb}{0.33333, 0.34118, 0.32549} % #555753
+\definecolor{ta3gray}{rgb}{0.18039, 0.20392, 0.21176} % #2e3436
+
+% telemeta red
+\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
--- /dev/null
+% Defines the tango palette for use with LaTeX.
+%
+% Copyright 2006 by Patrick Pletscher <pat _at_ pletscher.org>
+%
+% This program can be redistributed and/or modified under the terms
+% of the GNU Public License, version 2.
+
+% butter (yellowish)
+\definecolor{tabutter}{rgb}{0.98824, 0.91373, 0.30980} % #fce94f
+\definecolor{ta2butter}{rgb}{0.92941, 0.83137, 0} % #edd400
+\definecolor{ta3butter}{rgb}{0.76863, 0.62745, 0} % #c4a000
+
+% orange
+\definecolor{taorange}{rgb}{0.98824, 0.68627, 0.24314} % #fcaf3e
+\definecolor{ta2orange}{rgb}{0.96078, 0.47451, 0} % #f57900
+\definecolor{ta3orange}{rgb}{0.80784, 0.36078, 0} % #ce5c00
+
+% chocolate (brownish)
+\definecolor{tachocolate}{rgb}{0.91373, 0.72549, 0.43137} % #e9b96e
+\definecolor{ta2chocolate}{rgb}{0.75686, 0.49020, 0.066667} % #c17d11
+\definecolor{ta3chocolate}{rgb}{0.56078, 0.34902, 0.0078431} % #8f5902
+
+% chameleon (greenish)
+\definecolor{tachameleon}{rgb}{0.54118, 0.88627, 0.20392} % #8ae234
+\definecolor{ta2chameleon}{rgb}{0.45098, 0.82353, 0.086275} % #73d216
+\definecolor{ta3chameleon}{rgb}{0.30588, 0.60392, 0.023529} % #4e9a06
+
+% sky blue
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+\definecolor{ta2skyblue}{rgb}{0.20392, 0.39608, 0.64314} % #3465a4
+\definecolor{ta3skyblue}{rgb}{0.12549, 0.29020, 0.52941} % #204a87
+
+% plum (violettish)
+\definecolor{taplum}{rgb}{0.67843, 0.49804, 0.65882} % #ad7fa8
+\definecolor{ta2plum}{rgb}{0.45882, 0.31373, 0.48235} % #75507b
+\definecolor{ta3plum}{rgb}{0.36078, 0.20784, 0.4} % #5c3566
+
+% scarlet red
+\definecolor{tascarletred}{rgb}{0.93725, 0.16078, 0.16078} % #ef2929
+\definecolor{ta2scarletred}{rgb}{0.8, 0, 0} % #cc0000
+\definecolor{ta3scarletred}{rgb}{0.64314, 0, 0} % #a40000
+
+% aluminium
+\definecolor{taaluminium}{rgb}{0.93333, 0.93333, 0.92549} % #eeeeec
+\definecolor{ta2aluminium}{rgb}{0.82745, 0.84314, 0.81176} % #d3d7cf
+\definecolor{ta3aluminium}{rgb}{0.72941, 0.74118, 0.71373} % #babdb6
+
+% gray
+\definecolor{tagray}{rgb}{0.53333, 0.54118, 0.52157} % #888a85
+\definecolor{ta2gray}{rgb}{0.33333, 0.34118, 0.32549} % #555753
+\definecolor{ta3gray}{rgb}{0.18039, 0.20392, 0.21176} % #2e3436
+
+% telemeta red
+\definecolor{telemetared}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
--- /dev/null
+\relax
+\providecommand\HyperFirstAtBeginDocument{\AtBeginDocument}
+\HyperFirstAtBeginDocument{\ifx\hyper@anchor\@undefined
+\global\let\oldcontentsline\contentsline
+\gdef\contentsline#1#2#3#4{\oldcontentsline{#1}{#2}{#3}}
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+\providecommand\HyField@AuxAddToFields[1]{}
+\catcode`:\active
+\catcode`;\active
+\catcode`!\active
+\catcode`?\active
+\citation{DublinCore}
+\citation{OAI-PMH}
+\citation{brossierPhD}
+\citation{yaafe_ISMIR2010}
+\citation{vamp-plugins}
+\bibstyle{../splncs03}
+\bibdata{../cmmr_2013}
+\bibcite{brossierPhD}{\hyperlink {beamerbibbrossierPhD}{1}}
+\bibcite{DublinCore}{\hyperlink {beamerbibDublinCore}{2}}
+\bibcite{yaafe_ISMIR2010}{\hyperlink {beamerbibyaafe_ISMIR2010}{3}}
+\bibcite{OAI-PMH}{\hyperlink {beamerbibOAI-PMH}{4}}
+\bibcite{vamp-plugins}{\hyperlink {beamerbibvamp-plugins}{5}}
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--- /dev/null
+\begin{thebibliography}{1}
+\providecommand{\url}[1]{\texttt{#1}}
+\providecommand{\urlprefix}{URL }
+
+\bibitem{brossierPhD}
+Brossier, P.: Automatic annotation of musical audio for interactive systems.
+ Ph.D. thesis, Centre for Digital music, Queen Mary University of London, UK
+ (2006)
+
+\bibitem{DublinCore}
+{Dublin Core} metadata initiative, \url{http://dublincore.org/}
+
+\bibitem{yaafe_ISMIR2010}
+Mathieu, B., Essid, S., Fillon, T., Prado, J., Richard, G.: Yaafe, an easy to
+ use and efficient audio feature extraction software. In: Proc. of ISMIR 2010,
+ Utrecht, Netherlands. pp. 441--446. International Society for Music
+ Information Retrieval (2010),
+ \url{http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}
+
+\bibitem{OAI-PMH}
+Open archives initiative protocol for metadata harvesting,
+ \url{http://www.openarchives.org/pmh/}
+
+\bibitem{vamp-plugins}
+The {Vamp} audio analysis plugin system, \url{http://www.vamp-plugins.org}
+
+\end{thebibliography}
--- /dev/null
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+\documentclass[final, hyperref, table]{beamer}
+\mode<presentation>
+{
+\usetheme{TF}
+ }
+
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+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
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+
+%% --------------------------------------------------------------
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+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
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+
+
+%% ==============================================================
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+%\usepackage[table]{xcolor}
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+\usepackage{fancybox}
+%\usepackage{hyperref}
+\usepackage{multicol}
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+\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
+
+
+\institute[Parisson]{\small
+ \inst{1}%
+ Parisson, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
+ 11 rue de Lourmel, 75015 Paris, France\\
+ \inst{3}%
+ CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
+21 Allée de l'Université - 92023 Nanterre, France\\
+%Thanks
+\vskip1ex
+ {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
+}
+
+\date[03/09/2013]{03 septembre 2013}
+%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
+\begin{document}
+%\maketitle
+\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+ \begin{block}{Abstract}\small
+
+ \begin{minipage}{0.74\linewidth}
+ \begin{itemize}
+ \item \emph{Telemeta} is an \alert{open-source audio web Content
+ Management System} (CMS) dedicated to \alert{digital sound
+ archives} secure storing, indexing and publishing.
+ \item The demonstration presents the features of this platform
+ in the context of \alert{\emph{ethnomusicological} research}.
+ \item It focuses on the enhance and collaborative
+ user-experience in accessing audio items and their associated
+ metadata and on the possibility for the expert user to further
+ enrich those metadata.
+ \item \emph{Telemeta} also provides integrated \alert{audio signal
+ processing tools} for automatic analysis of sound items.
+ \end{itemize}
+ \end{minipage}
+ \begin{minipage}{0.24\linewidth}
+ \begin{center}
+ \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
+
+ \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
+ \vskip1ex
+ \colorbox{yellow!50}
+ { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
+ \end{center}
+ \end{minipage}
+ \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
+ \end{block}
+
+% ==================================
+% --------- Corps -----------------
+% ==================================
+ \begin{columns}[t]
+\footnotesize
+% ==================================
+% --------- Colonne gauche ---------
+% ==================================
+ \begin{column}[T]{.49\linewidth}
+ \begin{block}{Introduction}
+ \textbf{Needs}\\
+ \begin{itemize}
+ \item In social sciences like anthropology and linguistics,
+ researchers have to work on multiple types of multimedia
+ documents such as photos, videos, sound recordings or
+ databases.
+ \item The need to easily access, visualize and annotate
+ such materials can be problematic given their diverse formats,
+ sources and given their chronological nature.
+ \end{itemize}
+
+\textbf{The \emph{Telemeta} project}\\
+\begin{itemize}
+\item The CREM laboratory and Parisson have been developing an innovative,
+ collaborative and interdisciplinary open-source web-based multimedia
+ platform since 2007.
+\item Goal : fit the professional requirements from both sound archivists and
+ researchers in ethnomusicology.
+\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
+ l'Homme}:
+\end{itemize}
+\begin{center}
+ \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
+\end{center}
+
+ \end{block}
+
+\begin{block}{Web audio content management features and architecture}
+ \begin{itemize}
+ \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
+ Free Software License Agreement}) web audio content management
+ system which introduces efficient and secure methods for
+ \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
+ digitalized audio file with its metadata.
+ \item \emph{Telemeta} is ideal for
+ professional collaborators who wants to easily organize, backup, archive and
+ publish documented sound collections of audio files, CDs,
+ digitalized vinyls and magnetic tapes over a strong database in
+ accordance with \alert{open web standards}.
+ \item \emph{Telemeta} architecture
+ is \alert{flexible} and can easily be adapted to particular database
+ organization of a given sound archives.
+ \end{itemize}
+
+\begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.47\paperwidth]{img/player_mark.png}
+ \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
+\end{figure}
+
+
+
+The main features of \emph{Telemeta} are:
+\vspace{-0.1cm}
+\begin{itemize}
+\item \alert{Pure HTML} web user interface including high level \alert{search engine}
+\item \alert{Smart workflow management} with contextual user lists, profiles and rights
+ % \item RSS and JSON feed generators
+ % \item XML serialized backup
+\item Model-View-Controller (\alert{MVC}) architecture
+\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
+
+\end{itemize}
+Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
+
+\end{block}
+\begin{block}{Metadata}
+ \begin{itemize}
+ \item In addition to the audio data, an efficient and \alert{dynamic
+ management} of the associated metadata is also required.
+ \item Dynamically handling metadata in a \alert{collaborative} manner optimises
+ the continuous process of knowledge gathering and enrichment of
+ the materials in the database.
+ \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
+ and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
+ Harvesting) \cite{DublinCore,OAI-PMH}.
+ \end{itemize}
+
+\textbf{Contextual Information}\\
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
+
+\textbf{Annotations and segmentation}\\
+Metadata also consist in temporal information such as:
+\begin{itemize}
+\item a list of \alert{time-coded markers} associated with annotations
+\item a list of of \alert{time-segments} associated with labels.
+\end{itemize}
+The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
+It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
+
+\end{block}
+ \end{column}
+
+% ==================================
+% ------- Colonne droite -----------
+% ==================================
+\begin{column}[T]{.49\linewidth}
+ \begin{block}{TimeSide : open web audio processing framework}
+One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
+
+\begin{center}
+ \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+\end{center}
+
+ \begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
+ \caption{TimeSide architecture}
+\end{figure}
+
+\textbf{Goals}\\
+
+\begin{itemize}
+\item \alert{Do} asynchronous and fast audio processing with Python.
+\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
+\item \alert{Analyze} audio content with some external audio feature extraction libraries.
+\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
+\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
+\item \alert{Transcode} audio data in various media formats and stream them through web apps.
+\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
+\end{itemize}
+
+\textbf{Audio features extraction}\\
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
+
+ \begin{itemize}
+ \item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+ \cite{brossierPhD}
+ \item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+ \cite{yaafe_ISMIR2010}
+ \item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+ \cite{vamp-plugins}
+ \end{itemize}
+
+
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
+Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
+\end{block}
+\begin{block}{Code Example (Python)}
+\vskip1ex
+ \begin{minipage}{0.6\linewidth}
+ \begin{lstlisting}
+
+import timeside
+
+# Define some processors:
+decoder = timeside.decoder.FileDecoder('sweep.wav')
+analyzer = timeside.analyzer.Level()
+grapher = timeside.grapher.Spectrogram()
+encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
+
+# Then, the magic pipeline:
+(decoder | analyzer | grapher | encoder).run()
+
+# Get the results:
+grapher.render(output='image.png')
+for key in analyzer.results.keys():
+ print '%s in %s : %s'% (analyzer.results[key].name,
+ analyzer.results[key].unit,
+ analyzer.results[key].data)
+
+\end{lstlisting}
+\end{minipage}
+\hskip2ex
+\begin{minipage}{0.32\linewidth}
+ \begin{center}
+ \textbf{Results}
+ \begin{figure}
+ \centering
+ \includegraphics{img/spectrogram.png}
+ \caption{Spectrogram (sweep signal)}
+ \end{figure}
+ \end{center}
+\vskip5ex
+\begin{lstlisting}
+
+ Level Analyzer Max:[-6.021]
+ Level Analyzer RMS:[-9.856]
+
+\end{lstlisting}
+
+
+\end{minipage}
+
+ \end{block}
+\begin{block}{Références}\tiny
+\bibliographystyle{../splncs03}
+%\label{sec:ref}
+\vspace{-1cm}
+\begin{multicols}{2}[]
+\bibliography{../cmmr_2013}
+\end{multicols}
+ \end{block}
+ \end{column}
+\end{columns}
+\end{frame}
+\end{document}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
--- /dev/null
+\documentclass[final, hyperref, table]{beamer}
+\mode<presentation>
+{
+\usetheme{TF}
+ }
+
+ \usepackage[english,francais]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+ \usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ?
+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+%\usepackage{hyperref}
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+\usepackage[orientation=portrait,size=a0,scale=1.4]{beamerposter}
+
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{1,1,0.8}
+\lstset{%
+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\scriptsize, % the size of the fonts that are used for the code
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
+
+
+\institute[Parisson]{\small
+ \inst{1}%
+ Parisson, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
+ 11 rue de Lourmel, 75015 Paris, France\\
+ \inst{3}%
+ CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
+21 Allée de l'Université - 92023 Nanterre, France\\
+%Thanks
+\vskip1ex
+ {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
+}
+
+\date[03/09/2013]{03 septembre 2013}
+%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
+\begin{document}
+%\maketitle
+\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+ \begin{block}{Abstract}\small
+
+ \begin{minipage}{0.74\linewidth}
+ \begin{itemize}
+ \item \emph{Telemeta} is an \alert{open-source audio web Content
+ Management System} (CMS) dedicated to \alert{digital sound
+ archives} secure storing, indexing and publishing.
+ \item The demonstration presents the features of this platform
+ in the context of \alert{\emph{ethnomusicological} research}.
+ \item It focuses on the enhance and collaborative
+ user-experience in accessing audio items and their associated
+ metadata and on the possibility for the expert user to further
+ enrich those metadata.
+ \item \emph{Telemeta} also provides integrated \alert{audio signal
+ processing tools} for automatic analysis of sound items.
+ \end{itemize}
+ \end{minipage}
+ \begin{minipage}{0.24\linewidth}
+ \begin{center}
+ \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
+
+ \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
+ \vskip1ex
+ \colorbox{yellow!50}
+ { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
+ \end{center}
+ \end{minipage}
+ \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
+ \end{block}
+
+% ==================================
+% --------- Corps -----------------
+% ==================================
+ \begin{columns}[t]
+\footnotesize
+% ==================================
+% --------- Colonne gauche ---------
+% ==================================
+ \begin{column}[T]{.49\linewidth}
+ \begin{block}{Introduction}
+ \textbf{Needs}\\
+ \begin{itemize}
+ \item In social sciences like anthropology and linguistics,
+ researchers have to work on multiple types of multimedia
+ documents such as photos, videos, sound recordings or
+ databases.
+ \item The need to easily access, visualize and annotate
+ such materials can be problematic given their diverse formats,
+ sources and given their chronological nature.
+ \end{itemize}
+
+\textbf{The \emph{Telemeta} project}\\
+\begin{itemize}
+\item The CREM laboratory and Parisson have been developing an innovative,
+ collaborative and interdisciplinary open-source web-based multimedia
+ platform since 2007.
+\item Goal : fit the professional requirements from both sound archivists and
+ researchers in ethnomusicology.
+\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
+ l'Homme}:
+\end{itemize}
+\begin{center}
+ \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
+\end{center}
+
+ \end{block}
+
+\begin{block}{Web audio content management features and architecture}
+ \begin{itemize}
+ \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
+ Free Software License Agreement}) web audio content management
+ system which introduces efficient and secure methods for
+ back-uping, indexing, transcoding, analysing and publishing any
+ digitalized audio file with its metadata.
+ \item \emph{Telemeta} is ideal for
+ professionals who wants to easily organize, backup, archive and
+ publish documented sound collections of audio files, CDs,
+ digitalized vinyls and magnetic tapes over a strong database, in
+ accordance with open web standards.
+ \item \emph{Telemeta} architecture
+ is flexible and can easily be adapted to particular database
+ organization of a given sound archives.
+ \end{itemize}
+
+\begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.4\paperwidth]{../img/telemeta.png}
+ \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
+\end{figure}
+
+
+
+The main features of \emph{Telemeta} are:
+\vspace{-0.1cm}
+\begin{itemize}
+\item \emph{Pure HTML} web user interface including high level \emph{search engine}
+\item Smart \emph{workflow management} with contextual user lists, profiles and rights
+ % \item RSS and JSON feed generators
+ % \item XML serialized backup
+\item Strong Structured Query Language (SQL) or Oracle backend
+\item Model-View-Controller (MVC) architecture
+\end{itemize}
+Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
+
+\end{block}
+\begin{block}{Metadata}
+ \begin{itemize}
+ \item In addition to the audio data, an efficient and dynamic
+ management of the associated metadata is also required.
+ \item Dynamically handling metadata in a collaborative manner optimises
+ the continuous process of knowledge gathering and enrichment of
+ the materials in the database.
+ \item Compatibility : integration of the metadata standards protocols \emph{Dublin Core}
+ and \emph{OAI-PMH} (Open Archives Initiative Protocol for Metadata
+ Harvesting) \cite{DublinCore,OAI-PMH}.
+ \end{itemize}
+
+\textbf{Contextual Information}\\
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
+
+\textbf{Annotations and segmentation}\\
+Metadata also consist in temporal information such as:
+\begin{itemize}
+\item a list of \emph{time-coded markers} associated with annotations
+\item a list of of \emph{time-segments} associated with labels.
+\end{itemize}
+The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
+It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
+
+\end{block}
+ \end{column}
+
+% ==================================
+% ------- Colonne droite -----------
+% ==================================
+\begin{column}[T]{.49\linewidth}
+ \begin{block}{TimeSide : open web audio processing framework}
+One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
+
+\begin{center}
+ \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+\end{center}
+
+ \begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
+ \caption{TimeSide architecture}
+\end{figure}
+
+\textbf{Goals}\\
+
+\begin{itemize}
+\item \alert{Do} asynchronous and fast audio processing with Python.
+\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
+\item \alert{Analyze} audio content with some external audio feature extraction libraries.
+\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
+\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
+\item \alert{Transcode} audio data in various media formats and stream them through web apps.
+\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
+\end{itemize}
+
+\textbf{Audio features extraction}\\
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
+
+ \begin{itemize}
+ \item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+ \cite{brossierPhD}
+ \item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+ \cite{yaafe_ISMIR2010}
+ \item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+ \cite{vamp-plugins}
+ \end{itemize}
+
+
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
+Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide automatic annotation, segmentation and similarity analysis.
+\end{block}
+\begin{block}{Code Example (Python)}
+\vskip1ex
+ \begin{minipage}{0.6\linewidth}
+ \begin{lstlisting}
+
+import timeside
+
+# Define some processors:
+decoder = timeside.decoder.FileDecoder('sweep.wav')
+analyzer = timeside.analyzer.Level()
+grapher = timeside.grapher.Spectrogram()
+encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
+
+# Then, the magic pipeline:
+(decoder | analyzer | grapher | encoder).run()
+
+# Get the results:
+grapher.render(output='image.png')
+for key in analyzer.results.keys():
+ print '%s in %s : %s'% (analyzer.results[key].name,
+ analyzer.results[key].unit,
+ analyzer.results[key].data)
+
+\end{lstlisting}
+\end{minipage}
+\hskip2ex
+\begin{minipage}{0.32\linewidth}
+ \begin{center}
+ \textbf{Results}
+ \begin{figure}
+ \centering
+ \includegraphics{img/spectrogram.png}
+ \caption{Spectrogram (sweep signal)}
+ \end{figure}
+ \end{center}
+\vskip5ex
+\begin{lstlisting}
+
+ Level Analyzer Max:[-6.021]
+ Level Analyzer RMS:[-9.856]
+
+\end{lstlisting}
+
+
+\end{minipage}
+
+ \end{block}
+\begin{block}{Références}\tiny
+\bibliographystyle{../splncs03}
+%\label{sec:ref}
+\vspace{-1cm}
+\begin{multicols}{2}[]
+\bibliography{../cmmr_2013}
+\end{multicols}
+ \end{block}
+ \end{column}
+\end{columns}
+\end{frame}
+\end{document}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
--- /dev/null
+\documentclass[final, hyperref, table]{beamer}
+\mode<presentation>
+{
+\usetheme{TF}
+ }
+
+ \usepackage[english,francais]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+ \usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ?
+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+%\usepackage{hyperref}
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+\usepackage[orientation=portrait,size=a0,scale=1.4]{beamerposter}
+
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{1,1,0.8}
+\lstset{%
+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\scriptsize, % the size of the fonts that are used for the code
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
+
+
+\institute[Parisson]{\small
+ \inst{1}%
+ Parisson, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
+ 11 rue de Lourmel, 75015 Paris, France\\
+ \inst{3}%
+ CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
+21 Allée de l'Université - 92023 Nanterre, France\\
+%Thanks
+\vskip1ex
+ {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
+}
+
+\date[03/09/2013]{03 septembre 2013}
+%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
+\begin{document}
+%\maketitle
+\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+ \begin{block}{Abstract}\small
+
+ \begin{minipage}{0.74\linewidth}
+ \begin{itemize}
+ \item \emph{Telemeta} is an \alert{open-source audio web Content
+ Management System} (CMS) dedicated to \alert{digital sound
+ archives} secure storing, indexing and publishing.
+ \item The demonstration presents the features of this platform
+ in the context of \alert{\emph{ethnomusicological} research}.
+ \item It focuses on the enhance and collaborative
+ user-experience in accessing audio items and their associated
+ metadata and on the possibility for the expert user to further
+ enrich those metadata.
+ \item \emph{Telemeta} also provides integrated \alert{audio signal
+ processing tools} for automatic analysis of sound items.
+ \end{itemize}
+ \end{minipage}
+ \begin{minipage}{0.24\linewidth}
+ \begin{center}
+ \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
+
+ \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
+ \vskip1ex
+ \colorbox{yellow!50}
+ { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
+ \end{center}
+ \end{minipage}
+ \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
+ \end{block}
+
+% ==================================
+% --------- Corps -----------------
+% ==================================
+ \begin{columns}[t]
+\footnotesize
+% ==================================
+% --------- Colonne gauche ---------
+% ==================================
+ \begin{column}[T]{.49\linewidth}
+ \begin{block}{Introduction}
+ \textbf{Needs}\\
+ \begin{itemize}
+ \item In social sciences like anthropology and linguistics,
+ researchers have to work on multiple types of multimedia
+ documents such as photos, videos, sound recordings or
+ databases.
+ \item The need to easily access, visualize and annotate
+ such materials can be problematic given their diverse formats,
+ sources and given their chronological nature.
+ \end{itemize}
+
+\textbf{The \emph{Telemeta} project}\\
+\begin{itemize}
+\item The CREM laboratory and Parisson have been developing an innovative,
+ collaborative and interdisciplinary open-source web-based multimedia
+ platform since 2007.
+\item Goal : fit the professional requirements from both sound archivists and
+ researchers in ethnomusicology.
+\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
+ l'Homme}:
+\end{itemize}
+\begin{center}
+ \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
+\end{center}
+
+ \end{block}
+
+\begin{block}{Web audio content management features and architecture}
+ \begin{itemize}
+ \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
+ Free Software License Agreement}) web audio content management
+ system which introduces efficient and secure methods for
+ \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
+ digitalized audio file with its metadata.
+ \item \emph{Telemeta} is ideal for
+ professional collaborators who wants to easily organize, backup, archive and
+ publish documented sound collections of audio files, CDs,
+ digitalized vinyls and magnetic tapes over a strong database in
+ accordance with \alert{open web standards}.
+ \item \emph{Telemeta} architecture
+ is \alert{flexible} and can easily be adapted to particular database
+ organization of a given sound archives.
+ \end{itemize}
+
+\begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.4\paperwidth]{../img/telemeta.png}
+ \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
+\end{figure}
+
+
+
+The main features of \emph{Telemeta} are:
+\vspace{-0.1cm}
+\begin{itemize}
+\item \alert{Pure HTML} web user interface including high level \alert{search engine}
+\item \alert{Smart workflow management} with contextual user lists, profiles and rights
+ % \item RSS and JSON feed generators
+ % \item XML serialized backup
+\item Model-View-Controller (\alert{MVC}) architecture
+\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
+
+\end{itemize}
+Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
+
+\end{block}
+\begin{block}{Metadata}
+ \begin{itemize}
+ \item In addition to the audio data, an efficient and \alert{dynamic
+ management} of the associated metadata is also required.
+ \item Dynamically handling metadata in a \alert{collaborative} manner optimises
+ the continuous process of knowledge gathering and enrichment of
+ the materials in the database.
+ \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
+ and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
+ Harvesting) \cite{DublinCore,OAI-PMH}.
+ \end{itemize}
+
+\textbf{Contextual Information}\\
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
+
+\textbf{Annotations and segmentation}\\
+Metadata also consist in temporal information such as:
+\begin{itemize}
+\item a list of \alert{time-coded markers} associated with annotations
+\item a list of of \alert{time-segments} associated with labels.
+\end{itemize}
+The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
+It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
+
+\end{block}
+ \end{column}
+
+% ==================================
+% ------- Colonne droite -----------
+% ==================================
+\begin{column}[T]{.49\linewidth}
+ \begin{block}{TimeSide : open web audio processing framework}
+One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
+
+\begin{center}
+ \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+\end{center}
+
+ \begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
+ \caption{TimeSide architecture}
+\end{figure}
+
+\textbf{Goals}\\
+
+\begin{itemize}
+\item \alert{Do} asynchronous and fast audio processing with Python.
+\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
+\item \alert{Analyze} audio content with some external audio feature extraction libraries.
+\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
+\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
+\item \alert{Transcode} audio data in various media formats and stream them through web apps.
+\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
+\end{itemize}
+
+\textbf{Audio features extraction}\\
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
+
+ \begin{itemize}
+ \item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+ \cite{brossierPhD}
+ \item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+ \cite{yaafe_ISMIR2010}
+ \item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+ \cite{vamp-plugins}
+ \end{itemize}
+
+
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
+Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
+\end{block}
+\begin{block}{Code Example (Python)}
+\vskip1ex
+ \begin{minipage}{0.6\linewidth}
+ \begin{lstlisting}
+
+import timeside
+
+# Define some processors:
+decoder = timeside.decoder.FileDecoder('sweep.wav')
+analyzer = timeside.analyzer.Level()
+grapher = timeside.grapher.Spectrogram()
+encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
+
+# Then, the magic pipeline:
+(decoder | analyzer | grapher | encoder).run()
+
+# Get the results:
+grapher.render(output='image.png')
+for key in analyzer.results.keys():
+ print '%s in %s : %s'% (analyzer.results[key].name,
+ analyzer.results[key].unit,
+ analyzer.results[key].data)
+
+\end{lstlisting}
+\end{minipage}
+\hskip2ex
+\begin{minipage}{0.32\linewidth}
+ \begin{center}
+ \textbf{Results}
+ \begin{figure}
+ \centering
+ \includegraphics{img/spectrogram.png}
+ \caption{Spectrogram (sweep signal)}
+ \end{figure}
+ \end{center}
+\vskip5ex
+\begin{lstlisting}
+
+ Level Analyzer Max:[-6.021]
+ Level Analyzer RMS:[-9.856]
+
+\end{lstlisting}
+
+
+\end{minipage}
+
+ \end{block}
+\begin{block}{Références}\tiny
+\bibliographystyle{../splncs03}
+%\label{sec:ref}
+\vspace{-1cm}
+\begin{multicols}{2}[]
+\bibliography{../cmmr_2013}
+\end{multicols}
+ \end{block}
+ \end{column}
+\end{columns}
+\end{frame}
+\end{document}
+%%% Local Variables:
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+%%% End:
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+\citation{DublinCore}
+\citation{OAI-PMH}
+\citation{brossierPhD}
+\citation{yaafe_ISMIR2010}
+\citation{vamp-plugins}
+\bibstyle{../splncs03}
+\bibdata{../cmmr_2013}
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+\bibcite{DublinCore}{\hyperlink {beamerbibDublinCore}{2}}
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+\providecommand{\url}[1]{\texttt{#1}}
+\providecommand{\urlprefix}{URL }
+
+\bibitem{brossierPhD}
+Brossier, P.: Automatic annotation of musical audio for interactive systems.
+ Ph.D. thesis, Centre for Digital music, Queen Mary University of London, UK
+ (2006)
+
+\bibitem{DublinCore}
+{Dublin Core} metadata initiative, \url{http://dublincore.org/}
+
+\bibitem{yaafe_ISMIR2010}
+Mathieu, B., Essid, S., Fillon, T., Prado, J., Richard, G.: Yaafe, an easy to
+ use and efficient audio feature extraction software. In: Proc. of ISMIR 2010,
+ Utrecht, Netherlands. pp. 441--446. International Society for Music
+ Information Retrieval (2010),
+ \url{http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}
+
+\bibitem{OAI-PMH}
+Open archives initiative protocol for metadata harvesting,
+ \url{http://www.openarchives.org/pmh/}
+
+\bibitem{vamp-plugins}
+The {Vamp} audio analysis plugin system, \url{http://www.vamp-plugins.org}
+
+\end{thebibliography}
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+ defining Unicode char U+010D (decimal 269)
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+\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
+
+\institute[Parisson]{\small
+ \inst{1}%
+ Parisson, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
+ 11 rue de Lourmel, 75015 Paris, France\\
+ \inst{3}%
+ CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
+21 Allée de l'Université - 92023 Nanterre, France\\
+%Thanks
+\vskip1ex
+ {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project funded by the French National Research Agency ANR (CONTINT)}}}
+}
+
+\begin{document}
+%\maketitle
+\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+ \begin{block}{Abstract}\small
+ \begin{minipage}[T]{0.74\linewidth}
+ \begin{itemize}
+ \item \emph{Telemeta} is an \alert{open-source audio web Content
+ Management System} (CMS) dedicated to \alert{digital sound
+ archives} secure storing, indexing and publishing.
+ \item The demonstration presents the features of this platform
+ in the context of \alert{\emph{ethnomusicological} research}.
+ \item It focuses on the enhance and collaborative
+ user-experience in accessing audio items and their associated
+ metadata and on the possibility for the expert user to further
+ enrich those metadata.
+ \item \emph{Telemeta} also provides integrated \alert{audio signal
+ processing tools} for automatic analysis of sound items.
+ \end{itemize}
+\vskip1ex
+ \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
+ \end{minipage}
+ \begin{minipage}[T]{0.24\linewidth}
+ \begin{center}
+ \vspace{-0.7cm}
+ \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
+ \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
+ \vskip1ex
+ \colorbox{yellow!50}
+ { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
+ \end{center}
+\vspace{-1cm}
+\end{minipage}
+ \end{block}
+ \vspace{-1cm}
+% ==================================
+% --------- Corps -----------------
+% ==================================
+ \begin{columns}[t]
+\footnotesize
+% ==================================
+% --------- Colonne gauche ---------
+% ==================================
+ \begin{column}[T]{.33\linewidth}
+ \begin{block}{Introduction}
+\vspace{-0.5cm}
+ \textbf{Needs}\\
+ \begin{itemize}
+ \item In social sciences like anthropology and linguistics,
+ researchers have to work on multiple types of multimedia
+ documents such as photos, videos, sound recordings or
+ databases.
+ \item The need to easily access, visualize and annotate
+ such materials can be problematic given their diverse formats,
+ sources and given their chronological nature.
+ \end{itemize}
+
+\textbf{The \emph{Telemeta} project}\\
+\begin{itemize}
+\item The CREM laboratory and Parisson have been developing an innovative,
+ collaborative and interdisciplinary open-source web-based multimedia
+ platform since 2007.
+\item Goal : fit the professional requirements from both sound archivists and
+ researchers in ethnomusicology.
+\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
+ l'Homme}:
+\end{itemize}
+\begin{center}
+ \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
+\end{center}
+\vspace{-1cm}
+\end{block}
+
+\begin{block}{Web audio content management features and architecture}
+\vspace{-0.5cm}
+\begin{itemize}
+ \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
+ Free Software License Agreement}) web audio content management
+ system which introduces efficient and secure methods for
+ \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
+ digitalized audio file with its metadata.
+ \item \emph{Telemeta} is ideal for
+ professional collaborators who wants to easily organize, backup, archive and
+ publish documented sound collections of audio files, CDs,
+ digitalized vinyls and magnetic tapes over a strong database in
+ accordance with \alert{open web standards}.
+ \item \emph{Telemeta} architecture
+ is \alert{flexible} and can easily be adapted to particular database
+ organization of a given sound archives.
+ \end{itemize}
+
+The main features of \emph{Telemeta} are:
+\vspace{-0.1cm}
+\begin{itemize}
+\item \alert{Pure HTML} web user interface including high level \alert{search engine}
+\item \alert{Smart workflow management} with contextual user lists, profiles and rights
+\item Model-View-Controller (\alert{MVC}) architecture
+\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
+\end{itemize}
+Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
+
+\end{block}
+\begin{block}{Metadata}
+\vspace{-0.5cm}
+ \begin{itemize}
+ \item In addition to the audio data, an efficient and \alert{dynamic
+ management} of the associated metadata is also required.
+ \item Dynamically handling metadata in a \alert{collaborative} manner optimises
+ the continuous process of knowledge gathering and enrichment of
+ the materials in the database.
+ \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
+ and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
+ Harvesting) \cite{DublinCore,OAI-PMH}.
+ \end{itemize}
+
+\textbf{Contextual Information}\\
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
+
+\textbf{Annotations and segmentation}\\
+Metadata also consist in temporal information such as:
+\begin{itemize}
+\item a list of \alert{time-coded markers} associated with annotations
+\item a list of of \alert{time-segments} associated with labels.
+\end{itemize}
+The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
+It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
+\end{block}
+\end{column}
+
+% ==================================
+% ------- Colonne centre -----------
+% ==================================
+\begin{column}[T]{.33\linewidth}
+ \begin{block}{Telemeta web interface}
+ \begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.32\paperwidth]{img/player_mark.png}
+ % \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
+ \end{figure}
+ \end{block}
+ \begin{block}{TimeSide : open web audio processing framework}
+One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
+
+\begin{center}
+ \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+\end{center}
+
+\textbf{Goals}\\
+
+\begin{itemize}
+\item \alert{Do} asynchronous and fast audio processing with Python.
+\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
+\item \alert{Analyze} audio content with some external audio feature extraction libraries.
+\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
+\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
+\item \alert{Transcode} audio data in various media formats and stream them through web apps.
+\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
+\end{itemize}
+
+\textbf{Audio features extraction}\\
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
+
+ \begin{itemize}
+ \item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+ \cite{brossierPhD}
+ \item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+ \cite{yaafe_ISMIR2010}
+ \item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+ \cite{vamp-plugins}
+ \end{itemize}
+
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
+Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
+\end{block}
+\end{column}
+
+% ==================================
+% ------- Colonne droite -----------
+% ==================================
+\begin{column}[t]{.33\linewidth}
+\begin{block}{TimeSide Architecture}
+ \begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.31\paperwidth]{../img/timeside_schema.pdf}
+ %\caption{TimeSide architecture}
+ \end{figure}
+\end{block}
+
+\begin{block}{Code Example (Python)}
+\vskip1ex
+ \begin{minipage}{0.6\linewidth}
+ \begin{lstlisting}
+
+import timeside
+
+# Define some processors:
+decoder = timeside.decoder.FileDecoder('sweep.wav')
+analyzer = timeside.analyzer.Level()
+grapher = timeside.grapher.Spectrogram()
+encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
+
+# Then, the magic pipeline:
+(decoder | analyzer | grapher | encoder).run()
+
+# Get the results:
+grapher.render(output='image.png')
+for key in analyzer.results.keys():
+ print '%s in %s : %s'% (analyzer.results[key].name,
+ analyzer.results[key].unit,
+ analyzer.results[key].data)
+
+\end{lstlisting}
+\end{minipage}
+\hskip2ex
+\begin{minipage}{0.32\linewidth}
+ \begin{center}
+ \textbf{Results}
+ \begin{figure}
+ \centering
+ \includegraphics{img/spectrogram.png}
+ \caption{Spectrogram (sweep signal)}
+ \end{figure}
+ \end{center}
+\vskip5ex
+\begin{lstlisting}
+
+ Level Analyzer Max:[-6.021]
+ Level Analyzer RMS:[-9.856]
+
+\end{lstlisting}
+
+\end{minipage}
+
+ \end{block}
+\begin{block}{Références}\tiny
+\bibliographystyle{../splncs03}
+%\label{sec:ref}
+\vspace{-1cm}
+\begin{multicols}{2}[]
+\bibliography{../cmmr_2013}
+\end{multicols}
+\end{block}
+
+\end{column}
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+\end{frame}
+\end{document}
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+ defining Unicode char U+010D (decimal 269)
+ defining Unicode char U+010E (decimal 270)
+ defining Unicode char U+010F (decimal 271)
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+ defining Unicode char U+011A (decimal 282)
+ defining Unicode char U+011B (decimal 283)
+ defining Unicode char U+011E (decimal 286)
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+ defining Unicode char U+015B (decimal 347)
+ defining Unicode char U+015E (decimal 350)
+ defining Unicode char U+015F (decimal 351)
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+ basicstyle=\scriptsize, % the size of the fonts that are used for the code
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+\title[TELEMETA, audio web CMS for Ethnomusicological archives]{TELEMETA\\ Audio web Content Management System \\for ethnomusicological sound archives}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
+
+
+\institute[Parisson]{\tiny
+ \inst{1}%
+ Parisson, Paris, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
+ \inst{3}%
+ CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense, Nanterre, France\\
+%Thanks
+\vskip1ex
+ {\tiny \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
+ \begin{center}
+\hfill
+ \raisebox{-4ex}{\includegraphics[width=0.1\linewidth]{../poster/img/logo_CREM.png}} \hfill
+ \includegraphics[width=0.15\linewidth]{../poster/img/logo_LESC.png}\hfill
+ \includegraphics[width=.3\linewidth]{../poster/img/parisson_logo_FINALE_com.pdf}\hfill
+ \includegraphics[width=.18\linewidth]{../poster/img/upmc.png}\hfill
+ \end{center}
+
+}
+
+
+\begin{document}
+\begin{frame}
+ \maketitle
+\end{frame}
+
+\begin{frame}\tiny
+\frametitle{Telemeta}
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+\begin{block}{The project}
+ \begin{itemize}
+ \item The CREM laboratory and Parisson have been developing an innovative,
+ collaborative and interdisciplinary open-source web-based multimedia
+ platform since 2007.
+ \item Goal : fit the professional requirements from both sound archivists and
+ researchers in ethnomusicology.
+ \item Official platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
+ l'Homme}:
+ \end{itemize}
+\vspace{-0.6cm}
+ \begin{center}
+ \colorbox{yellow!50} { \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
+ \end{center}
+\end{block}
+\begin{block}{The platform}
+ \begin{itemize}
+ \item \emph{Telemeta} is an \alert{open-source audio web Content
+ Management System} (CMS) dedicated to \alert{digital sound
+ archives} secure storing, indexing and publishing with database management through (\alert{SQL}) or Oracle backend.
+ \item The demonstration presents the features of this platform
+ in the context of \alert{\emph{ethnomusicological} research}.
+ \item It focuses on the enhance and \alert{collaborative}
+ user-experience in accessing audio items and their associated \alert{metadata} and on the possibility for the expert user to further enrich those metadata.\\
+ Metadata consist in both \alert{Contextual Ethnomusicological Information} and
+ \alert{Annotations and segmentations} (by human or automatic).
+ \item \emph{Telemeta} also provides integrated \alert{audio signal
+ processing tools} for automatic analysis of sound items through an external component, \emph{TimeSide}.
+ \end{itemize}
+\vspace{-0.5cm}
+ \begin{center}
+ \includegraphics[width=0.3\textwidth]{../poster/img/logo_telemeta_1-1.pdf}\\
+ \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
+ \end{center}
+ \end{block}
+\end{frame}
+\begin{frame}\tiny
+ \frametitle{TimeSide}
+ \begin{block}{TimeSide : open web audio processing framework}
+One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
+\vspace{-0.25cm}
+\begin{center}
+ \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+\end{center}
+\vspace{-0.5cm}
+\textbf{Goals}\\
+\begin{itemize}
+\item \alert{Do} asynchronous and fast audio processing with Python.
+\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
+\item \alert{Analyze} audio content with some external audio feature extraction libraries.
+\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
+\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
+\item \alert{Transcode} audio data in various media formats and stream them through web apps.
+\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
+\end{itemize}
+\end{block}
+
+ \begin{block}{Audio features extraction}
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
+\vspace{-0.1cm}
+\begin{itemize}
+\item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+\vspace{-0.1cm}
+\item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+\vspace{-0.1cm}
+\item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+\end{itemize}
+Given the extracted features, every sound item in a given collection can be automatically analyzed. The results of this analysis can be displayed as a support to ethnomusicological studies.
+Further works lead by the DIADEMS project will incorporate advanced Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
+ \end{block}
+\end{frame}
+\begin{frame}
+ \frametitle{Demonstration}
+
+ \begin{itemize}
+ \item \textbf{Demo Session \#1}
+ \item \alert{Wednesday} October 16th, 14:30 - 16:00
+ \item In the Hall
+ \end{itemize}
+ \begin{center}
+ \includegraphics[width=.3\linewidth]{../poster/img/parisson_logo_FINALE_com.pdf}
+ \end{center}
+
+ \begin{itemize}
+ \item Live demonstration of the \emph{Telemeta} web platform with the CNRS ethnomusicological sound archives
+ \item Live demonstration \emph{Timeside} audio processing framework (Python)
+ \end{itemize}
+\end{frame}
+\end{document}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
--- /dev/null
+\documentclass[final, hyperref, table]{beamer}
+\mode<presentation>
+
+
+ %\usepackage[english]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+ \usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ?
+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+%\usepackage{hyperref}
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+
+\usetheme{Warsaw}
+%\usetheme{JuanLesPins}
+\setbeamercovered{transparent}
+
+
+% telemeta red
+\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
+\usecolortheme[rgb={0.41568, 0.01176, 0.02745}]{structure}
+
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{1,1,0.8}
+\lstset{%
+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\scriptsize, % the size of the fonts that are used for the code
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+\title[TELEMETA, audio web CMS for Ethnomusicological archives]{TELEMETA\\ Audio web Content Management System \\for ethnomusicological sound archives}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
+
+
+\institute[Parisson]{\tiny
+ \inst{1}%
+ Parisson, Paris, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
+ \inst{3}%
+ CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense, Nanterre, France\\
+%Thanks
+\vskip1ex
+ {\tiny \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
+ \begin{center}
+\hfill
+ \raisebox{-4ex}{\includegraphics[width=0.1\linewidth]{img/logo_CREM.png}} \hfill
+ \includegraphics[width=0.15\linewidth]{img/logo_LESC.png}\hfill
+ \includegraphics[width=.3\linewidth]{img/parisson_logo_FINALE_com.pdf}\hfill
+ \includegraphics[width=.18\linewidth]{img/upmc.png}\hfill
+ \end{center}
+
+}
+
+
+\begin{document}
+\begin{frame}
+ \maketitle
+\end{frame}
+
+\begin{frame}\tiny
+\frametitle{Telemeta}
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+\begin{block}{The \emph{Telemeta} project}
+ \begin{itemize}
+ \item The CREM laboratory and Parisson have been developing an innovative,
+ collaborative and interdisciplinary open-source web-based multimedia
+ platform since 2007.
+ \item Goal : fit the professional requirements from both sound archivists and
+ researchers in ethnomusicology.
+ \item Official platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
+ l'Homme}:
+ \end{itemize}
+\vspace{-0.6cm}
+ \begin{center}
+ \colorbox{yellow!50} { \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
+ \end{center}
+\end{block}
+\begin{block}{\emph{Telemeta} platform overview}
+ \begin{itemize}
+ \item \emph{Telemeta} is an \alert{open-source audio web Content
+ Management System} (CMS) dedicated to \alert{digital sound
+ archives} secure storing, indexing and publishing with database management through (\alert{SQL}) or Oracle backend.
+ \item The demonstration presents the features of this platform
+ in the context of \alert{\emph{ethnomusicological} research}.
+ \item It focuses on the enhance and \alert{collaborative}
+ user-experience in accessing audio items and their associated \alert{metadata} and on the possibility for the expert user to further enrich those metadata.\\
+ Metadata consist in both \alert{Contextual Ethnomusicological Information} and
+ \alert{Annotations and segmentations} (by human or automatic).
+ \item \emph{Telemeta} also provides integrated \alert{audio signal
+ processing tools} for automatic analysis of sound items through an external component, \emph{TimeSide}.
+ \end{itemize}
+\vspace{-0.5cm}
+ \begin{center}
+ \includegraphics[width=0.3\textwidth]{img/logo_telemeta_1-1.pdf}\\
+ \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
+ \end{center}
+ \end{block}
+\end{frame}
+\begin{frame}\tiny
+ \frametitle{TimeSide}
+ \begin{block}{TimeSide : open web audio processing framework}
+One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
+\vspace{-0.25cm}
+\begin{center}
+ \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+\end{center}
+\vspace{-0.5cm}
+\textbf{Goals}\\
+\begin{itemize}
+\item \alert{Do} asynchronous and fast audio processing with Python.
+\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
+\item \alert{Analyze} audio content with some external audio feature extraction libraries.
+\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
+\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
+\item \alert{Transcode} audio data in various media formats and stream them through web apps.
+\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
+\end{itemize}
+\end{block}
+
+ \begin{block}{Audio features extraction}
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
+\vspace{-0.1cm}
+\begin{itemize}
+\item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+\vspace{-0.1cm}
+\item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+\vspace{-0.1cm}
+\item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+\end{itemize}
+Given the extracted features, every sound item in a given collection can be automatically analyzed. The results of this analysis can be displayed as a support to ethnomusicological studies.
+Further works lead by the DIADEMS project will incorporate advanced Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
+ \end{block}
+\end{frame}
+\begin{frame}
+ \frametitle{Demonstration}
+
+ \begin{itemize}
+ \item \textbf{Demo Session \#1}
+ \item \alert{Wednesday} October 16th, 14:30 - 16:00
+ \item In the Hall
+ \end{itemize}
+ \begin{center}
+ \includegraphics[width=.3\linewidth]{img/parisson_logo_FINALE_com.pdf}
+ \end{center}
+
+ \begin{itemize}
+ \item Live demonstration of the \emph{Telemeta} web platform with the CNRS ethnomusicological sound archives
+ \item Live demonstration \emph{Timeside} audio processing framework (Python)
+ \end{itemize}
+\end{frame}
+\end{document}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
--- /dev/null
+\beamer@endinputifotherversion {3.10pt}
--- /dev/null
+%% BibTeX bibliography style `splncs03'\r
+%%\r
+%% BibTeX bibliography style for use with numbered references in\r
+%% Springer Verlag's "Lecture Notes in Computer Science" series.\r
+%% (See Springer's documentation for llncs.cls for\r
+%% more details of the suggested reference format.) Note that this\r
+%% file will not work for author-year style citations.\r
+%%\r
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+%% a reference with (e.g.) \cite{smith77} to get a "[1]" in the text.\r
+%%\r
+%% This file comes to you courtesy of Maurizio "Titto" Patrignani of\r
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+%%\r
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+FUNCTION {bbl.edition}\r
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+FUNCTION {bbl.volume}\r
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+FUNCTION {bbl.in}\r
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+\r
+FUNCTION {bbl.pages}\r
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+\r
+FUNCTION {bbl.page}\r
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+FUNCTION {titto.bbl.pages} % for journals\r
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+FUNCTION {titto.bbl.page} % for journals\r
+{ "" }\r
+\r
+FUNCTION {bbl.chapter}\r
+{ "chap." }\r
+\r
+FUNCTION {bbl.techrep}\r
+{ "Tech. Rep." }\r
+\r
+FUNCTION {bbl.mthesis}\r
+{ "Master's thesis" }\r
+\r
+FUNCTION {bbl.phdthesis}\r
+{ "Ph.D. thesis" }\r
+\r
+MACRO {jan} {"Jan."}\r
+\r
+MACRO {feb} {"Feb."}\r
+\r
+MACRO {mar} {"Mar."}\r
+\r
+MACRO {apr} {"Apr."}\r
+\r
+MACRO {may} {"May"}\r
+\r
+MACRO {jun} {"Jun."}\r
+\r
+MACRO {jul} {"Jul."}\r
+\r
+MACRO {aug} {"Aug."}\r
+\r
+MACRO {sep} {"Sep."}\r
+\r
+MACRO {oct} {"Oct."}\r
+\r
+MACRO {nov} {"Nov."}\r
+\r
+MACRO {dec} {"Dec."}\r
+\r
+MACRO {acmcs} {"ACM Comput. Surv."}\r
+\r
+MACRO {acta} {"Acta Inf."}\r
+\r
+MACRO {cacm} {"Commun. ACM"}\r
+\r
+MACRO {ibmjrd} {"IBM J. Res. Dev."}\r
+\r
+MACRO {ibmsj} {"IBM Syst.~J."}\r
+\r
+MACRO {ieeese} {"IEEE Trans. Software Eng."}\r
+\r
+MACRO {ieeetc} {"IEEE Trans. Comput."}\r
+\r
+MACRO {ieeetcad}\r
+ {"IEEE Trans. Comput. Aid. Des."}\r
+\r
+MACRO {ipl} {"Inf. Process. Lett."}\r
+\r
+MACRO {jacm} {"J.~ACM"}\r
+\r
+MACRO {jcss} {"J.~Comput. Syst. Sci."}\r
+\r
+MACRO {scp} {"Sci. Comput. Program."}\r
+\r
+MACRO {sicomp} {"SIAM J. Comput."}\r
+\r
+MACRO {tocs} {"ACM Trans. Comput. Syst."}\r
+\r
+MACRO {tods} {"ACM Trans. Database Syst."}\r
+\r
+MACRO {tog} {"ACM Trans. Graphic."}\r
+\r
+MACRO {toms} {"ACM Trans. Math. Software"}\r
+\r
+MACRO {toois} {"ACM Trans. Office Inf. Syst."}\r
+\r
+MACRO {toplas} {"ACM Trans. Progr. Lang. Syst."}\r
+\r
+MACRO {tcs} {"Theor. Comput. Sci."}\r
+\r
+FUNCTION {bibinfo.check}\r
+{ swap$\r
+ duplicate$ missing$\r
+ {\r
+ pop$ pop$\r
+ ""\r
+ }\r
+ { duplicate$ empty$\r
+ {\r
+ swap$ pop$\r
+ }\r
+ { swap$\r
+ pop$\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+}\r
+FUNCTION {bibinfo.warn}\r
+{ swap$\r
+ duplicate$ missing$\r
+ {\r
+ swap$ "missing " swap$ * " in " * cite$ * warning$ pop$\r
+ ""\r
+ }\r
+ { duplicate$ empty$\r
+ {\r
+ swap$ "empty " swap$ * " in " * cite$ * warning$\r
+ }\r
+ { swap$\r
+ pop$\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.url}\r
+{ url empty$\r
+ { "" }\r
+% { "\urlprefix\url{" url * "}" * }\r
+ { "\url{" url * "}" * } % changed in titto-lncs-02.bst\r
+ if$\r
+}\r
+\r
+INTEGERS { nameptr namesleft numnames }\r
+\r
+\r
+STRINGS { bibinfo}\r
+\r
+FUNCTION {format.names}\r
+{ 'bibinfo :=\r
+ duplicate$ empty$ 'skip$ {\r
+ 's :=\r
+ "" 't :=\r
+ #1 'nameptr :=\r
+ s num.names$ 'numnames :=\r
+ numnames 'namesleft :=\r
+ { namesleft #0 > }\r
+ { s nameptr\r
+ "{vv~}{ll}{, jj}{, f{.}.}"\r
+ format.name$\r
+ bibinfo bibinfo.check\r
+ 't :=\r
+ nameptr #1 >\r
+ {\r
+ namesleft #1 >\r
+ { ", " * t * }\r
+ {\r
+ s nameptr "{ll}" format.name$ duplicate$ "others" =\r
+ { 't := }\r
+ { pop$ }\r
+ if$\r
+ "," *\r
+ t "others" =\r
+ {\r
+ " " * bbl.etal *\r
+ }\r
+ { " " * t * }\r
+ if$\r
+ }\r
+ if$\r
+ }\r
+ 't\r
+ if$\r
+ nameptr #1 + 'nameptr :=\r
+ namesleft #1 - 'namesleft :=\r
+ }\r
+ while$\r
+ } if$\r
+}\r
+FUNCTION {format.names.ed}\r
+{\r
+ 'bibinfo :=\r
+ duplicate$ empty$ 'skip$ {\r
+ 's :=\r
+ "" 't :=\r
+ #1 'nameptr :=\r
+ s num.names$ 'numnames :=\r
+ numnames 'namesleft :=\r
+ { namesleft #0 > }\r
+ { s nameptr\r
+ "{f{.}.~}{vv~}{ll}{ jj}"\r
+ format.name$\r
+ bibinfo bibinfo.check\r
+ 't :=\r
+ nameptr #1 >\r
+ {\r
+ namesleft #1 >\r
+ { ", " * t * }\r
+ {\r
+ s nameptr "{ll}" format.name$ duplicate$ "others" =\r
+ { 't := }\r
+ { pop$ }\r
+ if$\r
+ "," *\r
+ t "others" =\r
+ {\r
+\r
+ " " * bbl.etal *\r
+ }\r
+ { " " * t * }\r
+ if$\r
+ }\r
+ if$\r
+ }\r
+ 't\r
+ if$\r
+ nameptr #1 + 'nameptr :=\r
+ namesleft #1 - 'namesleft :=\r
+ }\r
+ while$\r
+ } if$\r
+}\r
+FUNCTION {format.authors}\r
+{ author "author" format.names\r
+}\r
+FUNCTION {get.bbl.editor}\r
+{ editor num.names$ #1 > 'bbl.editors 'bbl.editor if$ }\r
+\r
+FUNCTION {format.editors}\r
+{ editor "editor" format.names duplicate$ empty$ 'skip$\r
+ {\r
+ " " *\r
+ get.bbl.editor\r
+% capitalize\r
+ "(" swap$ * ")" *\r
+ *\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.note}\r
+{\r
+ note empty$\r
+ { "" }\r
+ { note #1 #1 substring$\r
+ duplicate$ "{" =\r
+ 'skip$\r
+ { output.state mid.sentence =\r
+ { "l" }\r
+ { "u" }\r
+ if$\r
+ change.case$\r
+ }\r
+ if$\r
+ note #2 global.max$ substring$ * "note" bibinfo.check\r
+ }\r
+ if$\r
+}\r
+\r
+FUNCTION {format.title}\r
+{ title\r
+ duplicate$ empty$ 'skip$\r
+ { "t" change.case$ }\r
+ if$\r
+ "title" bibinfo.check\r
+}\r
+FUNCTION {output.bibitem}\r
+{ newline$\r
+ "\bibitem{" write$\r
+ cite$ write$\r
+ "}" write$\r
+ newline$\r
+ ""\r
+ before.all 'output.state :=\r
+}\r
+\r
+FUNCTION {n.dashify}\r
+{\r
+ 't :=\r
+ ""\r
+ { t empty$ not }\r
+ { t #1 #1 substring$ "-" =\r
+ { t #1 #2 substring$ "--" = not\r
+ { "--" *\r
+ t #2 global.max$ substring$ 't :=\r
+ }\r
+ { { t #1 #1 substring$ "-" = }\r
+ { "-" *\r
+ t #2 global.max$ substring$ 't :=\r
+ }\r
+ while$\r
+ }\r
+ if$\r
+ }\r
+ { t #1 #1 substring$ *\r
+ t #2 global.max$ substring$ 't :=\r
+ }\r
+ if$\r
+ }\r
+ while$\r
+}\r
+\r
+FUNCTION {word.in}\r
+{ bbl.in capitalize\r
+ ":" *\r
+ " " * }\r
+\r
+FUNCTION {format.date}\r
+{\r
+ month "month" bibinfo.check\r
+ duplicate$ empty$\r
+ year "year" bibinfo.check duplicate$ empty$\r
+ { swap$ 'skip$\r
+ { "there's a month but no year in " cite$ * warning$ }\r
+ if$\r
+ *\r
+ }\r
+ { swap$ 'skip$\r
+ {\r
+ swap$\r
+ " " * swap$\r
+ }\r
+ if$\r
+ *\r
+ remove.dots\r
+ }\r
+ if$\r
+ duplicate$ empty$\r
+ 'skip$\r
+ {\r
+ before.all 'output.state :=\r
+ " (" swap$ * ")" *\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.btitle}\r
+{ title "title" bibinfo.check\r
+ duplicate$ empty$ 'skip$\r
+ {\r
+ }\r
+ if$\r
+}\r
+FUNCTION {either.or.check}\r
+{ empty$\r
+ 'pop$\r
+ { "can't use both " swap$ * " fields in " * cite$ * warning$ }\r
+ if$\r
+}\r
+FUNCTION {format.bvolume}\r
+{ volume empty$\r
+ { "" }\r
+ { bbl.volume volume tie.or.space.prefix\r
+ "volume" bibinfo.check * *\r
+ series "series" bibinfo.check\r
+ duplicate$ empty$ 'pop$\r
+ { emphasize ", " * swap$ * }\r
+ if$\r
+ "volume and number" number either.or.check\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.number.series}\r
+{ volume empty$\r
+ { number empty$\r
+ { series field.or.null }\r
+ { output.state mid.sentence =\r
+ { bbl.number }\r
+ { bbl.number capitalize }\r
+ if$\r
+ number tie.or.space.prefix "number" bibinfo.check * *\r
+ series empty$\r
+ { "there's a number but no series in " cite$ * warning$ }\r
+ { bbl.in space.word *\r
+ series "series" bibinfo.check *\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+ }\r
+ { "" }\r
+ if$\r
+}\r
+\r
+FUNCTION {format.edition}\r
+{ edition duplicate$ empty$ 'skip$\r
+ {\r
+ output.state mid.sentence =\r
+ { "l" }\r
+ { "t" }\r
+ if$ change.case$\r
+ "edition" bibinfo.check\r
+ " " * bbl.edition *\r
+ }\r
+ if$\r
+}\r
+INTEGERS { multiresult }\r
+FUNCTION {multi.page.check}\r
+{ 't :=\r
+ #0 'multiresult :=\r
+ { multiresult not\r
+ t empty$ not\r
+ and\r
+ }\r
+ { t #1 #1 substring$\r
+ duplicate$ "-" =\r
+ swap$ duplicate$ "," =\r
+ swap$ "+" =\r
+ or or\r
+ { #1 'multiresult := }\r
+ { t #2 global.max$ substring$ 't := }\r
+ if$\r
+ }\r
+ while$\r
+ multiresult\r
+}\r
+FUNCTION {format.pages}\r
+{ pages duplicate$ empty$ 'skip$\r
+ { duplicate$ multi.page.check\r
+ {\r
+ bbl.pages swap$\r
+ n.dashify\r
+ }\r
+ {\r
+ bbl.page swap$\r
+ }\r
+ if$\r
+ tie.or.space.prefix\r
+ "pages" bibinfo.check\r
+ * *\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.journal.pages}\r
+{ pages duplicate$ empty$ 'pop$\r
+ { swap$ duplicate$ empty$\r
+ { pop$ pop$ format.pages }\r
+ {\r
+ ", " *\r
+ swap$\r
+ n.dashify\r
+ pages multi.page.check\r
+ 'titto.bbl.pages\r
+ 'titto.bbl.page\r
+ if$\r
+ swap$ tie.or.space.prefix\r
+ "pages" bibinfo.check\r
+ * *\r
+ *\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.journal.eid}\r
+{ eid "eid" bibinfo.check\r
+ duplicate$ empty$ 'pop$\r
+ { swap$ duplicate$ empty$ 'skip$\r
+ {\r
+ ", " *\r
+ }\r
+ if$\r
+ swap$ *\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.vol.num.pages} % this function is used only for journal entries\r
+{ volume field.or.null\r
+ duplicate$ empty$ 'skip$\r
+ {\r
+% bbl.volume swap$ tie.or.space.prefix\r
+ titto.bbl.volume swap$ titto.space.prefix\r
+% rationale for the change above: for journals you don't want "vol." label\r
+% hence it does not make sense to attach the journal number to the label when\r
+% it is short\r
+ "volume" bibinfo.check\r
+ * *\r
+ }\r
+ if$\r
+ number "number" bibinfo.check duplicate$ empty$ 'skip$\r
+ {\r
+ swap$ duplicate$ empty$\r
+ { "there's a number but no volume in " cite$ * warning$ }\r
+ 'skip$\r
+ if$\r
+ swap$\r
+ "(" swap$ * ")" *\r
+ }\r
+ if$ *\r
+ eid empty$\r
+ { format.journal.pages }\r
+ { format.journal.eid }\r
+ if$\r
+}\r
+\r
+FUNCTION {format.chapter.pages}\r
+{ chapter empty$\r
+ 'format.pages\r
+ { type empty$\r
+ { bbl.chapter }\r
+ { type "l" change.case$\r
+ "type" bibinfo.check\r
+ }\r
+ if$\r
+ chapter tie.or.space.prefix\r
+ "chapter" bibinfo.check\r
+ * *\r
+ pages empty$\r
+ 'skip$\r
+ { ", " * format.pages * }\r
+ if$\r
+ }\r
+ if$\r
+}\r
+\r
+FUNCTION {format.booktitle}\r
+{\r
+ booktitle "booktitle" bibinfo.check\r
+}\r
+FUNCTION {format.in.ed.booktitle}\r
+{ format.booktitle duplicate$ empty$ 'skip$\r
+ {\r
+% editor "editor" format.names.ed duplicate$ empty$ 'pop$ % changed by titto\r
+ editor "editor" format.names duplicate$ empty$ 'pop$\r
+ {\r
+ " " *\r
+ get.bbl.editor\r
+% capitalize\r
+ "(" swap$ * ") " *\r
+ * swap$\r
+ * }\r
+ if$\r
+ word.in swap$ *\r
+ }\r
+ if$\r
+}\r
+FUNCTION {empty.misc.check}\r
+{ author empty$ title empty$ howpublished empty$\r
+ month empty$ year empty$ note empty$\r
+ and and and and and\r
+ key empty$ not and\r
+ { "all relevant fields are empty in " cite$ * warning$ }\r
+ 'skip$\r
+ if$\r
+}\r
+FUNCTION {format.thesis.type}\r
+{ type duplicate$ empty$\r
+ 'pop$\r
+ { swap$ pop$\r
+ "t" change.case$ "type" bibinfo.check\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.tr.number}\r
+{ number "number" bibinfo.check\r
+ type duplicate$ empty$\r
+ { pop$ bbl.techrep }\r
+ 'skip$\r
+ if$\r
+ "type" bibinfo.check\r
+ swap$ duplicate$ empty$\r
+ { pop$ "t" change.case$ }\r
+ { tie.or.space.prefix * * }\r
+ if$\r
+}\r
+FUNCTION {format.article.crossref}\r
+{\r
+ key duplicate$ empty$\r
+ { pop$\r
+ journal duplicate$ empty$\r
+ { "need key or journal for " cite$ * " to crossref " * crossref * warning$ }\r
+ { "journal" bibinfo.check emphasize word.in swap$ * }\r
+ if$\r
+ }\r
+ { word.in swap$ * " " *}\r
+ if$\r
+ " \cite{" * crossref * "}" *\r
+}\r
+FUNCTION {format.crossref.editor}\r
+{ editor #1 "{vv~}{ll}" format.name$\r
+ "editor" bibinfo.check\r
+ editor num.names$ duplicate$\r
+ #2 >\r
+ { pop$\r
+ "editor" bibinfo.check\r
+ " " * bbl.etal\r
+ *\r
+ }\r
+ { #2 <\r
+ 'skip$\r
+ { editor #2 "{ff }{vv }{ll}{ jj}" format.name$ "others" =\r
+ {\r
+ "editor" bibinfo.check\r
+ " " * bbl.etal\r
+ *\r
+ }\r
+ {\r
+ bbl.and space.word\r
+ * editor #2 "{vv~}{ll}" format.name$\r
+ "editor" bibinfo.check\r
+ *\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.book.crossref}\r
+{ volume duplicate$ empty$\r
+ { "empty volume in " cite$ * "'s crossref of " * crossref * warning$\r
+ pop$ word.in\r
+ }\r
+ { bbl.volume\r
+ capitalize\r
+ swap$ tie.or.space.prefix "volume" bibinfo.check * * bbl.of space.word *\r
+ }\r
+ if$\r
+ editor empty$\r
+ editor field.or.null author field.or.null =\r
+ or\r
+ { key empty$\r
+ { series empty$\r
+ { "need editor, key, or series for " cite$ * " to crossref " *\r
+ crossref * warning$\r
+ "" *\r
+ }\r
+ { series emphasize * }\r
+ if$\r
+ }\r
+ { key * }\r
+ if$\r
+ }\r
+ { format.crossref.editor * }\r
+ if$\r
+ " \cite{" * crossref * "}" *\r
+}\r
+FUNCTION {format.incoll.inproc.crossref}\r
+{\r
+ editor empty$\r
+ editor field.or.null author field.or.null =\r
+ or\r
+ { key empty$\r
+ { format.booktitle duplicate$ empty$\r
+ { "need editor, key, or booktitle for " cite$ * " to crossref " *\r
+ crossref * warning$\r
+ }\r
+ { word.in swap$ * }\r
+ if$\r
+ }\r
+ { word.in key * " " *}\r
+ if$\r
+ }\r
+ { word.in format.crossref.editor * " " *}\r
+ if$\r
+ " \cite{" * crossref * "}" *\r
+}\r
+FUNCTION {format.org.or.pub}\r
+{ 't :=\r
+ ""\r
+ address empty$ t empty$ and\r
+ 'skip$\r
+ {\r
+ t empty$\r
+ { address "address" bibinfo.check *\r
+ }\r
+ { t *\r
+ address empty$\r
+ 'skip$\r
+ { ", " * address "address" bibinfo.check * }\r
+ if$\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.publisher.address}\r
+{ publisher "publisher" bibinfo.warn format.org.or.pub\r
+}\r
+\r
+FUNCTION {format.organization.address}\r
+{ organization "organization" bibinfo.check format.org.or.pub\r
+}\r
+\r
+FUNCTION {article}\r
+{ output.bibitem\r
+ format.authors "author" output.check\r
+ add.colon\r
+ new.block\r
+ format.title "title" output.check\r
+ new.block\r
+ crossref missing$\r
+ {\r
+ journal\r
+ "journal" bibinfo.check\r
+ "journal" output.check\r
+ add.blank\r
+ format.vol.num.pages output\r
+ format.date "year" output.check\r
+ }\r
+ { format.article.crossref output.nonnull\r
+ format.pages output\r
+ }\r
+ if$\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+FUNCTION {book}\r
+{ output.bibitem\r
+ author empty$\r
+ { format.editors "author and editor" output.check\r
+ add.colon\r
+ }\r
+ { format.authors output.nonnull\r
+ add.colon\r
+ crossref missing$\r
+ { "author and editor" editor either.or.check }\r
+ 'skip$\r
+ if$\r
+ }\r
+ if$\r
+ new.block\r
+ format.btitle "title" output.check\r
+ crossref missing$\r
+ { format.bvolume output\r
+ new.block\r
+ new.sentence\r
+ format.number.series output\r
+ format.publisher.address output\r
+ }\r
+ {\r
+ new.block\r
+ format.book.crossref output.nonnull\r
+ }\r
+ if$\r
+ format.edition output\r
+ format.date "year" output.check\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+FUNCTION {booklet}\r
+{ output.bibitem\r
+ format.authors output\r
+ add.colon\r
+ new.block\r
+ format.title "title" output.check\r
+ new.block\r
+ howpublished "howpublished" bibinfo.check output\r
+ address "address" bibinfo.check output\r
+ format.date output\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {inbook}\r
+{ output.bibitem\r
+ author empty$\r
+ { format.editors "author and editor" output.check\r
+ add.colon\r
+ }\r
+ { format.authors output.nonnull\r
+ add.colon\r
+ crossref missing$\r
+ { "author and editor" editor either.or.check }\r
+ 'skip$\r
+ if$\r
+ }\r
+ if$\r
+ new.block\r
+ format.btitle "title" output.check\r
+ crossref missing$\r
+ {\r
+ format.bvolume output\r
+ format.chapter.pages "chapter and pages" output.check\r
+ new.block\r
+ new.sentence\r
+ format.number.series output\r
+ format.publisher.address output\r
+ }\r
+ {\r
+ format.chapter.pages "chapter and pages" output.check\r
+ new.block\r
+ format.book.crossref output.nonnull\r
+ }\r
+ if$\r
+ format.edition output\r
+ format.date "year" output.check\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {incollection}\r
+{ output.bibitem\r
+ format.authors "author" output.check\r
+ add.colon\r
+ new.block\r
+ format.title "title" output.check\r
+ new.block\r
+ crossref missing$\r
+ { format.in.ed.booktitle "booktitle" output.check\r
+ format.bvolume output\r
+ format.chapter.pages output\r
+ new.sentence\r
+ format.number.series output\r
+ format.publisher.address output\r
+ format.edition output\r
+ format.date "year" output.check\r
+ }\r
+ { format.incoll.inproc.crossref output.nonnull\r
+ format.chapter.pages output\r
+ }\r
+ if$\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+FUNCTION {inproceedings}\r
+{ output.bibitem\r
+ format.authors "author" output.check\r
+ add.colon\r
+ new.block\r
+ format.title "title" output.check\r
+ new.block\r
+ crossref missing$\r
+ { format.in.ed.booktitle "booktitle" output.check\r
+ new.sentence % added by titto\r
+ format.bvolume output\r
+ format.pages output\r
+ new.sentence\r
+ format.number.series output\r
+ publisher empty$\r
+ { format.organization.address output }\r
+ { organization "organization" bibinfo.check output\r
+ format.publisher.address output\r
+ }\r
+ if$\r
+ format.date "year" output.check\r
+ }\r
+ { format.incoll.inproc.crossref output.nonnull\r
+ format.pages output\r
+ }\r
+ if$\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+FUNCTION {conference} { inproceedings }\r
+FUNCTION {manual}\r
+{ output.bibitem\r
+ author empty$\r
+ { organization "organization" bibinfo.check\r
+ duplicate$ empty$ 'pop$\r
+ { output\r
+ address "address" bibinfo.check output\r
+ }\r
+ if$\r
+ }\r
+ { format.authors output.nonnull }\r
+ if$\r
+ add.colon\r
+ new.block\r
+ format.btitle "title" output.check\r
+ author empty$\r
+ { organization empty$\r
+ {\r
+ address new.block.checka\r
+ address "address" bibinfo.check output\r
+ }\r
+ 'skip$\r
+ if$\r
+ }\r
+ {\r
+ organization address new.block.checkb\r
+ organization "organization" bibinfo.check output\r
+ address "address" bibinfo.check output\r
+ }\r
+ if$\r
+ format.edition output\r
+ format.date output\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {mastersthesis}\r
+{ output.bibitem\r
+ format.authors "author" output.check\r
+ add.colon\r
+ new.block\r
+ format.btitle\r
+ "title" output.check\r
+ new.block\r
+ bbl.mthesis format.thesis.type output.nonnull\r
+ school "school" bibinfo.warn output\r
+ address "address" bibinfo.check output\r
+ format.date "year" output.check\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {misc}\r
+{ output.bibitem\r
+ format.authors output\r
+ add.colon\r
+ title howpublished new.block.checkb\r
+ format.title output\r
+ howpublished new.block.checka\r
+ howpublished "howpublished" bibinfo.check output\r
+ format.date output\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+ empty.misc.check\r
+}\r
+FUNCTION {phdthesis}\r
+{ output.bibitem\r
+ format.authors "author" output.check\r
+ add.colon\r
+ new.block\r
+ format.btitle\r
+ "title" output.check\r
+ new.block\r
+ bbl.phdthesis format.thesis.type output.nonnull\r
+ school "school" bibinfo.warn output\r
+ address "address" bibinfo.check output\r
+ format.date "year" output.check\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {proceedings}\r
+{ output.bibitem\r
+ editor empty$\r
+ { organization "organization" bibinfo.check output\r
+ }\r
+ { format.editors output.nonnull }\r
+ if$\r
+ add.colon\r
+ new.block\r
+ format.btitle "title" output.check\r
+ format.bvolume output\r
+ editor empty$\r
+ { publisher empty$\r
+ { format.number.series output }\r
+ {\r
+ new.sentence\r
+ format.number.series output\r
+ format.publisher.address output\r
+ }\r
+ if$\r
+ }\r
+ { publisher empty$\r
+ {\r
+ new.sentence\r
+ format.number.series output\r
+ format.organization.address output }\r
+ {\r
+ new.sentence\r
+ format.number.series output\r
+ organization "organization" bibinfo.check output\r
+ format.publisher.address output\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+ format.date "year" output.check\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {techreport}\r
+{ output.bibitem\r
+ format.authors "author" output.check\r
+ add.colon\r
+ new.block\r
+ format.title\r
+ "title" output.check\r
+ new.block\r
+ format.tr.number output.nonnull\r
+ institution "institution" bibinfo.warn output\r
+ address "address" bibinfo.check output\r
+ format.date "year" output.check\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {unpublished}\r
+{ output.bibitem\r
+ format.authors "author" output.check\r
+ add.colon\r
+ new.block\r
+ format.title "title" output.check\r
+ format.date output\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note "note" output.check\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {default.type} { misc }\r
+READ\r
+FUNCTION {sortify}\r
+{ purify$\r
+ "l" change.case$\r
+}\r
+INTEGERS { len }\r
+FUNCTION {chop.word}\r
+{ 's :=\r
+ 'len :=\r
+ s #1 len substring$ =\r
+ { s len #1 + global.max$ substring$ }\r
+ 's\r
+ if$\r
+}\r
+FUNCTION {sort.format.names}\r
+{ 's :=\r
+ #1 'nameptr :=\r
+ ""\r
+ s num.names$ 'numnames :=\r
+ numnames 'namesleft :=\r
+ { namesleft #0 > }\r
+ { s nameptr\r
+ "{ll{ }}{ ff{ }}{ jj{ }}"\r
+ format.name$ 't :=\r
+ nameptr #1 >\r
+ {\r
+ " " *\r
+ namesleft #1 = t "others" = and\r
+ { "zzzzz" * }\r
+ { t sortify * }\r
+ if$\r
+ }\r
+ { t sortify * }\r
+ if$\r
+ nameptr #1 + 'nameptr :=\r
+ namesleft #1 - 'namesleft :=\r
+ }\r
+ while$\r
+}\r
+\r
+FUNCTION {sort.format.title}\r
+{ 't :=\r
+ "A " #2\r
+ "An " #3\r
+ "The " #4 t chop.word\r
+ chop.word\r
+ chop.word\r
+ sortify\r
+ #1 global.max$ substring$\r
+}\r
+FUNCTION {author.sort}\r
+{ author empty$\r
+ { key empty$\r
+ { "to sort, need author or key in " cite$ * warning$\r
+ ""\r
+ }\r
+ { key sortify }\r
+ if$\r
+ }\r
+ { author sort.format.names }\r
+ if$\r
+}\r
+FUNCTION {author.editor.sort}\r
+{ author empty$\r
+ { editor empty$\r
+ { key empty$\r
+ { "to sort, need author, editor, or key in " cite$ * warning$\r
+ ""\r
+ }\r
+ { key sortify }\r
+ if$\r
+ }\r
+ { editor sort.format.names }\r
+ if$\r
+ }\r
+ { author sort.format.names }\r
+ if$\r
+}\r
+FUNCTION {author.organization.sort}\r
+{ author empty$\r
+ { organization empty$\r
+ { key empty$\r
+ { "to sort, need author, organization, or key in " cite$ * warning$\r
+ ""\r
+ }\r
+ { key sortify }\r
+ if$\r
+ }\r
+ { "The " #4 organization chop.word sortify }\r
+ if$\r
+ }\r
+ { author sort.format.names }\r
+ if$\r
+}\r
+FUNCTION {editor.organization.sort}\r
+{ editor empty$\r
+ { organization empty$\r
+ { key empty$\r
+ { "to sort, need editor, organization, or key in " cite$ * warning$\r
+ ""\r
+ }\r
+ { key sortify }\r
+ if$\r
+ }\r
+ { "The " #4 organization chop.word sortify }\r
+ if$\r
+ }\r
+ { editor sort.format.names }\r
+ if$\r
+}\r
+FUNCTION {presort}\r
+{ type$ "book" =\r
+ type$ "inbook" =\r
+ or\r
+ 'author.editor.sort\r
+ { type$ "proceedings" =\r
+ 'editor.organization.sort\r
+ { type$ "manual" =\r
+ 'author.organization.sort\r
+ 'author.sort\r
+ if$\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+ " "\r
+ *\r
+ year field.or.null sortify\r
+ *\r
+ " "\r
+ *\r
+ title field.or.null\r
+ sort.format.title\r
+ *\r
+ #1 entry.max$ substring$\r
+ 'sort.key$ :=\r
+}\r
+ITERATE {presort}\r
+SORT\r
+STRINGS { longest.label }\r
+INTEGERS { number.label longest.label.width }\r
+FUNCTION {initialize.longest.label}\r
+{ "" 'longest.label :=\r
+ #1 'number.label :=\r
+ #0 'longest.label.width :=\r
+}\r
+FUNCTION {longest.label.pass}\r
+{ number.label int.to.str$ 'label :=\r
+ number.label #1 + 'number.label :=\r
+ label width$ longest.label.width >\r
+ { label 'longest.label :=\r
+ label width$ 'longest.label.width :=\r
+ }\r
+ 'skip$\r
+ if$\r
+}\r
+EXECUTE {initialize.longest.label}\r
+ITERATE {longest.label.pass}\r
+FUNCTION {begin.bib}\r
+{ preamble$ empty$\r
+ 'skip$\r
+ { preamble$ write$ newline$ }\r
+ if$\r
+ "\begin{thebibliography}{" longest.label * "}" *\r
+ write$ newline$\r
+ "\providecommand{\url}[1]{\texttt{#1}}"\r
+ write$ newline$\r
+ "\providecommand{\urlprefix}{URL }"\r
+ write$ newline$\r
+}\r
+EXECUTE {begin.bib}\r
+EXECUTE {init.state.consts}\r
+ITERATE {call.type$}\r
+FUNCTION {end.bib}\r
+{ newline$\r
+ "\end{thebibliography}" write$ newline$\r
+}\r
+EXECUTE {end.bib}\r
+%% End of customized bst file\r
+%%\r
+%% End of file `titto.bst'.\r
+\r
+\r
--- /dev/null
+%%\r
+%% This is file `aes.cls',\r
+%% generated with the docstrip utility.\r
+%%\r
+%% The original source files were:\r
+%%\r
+%% aes.dtx \r
+%% \r
+%% Copyright (c) 2001--2004, 2007, 2008, 2010--2012 by Adam H. Lewenberg\r
+%% All rights reserved\r
+%% \r
+%% Author: Adam H. Lewenberg\r
+%% \r
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
+\r
+\ifx\AESconname\undefined\r
+ \errmessage{This class is not meant to be used directly. Please use\r
+ a different class for the argument of \string\documentclass}%\r
+\fi\r
+\NeedsTeXFormat{LaTeX2e}[1996/12/01]\r
+\tracingstats=1\r
+\ProvidesClass{aes}\r
+ [2012/08/11 v0.65 AES convention paper style]\r
+\newif\ifAES@draft@mode\global\AES@draft@modefalse\r
+\DeclareOption{draft}{%\r
+ \global\AES@draft@modetrue\r
+ \PassOptionsToPackage{draft}{graphicx}%\r
+ \overfullrule=2pt%\r
+}%\r
+\DeclareOption{hyperref}{%\r
+ \relax\r
+}%\r
+\newif\ifaespdfcheck\r
+\aespdfcheckfalse % Default value is no pdf output\r
+\ifx\pdfoutput\undefined\r
+ \aespdfcheckfalse % pdflatex not running\r
+\else\r
+ \ifnum\pdfoutput=1 % pdflatex running; pdf output?\r
+ \aespdfchecktrue % Yes, pdf output\r
+ \fi\r
+\fi\r
+\newif\ifAES@boiler@plate\global\AES@boiler@platetrue\r
+\DeclareOption{noboilerplate}{%\r
+ \global\AES@boiler@platefalse\r
+}%\r
+\newif\ifAES@peer@reviewed\global\AES@peer@reviewedfalse\r
+\DeclareOption{peer-reviewed}{%\r
+ \global\AES@peer@reviewedtrue\r
+}%\r
+\DeclareOption{non-peer-reviewed}{%\r
+ \global\AES@peer@reviewedfalse\r
+}%\r
+\newif\ifAES@using@@cm@fonts\global\AES@using@@cm@fontstrue\r
+\DeclareOption{mathptmx}{%\r
+ \global\AES@using@@cm@fontsfalse\r
+ \AtEndOfPackage{%\r
+ \RequirePackage{mathptmx}\r
+ \RequirePackage{helvet}\r
+ }%\r
+}%\r
+%% \DescribeMacro{mathtime}\r
+\DeclareOption{mathtime}{%\r
+ \global\AES@using@@cm@fontsfalse\r
+ \AtEndOfPackage{%\r
+ \RequirePackage{mathtime}\r
+ \renewcommand{\ttdefault}{cmtt}%\r
+ }%\r
+}%\r
+%% \DescribeMacro{caption}\r
+\newif\ifAES@use@caption@package\global\AES@use@caption@packagefalse\r
+\DeclareOption{caption}{%\r
+ \global\AES@use@caption@packagetrue\r
+ \AtEndOfPackage{%\r
+ \RequirePackage[labelfont={bf}]{caption}\r
+ }%\r
+}%\r
+\ProcessOptions\r
+\newif\ifAES@@Conference\AES@@Conferencefalse\r
+\newif\ifAES@@Convention\AES@@Conventionfalse\r
+ \def\temp@@decided{X}%\r
+\def\temp@@decided{}%\r
+\def\temp@@{Conference}%\r
+\ifx\temp@@\AEScontype\r
+ \global\AES@@Conferencetrue\r
+ \global\AES@@Conventionfalse\r
+ \message{...this is a Conference...}%\r
+ \def\temp@@decided{X}%\r
+\fi\r
+\def\temp@@{Convention}%\r
+\ifx\temp@@\AEScontype\r
+ \global\AES@@Conferencefalse\r
+ \global\AES@@Conventiontrue\r
+ \message{...this is a Convention...}%\r
+ \def\temp@@decided{X}%\r
+\fi\r
+\ifx\temp@@decided\empty\r
+ \errmessage{The macro \string\AEScontype\space is currently defined\r
+as '\AEScontype'. However, the only valid values it can be defined to be\r
+are 'Convention' or 'Conference' (case matters). Please fix}\r
+\fi\r
+\let\temp@@decided\undefined\r
+\LoadClass[twocolumn,notitlepage,oneside,10pt]{report}\r
+\ifaespdfcheck\r
+ \RequirePackage[pdftex]{graphicx}%\r
+ \DeclareGraphicsExtensions{.pdf}%\r
+ \pdfcompresslevel=9\relax\r
+\else\r
+ \RequirePackage{graphicx}%\r
+ \DeclareGraphicsExtensions{.eps}%\r
+\fi\r
+\RequirePackage[normalem]{ulem}%\r
+\textwidth=6.5in\r
+\textheight=49pc\r
+\headsep=0.375in\r
+\headheight=14pt\r
+\footskip=\headsep\advance\footskip by 0.375in\relax\r
+\columnsep=0.25in\r
+\topmargin=0in\r
+\oddsidemargin=-0.0in\r
+\parskip=6pt plus3.0pt minus3.0pt\relax\r
+\parindent=0pt\relax\r
+\voffset=-0.0in\r
+\r
+\def\title#1{\gdef\@title{#1}}\r
+\def\email#1{\gdef\@email{#1}}\r
+\let\authors\author\r
+\def\shorttitle#1{%\r
+ \gdef\@shorttitle{#1}%\r
+}%\r
+\let\@shorttitle\undefined\r
+\let\@lastnames\undefined\r
+\def\aff#1{${}^{#1}$}%\r
+\newcommand{\correspondence}[2]{%\r
+ \gdef\corr@author{#1}%\r
+ \gdef\corr@email{#2}%\r
+}%\r
+\r
+\newcounter{lastnamecount}%\r
+\def\lastnames#1{\gdef\@lastnames{#1}}%\r
+\let\lastname\lastnames%\r
+\let\@lastnames\undefined\r
+\r
+\newcounter{affiliationcount}%\r
+\def\affiliation@in@title{}%\r
+\newcommand{\affiliation}[2][\the\c@affiliationcount]{%\r
+ \global\advance\c@affiliationcount by 1\relax\r
+ \xdef\affiliation@in@title{%\r
+ \affiliation@in@title\r
+ \par\r
+ ${}^{#1}$#2}%\r
+}%\r
+\def\preprintnumber#1{\gdef\@preprintnumber{#1}}%\r
+\let\@preprintnumber\undefined\r
+\r
+\def\lastpage@putlabel{\addtocounter{page}{-1}%\r
+ \immediate\write\@auxout{\string\r
+ \newlabel{aesxx:lastpage}{{}{\thepage}}}%\r
+ \addtocounter{page}{1}}\r
+\def\BeginAESPaper{%\r
+ \ifx\@lastnames\undefined\r
+ \errmessage{You must have a \string\lastnames\space command before\r
+ starting the document}\r
+ \fi\r
+ \author@parse@aes % Parse the \lastnames.\r
+ \renewenvironment{abstract}{%\r
+ \errmessage{The abstract environment can ONLY be used in the\r
+ preamble, that is, before the begin document command.}}{}%\r
+ \ifx\@shorttitle\undefined\r
+ \global\let\@shorttitle\@title\r
+ \fi\r
+}%\r
+\global\let\StartAESPaper\BeginAESPaper\r
+\def\EndAESPaper{%\r
+ \relax\r
+ \clearpage% Important in case of figure-only page at end of document.\r
+ \lastpage@putlabel\r
+ \ifx\aes@maketitle@called\relax\r
+ \else\r
+ \errmessage{You did not use the mandatory \string\maketitle\space %\r
+ command; your paper CANNOT be accepted without using this\r
+ command. Please see the AES LaTeX class manual for more information}%\r
+ \fi\r
+}%\r
+\AtBeginDocument{\BeginAESPaper}%\r
+\AtEndDocument{\EndAESPaper}%\r
+\newbox\abstract@@box%\r
+\newbox\abstract@box%\r
+\renewenvironment{abstract}%\r
+{%\r
+ \begin{lrbox}{\abstract@@box}\r
+ \begin{minipage}{\textwidth}%\r
+ \textbf{ABSTRACT}\\\r
+ \normalsize\r
+ \ignorespaces\r
+}{%\r
+ \end{minipage}\r
+ \end{lrbox}\r
+ \global\setbox\abstract@box=\vtop{\copy\abstract@@box}%\r
+ \ignorespaces\r
+}%\r
+\newcommand{\SetAbstract}{%\r
+ \noindent\r
+ \box\abstract@box%\r
+ \smallskip\r
+}%\r
+\r
+\newcounter{authorcount}%\r
+\def\author@parse@aes{\r
+ \setcounter{authorcount}{0}%\r
+ \for\name:=\@lastnames\do{%\r
+ \message{\name}%\r
+ \stepcounter{authorcount}%\r
+ }%\r
+ \ifnum\c@authorcount=1\r
+ \xdef\author@in@header{\@lastnames}%\r
+ \fi\r
+ %\r
+ \ifnum\c@authorcount=2\r
+ \count255=0\r
+ \for\name:=\@lastnames\do{%\r
+ \ifnum\count255=0\r
+ \xdef\@lastnameone{\name}%\r
+ \else\r
+ \xdef\@lastnametwo{\ignorespaces\name}%\r
+ \fi\r
+ \advance\count255 by 1\relax\r
+ }%\r
+ \xdef\author@in@header{\@lastnameone\ AND \@lastnametwo}%\r
+ \fi\r
+ %\r
+ \ifnum\c@authorcount>2\r
+ \count255=0\r
+ \for\name:=\@lastnames\do{%\r
+ \ifnum\count255=0\r
+ \xdef\author@in@header{\name\ et al.}%\r
+ \fi\r
+ \advance\count255 by 1\relax\r
+ }%\r
+ \fi\r
+}\r
+\r
+\renewcommand\maketitle{\par\r
+ \begingroup\r
+ \renewcommand\thefootnote{\@fnsymbol\c@footnote}%\r
+ \def\@makefnmark{\rlap{\@textsuperscript{\normalfont\@thefnmark}}}%\r
+ \long\def\@makefntext##1{\parindent 1em\noindent\r
+ \hb@xt@1.8em{%\r
+ \hss\@textsuperscript{\normalfont\@thefnmark}}##1}%\r
+ \global\let\@nodocument\relax\r
+ \if@twocolumn\r
+ \ifnum \col@number=\@ne\r
+ \@maketitle\r
+ \usebox{\@AES@title@@box}%\r
+ \else\r
+ \@maketitle\r
+ \twocolumn[\vspace{-3pc}\box\@AES@title@@box%\r
+ \vskip 2pc plus 1pc minus1pc\relax\r
+ ]%\r
+ \fi\r
+ \else\r
+ \newpage\r
+ \global\@topnum\z@ % Prevents figures from going at top of page.\r
+ \@maketitle\r
+ \fi\r
+ \ifAES@@Convention\r
+ \thispagestyle{empty}%\r
+ \else\r
+ \thispagestyle{footeronly}%\r
+ \fi\r
+ \@thanks\r
+ \endgroup\r
+ \setcounter{footnote}{0}%\r
+ \global\let\thanks\relax\r
+ \global\let\maketitle\relax\r
+ \global\let\@maketitle\relax\r
+ \global\let\@thanks\@empty\r
+ %\global\let\@author\@empty\r
+ \global\let\@date\@empty\r
+ %\global\let\@title\@empty\r
+ \global\let\title\relax\r
+ \global\let\author\relax\r
+ \global\let\date\relax\r
+ \global\let\and\relax\r
+ \global\let\aes@maketitle@called\relax\r
+}\r
+\ifAES@using@@cm@fonts\r
+ \DeclareFontShape{OT1}{cmss}{m}{n}\r
+ {%\r
+ <5-8>cmss8%\r
+ <9>cmss9%\r
+ <10-10.95>cmss10%\r
+ <10.95-14.4>cmss12%\r
+ <14.4-100>cmss17%\r
+ }{}\r
+ \DeclareFontShape{OT1}{cmss}{bx}{n}\r
+ {%\r
+ <5-100>cmssbx10%\r
+ }{}\r
+ \DeclareFontShape{OT1}{cmr}{m}{n}%\r
+ {<5><6><7><8><9><10><12>gen*cmr%\r
+ <10.95>cmr10%\r
+ <14.4>cmr12%\r
+ <17.28><20.74><22><24.88><40>cmr17}{}\r
+\fi\r
+\def\AESfont@Hone{\fontsize{18}{20pt}\selectfont}\r
+\def\AESfont@Htwo{\fontsize{36}{38pt}\selectfont}\r
+\def\AESfont@Hthree{\fontsize{10}{11pt}\selectfont}\r
+\def\AESfont@papertitle{\fontsize{22}{24pt}\selectfont\sffamily\bfseries}\r
+\def\AESfont@author{\fontsize{10}{12pt}\selectfont}\r
+\def\AESfont@affiliation{\fontsize{9}{11pt}\selectfont\itshape}\r
+\def\AESfont@boilerplate{\fontsize{9}{10pt}\selectfont\itshape}\r
+\def\AESfont@rhead{\fontsize{10}{10pt}\selectfont\sffamily}\r
+\def\AESfont@footer{\fontsize{10}{10pt}\selectfont\sffamily}\r
+\def\set@AESconventionheader{%\r
+ \bgroup\r
+ \parindent=0pt\r
+ \rule{\textwidth}{2pt}%\r
+ \vskip 0pc%\r
+ \setbox0=\hbox{\includegraphics[width=20mm]{aeslogo}}%\r
+ \wd0=0pt\dp0=0pt\ht0=0pt\leavevmode\lower 23mm\hbox{\box0}%\r
+ \vglue-32mm\vglue0.00mm\par\r
+ \begin{center}\r
+ \sffamily\r
+ \AESfont@Hone Audio Engineering Society\\\r
+ \ifx\@preprintnumber\undefined\r
+ \AESfont@Htwo\AEScontype\ Paper\\\r
+ \else\r
+ \AESfont@Htwo\AEScontype\ Paper \@preprintnumber\\\r
+ \fi\r
+ \vskip2.5mm\relax\r
+ \AESfont@Hthree Presented at the \AESconname\\\r
+ \AEScondate\quad \AESconplace\\\r
+ \end{center}\r
+ \vglue-10mm\vglue0.01mm\par\r
+ \ifAES@boiler@plate\r
+ \vskip 8.4mm%\r
+ \par\r
+ \parbox[t]{\textwidth}{%\r
+ \AESfont@boilerplate\r
+\noindent\r
+ \ifAES@peer@reviewed\r
+ This paper was peer-reviewed as a complete manuscript for\r
+ presentation at this Convention. Additional papers may be\r
+ obtained by sending request and remittance to Audio\r
+ Engineering Society, 60 East 42${}^{\mbox{\scriptsize nd}}$\r
+ Street, New York, New York\r
+ 10165-2520, USA; also see \uline{www.aes.org}. All rights reserved.\r
+ Reproduction of this paper, or any portion thereof, is not\r
+ permitted without direct permission from the \textup{Journal of the\r
+ Audio Engineering Society}.\r
+ \else\r
+ This Convention paper was selected based on a submitted\r
+ abstract and 750-word precis that have been peer reviewed by\r
+ at least two qualified anonymous reviewers. The complete\r
+ manuscript was not peer reviewed. This convention paper has\r
+ been reproduced from the author's advance manuscript without\r
+ editing, corrections, or consideration by the Review\r
+ Board. The AES takes no responsibility for the\r
+ contents. Additional papers may be obtained by sending\r
+ request and remittance to Audio Engineering Society, 60 East\r
+ 42${}^{\mbox{\scriptsize nd}}$\r
+ Street, New York, New York 10165-2520, USA; also see\r
+ \uline{www.aes.org}. All rights reserved. Reproduction of this\r
+ paper, or any portion thereof, is not permitted without\r
+ direct permission from the \textup{Journal of the Audio\r
+ Engineering Society}.\r
+ \fi\r
+ }% end of \parbox\r
+ %\r
+ \par\r
+ \vskip 0.0mm%\r
+ \fi\r
+ \rule{\textwidth}{2pt}%\r
+ \par\r
+ \egroup\r
+}\r
+\newsavebox{\@AES@title@@box}%\r
+\def\@maketitle{%\r
+ \setbox\@AES@title@@box=\vtop%\r
+ {%\r
+ \hsize=\textwidth\r
+ \vskip 0pc%\r
+ \ifAES@@Convention\r
+ \set@AESconventionheader\r
+ \fi\r
+ \begin{flushleft}%\r
+ \hsize=\textwidth\r
+ \let \footnote \thanks\r
+ {\AESfont@papertitle\@title\par}%\r
+ \vskip 1.5em%\r
+ {\large\r
+ \lineskip .5em%\r
+ {\AESfont@author\@author\par}%\r
+ \par%\r
+ {\AESfont@affiliation\affiliation@in@title\par}%\r
+ }%\r
+ Correspondence should be addressed to \corr@author\space\r
+ (\texttt{\corr@email})\par\r
+ \vskip 1.0em plus 0.25em minus 0.25em\relax\r
+ \end{flushleft}%\r
+ \par\r
+ \vskip 0.00em plus 0.00em minus0.00em\relax\r
+ \SetAbstract\r
+ }% end of \setbox\@AES@title@@box\r
+}%\r
+\r
+\setcounter{secnumdepth}{3}%\r
+\renewcommand{\thesection}{\arabic{section}}%\r
+\renewcommand{\section}{\secdef\@aes@section\@aes@starred@section}%\r
+\def\@aes@section[#1]#2{%\r
+ \refstepcounter{section}%\r
+ \set@aes@section{#1}{#2}{\thesection}%\r
+ \ignorespaces\r
+}%\r
+\def\@aes@starred@section#1{%\r
+ \set@aes@section{}{#1}{}%\r
+ \ignorespaces\r
+}%\r
+\def\set@aes@section#1#2#3{%\r
+ \bigskip\par\r
+ \bgroup\r
+ \parskip=0pt%\r
+ \noindent\r
+ \ifnum\c@secnumdepth>0\r
+ \def\temp@{#3}%\r
+ \ifx\temp@\empty\r
+\relax\r
+ \else\r
+\textbf{\textsf{#3}}.\quad%\r
+ \fi\r
+ \fi\r
+ \textsf{\textbf{\uppercase{#2}}}%\r
+ \nobreak\r
+ \par\r
+ \nobreak\r
+ \noindent\r
+ \egroup\r
+ \ignorespaces\r
+}\r
+\renewcommand{\subsection}{\secdef\@aes@subsection\@aes@starred@subsection}%\r
+\def\@aes@subsection[#1]#2{%\r
+ \refstepcounter{subsection}%\r
+ \set@aes@subsection{#1}{#2}{\thesubsection}%\r
+ \ignorespaces\r
+}%\r
+\def\@aes@starred@subsection#1{%\r
+ \set@aes@subsection{}{#1}{}%\r
+ \ignorespaces\r
+}%\r
+\def\set@aes@subsection#1#2#3{%\r
+ \medskip\par\r
+ \bgroup\r
+ \parskip=0pt%\r
+ \noindent\r
+ \ifnum\c@secnumdepth>1\r
+ \def\temp@{#3}%\r
+ \ifx\temp@\empty\r
+\relax\r
+ \else\r
+\textbf{\textsf{#3}}.\quad%\r
+ \fi\r
+ \fi\r
+ \textbf{\textsf{#2}}%\r
+ \nobreak\r
+ \par\r
+ \nobreak\r
+ \noindent\r
+ \egroup\r
+ \ignorespaces\r
+}\r
+\renewcommand{\subsubsection}%\r
+ {\secdef\@aes@subsubsection\@aes@starred@subsubsection}%\r
+\def\@aes@subsubsection[#1]#2{%\r
+ \refstepcounter{subsubsection}%\r
+ \set@aes@subsubsection{#1}{#2}{\thesubsubsection}%\r
+ \ignorespaces\r
+}%\r
+\def\@aes@starred@subsubsection#1{%\r
+ \set@aes@subsubsection{}{#1}{}%\r
+ \ignorespaces\r
+}%\r
+\def\set@aes@subsubsection#1#2#3{%\r
+ \medskip\par\r
+ \bgroup\r
+ \parskip=0pt%\r
+ \noindent\r
+ \ifnum\c@secnumdepth>2\r
+ \def\temp@{#3}%\r
+ \ifx\temp@\empty\r
+\relax\r
+ \else\r
+\textbf{\textsf{#3}}.\quad%\r
+ \fi\r
+ \fi\r
+ \textbf{\textsf{#2}}%\r
+ \nobreak\r
+ \par\r
+ \nobreak\r
+ \noindent\r
+ \egroup\r
+ \ignorespaces\r
+}\r
+\newcommand{\stack@aesfooter}[2]{%\r
+ \vbox{%\r
+ \hsize=\textwidth\r
+ \offinterlineskip\r
+ \parskip=0pt\parindent=0pt\r
+ \rule{\textwidth}{2pt}%\r
+ \par\vskip2pt\vfill\r
+ \hbox to \textwidth{\hfill#1\hfill}\par\vskip0.5pc\vfill\r
+ \hbox to \textwidth{\hfill#2\hfill}%\r
+ \par\r
+ }%\r
+}\r
+\newcommand{\stack@aesheader}[2]{%\r
+ \vbox{%\r
+ \hsize=\textwidth\r
+ \offinterlineskip\r
+ \parskip=0pt\parindent=0pt\r
+ \hbox to \textwidth{#1\hfill#2}\par\vskip2pt\vfill\r
+ \rule{\textwidth}{2pt}%\r
+ \par\r
+ }%\r
+}\r
+\def\ps@headings{%\r
+\def\@mkboth{\protect\markboth}%\r
+\def\@oddhead{%\r
+ \bgroup\r
+ \AESfont@rhead\r
+ \stack@aesheader{\author@in@header}{\@shorttitle}%\r
+ \egroup\r
+}%\r
+\def\@oddfoot{%\r
+ \bgroup\r
+ \AESfont@rhead\r
+ \stack@aesfooter{\AESconRHname, \AESconRHplace, \AESconRHdate}%\r
+ {Page \the\c@page\ of \pageref{aesxx:lastpage}}%\r
+ \egroup\r
+}%\r
+\let\@evenhead\@oddhead%\r
+\let\@evenfoot\@oddfoot\r
+}%\r
+\def\ps@footeronly{%\r
+\def\@mkboth{\protect\markboth}%\r
+\def\@oddhead{\hfil}%\r
+\def\@oddfoot{%\r
+ \stack@aesfooter{\AESconRHname, \AESconRHplace, \AESconRHdate}{\the\c@page}%\r
+ }%\r
+\let\@evenhead\@oddhead%\r
+\let\@evenfoot\@oddfoot%\r
+}%\r
+\pagestyle{headings}\r
+\renewenvironment{thebibliography}[1]\r
+ {\r
+ %\section{\bibname\r
+ % \@mkboth{\MakeUppercase\bibname}{\MakeUppercase\bibname}}%\r
+ \medskip\r
+ \section{References}%\r
+ \list{\@biblabel{\@arabic\c@enumiv}}%\r
+ {\settowidth\labelwidth{\@biblabel{#1}}%\r
+ \leftmargin\labelwidth\r
+ \advance\leftmargin\labelsep\r
+ \@openbib@code\r
+ \usecounter{enumiv}%\r
+ \let\p@enumiv\@empty\r
+ \renewcommand\theenumiv{\@arabic\c@enumiv}\r
+ %\r
+ \topsep=0pt\partopsep=0pt\r
+ \@beginparpenalty=10000\relax%\r
+ }%\r
+ \sloppy\r
+ \clubpenalty4000\r
+ \@clubpenalty \clubpenalty\r
+ \widowpenalty4000%\r
+ \sfcode`\.\@m}\r
+ {\def\@noitemerr\r
+ {\@latex@warning{Empty `thebibliography' environment}}%\r
+ \endlist}\r
+\r
+\let\for = \@for\r
+\def\@for#1:=#2\do#3{%\r
+ \edef\@fortmp{#2}%\r
+ \ifx\@fortmp\empty \else\r
+ \expandafter\@forloop#2,\@nil,\@nil\@@#1{#3}%\r
+ \fi\r
+}%\r
+\def\@forloop#1,#2,#3\@@#4#5{\def#4{#1}\ifx #4\@nnil \else\r
+ #5\def#4{#2}\ifx #4\@nnil \else#5\@iforloop #3\@@#4{#5}\fi\fi\r
+}%\r
+\def\@iforloop#1,#2\@@#3#4{\def#3{#1}\ifx #3\@nnil\r
+ \let\@nextwhile=\@fornoop \else\r
+ #4\relax\let\@nextwhile=\@iforloop\fi\@nextwhile#2\@@#3{#4}%\r
+}%\r
+\def\figurename{Fig.}\r
+\ifAES@use@caption@package\r
+\else\r
+ \renewcommand{\caption}[1][]{%\r
+ \ifx\@captype\@undefined\r
+ \@latex@error{\noexpand\caption outside float}\@ehd\r
+ \expandafter\@gobble\r
+ \else\r
+ \def\temp@{#1}%\r
+ \ifx\temp@\empty\r
+ \refstepcounter\@captype\r
+ \else\r
+ \setcounter\@captype{#1}%\r
+ \addtocounter\@captype{-1}%\r
+ \refstepcounter\@captype\r
+ \fi\r
+ \expandafter\@firstofone\r
+ \fi\r
+ {\@dblarg{\@caption\@captype}}%\r
+ }\r
+\fi\r
+\ifAES@use@caption@package\r
+\else\r
+\long\def\@makecaption#1#2{%\r
+ \vskip\abovecaptionskip\r
+ \sbox\@tempboxa{\textbf{#1:} #2}%\r
+ \ifdim \wd\@tempboxa >\hsize\r
+ \textbf{#1:} #2\par\r
+ \else\r
+ \global \@minipagefalse\r
+ \hb@xt@\hsize{\hfil\box\@tempboxa\hfil}%\r
+ \fi\r
+ \vskip\belowcaptionskip}\r
+\fi\r
+\r
+\endinput\r
+%%\r
+%% End of file `aes.cls'.\r
--- /dev/null
+@Misc{OAI-PMH,
+ key = "OAI-PMH",
+ howpublished = {\url{http://www.openarchives.org/pmh/}},
+ title = "Open Archives Initiative Protocol for Metadata
+ Harvesting"
+}
+
+@Misc{DublinCore,
+ key = "DublinCore",
+ title = "{Dublin Core} Metadata Initiative",
+ howpublished = {\url{http://dublincore.org/}}
+}
+
+@Misc{telemetaCREM,
+ key = "telemetaCREM",
+ title = "Archives sonores du {CNRS} - {Musée de l'Homme}",
+ howpublished = {\url{http://archives.crem-cnrs.fr}}
+}
+
+@PhdThesis{BrossierPhD,
+ author = {Paul Brossier},
+ title = {Automatic annotation of musical audio for
+ interactive systems},
+ school = {Centre for Digital music, Queen Mary University of
+ London, UK},
+ year = 2006
+}
+
+@inproceedings{yaafe_ISMIR2010,
+ author = {Mathieu, Benoît and Essid, Slim and Fillon, Thomas
+ and Prado, Jacques and Richard, Gaël},
+ title = {Yaafe, An Easy To Use And Efficient Audio Feature
+ Extraction Software},
+ booktitle = {Proc. of ISMIR 2010, Utrecht, Netherlands},
+ year = 2010,
+ pages = {441-446},
+ publisher = {International Society for Music Information
+ Retrieval},
+ howpublished = {\url{http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}}
+}
+
+@Misc{vamp-plugins,
+ key = {vamp},
+ title = {The {Vamp} audio analysis plugin system},
+ howpublished = {\url{http://www.vamp-plugins.org}}
+}
--- /dev/null
+\documentclass{aes53i}\r
+\hyphenation{Post-Script}\r
+\r
+\r
+\usepackage{graphicx}\r
+\usepackage{amssymb}\r
+\r
+\usepackage{xcolor}\r
+%\usepackage{hyperref} % Apparemment pas compatible avec le style AES !!\r
+\usepackage{url}\r
+\usepackage[utf8]{inputenc}\r
+\usepackage[T1]{fontenc}\r
+\r
+\usepackage{enumitem}\r
+\setlist{nosep}\r
+\r
+\setlength{\parskip}{0pt}\r
+\r
+%----------\r
+% Header\r
+%----------\r
+\r
+\r
+% first the title is needed\r
+\title{Telemeta : open web audio platform for sound archives in the use case of ethnomusicology}\r
+\r
+% a short form should be given in case it is too long for the running head\r
+\shorttitle{Telemeta : open web audio platform for sound archives}\r
+\r
+\author{\r
+ Thomas Fillon\aff{1,2},\r
+ Guillaume Pellerin\aff{1},\r
+ Paul Brossier\aff{1},\r
+ and Jos{\'e}phine Simonnot\aff{3} \r
+\thanks{This work was partially done inside the DIADEMS project funded by the national french agency ANR (CONTINT)}\r
+}\r
+\r
+\r
+\affiliation[1]{PARISSON, 16 rue Jacques Louvel-Tessier 75010 Paris, France}\r
+\affiliation[2]{LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, 11 rue de Lourmel, 75015 Paris, France}\r
+\affiliation[3]{\r
+CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,\r
+21 Allée de l'Université - 92023 Nanterre}\r
+\r
+\correspondence{Thomas Fillon and Guillaume Pellerin}{thomas.fillon@parisson.com, guillaume.pellerin@parisson.com}\r
+\r
+\lastnames{Fillon, Pellerin, Brossier, Simonnot}\r
+\r
+%\url{josephine.simonnot@mae.u-paris10.fr}}\r
+\r
+\r
+\r
+\begin{abstract}\r
+\emph{Telemeta} is a fully-operational open-source web audio platform dedicated to digital sound archives secure storing, indexing and publishing. It focuses on the enhanced and collaborative user-experience in accessing audio items and their associated metadata and on the possibility for the expert users to further enrich those metadata.\r
+\r
+Telemeta architecture relies on \emph{TimeSide}, an open audio processing framework written in Python which provides decoding, encoding and streaming methods for various formats together with a smart embeddable HTML audio player. TimeSide also includes a set of audio analysis plugins and additionally wraps several audio features extraction libraries to provide automatic annotation, segmentation and musicological analysis.\r
+\r
+The demonstration presents the features of this platform in the context of ethnomusicological research.\r
+\end{abstract}\r
+\r
+\begin{document}\r
+\maketitle\r
+\r
+\section{Introduction}\r
+\r
+ % In social sciences like anthropology and linguistics, researchers have to work on multiple types of multimedia documents such as photos, videos, sound recordings or databases. The need to easily access, visualize and annotate such materials can be problematic given their diverse formats, sources and given their chronological nature.\r
+ %With this in mind, some laboratories\footnote{The Research Center on Ethnomusicology (CREM), the Musical Acoustics Laboratory (LAM, UMR 7190) and the sound archives of the Mediterranean House of Human Sciences (MMHS)} involved in ethnomusicological research have been working together on that issue.\r
+\r
+ In the context of ethnomusicological research, the Research Center on Ethnomusicology \r
+(CREM) and Parisson, a company specialized in the management of audio databases, have been developing an innovative, collaborative and interdisciplinary open-source web-based multimedia platform since 2007. This platform, \emph{Telemeta} is designed to fit the professional requirements from both sound archivists and researchers in ethnomusicology. The first prototype of this platform has been online\footnote{Archives sonores du CNRS, Musée de l'Homme, http://archives.crem-cnrs.fr} since 2008.\r
+\r
+ \section{Telemeta}\label{sec:Telemeta}\r
+ \subsection{Web audio content management features and architecture}\r
+ Telemeta\footnote{http://telemeta.org} is a free and open source\footnote{Telemeta code is available under the CeCILL Free Software License Agreement \texttt{http://cecill.info/licences/Licence\_CeCILL\_V2-en.html}} web audio platform which introduces efficient and secure methods for back-uping, indexing, transcoding, analysing and publishing any digitalized audio file with its metadata. \r
+\r
+% An overview of the Telemeta's web interface is illustrated in Figure~\ref{fig:Telemeta}\r
+% \begin{figure}\r
+% \centering\r
+% \includegraphics[width=0.95\linewidth]{img/telemeta.png}\r
+% \caption[1]{Screenshot excerpt of the \emph{Telemeta} web interface}\r
+% \label{fig:Telemeta}\r
+% \end{figure}\r
+\r
+Telemeta is ideal for professionals who wants to easily organize, backup, archive and publish documented sound collections of audio files, CDs, digitalized vinyls and magnetic tapes over a strong database, in accordance with open web standards. \r
+\emph{Telemeta} architecture is flexible and can easily be adapted to particular database organization of a given sound archives. \r
+\r
+The main features of \emph{Telemeta} are:\r
+\begin{itemize}\r
+\item \emph{Pure HTML} web user interface including high level \emph{search engine}\r
+\item Smart \emph{workflow management} with contextual user lists, profiles and rights\r
+ % \item RSS and JSON feed generators\r
+ % \item XML serialized backup\r
+\item Strong Structured Query Language (SQL) or Oracle backend\r
+\item Model-View-Controller (MVC) architecture \r
+\end{itemize}\r
+Beside database management, the audio support is mainly provided through an external component, TimeSide, which is described in Section~\ref{sec:Timeside}.\r
+\r
+\subsection{Metadata}\label{sec:metadata}\r
+In addition to the audio data, an efficient and dynamic management of the associated metadata is also required. %Consulting metadata provide both an exhaustive access to valuable information about the source of the data and to the related work of peer researchers. \r
+Dynamically handling metadata in a collaborative manner optimises the continuous process of knowledge gathering and enrichment of the materials in the database. \r
+%One of the major challenge is thus the standardization of audio and metadata formats with the aim of long-term preservation and usage of the different materials.\r
+The compatibility with other systems is facilitated by the integration of the metadata standards protocols \emph{Dublin Core} and \emph{OAI-PMH} (Open Archives Initiative Protocol for Metadata Harvesting) \cite{DublinCore,OAI-PMH}.\r
+\r
+Metadata provide two different kinds of information about the audio item: contextual information and annotations.\r
+\vspace{-0.4cm}\r
+\r
+\paragraph{Contextual Information}\r
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.\r
+\vspace{-0.4cm}\r
+\paragraph{Annotations and segmentation}\r
+Metadata also consist in temporal information such as a list of \emph{time-coded markers} associated with annotations and a list of of \emph{time-segments} associated with labels. The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).\r
+It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis (see Section~\ref{sec:Timeside}).\r
+\r
+\section{TimeSide}\label{sec:Timeside}\r
+One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}\footnote{\url{https://github.com/yomguy/TimeSide}}, that offers audio player web integration together with audio signal processing analysis capabilities. \r
+\r
+% Figure~\ref{fig:TimeSide_Archi} illustrates the overall architecture of \emph{TimeSide}.\r
+\r
+% \begin{figure}[htbp]\r
+% \centering\r
+% \includegraphics[width=0.95\linewidth]{img/timeside_schema.pdf}\r
+% \caption{TimeSide architecture (see \texttt{https://code.google.com/p/timeside/})}\label{fig:TimeSide_Archi}\r
+% \end{figure}\r
+\r
+\r
+\subsection{Audio management}\r
+TimeSide provides the following main features:\r
+\begin{itemize}\r
+\item \emph{Secure archiving, editing and publishing of audio files} over\r
+ internet.\r
+\item Smart \emph{audio player} with enhanced visualisation (waveform, spectrogram)\r
+\item \emph{Multi-format support}: reads all available audio and video formats through Gstreamer, transcoding with smart streaming and caching methods% (FLAC, OGG, MP3, WAV and WebM)\r
+ % \item \emph{Playlist management} for all users with CSV data export\r
+\item "On the fly" \emph{audio analyzing, transcoding and metadata\r
+ embedding} based on an easy plugin architecture\r
+\end{itemize}\r
+\r
+\subsection{Audio features extraction}\r
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as Aubio\footnote{\url{http://aubio.org/}}, Yaafe\footnote{\url{http://yaafe.sourceforge.net}} and Vamp plugins\footnote{ \url{http://www.vamp-plugins.org}} \cite{brossierPhD,yaafe_ISMIR2010,vamp-plugins}.\r
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be stored in a scientific file format (\emph{Numpy}, \emph{HDF5}) and serialized to the web browser through commons markup languages (\emph{xml}, \emph{json}, \emph{yaml}).\r
+Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide automatic annotation, segmentation and similarity analysis.\r
+\r
+\section{Conclusion - Purpose of the demonstration}\vspace{-0.1cm}\r
+The demonstration presents the features offered by \emph{Telemeta} as detailed in Section~\ref{sec:Telemeta} in the context of ethnomusicological sound archiving.%\cite{telemetaCREM} \r
+It focuses on the enhanced and collaborative user-experience when accessing audio items and their associated metadata, and on the possibility for the expert user to further enrich those metadata.\r
+Another goal of this demonstration is to present the integrated audio analysis tools described in Section~\ref{sec:Timeside}.\r
+\vspace{-0.2cm}\r
+\section*{Acknowledgments} \r
+{\small The authors would like to thank all the people that have been involved in \emph{Telemeta} specification and development or have provide useful input and feedback. \r
+The project has been partially funded by the French National Centre for Scientific Research (CNRS), the French Ministry of Culture and Communication, the TGE Adonis Consortium, and the Centre of Research in Ethnomusicology (CREM).}\r
+\r
+\r
+\bibliographystyle{plain}\r
+\bibliography{aes53_Telemeta}\r
+\r
+\r
+\end{document}\r
--- /dev/null
+
+Title
+-----
+"Telemeta : open web audio platform for sound archives in the use case of ethnomusicology"
+
+
+Authors
+-------
+Thomas Fillon, Guillaume Pellerin, Paul Brossier and Joséphine Simonnot
+
+
+Abstract
+--------
+
+Telemeta is a fully-operational open-source web audio platform dedicated to digital sound archives secure storing, indexing and publishing. It focuses on the enhance and collaborative user-experience in accessing audio items and their associated metadata and on the possibility for the expert users to further enrich those metadata.
+
+Telemeta architecture relies on TimeSide, an open audio processing framework written in Python which provides a smart embeddable HTML audio player together with decoding, encoding and streaming methods for various formats. TimeSide also includes a set of audio analysis plugins and additionally wraps several audio features extraction libraries to provide automatic annotation, segmentation and musicological analysis.
+
+The demonstration presents the features of this platform in the context of ethnomusicological research.
--- /dev/null
+% This is aes53i.cls for the AES 53rd International Conference\r
+% A skeleton class to load the main class aes.cls\r
+\ProvidesClass{aes53i}\r
+ [2002/02/04 v0.01 AES 53rd International Conference paper class]\r
+% AES 53rd International Conference, London, UK, January 27--29, 2014\r
+\DeclareOption*{\PassOptionsToClass{\CurrentOption}{aes}}\r
+\ProcessOptions\r
+\def\AEScontype{Conference}%\r
+\def\AESconname{53rd International \AEScontype}%\r
+\def\AEScondate{2014 January 27--29}%\r
+\def\AESconplace{London, UK}%\r
+\def\AESconRHname{AES 53${}^{\mbox{\scriptsize RD}}$ INTERNATIONAL CONFERENCE}%\r
+\def\AESconRHdate{2014 January 27--29}%\r
+\def\AESconRHplace{London, UK}%\r
+\LoadClass[mathptmx]{aes}[2006/04/02]\r
+\endinput\r
+\r
--- /dev/null
+% this style was created by Philippe Dreuw and Thomas Deselaers
+\ProvidesPackage{beamerthemeTF}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\RequirePackage{colorsTF}
+\selectcolormodel{cmyk}
+\mode<presentation>
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\definecolor{veryLightBlue}{rgb}{0.95,0.9,0.95} %
+\definecolor{lightBlue}{rgb}{0.8,0.8,1} % dark blue
+\definecolor{darkBlue}{rgb}{0,0,0.7} % dark blue
+\definecolor{textBG}{rgb}{0.95,0.95,1} % dark blue
+
+
+\setbeamercolor{headline}{fg=black,bg=white}
+\setbeamercolor{footline}{fg=black, bg=white}
+\setbeamerfont{footline}{size=\large,series=\sf}
+\setbeamercolor{separation line}{bg=black}
+\setbeamercolor{title in headline}{fg=black, bg=}
+\setbeamercolor{author in headline}{fg=black, bg=}
+\setbeamercolor{institute in headline}{fg=black, bg=}
+
+\setbeamercolor{framesubtitle}{fg=ta3orange, bg=veryLightBlue}
+\setbeamercolor{author in head/foot}{fg=black, bg=white}
+\setbeamercolor{title in head/foot}{fg=black, bg=white}
+
+\setbeamercolor*{normal text}{fg=black, bg=veryLightBlue}
+
+\setbeamercolor*{block body}{bg=white,fg=black}
+\setbeamercolor*{block title}{bg=telemetaRed,fg=white}
+\setbeamerfont{block title}{size=\large,series=\bf}
+\setbeamercolor{upper separation line head}{fg=red}
+
+\setbeamercolor*{example body}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example text}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example title}{bg=taorange,fg=ta2gray}
+
+\setbeamercolor{alerted text}{fg=red, bg=white}
+\setbeamercolor*{alerted body}{fg=ta3aluminium,bg=white}
+
+%\setbeamercolor{example text}{fg=taorange}
+\setbeamercolor{structure}{fg=ta3skyblue}
+
+\setbeamertemplate{itemize items}[triangle]
+\setbeamertemplate{navigation symbols}{} % no navigation on a poster
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\setbeamertemplate{block begin}{
+ \vskip.75ex
+ \begin{beamercolorbox}[rounded=true,shadow=true,leftskip=1cm,colsep*=.75ex]{block title}%
+ \usebeamerfont*{block title}\insertblocktitle
+ \end{beamercolorbox}%
+ {\ifbeamercolorempty[bg]{block body}{}{\nointerlineskip\vskip-0.5pt}}%
+ \usebeamerfont{block body}%
+ \begin{beamercolorbox}[rounded=true,shadow=true,colsep*=.75ex,sep=.75ex,vmode]{block body}%
+ \ifbeamercolorempty[bg]{block body}{\vskip-.25ex}{\vskip-.75ex}\vbox{}%
+ }
+ \setbeamertemplate{block end}{
+ \end{beamercolorbox}
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\setbeamertemplate{headline}{
+ \leavevmode
+ \begin{beamercolorbox}[wd=\paperwidth]{headline}
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+% telemeta red
+\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
--- /dev/null
+\documentclass[final, hyperref, table]{beamer}
+\mode<presentation>
+{
+\usetheme{TF}
+ }
+
+ \usepackage[english,francais]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+ \usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ?
+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+%\usepackage{hyperref}
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+\usepackage[orientation=portrait,size=a0,scale=1.4]{beamerposter}
+
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
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+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{1,1,0.8}
+\lstset{%
+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\scriptsize, % the size of the fonts that are used for the code
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+\title[TELEMETA, open web audio platform for
+sound archives]{TELEMETA : open web audio platform for
+sound archives\\in the use case of
+ethnomusicology}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
+
+
+\institute[Parisson]{\small
+ \inst{1}%
+ Parisson, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
+ 11 rue de Lourmel, 75015 Paris, France\\
+ \inst{3}%
+ CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
+21 Allée de l'Université - 92023 Nanterre, France\\
+%Thanks
+\vskip1ex
+ {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
+}
+
+\date[03/09/2013]{03 septembre 2013}
+%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
+\begin{document}
+%\maketitle
+\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+ \begin{block}{Abstract}\small
+
+ \begin{minipage}{0.74\linewidth}
+ \begin{itemize}
+ \item \emph{Telemeta} is an \alert{open-source audio web Content
+ Management System} (CMS) dedicated to \alert{digital sound
+ archives} secure storing, indexing and publishing.
+ \item The demonstration presents the features of this platform
+ in the context of \alert{\emph{ethnomusicological} research}.
+ \item It focuses on the enhance and collaborative
+ user-experience in accessing audio items and their associated
+ metadata and on the possibility for the expert user to further
+ enrich those metadata.
+ \item \emph{Telemeta} also provides integrated \alert{audio signal
+ processing tools} for automatic analysis of sound items.
+ \end{itemize}
+ \end{minipage}
+ \begin{minipage}{0.24\linewidth}
+ \begin{center}
+ \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
+
+ \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
+ \vskip1ex
+ \colorbox{yellow!50}
+ { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
+ \end{center}
+ \end{minipage}
+ \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
+ \end{block}
+
+% ==================================
+% --------- Corps -----------------
+% ==================================
+ \begin{columns}[t]
+\footnotesize
+% ==================================
+% --------- Colonne gauche ---------
+% ==================================
+ \begin{column}[T]{.49\linewidth}
+ \begin{block}{Introduction}
+ \textbf{Needs}\\
+ \begin{itemize}
+ \item In social sciences like anthropology and linguistics,
+ researchers have to work on multiple types of multimedia
+ documents such as photos, videos, sound recordings or
+ databases.
+ \item The need to easily access, visualize and annotate
+ such materials can be problematic given their diverse formats,
+ sources and given their chronological nature.
+ \end{itemize}
+
+\textbf{The \emph{Telemeta} project}\\
+\begin{itemize}
+\item The CREM laboratory and Parisson have been developing an innovative,
+ collaborative and interdisciplinary open-source web-based multimedia
+ platform since 2007.
+\item Goal : fit the professional requirements from both sound archivists and
+ researchers in ethnomusicology.
+\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
+ l'Homme}:
+\end{itemize}
+\begin{center}
+ \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
+\end{center}
+
+ \end{block}
+
+\begin{block}{Web audio content management features and architecture}
+ \begin{itemize}
+ \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
+ Free Software License Agreement}) web audio content management
+ system which introduces efficient and secure methods for
+ \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
+ digitalized audio file with its metadata.
+ \item \emph{Telemeta} is ideal for
+ professional collaborators who wants to easily organize, backup, archive and
+ publish documented sound collections of audio files, CDs,
+ digitalized vinyls and magnetic tapes over a strong database in
+ accordance with \alert{open web standards}.
+ \item \emph{Telemeta} architecture
+ is \alert{flexible} and can easily be adapted to particular database
+ organization of a given sound archives.
+ \end{itemize}
+
+\begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.47\paperwidth]{img/player_mark.png}
+ \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
+\end{figure}
+
+
+
+The main features of \emph{Telemeta} are:
+\vspace{-0.1cm}
+\begin{itemize}
+\item \alert{Pure HTML} web user interface including high level \alert{search engine}
+\item \alert{Smart workflow management} with contextual user lists, profiles and rights
+ % \item RSS and JSON feed generators
+ % \item XML serialized backup
+\item Model-View-Controller (\alert{MVC}) architecture
+\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
+
+\end{itemize}
+Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
+
+\end{block}
+\begin{block}{Metadata}
+ \begin{itemize}
+ \item In addition to the audio data, an efficient and \alert{dynamic
+ management} of the associated metadata is also required.
+ \item Dynamically handling metadata in a \alert{collaborative} manner optimises
+ the continuous process of knowledge gathering and enrichment of
+ the materials in the database.
+ \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
+ and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
+ Harvesting) \cite{DublinCore,OAI-PMH}.
+ \end{itemize}
+
+\textbf{Contextual Information}\\
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
+
+\textbf{Annotations and segmentation}\\
+Metadata also consist in temporal information such as:
+\begin{itemize}
+\item a list of \alert{time-coded markers} associated with annotations
+\item a list of of \alert{time-segments} associated with labels.
+\end{itemize}
+The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
+It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
+
+\end{block}
+ \end{column}
+
+% ==================================
+% ------- Colonne droite -----------
+% ==================================
+\begin{column}[T]{.49\linewidth}
+ \begin{block}{TimeSide : open web audio processing framework}
+One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
+
+\begin{center}
+ \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+\end{center}
+
+ \begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
+ \caption{TimeSide architecture}
+\end{figure}
+
+\textbf{Goals}\\
+
+\begin{itemize}
+\item \alert{Do} asynchronous and fast audio processing with Python.
+\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
+\item \alert{Analyze} audio content with some external audio feature extraction libraries.
+\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
+\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
+\item \alert{Transcode} audio data in various media formats and stream them through web apps.
+\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
+\end{itemize}
+
+\textbf{Audio features extraction}\\
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
+
+ \begin{itemize}
+ \item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+ \cite{brossierPhD}
+ \item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+ \cite{yaafe_ISMIR2010}
+ \item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+ \cite{vamp-plugins}
+ \end{itemize}
+
+
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
+Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
+\end{block}
+\begin{block}{Code Example (Python)}
+\vskip1ex
+ \begin{minipage}{0.6\linewidth}
+ \begin{lstlisting}
+
+import timeside
+
+# Define some processors:
+decoder = timeside.decoder.FileDecoder('sweep.wav')
+analyzer = timeside.analyzer.Level()
+grapher = timeside.grapher.Spectrogram()
+encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
+
+# Then, the magic pipeline:
+(decoder | analyzer | grapher | encoder).run()
+
+# Get the results:
+grapher.render(output='image.png')
+for key in analyzer.results.keys():
+ print '%s in %s : %s'% (analyzer.results[key].name,
+ analyzer.results[key].unit,
+ analyzer.results[key].data)
+
+\end{lstlisting}
+\end{minipage}
+\hskip2ex
+\begin{minipage}{0.32\linewidth}
+ \begin{center}
+ \textbf{Results}
+ \begin{figure}
+ \centering
+ \includegraphics{img/spectrogram.png}
+ \caption{Spectrogram (sweep signal)}
+ \end{figure}
+ \end{center}
+\vskip5ex
+\begin{lstlisting}
+
+ Level Analyzer Max:[-6.021]
+ Level Analyzer RMS:[-9.856]
+
+\end{lstlisting}
+
+
+\end{minipage}
+
+ \end{block}
+\begin{block}{Références}\tiny
+\bibliographystyle{plain}
+%\label{sec:ref}
+\vspace{-1cm}
+\begin{multicols}{2}[]
+\bibliography{../aes53_Telemeta}
+\end{multicols}
+ \end{block}
+ \end{column}
+\end{columns}
+\end{frame}
+\end{document}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
--- /dev/null
+\documentclass[final, hyperref, table]{beamer} \mode<presentation>
+
+
+% \usepackage[english]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+\usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ? Si votre moteur Latex est francise, il est
+%% conseille d'utiliser le codage de police T1 pour faciliter la
+%% césure, si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc} \usepackage[T1]{fontenc}
+
+\usepackage{amsmath,amsfonts}
+\usepackage{xcolor}
+
+\usetheme{Boadilla}
+% \usetheme{JuanLesPins}
+\setbeamercovered{transparent}
+
+% gets rid of bottom navigation bars
+\setbeamertemplate{footline}[page number]{}
+
+% gets rid of navigation symbols
+\setbeamertemplate{navigation symbols}{}
+
+% \usecolortheme{beaver} telemeta red
+\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
+\usecolortheme[named=telemetaRed]{structure}
+\setbeamercolor{structure}{fg=telemetaRed, bg=white}
+% Display a grid to help align images
+% \beamertemplategridbackground[1cm]
+
+% We will get the normal bibliography style (number or text instead of
+% icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{block title}{size=\footnotesize}
+
+\title[TELEMETA, audio web CMS for Ethnomusicological
+archives]{Telemeta\\Open web audio platform for sound archives in the
+ use case of ethnomusicology}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon
+ \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1},
+ Jos{\'e}phine Simonnot\inst{3}}
+
+
+\begin{document}
+\setlength{\leftmargini}{10pt} \thispagestyle{empty}
+\begin{frame}\tiny
+ \frametitle{\includegraphics[width=0.3\linewidth]{logo_telemeta_alpha_black.png}
+ \hspace{.4\linewidth} \includegraphics[width=.3\linewidth]{../poster/img/parisson_logo_FINALE_com.pdf}}
+ \framesubtitle{{\underline{DEMO SESSION}}: \textbf{Telemeta, Open web audio platform for sound archives\\
+ \hspace{2.7cm}in the use case of ethnomusicology}}
+
+ \vspace{-0.2cm}
+ \begin{columns}
+
+ % ----------------- Colonne de gauche -----------------
+ \column[t]{5.3cm}
+
+ \begin{block}{The project {\tiny(started in 2007)}}
+ \begin{itemize}
+ \item The CREM laboratory and Parisson are developing an
+ innovative, collaborative and interdisciplinary
+ \alert{open-source web based multimedia platform} dedicated to
+ \alert{sound archivists} and \alert{researchers in
+ ethnomusicology}.
+ \item The platform is fully operational since 2011 :
+ \colorbox{yellow!50} {\bf \url{http://archives.crem-cnrs.fr}}
+ \end{itemize}
+ \end{block}
+ \vspace{-0.2cm}
+ \begin{block}{The framework}
+ TimeSide is an \alert{open web audio processing framework} written in
+ Python which is used to build the engine of Telemeta.
+ % \textbf{Goals}\\
+ \begin{itemize}
+ \item Easy plugin architecture (full \alert{Python})
+ \item Asynchronous and fast audio processing
+ \item \alert{Feature extraction} (Aubio, Yaafe, Vamp plugins)
+ \item Smart, fancy and dynamical \alert{HTML5 web audio player}
+ \end{itemize}
+ \vspace{-0.5cm}
+ \begin{center}
+ \colorbox{yellow!50}{\bf
+ \url{https://github.com/yomguy/TimeSide/}}
+ \end{center}
+
+ \end{block}
+
+
+ % ----------------- Colonne de droite -----------------
+ \column[t]{6cm}
+ \begin{block}{The platform (features)}
+ \begin{itemize}
+ \setlength{\itemsep}{1.5pt}
+ \item \alert{Pure HTML5} web user interface including dynamical forms
+ and smart workflows
+ \item \alert{On the fly} audio analyzing, transcoding and \alert{metadata}
+ embedding
+ \item Social editing with \alert{semantic ontologies}, smart workflows,
+ realtime tools, human or automatic \alert{annotations and
+ segmentations}
+ \item User management with individual desk, playlists, profiles
+ and access rights
+ \item High level geo-located search engine
+ \item DublinCore, OAI-PMH, RSS, XML and JSON \alert{data providers}
+ \item Multi-language support (now english and french)
+ \end{itemize}
+ \vspace{-0.6cm}
+ \begin{center}
+ \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
+ \end{center}
+ \end{block}
+ \vspace{-0.2cm}
+ \begin{block}{Late-breaking Demos/poster session \#2
+ \texttt{\textbf{D2-4}}}
+ \begin{itemize}
+ \item Live demonstration of the \emph{Telemeta} web platform
+ with the CNRS \alert{ethnomusicological sound archives}
+ \item Live demonstration of \emph{Timeside}, the audio
+ processing framework (Python)
+ \end{itemize}
+ \end{block}
+
+ \end{columns}
+\end{frame}
+
+\end{document}
+
--- /dev/null
+% Latex Paper Template for ISMIR 2010
+% Adapted for FMA 2014
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+ \@author \\
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+}
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+ }
+}
+
+\def\twoauthors#1#2#3#4{
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+ \begin{tabular}{@{}c@{}}
+ {\bf #1} \\
+ #2
+ \end{tabular}\hskip .3in
+ \begin{tabular}{@{}c@{}}
+ {\bf #3} \\
+ #4\relax
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+ }
+}
+
+\def\threeauthors#1#2#3#4#5#6{
+ \gdef\@author{\small
+ \begin{tabular}{@{}c@{}}
+ {\bf #1} \\
+ \footnotesize #2
+ \end{tabular}\hskip .3in
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+ \end{tabular}\hskip .3in
+ \begin{tabular}{@{}c@{}}
+ {\bf #5} \\
+ #6\relax
+ \end{tabular}
+ }
+}
+
+\def\abstract{
+ \begin{center}{
+ \bf ABSTRACT
+ }\end{center}\small
+}
+\def\endabstract{\par}
+
+\def\title#1{\gdef\@title{\uppercase{#1}}}
+
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+ \if@ismirsection
+ {\csname the#1\endcsname.}
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+
+\renewenvironment{thebibliography}[1]{\section{References}\small\begin{description}\setlength{\itemsep}{6pt}}{\end{description}}
+\bibliographystyle{newapa}
+
+\def\fnum@figure{{\bf Figure\ \thefigure}}
+\def\fnum@table{{\bf Table \thetable}}
+
+\flushbottom
--- /dev/null
+@Misc{OAI-PMH,
+ key = "OAI-PMH",
+ howpublished = {\url{http://www.openarchives.org/pmh/}},
+ title = "Open Archives Initiative Protocol for Metadata
+ Harvesting"
+}
+
+@Misc{DublinCore,
+ key = "DublinCore",
+ title = "{Dublin Core} Metadata Initiative",
+ howpublished = {\url{http://dublincore.org/}}
+}
+
+@Misc{telemetaCREM,
+ key = "telemetaCREM",
+ title = "Archives sonores du {CNRS} - {Musée de l'Homme}",
+ howpublished = {\url{http://archives.crem-cnrs.fr}}
+}
+
+@PhdThesis{BrossierPhD,
+ author = {Paul Brossier},
+ title = {Automatic annotation of musical audio for
+ interactive systems},
+ school = {Centre for Digital music, Queen Mary University of
+ London, UK},
+ year = 2006,
+ url = {http://aubio.org/}
+
+}
+
+@inproceedings{yaafe_ISMIR2010,
+ author = {Mathieu, Benoît and Essid, Slim and Fillon, Thomas
+ and Prado, Jacques and Richard, Gaël},
+ title = {Yaafe, An Easy To Use And Efficient Audio Feature
+ Extraction Software},
+ booktitle = {Proc. of ISMIR 2010, Utrecht, Netherlands},
+ year = 2010,
+ pages = {441-446},
+ publisher = {International Society for Music Information
+ Retrieval},
+ howpublished = {\url{http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}}
+}
+
+@Misc{vamp-plugins,
+ title = {The {Vamp} audio analysis plugin system},
+ howpublished = {\url{http://www.vamp-plugins.org}}
+}
+
+@Misc{Simonnot_ICTM_2014,
+ author = {Simonnot, Joséphine and Mifune, Marie-France and Lambert, Jean},
+ title = {TELEMETA: Resources of an online archive of ethnomusicological recordings},
+ howpublished = {Panel accepted at ICTM Study Group on Historical Sources of Traditional Music, Aveiro, Portugal, May 12-17 2014},
+ year = 2014}
+
+@Article{Simmonot_IASA_2011,
+ author = {Simonnot, Joséphine},
+ title = {{TELEMETA}: an audio Content Management System for the Web},
+ journal = {International Association of Sound and Audiovisual Archives journal},
+ year = 2011,
+ volume = 36,
+ month = {jan}}
+
+@Article{Julien_IASA_2011,
+ author = {Julien Da Cruz Lima, Aude},
+ title = {The {CNRS} — {M}usée de l’{H}omme audio archives: a short introduction},
+ journal = {International Association of Sound and Audiovisual Archives journal},
+ year = 2011,
+ volume = 36,
+ month = {jan}}
+
+
+@article{Gomez_JNMR_2013,
+author = {Gómez, Emilia and Herrera, Perfecto and Gómez-Martin, Francisco},
+title = {Computational Ethnomusicology: perspectives and challenges},
+journal = {Journal of New Music Research},
+volume = {42},
+number = {2},
+pages = {111-112},
+year = {2013},
+doi = {10.1080/09298215.2013.818038},
+
+URL = {http://www.tandfonline.com/doi/abs/10.1080/09298215.2013.818038},
+eprint = {http://www.tandfonline.com/doi/pdf/10.1080/09298215.2013.818038}
+}
+
+@Article{Tzanetakis_2007_JIMS,
+ author = {Tzanetakis, George and Kapur, Ajay and Schloss, W. Andrew and Wright, Matthew},
+ title = {Computational ethnomusicology},
+ journal = {Journal of Interdisciplinary Music Studies},
+ year = 2007,
+ volume = 1,
+ number = 2,
+ pages = {1-24},
+ url = {http://www.musicstudies.org/CompEthno_JIMS_071201.pdf},
+}
+
--- /dev/null
+\documentclass{paper}\r
+%\hyphenation{Post-Script}\r
+\usepackage[authoryear]{natbib}\r
+%\bibliographystyle{plainnat}\r
+\usepackage{fma2014}\r
+\r
+\usepackage{graphicx}\r
+%\usepackage{amssymb}\r
+\r
+%\usepackage{xcolor}\r
+%\usepackage{hyperref} % Apparemment pas compatible avec le style AES !!\r
+\usepackage{url}\r
+\usepackage[utf8]{inputenc}\r
+\usepackage[T1]{fontenc}\r
+%\usepackage{enumitem}\r
+%\setlist{nosep}\r
+\r
+%\setlength{\parskip}{0pt}\r
+\r
+%----------\r
+% Header\r
+%----------\r
+\r
+\r
+% first the title is needed\r
+\title{An open web audio platform for ethnomusicological sound archives management and automatic analysis}\r
+\r
+% a short form should be given in case it is too long for the running head\r
+%\shorttitle{Telemeta : open web audio platform for sound archives}\r
+\r
+\threeauthors\r
+ {Thomas Fillon} {\r
+ PARISSON / LAM, \\\r
+Institut Jean Le Rond d'Alembert, \\\r
+ UPMC Univ. Paris 06, \\\r
+ UMR CNRS 7190\\\r
+ %PARISSON\\\r
+ {\tt thomas.fillon@parisson.com}}\r
+ %\href{http://www.parisson.com}{PARISSON}, 16 rue Jacques Louvel-Tessier 75010 Paris, France\r
+ %\url{{thomas.fillon,guillaume.pellerin}@parisson.com}}\r
+ {Guillaume Pellerin, Paul Brossier} {\r
+ PARISSON \\\r
+16 rue Jacques Louvel-Tessier \\\r
+ Paris, France\\ \vspace{0.3cm}\r
+ {\tt guillaume.pellerin@parisson.com}}\r
+ {Jos{\'e}phine Simonnot} {CREM, LESC, UMR CNRS 7186\\MAE, Université Paris Ouest\\ Nanterre La Défense\r
+{\tt %josephine.simonnot@mae.u-paris10.fr\r
+}\thanks{This work is partly supported by a grant from the french National Research Agency (ANR) with reference ANR-12-CORD-0022.}\vspace{0.7cm}}\r
+\r
+\r
+\r
+\begin{document}\r
+%\r
+\maketitle\r
+%\r
+\begin{abstract}\r
+Since 2007, ethnomusicologist and engineers have joint their effort to develop a scalable and collaborative web platform for management of and access to digital sound archives. This platform has been deployed since 2011 and hold the archives of the \emph{Center for Research in Ethnomusicology}, which is the most important collection in Europe.\r
+This web platform is based on \emph{Telemeta}, an open-source web audio framework dedicated to digital sound archives secure storing, indexing and publishing. It focuses on the enhanced and collaborative user-experience in accessing audio items and their associated metadata and on the possibility for the expert users to further enrich those metadata.\r
+\r
+ Telemeta architecture relies on \emph{TimeSide}, an open audio processing framework written in Python which provides decoding, encoding and streaming methods for various formats together with a smart embeddable HTML audio player. TimeSide also includes a set of audio analysis plugins and additionally wraps several audio features extraction libraries to provide automatic annotation, segmentation and musicological analysis.\r
+\r
+\end{abstract}\r
+\r
+\section{Introduction}\label{sec:intro}\r
+\r
+ In social sciences like anthropology and linguistics, researchers have to work on multiple types of multimedia documents such as photos, videos, sound recordings or databases. The need to easily access, visualize and annotate such materials can be problematic given their diverse formats, sources and given their chronological nature.\r
+ %With this in mind, some laboratories\footnote{The Research Center on Ethnomusicology (CREM), the Musical Acoustics Laboratory (LAM, UMR 7190) and the sound archives of the Mediterranean House of Human Sciences (MMHS)} involved in ethnomusicological research have been working together on that issue.\r
+\r
+ In the context of ethnomusicological research, the Research Center on Ethnomusicology (CREM) and Parisson, a company specialized in big music data projects, have been developing an innovative, collaborative and interdisciplinary open-source web-based multimedia platform since 2007. \r
+\r
+ This platform, \emph{Telemeta} is designed to fit the professional requirements from both sound archivists, researchers and musicians to work together on big music data. The first prototype of this platform has been online since 2010 and is now fully operational and used on a daily basis for ethnomusicological studies since 2011. A description of theses archives and some use cases are given in Section~\ref{sec:archives-CREM}.\r
+\r
+The benefit of this collaborative platform for ethnomusicological research has been described in several publications \citep{Simmonot_IASA_2011, Julien_IASA_2011, Simonnot_ICTM_2014}.\r
+\r
+Recently, an open-source audio analysis framework, TimeSide, has been developed to bring automatic music analysis capabilities to the web platform and thus have turned Telemeta into a complete resource for \emph{Computational Ethnomusicology} \citep{Tzanetakis_2007_JIMS, Gomez_JNMR_2013}.\r
+%Section~\ref{sec:TimeSide} \r
+\r
+ \section{The Telemeta platform}\label{sec:Telemeta}\r
+ \subsection{Web audio content management features and architecture}\r
+The primary purpose of the project is to provide the ethnomusicological communities with a scalable system to access, preserve and share audio research materials together with their associated metadata, as these data provide key information on the context and significance of the recording. Telemeta\footnote{http://telemeta.org}, as a free and open source\footnote{Telemeta code is available under the CeCILL Free Software License Agreement}, is a unique scalable web audio platform for backuping, indexing, transcoding, analyzing, sharing and visualizing any digital audio or video file in accordance with open web standards.\r
+\r
+The time-based nature of such audio-visual materials and some associated metadata as annotations raises issues of access and visualization at a large scales. Easy and on demand access to these data, as you listen to the recording, represents a significant improvement.\r
+\r
+An overview of the Telemeta's web interface is illustrated in Figure~\ref{fig:Telemeta}.\r
+\begin{figure}\r
+ \centering\r
+ \fbox{\includegraphics[width=0.97\linewidth]{img/telemeta_screenshot_en.png}}\r
+ \caption[1]{Screenshot excerpt of the Telemeta web interface}\r
+ \label{fig:Telemeta}\r
+ \end{figure}\r
+Its flexible and streaming safe architecture is represented in Figure~\ref{fig:TM_arch}.\r
+\begin{figure*}[htbp]\r
+ \centering\r
+ \includegraphics[width=0.5\linewidth]{img/TM_arch.pdf}\r
+ \caption{Telemeta architecture}\label{fig:TM_arch}\r
+\end{figure*}\r
+\r
+The main features of \emph{Telemeta} are:\r
+\r
+ \begin{itemize}\r
+ \item Pure HTML5 web user interface including dynamical forms\r
+ \item On the fly audio analyzing, transcoding and metadata\r
+ embedding in various formats\r
+ \item Social editing with semantic ontologies, smart workflows,\r
+ realtime tools, human or automatic annotations and\r
+ segmentations\r
+ \item User management with individual desk, playlists, profiles\r
+ and group access rights\r
+ \item High level search engine (geolocation, instruments, ethnic groups, etc...)\r
+ \item Data providers : DublinCore, OAI-PMH, RSS, XML, JSON and other \r
+ \item Multi-language support (now english and french)\r
+ \end{itemize}\r
+\r
+Beside database management, the audio support is mainly provided through an external component, TimeSide, which is described in Section~\ref{sec:TimeSide}.\r
+\defcitealias{DublinCore}{Papier I}\r
+\r
+\subsection{Metadata}\label{sec:metadata}\r
+In addition to the audio data, an efficient and dynamic management of the associated metadata is also required. Consulting metadata provide both an exhaustive access to valuable information about the source of the data and to the related work of peer researchers. \r
+Dynamically handling metadata in a collaborative manner optimises the continuous process of knowledge gathering and enrichment of the materials in the database. \r
+One of the major challenge is thus the standardization of audio and metadata formats with the aim of long-term preservation and usage of the different materials.\r
+The compatibility with other systems is facilitated by the integration of the metadata standards protocols \emph{Dublin Core}\footnote{{Dublin Core} Metadata Initiative, \url{http://dublincore.org/}} and \emph{OAI-PMH} (Open Archives Initiative Protocol for Metadata Harvesting)\footnote{\url{http://www.openarchives.org/pmh/}}.\r
+\r
+Metadata provide two different kinds of information about the audio item: contextual information and annotations.\r
+\r
+\r
+\subsubsection{Contextual Information}\r
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.\r
+\r
+\subsubsection{Annotations and segmentation}\r
+Metadata also consist in temporally-indexed information such as a list of time-coded markers associated with annotations and a list of of time-segments associated with labels. The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).\r
+\r
+Ethnomusicological researchers and archivists can produce their own annotations and share them with colleagues. These annotations are accessible from the sound archive item web page and are indexed through the database.\r
+\r
+It should be noted that annotations and segmentation can also be produce by some automatic signal processing analysis (see Section~\ref{sec:TimeSide}).\r
+\r
+\r
+\section{TimeSide, an audio analysis framework}\label{sec:TimeSide}\r
+One specificity of the Telemeta architecture is to rely on an external component, TimeSide\footnote{\url{https://github.com/yomguy/TimeSide}}, that offers audio player web integration together with audio signal processing analysis capabilities. \r
+\r
+TimeSide is an audio analysis and visualization framework based on both python and javascript languages to provide state-of-the-art signal processing and machine learning algorithms together with web audio capabilities for display and streaming.\r
+Figure~\ref{fig:TimeSide_Archi} illustrates the overall architecture of TimeSide together with the data flow between TimeSide and the Telemeta web-server.\r
+\r
+\begin{figure*}[htbp]\r
+ \centering\r
+ \includegraphics[width=0.7\linewidth]{img/timeside_schema_v3.pdf}\r
+ \caption{TimeSide engine architecture and data flow with Telemeta web-server}\label{fig:TimeSide_Archi}\r
+\end{figure*}\r
+\r
+\r
+\subsection{Audio management}\r
+TimeSide provides the following main features:\r
+\begin{itemize}\r
+\item Secure archiving, editing and publishing of audio files over\r
+ internet.\r
+\item Smart audio player with enhanced visualisation (waveform, spectrogram)\r
+\item Multi-format support: reads all available audio and video formats through Gstreamer, transcoding with smart streaming and caching methods% (FLAC, OGG, MP3, WAV and WebM)\r
+ % \item \emph{Playlist management} for all users with CSV data export\r
+\item "On the fly" audio analyzing, transcoding and metadata\r
+ embedding based on an easy plugin architecture\r
+\end{itemize}\r
+\r
+\subsection{Audio features extraction}\r
+In order to provide Music Information Retrieval analysis methods to be implemented over a large corpus for ethnomusicological studies, TimeSide incorporates some state-of-the-art audio feature extraction libraries such as Aubio\footnote{\url{http://aubio.org/}} \citep{brossierPhD}, Yaafe\footnote{\url{https://github.com/Yaafe/Yaafe}} \citep{yaafe_ISMIR2010} and Vamp plugins\footnote{ \url{http://www.vamp-plugins.org}}.\r
+\r
+As a open-source framework and given its architecture and the flexibility provided by Python, the implementation of any audio and music analysis algorithm can be consider. Thus, it makes it a very convenient framework for researchers in computational ethnomusicology to develop and evaluate their algorithms.\r
+\r
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be stored in a scientific file format like Numpy and HDF5 and serialized to the web browser through common markup languages: XML, JSON and YAML.\r
+\r
+\r
+\subsection{Automatic Analysis of ethnomusicological sound archives}\r
+Ongoing works lead by the DIADEMS project consist in implementing advanced classification, indexation, segmentation and similarity analysis methods dedicated to ethnomusicological sound archives.\r
+\r
+Besides music analysis, such automatic tools also deal with speech and noises classification and segmentation to enable a full annotation of the audio materials.\r
+\r
+In the context of this project, both researchers from Ethnomusicological, Speech and Music Information Retrieval communities are working together to specified the tasks to be addressed by automatic analysis tools.\r
+\r
+\section{Sound archives of the CNRS - Musée de l'Homme}\label{sec:archives-CREM}\r
+Since June 2011, the Telemeta platform has been deployed to hold the \emph{Sound archives of the CNRS - Musée de l'Homme}\footnote{\url{http://archives.crem-cnrs.fr}} and is managed by the CREM (Center for Research in Ethnomusicology).\r
+The platform aims to make these archives available to researchers and to the extent possible, the public, in compliance with the intellectual and moral rights of musicians and collectors.\r
+\r
+\subsection{Archiving research materials}\r
+The archives of CREM, the most important in Europe, are distinguished by their wealth:\r
+\begin{itemize}\r
+\item Nearly 3,500 hours of recordings of unpublished field.\r
+\item Approximately 3700 hours of material published (more than 5000 discs, many of which are very rare).\r
+\end{itemize}\r
+The collection is sustained by the field missions of researchers on all continents. \r
+\r
+Through this platform, archivists can properly ensure the long-term preservation of data and continuously maintain and enrich the associated metadata.\r
+\r
+Accessing the collections aid laboratory research, diachronic and synchronic comparisons, the preparation of new fieldwork and the training of PhD students.\r
+\r
+Publishing collections also helps researchers making their work more visible. Besides making available and listenable the related corpora, researchers can also append related academic publications and provide temporal annotations to further illustrate their work.\r
+\r
+\r
+\subsection{A collaborative platform}\r
+Given the collaborative nature of the platform, both research and archivist can cooperate with colleagues to continuously enrich metadata associated to a sound item or a collection. \r
+\r
+Collaborative tools like markers and comments enable researchers from different institutions to work together on some common audio materials.\r
+It also allows researchers to exchange data online with communities producing their music in their home countries.\r
+\r
+\r
+\section{Conclusion}\r
+\r
+The Telemeta open-source framework provides the researchers in musicology with a new platform to efficiently distribute, share and work on their research materials.\r
+The platform has been deployed since 2011 to manage the \emph{Sound archives of the CNRS - Musée de l'Homme} which is the most important european collection of ethnomusicocological resources.\r
+\r
+Furthermore, this platform is offered automatic music analysis capabilities through an external component, TimeSide that provides a flexible computational analysis engine together with web serialization and visualization capabilities. As an open-source framework TimeSide could be an appropriate platform for researchers in computational ethnomusicology to develop and evaluate their algorithms\r
+\r
+Further works on the user interface will enhance the visualization experience with time and frequency zooming capabilities and will thus improve the accuracy and the quality of time-segment base annotations.\r
+\r
+\r
+\section*{Acknowledgments} \r
+{\small The authors would like to thank all the people that have been involved in Telemeta specification and development or have provide useful input and feedback. \r
+The project has been partially funded by the French National Centre for Scientific Research (CNRS), the French Ministry of Culture and Communication, the TGE Adonis Consortium, and the Centre of Research in Ethnomusicology (CREM).}\r
+\r
+\r
+%\bibliographystyle{plainnat}\r
+\bibliography{fma2014_Telemeta}\r
+\r
+\r
+\end{document}\r
--- /dev/null
+../../../Common/img/TM_arch.pdf
\ No newline at end of file
--- /dev/null
+../../../Common/img/telemeta_screenshot_en.png
\ No newline at end of file
--- /dev/null
+../../../Common/img/timeside_schema_v3.pdf
\ No newline at end of file
+++ /dev/null
-\documentclass[10pt, final, hyperref, table]{beamer}
-\mode<presentation>
-
-
- %\usepackage[english]{babel} % "babel.sty"
-% \usepackage{french} % "french.sty"
-% \usepackage{franglais} % "franglais.sty" (a defaut)
- \usepackage{times} % ajout times le 30 mai 2003
-
-%% --------------------------------------------------------------
-%% CODAGE DE POLICES ?
-%% Si votre moteur Latex est francise, il est conseille
-%% d'utiliser le codage de police T1 pour faciliter la césure,
-%% si vous disposez de ces polices (DC/EC)
-\usepackage[utf8]{inputenc}
-\usepackage[T1]{fontenc}
-
-
-%% ==============================================================
-%\usepackage{graphicx}
-\usepackage{amsmath,amsfonts}
-%\usepackage[table]{xcolor}
-\usepackage{subfigure}
-\usepackage{fancybox}
-
-\usepackage{multicol}
-\usepackage{wrapfig}
-\usepackage{listings}
-\usepackage{xcolor}
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-% Define hyperlinks color
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-
-\usetheme{Warsaw}
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-% telemeta red
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-
-% Display a grid to help align images
-%\beamertemplategridbackground[1cm]
-
-%We will get the normal bibliography style (number or text instead of icon) by including the following code
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-\setbeamerfont{caption}{size=\footnotesize}
-% listings settings
-\definecolor{lstComments}{rgb}{0,0.6,0}
-\definecolor{lstBkgrd}{rgb}{0.95,0.95,1}
-\lstset{%
- language=Python, % the language of the code
- frame=single, % adds a frame around the code
- frameround=tttt,
- commentstyle=\color{lstComments},% comment style
- backgroundcolor=\color{lstBkgrd}, % choose the background color
- basicstyle=\tiny, % the size of the fonts that are used for the code
- stringstyle=\ttfamily, % typewriter type for strings
- keywordstyle=\color{blue}, % keyword style
- showstringspaces=false, % underline spaces within strings only
-}
-\title[Plénière DIADEMS 2014]{DIADEMS – Réunion plénière T0+12\\\emph{Bilan/avancement de la 1ère année}}
-
-\author{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}}
-
-\institute[Parisson]{
- \inst{1}%
- Parisson, Paris, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
-\vskip1ex
- \begin{center}
- \includegraphics[width=.5\linewidth]{img/parisson_logo_FINALE_com.pdf}
- \end{center}
-}
-
-\date{LIMSI, Orsay - 12 février 2014}
-
-\begin{document}
-\begin{frame}
- \maketitle
-\end{frame}
-
-\begin{frame}
- \frametitle{TimeSide}\footnotesize %scriptsize
-% ==================================
-% --------- Résumé -----------------
-% ==================================
-\begin{block}{Avancement : Versions 0.4.3 $\rightarrow$ 0.5.3}
- \begin{itemize}
- \item Python 2.7
- \item Intégration de librairies d'extraction de descripteurs audio : Aubio, Yaafe, Vamp (expérimental)
-
- \item Installation par paquet Debian
- \item Documentation : \url{http://files.parisson.com/timeside/doc/} + doctest
- \item Amélioration du code des grapheurs
- \item Amélioration du code et des fonctionnalités des décodeurs : support de segment d'audio, mise en mémoire de l'audio pour le rejouer \emph{hors-ligne}
- \item Amélioration du code et des fonctionnalités des analyseurs
- \begin{itemize}\footnotesize
- \item Mise en place d'un conteneur pour stocker et sérialiser (\emph{hdf5, yaml, json, xml}) les résultats des analyses et les annotations
- \item Support de différents modes temporels et différents types de résultats
- \item Ajout de la notion d'analyseurs \emph{Parents}
- \item Ajout de méthodes pour générer les graphiques automatiquement (via \emph{matplotlib})
- \end{itemize}
- \item Mise en place d'un outil en ligne de commande : \texttt{timeside-launch}
- \item Décodeur + Encodeur \emph{live}
- \end{itemize}
-
-\end{block}
-\end{frame}
-\begin{frame}
- \frametitle{Intégration des développements DIADEMS}
- \begin{block}{IRIT}
- \begin{itemize}
- \item Détection de parole
- \item Détection de musique
- \item Segmentation monophonique/polyphonique
- \end{itemize}
- \end{block}
- \begin{block}{LIMSI}
- \begin{itemize}
- \item Détecteur d'activité vocale (\emph{en cours})
- \end{itemize}
- \end{block}
- \begin{block}{Perspectives}
- \begin{itemize}
- \item Mise en place d'une architecture permettant une plus grande complexité des algorithmes (partage de ressources, forward-backward, modèles d'apprentissage, ...)
- \item Ajout de quelques outils d'analyse (Parisson) :
- \begin{itemize}
- \item Détection de percussions,
- \item Séparation de sources aveugle : percussion / mélodie
- \item Estimation du tempo, estimation des temps
- \item Nouvelles représentation Temps-Fréquences
- \end{itemize}
-
- \end{itemize}
-
- \end{block}
-\end{frame}
-\begin{frame}
-\frametitle{Communications - Collaborations}
-\begin{block}{Conférences - Démonstration de Telemeta-Timeside}
- \begin{itemize}
- \item Conférence \emph{Computer Music Multidisciplinary Research} - CMMR 2013 - Marseilles
- \item Conférence \emph{Audio Engineering Society} AES-53, "Semantic Audio", 2014 - Londres
- \end{itemize}
-\end{block}
-\begin{block}{Contact - Collaborations extérieures}
- \begin{itemize}
- \item IRCAM : Projet Wave, \emph{Web Audio Visualisation/Edition} : \url{http://wave.ircam.fr/}
- \item Londres : Queen Mary University, BBC R\&D
- \item Barcelone : UPF (Xavier Serra) : Projet CompMusic, \emph{Computational models for the discovery of the World’s Music}
- \item Bioacoustique : Univ. Toulon Sud (Hervé Glotin), MNHM (Jérôme Sueur), LAM (Olivier Adam) : Projet SABIOD, \url{http://sabiod.telemeta.org/}
- \end{itemize}
-\end{block}
-\end{frame}
-
-\begin{frame}
-\frametitle{Telemeta}
- \begin{flushleft}
- \includegraphics[width=0.2\textwidth]{img/logo_telemeta_1-1.pdf} \hfill
- \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
- \end{flushleft}
- \begin{block}{Développement en cours}
- \begin{itemize}
- \item Annotation par segments
- \item Importation d'annotations externes (Elan, transcriber)
- \item Zoom en temps
- \item Lecteur :
- \begin{itemize}
- \item Support de Web Audio API, HTML5
- \item Synchronisation lecteur - annotation - analyses
- \end{itemize}
- \item Visualisation des analyses et segmentations issues de Timeside
- \end{itemize}
- \end{block}
- \begin{block}{Perspectives}
- \begin{itemize}
- \item Extraire une partie des outils web de Telemeta vers Timeside
- \item Zoom en fréquence
- \item Annotation Temps-Fréquence
- \item Utilisation de \emph{Pyannote} (Hervé bredin, LIMSI)
- \end{itemize}
- \end{block}
-\end{frame}
-\part{Annexe}
-\begin{frame}
- \frametitle{Annexe}
-
-\end{frame}
-\begin{frame}
-\frametitle{Conférences à venir}
-\begin{itemize}
-\item 45th IASA (International Association of Sound and Audiovisual Archives) Annual Conference : ``\emph{Connecting Cultures: Content, Context, and Collaboration}'' :\\
-\alert{Soumission : 28 février 2014} \\
-\url{http://2014.iasa-web.org}
-\item 4th International Workshop on Folk Music Analysis :\\
-\alert{Soumission : 17 février 2014} \\
-\url{http://www.cmpe.boun.edu.tr/fma2014/}
-\end{itemize}
-\end{frame}
-
-
-\begin{frame}\tiny
- \frametitle{Processeurs}
- \begin{minipage}{0.45\linewidth}
-
- \begin{block}{IDecoder}
- \begin{itemize}
- \item FileDecoder \texttt{[gst\_dec]}
- \item \alert{ArrayDecoder} \texttt{[array\_dec]}
- \end{itemize}
- \end{block}
- \begin{block}{IAnalyzer}
- \begin{itemize}
- \item Level \texttt{[level]}
- \item MeanDCShift \texttt{[mean\_dc\_shift]}
- \item AubioTemporal \texttt{[aubio\_temporal]}
- \item AubioPitch \texttt{[aubio\_pitch]}
- \item AubioMfcc \texttt{[aubio\_mfcc]}
- \item AubioMelEnergy \texttt{[aubio\_melenergy]}
- \item AubioSpecdesc \texttt{[aubio\_specdesc]}
- \item \alert{Yaafe} \texttt{[yaafe]}
- \item \alert{Spectrogram} \texttt{[spectrogram\_analyzer]}
- \item \alert{Waveform} \texttt{[waveform\_analyzer]}
- \item \alert{VampSimpleHost} \texttt{[vamp\_simple\_host]}
- \item \alert{IRITSpeechEntropy} \texttt{[irit\_speech\_entropy]}
- \item \alert{IRITSpeech4Hz} \texttt{[irit\_speech\_4hz]}
- \item \alert{OnsetDetectionFunction} \texttt{[odf]}
- \end{itemize}
- \end{block}
- \end{minipage} \hfill
- \begin{minipage}{0.5\linewidth}
- \begin{block}{IEncoder}
- \begin{itemize}
- \item VorbisEncoder \texttt{[gst\_vorbis\_enc]}
- \item WavEncoder \texttt{[gst\_wav\_enc]}
- \item Mp3Encoder \texttt{[gst\_mp3\_enc]}
- \item FlacEncoder \texttt{ [gst\_flac\_enc]}
- \item AacEncoder \texttt{[gst\_aac\_enc]}
- \item WebMEncoder \texttt{[gst\_webm\_enc]}
- \end{itemize}
- \end{block}
- \begin{block}{IGrapher}
- \begin{itemize}
- \item Waveform \texttt{[waveform\_simple]}
- \item WaveformCentroid \texttt{[waveform\_centroid]}
- \item \alert{WaveformTransparent} \texttt{[waveform\_transparent]}
- \item WaveformContourBlack \texttt{[waveform\_contour\_black]}
- \item WaveformContourWhite \texttt{[waveform\_contour\_white]}
- \item SpectrogramLog \texttt{[spectrogram\_log]}
- \item \alert{SpectrogramLinear} \texttt{[spectrogram\_linear]}
- \end{itemize}
- \end{block}
- \end{minipage}
-
-\end{frame}
-\begin{frame}
-
-
- \frametitle{Principales nouveautés}
- \begin{block}{}
- \begin{itemize}
- \item Version 0.5.2
- \item Mise en place d'une documentation :
- \url{http://files.parisson.com/timeside/doc/}
-
- \item Installation par paquets Debian (Timeside + Aubio + Yaafe)
- pour Debian Stable 7.0 Wheezy
- \url{https://github.com/yomguy/TimeSide\#install}
- \item Outil en \emph{ligne de commande} : \texttt{timeside-launch}
- \item Décodeur : possibilité de lire un \alert{segment} de fichier audio
- \end{itemize}
- \end{block}
- \begin{block}{Analyseurs - Sauvegarde des résultats}
- \begin{itemize}
- \item Amélioration de la sérialisation des resultats (xml, json,
- yaml, \alert{numpy}, \alert{hdf5})
- \item Ajout de fonctionnalités et \emph{Réusinage} de code en prévision de l'intégration de méthodes d'analyse automatique
- \item Notion d'analyseur " \emph{parent} "
- \end{itemize}
-
- \end{block}
-\end{frame}
-
-\begin{frame}{Extraction de descripteurs audio}
-
- \begin{block}{Extraction de descripteurs audio}
-TimeSide incorpore des bibliothèques d'extraction de descripteurs audio de référence :
-\vspace{-0.1cm}
-\begin{itemize} \tiny
-\item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
-\vspace{-0.1cm}
-\item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
-\vspace{-0.1cm}
-\item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
-\end{itemize}
-\alert{A partir de ses descripteurs, les analyses automatiques pour chaque item d'une collection peuvent être mises en place}\\
-$\longrightarrow$ Intégration des premiers analyseurs ``DIADEMS'' : Détecteurs de segments de paroles (IRIT)
-
-\end{block}
-\begin{block}{}
- Formalisation de différents types de résultats :
- \begin{itemize}
- \item time\_mode : \texttt{global, event, segment, framewise}
- \item data\_mode : \texttt{value, label}
- \end{itemize}
-\end{block}
-\end{frame}
-
-\begin{frame}[fragile]
- \begin{block}{TimeSide - Dépôt Github}
- \begin{center}\scriptsize
- \colorbox{yellow!50}{\bf \hskip3ex
- \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
- \end{center}
-3 branches principales :
- \begin{itemize}
- \item master (0.5.2)
- \item dev
- \item \alert{diadems} $\longleftarrow$ \emph{vos précieuses contributions}
- \end{itemize}
- \end{block}
- \begin{block}{Installation}
-\url{https://github.com/yomguy/TimeSide\#install}
- \begin{itemize}
- \item Installation des dépendances :
-\begin{lstlisting}[language=bash, basicstyle=\TINY]
-$ echo "deb http://debian.parisson.com/debian/ stable main" |
-$ sudo tee -a /etc/apt/sources.list
-$ echo "deb-src http://debian.parisson.com/debian/ stable main" | sudo tee -a /etc/apt/sources.list
-$ sudo apt-get update
-$ sudo apt-get install git
-$ sudo apt-get build-dep python-timeside
-\end{lstlisting}
-
- \item Installation depuis le dépôt \emph{Github} :
-\begin{lstlisting}[language=bash, basicstyle=\TINY]
-$ git clone https://github.com/yomguy/TimeSide.git
-$ cd TimeSide
-$ git checkout dev
-$ export PYTHONPATH=$PYTHONPATH:`pwd`
-$ python tests/run_all_tests
-\end{lstlisting}
-\end{itemize}
-\end{block}
-\end{frame}
-
-\begin{frame}
-\frametitle{Détecteur de parole IRIT (4Hz modulation)}
-\begin{center}
-\includegraphics[width=0.8\linewidth]{img/irit_speech4hz}\\
-\href{sounds/CNRSMH_I_2013_202_001_06.mp3}{CNRSMH\_I\_2013\_202\_001\_06}
-\end{center}
-\end{frame}
-\begin{frame}\frametitle{Aubio Pitch + Aubio Beat}
- \begin{center}
-\includegraphics[width=1.1\linewidth]{img/aubio_pitch_beat.png}\\
-\href{sounds/CNRSMH_E_1985_001_001_001_04.mp3}{CNRSMH\_E\_1985\_001\_001\_001\_04}
-\end{center}
-\end{frame}
-
-\end{document}
-%%% Local Variables:
-%%% mode: latex
-%%% TeX-master: t
-%%% End:
+++ /dev/null
-\documentclass[10pt, final, hyperref, table]{beamer}
-\mode<presentation>
-
-
- %\usepackage[english]{babel} % "babel.sty"
-% \usepackage{french} % "french.sty"
-% \usepackage{franglais} % "franglais.sty" (a defaut)
- \usepackage{times} % ajout times le 30 mai 2003
-
-%% --------------------------------------------------------------
-%% CODAGE DE POLICES ?
-%% Si votre moteur Latex est francise, il est conseille
-%% d'utiliser le codage de police T1 pour faciliter la césure,
-%% si vous disposez de ces polices (DC/EC)
-\usepackage[utf8]{inputenc}
-\usepackage[T1]{fontenc}
-
-
-%% ==============================================================
-%\usepackage{graphicx}
-\usepackage{amsmath,amsfonts}
-%\usepackage[table]{xcolor}
-\usepackage{subfigure}
-\usepackage{fancybox}
-
-\usepackage{multicol}
-\usepackage{wrapfig}
-\usepackage{listings}
-\usepackage{xcolor}
-\usepackage{multimedia} % For playing sound
-% Define hyperlinks color
-\definecolor{links}{HTML}{2A1B81}
-\hypersetup{colorlinks,linkcolor=,urlcolor=links}
-
-\usetheme{Warsaw}
-\setbeamercovered{transparent}
-
-
-% telemeta red
-\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
-\usecolortheme[rgb={0.41568, 0.01176, 0.02745}]{structure}
-
-% Display a grid to help align images
-%\beamertemplategridbackground[1cm]
-
-%We will get the normal bibliography style (number or text instead of icon) by including the following code
-\setbeamertemplate{bibliography item}[text]
-\setbeamerfont{caption}{size=\footnotesize}
-% listings settings
-\definecolor{lstComments}{rgb}{0,0.6,0}
-\definecolor{lstBkgrd}{rgb}{0.95,0.95,1}
-\lstset{%
- language=Python, % the language of the code
- frame=single, % adds a frame around the code
- frameround=tttt,
- commentstyle=\color{lstComments},% comment style
- backgroundcolor=\color{lstBkgrd}, % choose the background color
- basicstyle=\tiny, % the size of the fonts that are used for the code
- stringstyle=\ttfamily, % typewriter type for strings
- keywordstyle=\color{blue}, % keyword style
- showstringspaces=false, % underline spaces within strings only
-}
-\title[TimeSide]{TimeSide\\\emph{ Open web audio processing framework}}
-
-\author{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}}
-
-
-\institute[Parisson]{
- \inst{1}%
- Parisson, Paris, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
-\vskip1ex
- \begin{center}
- \includegraphics[width=.5\linewidth]{img/parisson_logo_FINALE_com.pdf}
- \end{center}
-}
-\date{DIADEMS - Conclusions 2013 \\ 11/12/2013}
-
-\begin{document}
-\begin{frame}
- \maketitle
-\end{frame}
-
-\begin{frame}
- \frametitle{TimeSide - Objectifs}\scriptsize
-% ==================================
-% --------- Résumé -----------------
-% ==================================
-\begin{block}{We just need a python library to:}
-
- \begin{itemize}
-
- \item \alert{Do} asynchronous and fast audio processing with Python,
- \item \alert{Decode} audio frames from ANY format into numpy arrays,
- \item \alert{Analyze} audio content with some state-of-the-art audio feature extraction libraries,
- \item \alert{Organize}, serialize and save analysis metadata through various formats,
- \item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers,
- \item \alert{Transcode} audio data in various media formats and stream them through web apps,
- \item \alert{Playback} and \alert{interact} on demand through a smart high-level HTML5 extensible player,
- \item \alert{Index}, \alert{tag} and \alert{organize semantic metadata} (see \href{http://telemeta.org/}{Telemeta} which embeds TimeSide).
- \end{itemize}
- \begin{flushright}
- \includegraphics[width=0.2\textwidth]{img/logo_telemeta_1-1.pdf}\\
- \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
- \end{flushright}
-\end{block}
-\end{frame}
-
-\begin{frame}
- \frametitle{Architecture du moteur TimeSide}
- \begin{center}
- \includegraphics[width=\textwidth]{img/timeside_schema.png}
- \end{center}
-\end{frame}
-\begin{frame}\tiny
- \frametitle{Processeurs}
- \begin{minipage}{0.45\linewidth}
-
- \begin{block}{IDecoder}
- \begin{itemize}
- \item FileDecoder \texttt{[gst\_dec]}
- \item \alert{ArrayDecoder} \texttt{[array\_dec]}
- \end{itemize}
- \end{block}
- \begin{block}{IAnalyzer}
- \begin{itemize}
- \item Level \texttt{[level]}
- \item MeanDCShift \texttt{[mean\_dc\_shift]}
- \item AubioTemporal \texttt{[aubio\_temporal]}
- \item AubioPitch \texttt{[aubio\_pitch]}
- \item AubioMfcc \texttt{[aubio\_mfcc]}
- \item AubioMelEnergy \texttt{[aubio\_melenergy]}
- \item AubioSpecdesc \texttt{[aubio\_specdesc]}
- \item \alert{Yaafe} \texttt{[yaafe]}
- \item \alert{Spectrogram} \texttt{[spectrogram\_analyzer]}
- \item \alert{Waveform} \texttt{[waveform\_analyzer]}
- \item \alert{VampSimpleHost} \texttt{[vamp\_simple\_host]}
- \item \alert{IRITSpeechEntropy} \texttt{[irit\_speech\_entropy]}
- \item \alert{IRITSpeech4Hz} \texttt{[irit\_speech\_4hz]}
- \item \alert{OnsetDetectionFunction} \texttt{[odf]}
- \end{itemize}
- \end{block}
- \end{minipage} \hfill
- \begin{minipage}{0.5\linewidth}
- \begin{block}{IEncoder}
- \begin{itemize}
- \item VorbisEncoder \texttt{[gst\_vorbis\_enc]}
- \item WavEncoder \texttt{[gst\_wav\_enc]}
- \item Mp3Encoder \texttt{[gst\_mp3\_enc]}
- \item FlacEncoder \texttt{ [gst\_flac\_enc]}
- \item AacEncoder \texttt{[gst\_aac\_enc]}
- \item WebMEncoder \texttt{[gst\_webm\_enc]}
- \end{itemize}
- \end{block}
- \begin{block}{IGrapher}
- \begin{itemize}
- \item Waveform \texttt{[waveform\_simple]}
- \item WaveformCentroid \texttt{[waveform\_centroid]}
- \item \alert{WaveformTransparent} \texttt{[waveform\_transparent]}
- \item WaveformContourBlack \texttt{[waveform\_contour\_black]}
- \item WaveformContourWhite \texttt{[waveform\_contour\_white]}
- \item SpectrogramLog \texttt{[spectrogram\_log]}
- \item \alert{SpectrogramLinear} \texttt{[spectrogram\_linear]}
- \end{itemize}
- \end{block}
- \end{minipage}
-
-\end{frame}
-\begin{frame}
- \frametitle{Principales nouveautés}
- \begin{block}{}
- \begin{itemize}
- \item Version 0.5.2
- \item Mise en place d'une documentation :
- \url{http://files.parisson.com/timeside/doc/}
-
- \item Installation par paquets Debian (Timeside + Aubio + Yaafe)
- pour Debian Stable 7.0 Wheezy
- \url{https://github.com/yomguy/TimeSide\#install}
- \item Outil en \emph{ligne de commande} : \texttt{timeside-launch}
- \item Décodeur : possibilité de lire un \alert{segment} de fichier audio
- \end{itemize}
- \end{block}
- \begin{block}{Analyseurs - Sauvegarde des résultats}
- \begin{itemize}
- \item Amélioration de la sérialisation des resultats (xml, json,
- yaml, \alert{numpy}, \alert{hdf5})
- \item Ajout de fonctionnalités et \emph{Réusinage} de code en prévision de l'intégration de méthodes d'analyse automatique
- \item Notion d'analyseur " \emph{parent} "
- \end{itemize}
-
- \end{block}
-\end{frame}
-
-\begin{frame}{Extraction de descripteurs audio}
-
- \begin{block}{Extraction de descripteurs audio}
-TimeSide incorpore des bibliothèques d'extraction de descripteurs audio de référence :
-\vspace{-0.1cm}
-\begin{itemize} \tiny
-\item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
-\vspace{-0.1cm}
-\item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
-\vspace{-0.1cm}
-\item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
-\end{itemize}
-\alert{A partir de ses descripteurs, les analyses automatiques pour chaque item d'une collection peuvent être mises en place}\\
-$\longrightarrow$ Intégration des premiers analyseurs ``DIADEMS'' : Détecteurs de segments de paroles (IRIT)
-
-\end{block}
-\begin{block}{}
- Formalisation de différents types de résultats :
- \begin{itemize}
- \item time\_mode : \texttt{global, event, segment, framewise}
- \item data\_mode : \texttt{value, label}
- \end{itemize}
-\end{block}
-\end{frame}
-
-\begin{frame}[fragile]
- \begin{block}{TimeSide - Dépôt Github}
- \begin{center}\scriptsize
- \colorbox{yellow!50}{\bf \hskip3ex
- \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
- \end{center}
-3 branches principales :
- \begin{itemize}
- \item master (0.5.2)
- \item dev
- \item \alert{diadems} $\longleftarrow$ \emph{vos précieuses contributions}
- \end{itemize}
- \end{block}
- \begin{block}{Installation}
-\url{https://github.com/yomguy/TimeSide\#install}
- \begin{itemize}
- \item Installation des dépendances :
-\begin{lstlisting}[language=bash, basicstyle=\TINY]
-$ echo "deb http://debian.parisson.com/debian/ stable main" |
-$ sudo tee -a /etc/apt/sources.list
-$ echo "deb-src http://debian.parisson.com/debian/ stable main" | sudo tee -a /etc/apt/sources.list
-$ sudo apt-get update
-$ sudo apt-get install git
-$ sudo apt-get build-dep python-timeside
-\end{lstlisting}
-
- \item Installation depuis le dépôt \emph{Github} :
-\begin{lstlisting}[language=bash, basicstyle=\TINY]
-$ git clone https://github.com/yomguy/TimeSide.git
-$ cd TimeSide
-$ git checkout dev
-$ export PYTHONPATH=$PYTHONPATH:`pwd`
-$ python tests/run_all_tests
-\end{lstlisting}
-\end{itemize}
-\end{block}
-\end{frame}
-
-\begin{frame}[fragile]
- \begin{block}{Exemple de code (Python)}
- \vskip1ex
- \begin{minipage}{0.6\linewidth}
- \begin{lstlisting}
-import timeside
-
-# Define some processors:
-
-# Decoder
-decoder = timeside.decoder.FileDecoder('sweep.wav')
-
-# Analyzers
-analyzer = timeside.analyzer.Level()
-irit4hz = timeside.analyzer.IRITSpeech4Hz()
-
-# Grapher and Encoder
-grapher = timeside.grapher.Spectrogram()
-encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
-
-# Then, the magic pipeline:
-(decoder | analyzer | irit4hz | grapher | encoder).run()
-
-# Get the results:
-grapher.render(output='image.png')
-for key in analyzer.results.keys():
- print '%s in %s : %s'% (analyzer.results[key].name,
- analyzer.results[key].unit,
- analyzer.results[key].data)
- \end{lstlisting}
- \end{minipage}
- \hskip2ex
- \begin{minipage}{0.32\linewidth}
- \begin{center}
- \textbf{Results}
- \begin{figure}
- \centering
- \includegraphics[width=\linewidth]{img/spectrogram.png}
- \caption{Spectrogram (sweep signal)}
- \end{figure}
- \end{center}
- \vskip5ex
- \begin{lstlisting}
-Level Analyzer Max:[-6.021]
-Level Analyzer RMS:[-9.856]
- \end{lstlisting}
- \end{minipage}
- \end{block}
-\end{frame}
-
-\begin{frame}
-\frametitle{Détecteur de parole IRIT (4Hz modulation)}
-\begin{center}
-\includegraphics[width=0.8\linewidth]{img/irit_speech4hz}\\
-\href{sounds/CNRSMH_I_2013_202_001_06.mp3}{CNRSMH\_I\_2013\_202\_001\_06}
-\end{center}
-\end{frame}
-\begin{frame}\frametitle{Aubio Pitch + Aubio Beat}
- \begin{center}
-\includegraphics[width=1.1\linewidth]{img/aubio_pitch_beat.png}\\
-\href{sounds/CNRSMH_E_1985_001_001_001_04.mp3}{CNRSMH\_E\_1985\_001\_001\_001\_04}
-\end{center}
-\end{frame}
-\end{document}
-%%% Local Variables:
-%%% mode: latex
-%%% TeX-master: t
-%%% End:
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- Unité désignant un enregistrement sonore accompagné d'une fiche descriptive
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- Définition
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-
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- « Plop » caractéristique du démarrage et arrêt magnéto à bande type Nagra (magnetic tape thump) ou du démarrage et arrêt du cylindre ou des débuts et fins de gravure directe/lecture des disques noirs.
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- Définition
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- Caractéristique du re-démarrage de magnéto à bande type Nagra, caractérisé par la baisse rapide de toutes les fréquences ; le nom « 1/x » désigne la forme des courbes de fréquence visualisée sur un spectrogramme.
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- Définition
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- Production vocale dont la fréquence fondamentale varie généralement rapidement sur de très faibles intervalles
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- <p>
- Définition
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-
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- Émission vocale aux syllabes allongées, à la voix "posée" et produisant généralement des hauteurs de son ordonnées selon des règles préétablies. La position du premier formant vocalique est importante pour la perception de la qualité de la voix chantée.
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- <p>
- Définition
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-
- </p>
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- Prononciation d'un texte à haute voix. Se différencie du parlé par une unité de souffle plus longue et plus régulière(?)
- </p>
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- Définition
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- Forte ponctuation/articulation des syllabes et forte variation de l'intensité ; allongement des syllabes souvent intégrées dans un schème rythmique.
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- <p>
- Définition
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- Énonciation des paroles sur une seule fréquence ou un ambitus très restreint (proche du recto-tono)
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- Définition
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- Émission brève et avec accentuation d'intensité de voyelles (interjections qui ponctuent le discours)
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- Définition
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- Expression vocale collective courte se situant entre le chanté et le parlé
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- Définition
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- Vibration de toute la masse musculaire des cordes vocales (voix de poitrine)
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- Définition
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- Vibration des muscles (long) des cordes vocales (voix de tête, fausset, falsetto)
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- Définition
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-
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- Alternance rapide entre M1 et M2, produisant des sauts mélodique, accompagnée d'une alternance entre voyelles ouvertes et voyelles fermées. L'alternance grave-aigu entraîne une modification de timbre et de l'intensité.
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- Définition
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- Qualité spécifique d'un son vocal produit indépendamment de sa hauteur, de son intensité et de sa durée.
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- Vitesse d'exécution de la voix parlée ou chantée
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- Définition
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- Nombre de noyaux vocaliques (ex : syllabes) par unité de temps
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- Définition
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- Unité de temps correspondant à la durée d'énonciation exécutée entre deux reprises de souffle.
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- <p>
- Définition
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-
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- Concept musicologique : composante vocale produisant un énoncé mélodico-rythmique constitutif d'une polyphonie ou d'une alternance entre groupes.
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- Définition
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- Simultanéité, au sein d'un même segment, de deux ou plusieurs locuteurs ou chanteurs ayant des énoncés différents.
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- Edit
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- Définition
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- Recouvrement intentionnel et partiel entre deux groupes (locuteurs ou chanteurs) qui parlent ou chantent en alternance. Nécessité de prendre en compte ce qui se passe avant et après.
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- Définition
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- Recouvrement accidentel entre deux locuteurs ou deux groupes.
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- Définition
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- Groupe composé d'une seule voix.
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-
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- <p>
- Définition
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-
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- Groupe de plusieurs voix réalisant simultanément un même énoncé musical (monodie) ou plusieurs énoncés musicaux (polyphonie).
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-
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- <p>
- Définition
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-
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- Le chœur chanté à l'unisson.
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-
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- Définition
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-
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- Le chœur se compose de plusieurs parties exécutées par une ou plusieurs voix.
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- Edit
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- <p>
- Définition
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- <p>
-
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- Le chœur chante un même énoncé musical mais le léger décalage temporel entre chaque voix qui compose le chœur crée une texture dense et hétérogène pendant l'exécution.
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-
- </head>
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- <p>
- Définition
- </p>
- <p>
-
- </p>
- <p>
- Les durées de la séquence sonore entretiennent des rapports strictement proportionnels dont le dénominateur commun est la pulsation prise comme étalon isochrone.
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-</richcontent>
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-<node TEXT="Métrique (non mesuré)" ID="ID_861764463" CREATED="1394704383496" MODIFIED="1394704402901">
-<richcontent TYPE="NOTE">
-<html>
- <head>
-
- </head>
- <body>
- <p>
- Définition
- </p>
- <p>
-
- </p>
- <p>
- Toute segmentation du temps fondée sur un étalonnage régulier est impossible.
- </p>
- </body>
-</html>
-</richcontent>
-</node>
-<node TEXT="Contour mélodique" ID="ID_699098834" CREATED="1394704403224" MODIFIED="1394704425612">
-<richcontent TYPE="NOTE">
-<html>
- <head>
-
- </head>
- <body>
- <p>
- Définition
- </p>
- <p>
-
- </p>
- <p>
- Forme réalisée par la succession des hauteurs des sons
- </p>
- </body>
-</html>
-</richcontent>
-</node>
-<node TEXT="Tempo" ID="ID_84750349" CREATED="1394704426195" MODIFIED="1394704440634">
-<richcontent TYPE="NOTE">
-<html>
- <head>
-
- </head>
- <body>
- <p>
- Définition
- </p>
- <p>
-
- </p>
- <p>
- Vitesse d'exécution basée sur la vitesse de l'unité de temps isochrone
- </p>
- </body>
-</html>
-</richcontent>
-</node>
-<node TEXT="Débit rythmique" ID="ID_220982544" CREATED="1394704441234" MODIFIED="1394704464941">
-<richcontent TYPE="NOTE">
-<html>
- <head>
-
- </head>
- <body>
- <p>
- Définition
- </p>
- <p>
-
- </p>
- <p>
- Nombre d'impacts par unité de temps
- </p>
- </body>
-</html>
-</richcontent>
-</node>
-<node TEXT="Pause" ID="ID_364439590" CREATED="1394704465445" MODIFIED="1394704486884">
-<richcontent TYPE="NOTE">
-<html>
- <head>
-
- </head>
- <body>
- <p>
- Définition
- </p>
- <p>
-
- </p>
- <p>
- Silence entre zone sonore (vocale ou instrumentale) qui peut correspondre à : inspiration entre unité de souffle, silence volontaire, ambiance sonore (catégorie bruit)
- </p>
- </body>
-</html>
-</richcontent>
-</node>
-</node>
-<node TEXT="Traitement du signal sonore" POSITION="right" ID="ID_1460351178" CREATED="1394091367586" MODIFIED="1394701858001" HGAP="21" VSHIFT="47">
-<node TEXT="Segmentation sonore" ID="ID_1483778736" CREATED="1394704488089" MODIFIED="1394704518409"/>
-<node TEXT="Segment" ID="ID_1844262249" CREATED="1394704519000" MODIFIED="1394704521184"/>
-<node TEXT="Détection sonore" ID="ID_172222997" CREATED="1394704522101" MODIFIED="1394704525779"/>
-<node TEXT="Identification" ID="ID_216338684" CREATED="1394704534726" MODIFIED="1394704538291"/>
-<node TEXT="Trame" ID="ID_1514313924" CREATED="1394704539129" MODIFIED="1394704542557"/>
-<node TEXT="Groupe" ID="ID_507456451" CREATED="1394704548315" MODIFIED="1394704551933"/>
-<node TEXT="Vérification" ID="ID_885742748" CREATED="1394704553606" MODIFIED="1394704559155"/>
-</node>
-</node>
-</map>
+++ /dev/null
-<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet href="treestyles.css" type="text/css"?>
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN" "http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml"><!--This file has been created with toxhtml.xsl--><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8"/><title>Thésaurus</title><link rel="stylesheet" href="Thesaurus.html_files/treestyles.css" type="text/css"/><script type="text/javascript" src="Thesaurus.html_files/marktree.js">
- </script></head><body><div class="basetop"><a href="#" onclick="expandAll(document.getElementById('base'))">Expand</a> -
-<a href="#" onclick="collapseAll(document.getElementById('base'))">Collapse</a></div><div id="base" class="basetext"><ul>
- <li class="col" id="FMID_532826149FM"><div class="nodecontent">Thésaurus</div>
- <ul class="subexp">
- <li class="col" id="FMID_1907771983FM"><div class="nodecontent">Téléméta</div>
- <ul class="subexp">
- <li class="basic" id="FMID_960548034FM"><div class="boxed"><div class="nodecontent" style="">Fonds</div><div class="note-and-attributes"><span class="note"><p>
- Définition: Ensemble d'enregistrements sonores regroupés par chercheur ou par projet
- </p></span></div></div></li>
- <li class="basic" id="FMID_1424607752FM"><div class="boxed"><div class="nodecontent">Corpus</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Sous-catégorie à l'intérieur de chaque Fonds
- </p></span></div></div></li>
- <li class="basic" id="FMID_1815254521FM"><div class="boxed"><div class="nodecontent">Collection</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Sous-catégorie à l'intérieur de chaque Corpus
- </p></span></div></div></li>
- <li class="basic" id="FMID_957610735FM"><div class="boxed"><div class="nodecontent">Item</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Unité désignant un enregistrement sonore accompagné d'une fiche descriptive
- </p></span></div></div></li></ul></li>
- <li class="col" id="FMID_1366572370FM"><div class="nodecontent">Bruits Techniques</div>
- <ul class="subexp">
- <li class="basic" id="FMID_504181020FM"><div class="boxed"><div class="nodecontent">Cloc</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- « Plop » caractéristique du démarrage et arrêt magnéto à bande type Nagra (magnetic tape thump) ou du démarrage et arrêt du cylindre ou des débuts et fins de gravure directe/lecture des disques noirs.
- </p><p>
- Son bref et très basse fréquence
- </p><p/></span></div></div></li>
- <li class="basic" id="FMID_1229394196FM"><div class="boxed"><div class="nodecontent">Démarrage de bande</div><div class="note-and-attributes"><span class="note"><p>
- 1/x
- </p><p/><p>
- Définition
- </p><p/><p>
- Caractéristique du re-démarrage de magnéto à bande type Nagra, caractérisé par la baisse rapide de toutes les fréquences ; le nom « 1/x » désigne la forme des courbes de fréquence visualisée sur un spectrogramme.
- </p></span></div></div></li>
- <li class="basic" id="FMID_88046536FM"><div class="nodecontent">Blanc</div></li>
- <li class="basic" id="FMID_1094527924FM"><div class="nodecontent">Drop Out</div></li>
- <li class="basic" id="FMID_1509653261FM"><div class="nodecontent">Glitch</div></li>
- <li class="basic" id="FMID_574822309FM"><div class="nodecontent">Crack(le)</div></li>
- <li class="basic" id="FMID_211186799FM"><div class="nodecontent">Saturation</div></li>
- <li class="basic" id="FMID_1764168812FM"><div class="nodecontent">Variation de niveau</div></li>
- <li class="basic" id="FMID_516384703FM"><div class="nodecontent">Choc micro</div></li>
- <li class="basic" id="FMID_1144048427FM"><div class="nodecontent">Frottement de câble</div></li>
- <li class="basic" id="FMID_1572879520FM"><div class="nodecontent">Vent</div></li></ul></li>
- <li class="col" id="FMID_27126464FM"><div class="nodecontent">Voix</div>
- <ul class="subexp">
- <li class="col" id="FMID_1748629247FM"><div class="nodecontent">Catégories</div>
- <ul class="subexp">
- <li class="basic" id="FMID_891549416FM"><div class="boxed"><div class="nodecontent">Parlé</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Production vocale dont la fréquence fondamentale varie généralement rapidement sur de très faibles intervalles
- </p></span></div></div></li>
- <li class="basic" id="FMID_1681609345FM"><div class="boxed"><div class="nodecontent">Chanté</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Émission vocale aux syllabes allongées, à la voix "posée" et produisant généralement des hauteurs de son ordonnées selon des règles préétablies. La position du premier formant vocalique est importante pour la perception de la qualité de la voix chantée.
- </p></span></div></div></li>
- <li class="basic" id="FMID_1062285834FM"><div class="boxed"><div class="nodecontent">Récité</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Prononciation d'un texte à haute voix. Se différencie du parlé par une unité de souffle plus longue et plus régulière(?)
- </p></span></div></div></li>
- <li class="basic" id="FMID_51580166FM"><div class="boxed"><div class="nodecontent">Scandé</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Forte ponctuation/articulation des syllabes et forte variation de l'intensité ; allongement des syllabes souvent intégrées dans un schème rythmique.
- </p></span></div></div></li>
- <li class="basic" id="FMID_1051291896FM"><div class="boxed"><div class="nodecontent">Psalmodié</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Énonciation des paroles sur une seule fréquence ou un ambitus très restreint (proche du recto-tono)
- </p><p>
- Edit
- </p></span></div></div></li>
- <li class="basic" id="FMID_115239030FM"><div class="boxed"><div class="nodecontent">Clamé</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Émission brève et avec accentuation d'intensité de voyelles (interjections qui ponctuent le discours)
- </p></span></div></div></li>
- <li class="basic" id="FMID_1439040662FM"><div class="boxed"><div class="nodecontent">Clameur</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Expression vocale collective courte se situant entre le chanté et le parlé
- </p></span></div></div></li></ul></li>
- <li class="col" id="FMID_1449179674FM"><div class="nodecontent">Techniques vocales</div>
- <ul class="subexp">
- <li class="basic" id="FMID_268676012FM"><div class="boxed"><div class="nodecontent">Mécanisme 1</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Vibration de toute la masse musculaire des cordes vocales (voix de poitrine)
- </p></span></div></div></li>
- <li class="basic" id="FMID_588015901FM"><div class="boxed"><div class="nodecontent">Mécanisme 2</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Vibration des muscles (long) des cordes vocales (voix de tête, fausset, falsetto)
- </p></span></div></div></li>
- <li class="basic" id="FMID_640434408FM"><div class="boxed"><div class="nodecontent">Yodel</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Alternance rapide entre M1 et M2, produisant des sauts mélodique, accompagnée d'une alternance entre voyelles ouvertes et voyelles fermées. L'alternance grave-aigu entraîne une modification de timbre et de l'intensité.
- </p><p>
- Edit
- </p></span></div></div></li></ul></li>
- <li class="exp" id="FMID_959205525FM"><div class="nodecontent">Paramètres vocaux</div>
- <ul class="sub">
- <li class="basic" id="FMID_955056793FM"><div class="boxed"><div class="nodecontent">Timbre Vocal</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Qualité spécifique d'un son vocal produit indépendamment de sa hauteur, de son intensité et de sa durée.
- </p></span></div></div></li>
- <li class="basic" id="FMID_1161353897FM"><div class="boxed"><div class="nodecontent">Energie</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Intensité acoustique, mesurée au niveau de la puissance d'une onde sonore par unité de surface et exprimée en décibels.
- </p></span></div></div></li>
- <li class="basic" id="FMID_454662034FM"><div class="boxed"><div class="nodecontent">Tempo</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Vitesse d'exécution de la voix parlée ou chantée
- </p></span></div></div></li>
- <li class="basic" id="FMID_1460796061FM"><div class="boxed"><div class="nodecontent">Débit</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Nombre de noyaux vocaliques (ex : syllabes) par unité de temps
- </p></span></div></div></li>
- <li class="basic" id="FMID_766751396FM"><div class="boxed"><div class="nodecontent">Unité de souffle</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Unité de temps correspondant à la durée d'énonciation exécutée entre deux reprises de souffle.
- </p><p>
- Edit
- </p></span></div></div></li>
- <li class="basic" id="FMID_162128031FM"><div class="nodecontent">Profil d'intonation</div></li>
- <li class="basic" id="FMID_680763428FM"><div class="nodecontent">Contour mélodique</div></li>
- <li class="basic" id="FMID_124837286FM"><div class="nodecontent">Quantité vocalique</div></li>
- <li class="basic" id="FMID_875976742FM"><div class="nodecontent">Ambitus</div></li>
- <li class="basic" id="FMID_409635999FM"><div class="nodecontent">Tessiture</div></li>
- <li class="basic" id="FMID_1314714166FM"><div class="nodecontent">Registre</div></li></ul></li></ul></li>
- <li class="exp" id="FMID_1707556496FM"><div class="nodecontent">Interaction entre plusieurs locuteurs ou chanteurs</div>
- <ul class="sub">
- <li class="basic" id="FMID_1772822890FM"><div class="nodecontent">Tour de parole</div></li>
- <li class="basic" id="FMID_1091447920FM"><div class="nodecontent">Tour de chant</div></li>
- <li class="basic" id="FMID_1992466431FM"><div class="boxed"><div class="nodecontent">Partie</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Concept musicologique : composante vocale produisant un énoncé mélodico-rythmique constitutif d'une polyphonie ou d'une alternance entre groupes.
- </p></span></div></div></li>
- <li class="basic" id="FMID_76003571FM"><div class="boxed"><div class="nodecontent">Superposition</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Simultanéité, au sein d'un même segment, de deux ou plusieurs locuteurs ou chanteurs ayant des énoncés différents.
- </p><p>
- Edit
- </p></span></div></div></li>
- <li class="basic" id="FMID_1848059243FM"><div class="boxed"><div class="nodecontent">Tuilage</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Recouvrement intentionnel et partiel entre deux groupes (locuteurs ou chanteurs) qui parlent ou chantent en alternance. Nécessité de prendre en compte ce qui se passe avant et après.
- </p></span></div></div></li>
- <li class="basic" id="FMID_1980944125FM"><div class="boxed"><div class="nodecontent">Chevauchement</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Recouvrement accidentel entre deux locuteurs ou deux groupes.
- </p></span></div></div></li>
- <li class="basic" id="FMID_1309831322FM"><div class="boxed"><div class="nodecontent">Soliste</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Groupe composé d'une seule voix.
- </p></span></div></div></li>
- <li class="basic" id="FMID_679859633FM"><div class="boxed"><div class="nodecontent">Choeur</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Groupe de plusieurs voix réalisant simultanément un même énoncé musical (monodie) ou plusieurs énoncés musicaux (polyphonie).
- </p></span></div></div></li>
- <li class="basic" id="FMID_859468106FM"><div class="boxed"><div class="nodecontent">Monodie</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Le chœur chanté à l'unisson.
- </p></span></div></div></li>
- <li class="basic" id="FMID_62103223FM"><div class="boxed"><div class="nodecontent">Polyphonie</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Le chœur se compose de plusieurs parties exécutées par une ou plusieurs voix.
- </p><p>
- Edit
- </p></span></div></div></li>
- <li class="basic" id="FMID_1255327717FM"><div class="boxed"><div class="nodecontent">Hétérophonie</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Le chœur chante un même énoncé musical mais le léger décalage temporel entre chaque voix qui compose le chœur crée une texture dense et hétérogène pendant l'exécution.
- </p></span></div></div></li></ul></li>
- <li class="exp" id="FMID_1879360842FM"><div class="nodecontent">Instruments de musique</div>
- <ul class="sub">
- <li class="basic" id="FMID_1995139583FM"><div class="nodecontent">Cordophone</div></li>
- <li class="basic" id="FMID_302287263FM"><div class="nodecontent">Aérophone</div></li>
- <li class="basic" id="FMID_1927453365FM"><div class="nodecontent">Idiophone</div></li>
- <li class="basic" id="FMID_391426821FM"><div class="nodecontent">Membranophone</div></li></ul></li>
- <li class="col" id="FMID_1254563342FM"><div class="nodecontent">Paramètres musicaux</div>
- <ul class="subexp">
- <li class="basic" id="FMID_1798084162FM"><div class="boxed"><div class="nodecontent">Métrique (mesuré)</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Les durées de la séquence sonore entretiennent des rapports strictement proportionnels dont le dénominateur commun est la pulsation prise comme étalon isochrone.
- </p></span></div></div></li>
- <li class="basic" id="FMID_861764463FM"><div class="boxed"><div class="nodecontent">Métrique (non mesuré)</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Toute segmentation du temps fondée sur un étalonnage régulier est impossible.
- </p></span></div></div></li>
- <li class="basic" id="FMID_699098834FM"><div class="boxed"><div class="nodecontent">Contour mélodique</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Forme réalisée par la succession des hauteurs des sons
- </p></span></div></div></li>
- <li class="basic" id="FMID_84750349FM"><div class="boxed"><div class="nodecontent">Tempo</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Vitesse d'exécution basée sur la vitesse de l'unité de temps isochrone
- </p></span></div></div></li>
- <li class="basic" id="FMID_220982544FM"><div class="boxed"><div class="nodecontent">Débit rythmique</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Nombre d'impacts par unité de temps
- </p></span></div></div></li>
- <li class="basic" id="FMID_364439590FM"><div class="boxed"><div class="nodecontent">Pause</div><div class="note-and-attributes"><span class="note"><p>
- Définition
- </p><p/><p>
- Silence entre zone sonore (vocale ou instrumentale) qui peut correspondre à : inspiration entre unité de souffle, silence volontaire, ambiance sonore (catégorie bruit)
- </p></span></div></div></li></ul></li>
- <li class="col" id="FMID_1460351178FM"><div class="nodecontent">Traitement du signal sonore</div>
- <ul class="subexp">
- <li class="basic" id="FMID_1483778736FM"><div class="nodecontent">Segmentation sonore</div></li>
- <li class="basic" id="FMID_1844262249FM"><div class="nodecontent">Segment</div></li>
- <li class="basic" id="FMID_172222997FM"><div class="nodecontent">Détection sonore</div></li>
- <li class="basic" id="FMID_216338684FM"><div class="nodecontent">Identification</div></li>
- <li class="basic" id="FMID_1514313924FM"><div class="nodecontent">Trame</div></li>
- <li class="basic" id="FMID_507456451FM"><div class="nodecontent">Groupe</div></li>
- <li class="basic" id="FMID_885742748FM"><div class="nodecontent">Vérification</div></li></ul></li></ul></li></ul></div></body></html>
\ No newline at end of file
+++ /dev/null
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- * \r\r
- * The contents of this file are subject to the Mozilla Public License Version\r\r
- * 1.1 (the "License"); you may not use this file except in compliance with\r\r
- * the License. You may obtain a copy of the License at\r\r
- * http://www.mozilla.org/MPL/\r\r
- *\r\r
- * Software distributed under the License is distributed on an "AS IS" basis,\r\r
- * WITHOUT WARRANTY OF ANY KIND, either express or implied. See the License\r\r
- * for the specific language governing rights and limitations under the\r\r
- * License.\r\r
- * \r\r
- * Miika Nurminen, 12.7.2004.\r\r
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-\r\r
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-// keydown codes\r\r
- // var keys2=new Array(87,65,83,68);\r\r
- var keys= new Array(38,37,40,39);\r\r
-\r\r
- // keyset 1 = keydown, otherwise press\r\r
-function checkup(keyset,n) {\r\r
- if (keyset==1) return (n==keys[0]);\r\r
- return ((n==press[0]) /*|| (n==press2[0])*/)\r\r
-}\r\r
-\r\r
-function checkdn(keyset,n) {\r\r
- if (keyset==1) return (n==keys[2]);\r\r
- return ((n==press[2]) /*|| (n==press2[2])*/)\r\r
-}\r\r
-\r\r
-function checkl(keyset,n) {\r\r
- if (keyset==1) return (n==keys[1]);\r\r
- return ((n==press[1]) /*|| (n==press2[1])*/)\r\r
-}\r\r
-\r\r
-function checkr(keyset,n) {\r\r
- if (keyset==1) return (n==keys[3]);\r\r
- return ((n==press[3]) /*|| (n==press2[3])*/)\r\r
-}\r\r
-\r\r
-\r\r
-\r\r
-\r\r
-\r\r
-function is_exp(n) {\r\r
- if (n==null) return false;\r\r
- return ((n.className=='exp') || (n.className=='exp_active'));\r\r
-}\r\r
-\r\r
-function is_col(n) {\r\r
- if (n==null) return false;\r\r
- return ((n.className=='col') || (n.className=='col_active'));\r\r
-}\r\r
-\r\r
-function is_basic(n) {\r\r
- if (n==null) return false;\r\r
- return ((n.className=='basic') || (n.className=='basic_active'));\r\r
-}\r\r
-\r\r
-\r\r
-\r\r
-/* returns i>=0 if true */\r\r
-function is_active(node) {\r\r
- if (node.className==null) return false\r\r
- return node.className.indexOf('_active');\r\r
-}\r\r
-\r\r
-function toggle_class(node) {\r\r
- if ((node==null) || (node.className==null)) return;\r\r
- str=node.className;\r\r
- result="";\r\r
- i = str.indexOf('_active');\r\r
- if (i>0)\r\r
- result= str.substr(0,i);\r\r
- else\r\r
- result= str+"_active";\r\r
- node.className=result; \r\r
- return node;\r\r
-}\r\r
-\r\r
-function activate(node) {\r\r
- node.style.backgroundColor='#eeeeff';\r\r
-}\r\r
-\r\r
-function deactivate(node) {\r\r
- node.style.backgroundColor='#ffffff';\r\r
-}\r\r
-\r\r
-function is_list_node(n) {\r\r
- if (n==null) return false;\r\r
- if (n.className==null) return false;\r\r
- if ( (is_exp(n)) || \r\r
- (is_col(n)) ||\r\r
- (is_basic(n)) )\r\r
- return true; else return false;\r\r
-}\r\r
-\r\r
-\r\r
-function get_href(n) {\r\r
- alist=n.attributes;\r\r
- if (alist!=null) {\r\r
- hr = alist.getNamedItem('href');\r\r
- if (hr!=null) return hr.nodeValue;\r\r
- }\r\r
- if (n.childNodes.length==0) return '';\r\r
- for (var i=0; i<n.childNodes.length; i++) {\r\r
- s = get_href(n.childNodes[i]);\r\r
- if (s!='') return s;\r\r
- }\r\r
- return '';\r\r
-}\r\r
-\r\r
-function get_link(n) {\r\r
- if (n==null) return null;\r\r
- if (n.style==null) return null;\r\r
-\r\r
- // disabling uncontrolled recursion to prevent error messages on IE\r\r
- // when trying to focus to invisible links (readonly mode)\r\r
-// alert(n.nodeName+' '+n.className);\r\r
- if ((n.nodeName=='UL') && (n.className=='sub')) return null;\r\r
-\r\r
- if (n.nodeName=='A') return n;\r\r
- if (n.childNodes.length==0) return null;\r\r
- for (var i=0; i<n.childNodes.length; i++) {\r\r
- s = get_link(n.childNodes[i]);\r\r
- if (s!=null) return s;\r\r
- }\r\r
- return null;\r\r
-}\r\r
-\r\r
-function set_lastnode(n) {\r\r
-/*var d = new Date();\r\r
-var t_mil = d.getMilliseconds();*/\r\r
-// testattu nopeuksia explorerilla, ei merkittäviä eroja\r\r
- if (lastnode==n) return; \r\r
-/* deactivate(lastnode)\r\r
- lastnode=n;\r\r
- activate(lastnode);*/\r\r
-\r\r
- if (is_active(lastnode)>=0)\r\r
- toggle_class(lastnode);\r\r
- lastnode=n;\r\r
- if (!(is_active(lastnode)>=0))\r\r
- toggle_class(lastnode);\r\r
-\r\r
-\r\r
-/*var d2 = new Date();\r\r
-var t_mil2 = d2.getMilliseconds();\r\r
- window.alert(t_mil2-t_mil);*/\r\r
-}\r\r
-\r\r
-function next_list_node() {\r\r
- tempIndex = list_index;\r\r
- while (tempIndex<listnodes.length-1) {\r\r
- tempIndex++;\r\r
- var x = listnodes[tempIndex];\r\r
- if (is_list_node(x)) {\r\r
- list_index=tempIndex;\r\r
- return;\r\r
- }\r\r
- }\r\r
-}\r\r
-\r\r
-function prev_list_node() {\r\r
- tempIndex = list_index;\r\r
- while (tempIndex>0) {\r\r
- tempIndex--;\r\r
- var x = listnodes[tempIndex];\r\r
- if (is_list_node(x)) {\r\r
- list_index=tempIndex;\r\r
- return;\r\r
- }\r\r
- }\r\r
-}\r\r
-\r\r
-\r\r
-\r\r
-function getsub (li) {\r\r
- if (li.childNodes.length==0) return null;\r\r
- for (var c = 0; c < li.childNodes.length; c++)\r\r
- if ( (li.childNodes[c].className == 'sub') || (li.childNodes[c].className == 'subexp') ) \r\r
- return li.childNodes[c];\r\r
-}\r\r
-\r\r
-function find_listnode_recursive (li) {\r\r
- if (is_list_node(li)) return li; \r\r
- if (li.childNodes.length==0) return null;\r\r
- result=null;\r\r
- for (var c = 0; c < li.childNodes.length; c++) {\r\r
- result=find_listnode_recursive(li.childNodes[c]);\r\r
- if (result!=null) return result;\r\r
- }\r\r
- return null;\r\r
-}\r\r
-\r\r
-function next_child_listnode(li) {\r\r
- var result=null;\r\r
- for (var i=0; i<li.childNodes.length; i++) {\r\r
- result=find_listnode_recursive(li.childNodes[i]);\r\r
- if (result!=null) return result;\r\r
- }\r\r
- return null; \r\r
-}\r\r
-\r\r
-function next_actual_sibling_listnode(li) {\r\r
- if (li==null) return null;\r\r
- var temp=li;\r\r
- while (1) { \r\r
- var n = temp.nextSibling;\r\r
- if (n==null) {\r\r
- n=parent_listnode(temp);\r\r
- return next_actual_sibling_listnode(n);\r\r
- }\r\r
- if (is_list_node(n)) return n;\r\r
- temp=n;\r\r
- }\r\r
-}\r\r
-\r\r
-function next_sibling_listnode(li) {\r\r
-if (li==null) return null; \r\r
- var result=null;\r\r
- var temp=li;\r\r
- if (is_col(temp)) return next_child_listnode(temp);\r\r
- while (1) { \r\r
- var n = temp.nextSibling;\r\r
- if (n==null) {\r\r
- n=parent_listnode(temp);\r\r
- return next_actual_sibling_listnode(n);\r\r
- }\r\r
- if (is_list_node(n)) return n;\r\r
- temp=n;\r\r
- }\r\r
-}\r\r
-\r\r
-function last_sibling_listnode(li) {\r\r
- if (li==null) return null;\r\r
- var temp=li;\r\r
- var last=null;\r\r
- while(1) {\r\r
- var n = temp.nextSibling;\r\r
- if (is_list_node(temp)) \r\r
- last = temp;\r\r
- if (n==null) {\r\r
- if (is_col(last)) return last_sibling_listnode(next_child_listnode(last));\r\r
- else return last;\r\r
- }\r\r
- temp = n;\r\r
- }\r\r
-}\r\r
-\r\r
-function prev_sibling_listnode(li) { \r\r
- if (li==null) return null;\r\r
- var temp=li;\r\r
- var n = null;\r\r
- while (1) { \r\r
- n = temp.previousSibling;\r\r
- if (n==null) {\r\r
- return parent_listnode(li);\r\r
- }\r\r
- if (is_list_node(n)) {\r\r
- if (is_col(n)) { \r\r
- return last_sibling_listnode(next_child_listnode(n));\r\r
- }\r\r
- else {\r\r
- return n;\r\r
- }\r\r
- }\r\r
- temp=n;\r\r
- }\r\r
-}\r\r
-\r\r
-\r\r
-function parent_listnode(li) {\r\r
- // added 12.7.2004 to prevent IE error when readonly mode==true\r\r
- if (li==null) return null;\r\r
- n=li;\r\r
- while (1) {\r\r
- n=n.parentNode;\r\r
- if (n==null) return null;\r\r
- if (is_list_node(n)) return n;\r\r
- }\r\r
-}\r\r
-\r\r
-function getVisibleParents(id) {\r\r
- var n = document.getElementById(id);\r\r
- while(1) {\r\r
- expand(n);\r\r
- n = parent_listnode(n);\r\r
- if (n==null) return;\r\r
- }\r\r
-}\r\r
-\r\r
-function onClickHandler (evt) {\r\r
-if (lastnode==null) \r\r
-{\r\r
-listnodes = document.getElementsByTagName('li');\r\r
-lastnode=listnodes[1];\r\r
-temp=listnodes[1];\r\r
-}\r\r
-\r\r
-\r\r
- var target = evt ? evt.target : event.srcElement;\r\r
- if (!is_list_node(target)) return;\r\r
- toggle(target);\r\r
- set_lastnode(target);\r\r
-}\r\r
-\r\r
-\r\r
-function expand(node) {\r\r
- if (!is_exp(node)) return;\r\r
- if (node.className=='exp_active') \r\r
- node.className='col_active';\r\r
- else \r\r
- node.className='col';\r\r
- setSubClass(node,'subexp');\r\r
- // getsub(node).className='subexp';\r\r
-}\r\r
-\r\r
-function collapse(node) {\r\r
- if (!is_col(node)) return;\r\r
- \r\r
-if (node.className=='col_active')\r\r
- node.className='exp_active'\r\r
- else \r\r
- node.className='exp';\r\r
-\r\r
- setSubClass(node,'sub');\r\r
-// getsub(node).className='sub';\r\r
-\r\r
-}\r\r
-\r\r
-function setSubClass(node,name) {\r\r
- sub = getsub(node);\r\r
- if (sub==null) return;\r\r
- sub.className=name; \r\r
-}\r\r
-\r\r
-function toggle(target) {\r\r
- if (!is_list_node(target)) return;\r\r
- if (is_col(target)) {\r\r
- target.className='exp';\r\r
- setSubClass(target,'sub');\r\r
- // getsub(target).className='sub';\r\r
- }\r\r
- else if (is_exp(target)) {\r\r
- target.className='col';\r\r
- setSubClass(target,'subexp');\r\r
- // getsub(target).className='subexp';\r\r
- }\r\r
- \r\r
-}\r\r
-\r\r
-function expandAll(node) {\r\r
- if (node.className=='exp') {\r\r
- node.className='col';\r\r
- setSubClass(node,'subexp');\r\r
-// getsub(node).className='subexp';\r\r
- }\r\r
- var i;\r\r
- if (node.childNodes!=null) \r\r
-// if (node.hasChildNodes()) \r\r
- for ( i = 0; i<node.childNodes.length; i++)\r\r
- expandAll(node.childNodes[i]);\r\r
-}\r\r
-\r\r
-function collapseAll(node) {\r\r
- if (node.className=='col') {\r\r
- node.className='exp';\r\r
- setSubClass(node,'sub');\r\r
-// getsub(node).className='sub';\r\r
- }\r\r
- var i; \r\r
- if (node.childNodes!=null) \r\r
-// for opera if (node.hasChildNodes()) \r\r
- for ( i = 0; i<node.childNodes.length; i++)\r\r
- collapseAll(node.childNodes[i]);\r\r
-}\r\r
-\r\r
-\r\r
-\r\r
-function unFocus(node) {\r\r
- // unfocuses potential link that is to be hidden (if a==null there is no link so it should not be blurred).\r\r
- // tested with mozilla 1.7, 12.7.2004. /mn (\r\r
- intemp=parent_listnode(node); \r\r
- a = get_link(intemp); // added 6.4. to get keyboard working with\r\r
- // moved before collapse to prevent an error message with IE when readonly==true \r\r
- if (a!=null) a.blur(); // netscape after collapsing a focused node\r\r
- return intemp;\r\r
-}\r\r
-\r\r
-// mode: 0==keypress, 1==keyup\r\r
-function keyfunc(evt,mode) {\r\r
- var c = get_keycode(evt);\r\r
- var temp = null;\r\r
- var a = null;\r\r
-\r\r
- if (lastnode==null) {\r\r
- listnodes = document.getElementsByTagName('li');\r\r
- lastnode=listnodes[1];\r\r
- temp=listnodes[1];\r\r
- }\r\r
-\r\r
- //window.alert(c);\r\r
- if (checkup(mode,c)) { // i \r\r
- temp=prev_sibling_listnode(lastnode);\r\r
- }\r\r
- else if (checkdn(mode,c)) { // k\r\r
- temp=next_sibling_listnode(lastnode);\r\r
- }\r\r
- else if (checkr(mode,c)) { // l\r\r
- expand(lastnode);\r\r
- // temp=next_child_listnode(lastnode);\r\r
- // if (temp==null) {\r\r
- a = get_link(lastnode);\r\r
- if (a!=null) a.focus(); else self.focus(); \r\r
- //}\r\r
- }\r\r
- else if (checkl(mode,c)) { // j\r\r
- if (is_col(lastnode)) {\r\r
- unFocus(lastnode);\r\r
- collapse(lastnode);\r\r
- }\r\r
- else {\r\r
- temp=unFocus(lastnode);\r\r
- collapse(temp);\r\r
- }\r\r
- // if (temp==null) lastnode.focus(); // forces focus to correct div (try mozilla typesearch) (doesn't seem to work -mn/6.4.2004)\r\r
- }\r\r
- else return;\r\r
- if (temp!=null) set_lastnode(temp);\r\r
-\r\r
- // alert('pressed ' + String.fromCharCode(c) + '(' + c + ')');\r\r
- return true;\r\r
-}\r\r
-\r\r
-\r\r
-function keytest (evt) {\r\r
- return keyfunc(evt,1);\r\r
-};\r\r
-\r\r
-\r\r
-function presstest (evt) {\r\r
- return keyfunc(evt,0);\r\r
-};\r\r
-\r\r
-\r\r
- document.onclick = onClickHandler;\r\r
- document.onkeypress = presstest;\r\r
- document.onkeyup = keytest;\r\r
+++ /dev/null
-\r\r
-body {\r\r
- background-color: #eeeeee;\r\r
- color: #000000;\r\r
- font-family:sans-serif;\r\r
-}\r\r
-\r\r
-:link { color: #0000ff; text-decoration:none;}\r\r
-:visited { color: #6666ff; text-decoration:none; }\r\r
-a:active { color: #0000ff; text-decoration:none;}\r\r
-a:hover {color: #0000ff; text-decoration:underline; }\r\r
-\r\r
-div.basetext {\r\r
- background-color:#ffffff;\r\r
- margin-top:11px;\r\r
- margin-bottom:11px;\r\r
- margin-left:1%;\r\r
- margin-right:1%;\r\r
- padding-top:11px;\r\r
- padding-left:11px;\r\r
- padding-right:11px;\r\r
- padding-bottom:11px;\r\r
- text-align:left;\r\r
- font-weight:normal;\r\r
- border-width:thin;\r\r
- border-style:solid;\r\r
- border-color:#dddddd;\r\r
-}\r\r
-\r\r
-div.basetop {\r\r
- position: fixed;\r\r
- width:auto;\r\r
- height:auto;\r\r
- right:0em;\r\r
- top:0em;\r\r
- left:auto; \r\r
- top:0;\r\r
- background-color:#ffffff;\r\r
- margin-top:0;\r\r
- margin-bottom:0;\r\r
- margin-left:1%;\r\r
- margin-right:1%;\r\r
- padding-top:2px;\r\r
- padding-left:11px;\r\r
- padding-right:11px;\r\r
- padding-bottom:2px;\r\r
- text-align:left;\r\r
- font-weight:normal;\r\r
-text-align:right;\r\r
- border-width:thin;\r\r
- border-style:solid;\r\r
- border-color:#dddddd;\r\r
-}\r\r
-\r\r
-h1 {\r\r
- text-align:center;\r\r
-}\r\r
-\r\r
-span.h2 {\r\r
- font-family:sans-serif;\r\r
- font-weight:bold;\r\r
-}\r\r
-\r\r
-div.year {\r\r
- margin-right:2%;\r\r
- background-color:#eeeeee;\r\r
-}\r\r
-\r\r
-div.form {\r\r
-}\r\r
-\r\r
-span.cpt {\r\r
- color:#005500;\r\r
- font-weight:bold;\r\r
-}\r\r
-\r\r
-span.cm {\r\r
- color:#666666;\r\r
-}\r\r
-\r\r
-.fl {\r\r
- color:#0000FF; \r\r
- font-style:italic;\r\r
-}\r\r
-\r\r
-ul {\r\r
- margin-top:1px;\r\r
- margin-bottom:1px;\r\r
- margin-left:0px;\r\r
- padding-left:3%;\r\r
-}\r\r
-\r\r
-li {\r\r
- list-style:outside;\r\r
- margin-top:10px; \r\r
- margin-bottom:10px;\r\r
-}\r\r
-\r\r
-ul li {\r\r
- list-style:square;\r\r
- font-family:sans-serif;\r\r
- font-weight:normal;\r\r
-}\r\r
-\r\r
-li.basic {\r\r
- list-style:square;\r\r
- list-style-image:none;\r\r
- margin-top:2px;\r\r
- margin-bottom:2px;\r\r
-}\r\r
-\r\r
-span.links {\r\r
-}\r\r
-\r\r
-\r\r
-\r\r
-\r\r
-.sub { display: none; }\r\r
-.subexp {display: block; }\r\r
-.sub { display: none; } \r\r
-\r\r
-.subexp {display: block; } \r\r
-\r\r
-li.exp {\r\r
- list-style-image:url("plus.png");\r\r
- margin-top:10px;\r\r
- margin-bottom:10px;\r\r
- cursor:pointer;\r\r
-}\r\r
-\r\r
-li.col {\r\r
- list-style-image:url("minus.png");\r\r
- margin-top:10px;\r\r
- margin-bottom:10px;\r\r
- cursor:pointer;\r\r
-}\r\r
-\r\r
-li.exp_active {\r\r
- list-style-image:url("plus.png");\r\r
- margin-top:10px; \r\r
- margin-bottom:10px;\r\r
- background-color:#eeeeff;\r\r
- cursor:pointer;\r\r
-}\r\r
-\r\r
-li.col_active {\r\r
- list-style-image:url("minus.png");\r\r
- margin-top:10px;\r\r
- margin-bottom:10px;\r\r
- background-color:#eeeeff;\r\r
- cursor:pointer; /* if not included, bullets are not shown right in moz*/\r\r
-}\r\r
-\r\r
-\r\r
-li.basic_active {\r\r
- list-style:square;\r\r
- list-style-image:none;\r\r
- background-color:#eeeeff;\r\r
- margin-top:2px;\r\r
- margin-bottom:2px;\r\r
-}\r\r
-\r\r
-/* the 'boxed' and 'attributes' styles are used to display notes and attributes\r\r
-*/\r\r
-\r\r
-.boxed,.nodecontent {display:inline;}\r\r
-.boxed .note-and-attributes {display:none;}\r\r
-\r\r
-.boxed:hover .note-and-attributes {\r\r
- position:fixed; top:2em;right:10px;z-index:3;\r\r
- display:block;\r\r
- min-width:33%;\r\r
- max-width:60%;\r\r
- max-height:95%;\r\r
- color:black;\r\r
- background:#ffffff;\r\r
- font:normal 16px courier, sans-serif;\r\r
- border:1px solid black;\r\r
- padding:10px;\r\r
-}\r\r
-\r\r
-.note:before {\r\r
- content:"NOTE: ";\r\r
- font-weight:bold;\r\r
-}\r\r
-\r\r
-table.attributes {\r\r
- border-collapse:collapse;\r\r
- empty-cells:show;\r\r
- border:thin black solid;\r\r
-}\r\r
-table.attributes td,th {\r\r
- border:thin black solid;\r\r
- padding-top:2px;\r\r
- padding-bottom:2px;\r\r
- padding-left:3px;\r\r
- padding-right:3px;\r\r
-}\r\r
-table.attributes th {\r\r
- text-align:center;\r\r
-}\r\r
-table.attributes caption {\r\r
- margin-top:1em;\r\r
- font-style:italic;\r\r
- text-align:center;\r\r
-}\r\r
+++ /dev/null
-\documentclass[10pt, final, hyperref, table]{beamer}
-\mode<presentation>
-
-
- %\usepackage[english]{babel} % "babel.sty"
-% \usepackage{french} % "french.sty"
-% \usepackage{franglais} % "franglais.sty" (a defaut)
- \usepackage{times} % ajout times le 30 mai 2003
-
-%% --------------------------------------------------------------
-%% CODAGE DE POLICES ?
-%% Si votre moteur Latex est francise, il est conseille
-%% d'utiliser le codage de police T1 pour faciliter la césure,
-%% si vous disposez de ces polices (DC/EC)
-\usepackage[utf8]{inputenc}
-\usepackage[T1]{fontenc}
-\usepackage{eurosym}
-
-
-%% ==============================================================
-%\usepackage{graphicx}
-\usepackage{amsmath,amsfonts}
-%\usepackage[table]{xcolor}
-\usepackage{subfigure}
-\usepackage{fancybox}
-
-\usepackage{multicol}
-\usepackage{wrapfig}
-\usepackage{listings}
-\usepackage{xcolor}
-\usepackage{multimedia} % For playing sound
-
-\usepackage{hyperref}
-% Define hyperlinks color
-\definecolor{links}{HTML}{2A1B81}
-\hypersetup{colorlinks,linkcolor=,urlcolor=links}
-
-\usetheme{Madrid}
-\setbeamercovered{transparent}
-
-
-% telemeta red
-\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
-\usecolortheme[rgb={0.41568, 0.01176, 0.02745}]{structure}
-
-%\setbeamercolor{frametitle}{bg=telemetaRed}
-% Display a grid to help align images
-%\beamertemplategridbackground[1cm]
-
-%We will get the normal bibliography style (number or text instead of icon) by including the following code
-\setbeamertemplate{bibliography item}[text]
-\setbeamerfont{caption}{size=\footnotesize}
-% listings settings
-\definecolor{lstComments}{rgb}{0,0.6,0}
-\definecolor{lstBkgrd}{rgb}{0.95,0.95,1}
-\lstset{%
- language=Python, % the language of the code
- frame=single, % adds a frame around the code
- frameround=tttt,
- commentstyle=\color{lstComments},% comment style
- backgroundcolor=\color{lstBkgrd}, % choose the background color
- basicstyle=\tiny, % the size of the fonts that are used for the code
- stringstyle=\ttfamily, % typewriter type for strings
- keywordstyle=\color{blue}, % keyword style
- showstringspaces=false, % underline spaces within strings only
-}
-
-
-\definecolor{rouge}{rgb}{1.0,0,0}
-\newcommand{\chref}[2]{
- \href{#1}{\color{rouge}\underline{#2}}
-}
-\newcommand{\dchref}[1]{
- \href{#1}{\color{rouge}\underline{#1}}
-}
-\newcommand{\curl}[1]{
- \color{rouge}\underline{\url{#1}}
-}
-\title[Telemeta]{Telemeta\\ open web audio content management system}
-
-\author{Guillaume Pellerin\inst{1}}
-
-\institute[Parisson]{
- \inst{1}%
- Parisson, Paris, France\\
-\vskip1ex
- \begin{center}
- \includegraphics[width=.3\linewidth]{img/parisson_logo_FINALE_com.pdf}
- \end{center}
-}
-
-\date[DML 1st Workshop - 19/03/2014]{Digital Music Lab 1st Workshop - 19/03/2014}
-
-\begin{document}
-\frame{\titlepage}
-
-
-\section[Table of contents]{}
-\frame{\frametitle{Table of contents}
-\tableofcontents
-}
-
-\section{Overview}
-\subsection{Goals}
-\frame{\frametitle{Main goals}
-\vspace{-1cm}
-\center{\includegraphics[width=4cm]{img/logo_telemeta_1-1.pdf}}
-\vspace{0.5cm}
-\begin{itemize}
- \item \alert{Archive}, \alert{preserve} and \alert{scale} big music data and related metadata
- \item \alert{Play} audio and read metadata \alert{synchronously}
- \item \alert{Index} and \alert{share} music data through a \alert{collaborative} web app
- \item \alert{Link} music data to various \alert{ontologies} and \alert{external services}
- \item \alert{Manage} \alert{workflow} rules (access, copyrights) easily through time
- \item \alert{On demand audio processing} through a \alert{modular architecture}
-\end{itemize}
-}
-
-\subsection{History}
-\frame{\frametitle{History of the project}
-\begin{itemize}
- \item \alert{2006}: definition of the goals (open source web audio collaborative platform)
- \item \alert{2007}: first partner: french Research Center of Ethnomusicology (CREM)
- \item \alert{2007 - 2009}: technical specifications, definition of the DB migrator
- \item \alert{2008}: prototype development
- \item \alert{2008 - 2010}: workflow and format specifications
- \item \alert{2011}: development, final migration and release of \alert{Telemeta 1.0} to the CREM for production : \dchref{http://archives.crem-cnrs.fr}
- \item \alert{2011 - 2014}: collaborative indexing, more development, massive data imports...
-\end{itemize}
-}
-
-\subsection{CREM's database}
-\frame{\frametitle{CREM's database (2014)}
-\begin{itemize}
- \item
- \item \alert{2007}: first partner: french Research Center of Ethnomusicology (CREM)
- \item \alert{2007 - 2009}: technical specifications, definition of the DB migrator
- \item \alert{2008}: prototype development
- \item \alert{2008 - 2010}: workflow and format specifications
- \item \alert{2011}: development, final migration and release of \alert{Telemeta 1.0} to the CREM for production : \dchref{http://archives.crem-cnrs.fr}
- \item \alert{2011 - 2014}: collaborative indexing, more development, massive data imports...
-\end{itemize}
-}
-
-
-\begin{frame}
- \frametitle{CREM items}
- \begin{center}
- \includegraphics[width=0.8\textwidth]{img/crem_items.png}
- \end{center}
-\end{frame}
-
-
-\subsection{Technologies}
-\frame{\frametitle{Technologies}
-
-\begin{center}
-\large{100\% 0pen Source!}
-\end{center}
-
-\begin{itemize}
- \item \chref{http://python.org}{Python} : smart object oriented language \\
- \item \chref{http://djangoproject.com}{Django} : high-level web MVC framework \\
- \item \chref{https://github.com/yomguy/TimeSide}{TimeSide} : open web audio processing framework
- \item \chref{http://gstreamer.freedesktop.org/}{GStreamer} : open source multimedia framework
- \item MySQL, PostgreSQL, others : relational databases \\
- \item GNU / Linux : applications, libraries and kernel \\
-\end{itemize}
-
-}
-
-\subsection{Features}
-%\frame{\tableofcontents[currentsection]}
-\frame{\frametitle{Key features}
- \begin{itemize}
- \item \alert{Pure HTML5} web user interface including dynamical forms
- and smart workflows
- \item \alert{On the fly} audio analyzing, transcoding and metadata
- embedding in various formats
- \item \alert{Social editing} with \alert{semantic ontologies}, smart workflows,
- realtime tools, human or automatic \alert{annotations and
- segmentations}
- \item \alert{User management} with individual desk, playlists, profiles
- and access rights
- \item \alert{High level search engine} (geolocation, instruments, ethnic groups, etc...)
- \item \alert{Data providers} : DublinCore, OAI-PMH, RSS, XML, JSON and other
- \item \alert{Multi-language} support (now english and french)
- \end{itemize}
-}
-
-
-\section{Framework}
-
-\subsection{Architecture}
-\frame{\frametitle{Architecture}
- \begin{center}
- \pgfimage[width=8cm]{img/TM_arch}
- \end{center}
-}
-
-\subsection{Data model}
-%\frame{\tableofcontents[currentsection]}
-\frame{\frametitle{Data model}
-
-\begin{block}{Main resource objects}
- \begin{center}
- \pgfimage[width=10cm]{img/TM_model}
- \end{center}
-\end{block}
-
-\begin{block}{Other objects}
-\begin{itemize}
- \item Instrument, InstrumentAlias, InstrumentRelation, InstrumentAliasRelation, Performance
- \item Location, LocationAlias, LocationRelation, LocationAliasRelation
- \item EthnicGroup, Format, PhysicalFormat, Publisher and various other Enumarations (1D lists)
- \item Language (ISO 639-3)
- \item Revision, PlayList, Profile, etc...
-\end{itemize}
-\end{block}
-
-\begin{block}{All objects}
- \chref{http://telemeta.org/export/cb1fc9ad29e2cb0122fde9dd76c5275ba5dc7d14/doc/devel/telemeta-all.pdf}{view online PDF}
-\end{block}
-}
-
-
-\subsection{Workflow}
-\frame{\frametitle{Workflow}
- Example: CREM audio archive access rules vs. resource status
- \begin{center}
- \pgfimage[width=12cm]{img/TM_workflow}
- \end{center}
-}
-
-\section{Web User Interface}
-\begin{frame}\frametitle{Web User Interface}
- \vspace{-0.25cm}
- \begin{center}
- \includegraphics[width=12cm]{img/shots/telemeta_eng.png}
- \end{center}
- \tiny{\url{http://archives.crem-cnrs.fr/archives/items/CNRSMH_I_1976_011_003_08/}}
-\end{frame}
-
-
-\section{Related projects}
-\frame{\tableofcontents[currentsection]}
-
-\begin{frame}
- \frametitle{TimeSide : open web audio processing framework}%\scriptsize
-\begin{block}{Server side - TimeSide Engine}
- \begin{itemize}
- \item \alert{Do} asynchronous and fast audio processing with Python,
- \item \alert{Decode} audio frames from ANY format into numpy arrays,
- \item \alert{Analyze} audio content with state-of-the-art audio feature extraction libraries (Aubio, Yaafe, Vamp (experimental),
- \item \alert{Organize}, serialize and save analysis metadata through various formats,
- \item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers,
- \item \alert{Transcode} audio data in various media formats and stream them through web apps,
- \end{itemize}
-
-\end{block}
-\begin{block}{Client side - TimeSide UI}
- \begin{itemize}
- \item \alert{Playback} and \alert{interact} on demand through a smart high-level HTML5 extensible player,
- \item \alert{Index}, \alert{tag} and \alert{organize semantic metadata} \\
-(see \href{http://telemeta.org/}{Telemeta} which embeds TimeSide).
-\hfill $\vcenter{\hbox{\includegraphics[width=0.2\textwidth]{img/logo_telemeta_1-1.pdf}}}$
- % \begin{flushright}
- % \includegraphics[width=0.2\textwidth]{../../Common/img/logo_telemeta_1-1.pdf}\\
- % \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
- %\end{flushright}
- \end{itemize}
-\end{block}
-\end{frame}
-
-\begin{frame}
- \frametitle{TimeSide - Architecture}
- \begin{center}
- \includegraphics[width=0.8\textwidth]{img/timeside_schema_v3.pdf}
- \end{center}
-\end{frame}
-
-
-\frame{\frametitle{The DIADEMS project}
-\begin{itemize}
- \item \chref{http://www.irit.fr/recherches/SAMOVA/DIADEMS/fr/welcome/&cultureKey=en}{DIADEMS} : Description, Indexation, Access to Sound and Ethnomusicological Documents
- \item Granted by ANR : french national research agency (ANR-12-CORD-0022)
- \item 3 years, 8 partners, 850 k\euro
- \item Apply and test MIR algorithms on large scale ethnomusicological data
- \item Define some high level interfaces to find new ways of explorations in large complex musical corpus
- \item New modes of collaboration between human science and computer science laboratories and researchers
- \item Define the \chref{http://files.parisson.com/telemeta/telemeta-doc/DIADEMS/thesaurus/Thesaurus/Thesaurus.html}{vocabulary} describing musical events in the usecase of ethnomusicilogy vs. signal processing
- \item \dchref{http://www.irit.fr/recherches/SAMOVA/DIADEMS/fr/welcome/}
- \item \dchref{http://diadems.telemeta.org}
-\end{itemize}
-}
-
-\frame{\frametitle{DIADEMS - Partners}
-\begin{itemize}
-\item Sponsors:
-\begin{itemize}
- \item CNRS
- \item Huma-Num (ex TGE Adonis)
- \item ANR
- \item CREM
- \item UPMC
- \item Parisson
-\end{itemize}
-
-\vspace{0.25cm}
-
-\item Partners :
-\begin{itemize}
-\item IRIT (université Paul Sabatier, Toulouse 3)
-\item LIMSI (universités Pierre et Marie Curie (UPMC, Paris 6) et Paris-Sud)
-\item LAM (institut Jean Le Rond d'Alembert, UPMC)
-\item LABRI (université de Bordeaux)
-\item CREM (université Paris Ouest Nanterre La Défense)
-\item LESC (université Paris Ouest Nanterre La Défense)
-\item Museum d'Histoire Naturelle de Paris
-\item Musée du Quai Branly
-\end{itemize}
-
-\end{itemize}
-
-\begin{center}
-\begin{columns}[c]
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=1cm]{img/logo-CNRS}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
-\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
-\column{2cm}
-\begin{center}
-\pgfimage[width=1.2cm]{img/logo-mnhn}\end{center}
-\end{columns}
-\end{center}
-
-}
-
-
-\section{Development and contact informations}
-%\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Development}
-\begin{block}{Links}
- \begin{itemize}
- \item \dchref{http://telemeta.org}
- \item \dchref{https://github.com/yomguy/Telemeta/}
- \item \dchref{https://github.com/yomguy/TimeSide/}
- \end{itemize}
-\end{block}
-\begin{block}{Team}
- \begin{itemize}
- \item Guillaume Pellerin
- \item Thomas Fillon
- \item Paul Brossier
- \item Riccardo Zaccarelli
- \item Maxime Lecoz
- \item David Doukan
- \end{itemize}
-\end{block}
-\begin{block}{Licence}
-\chref{http://www.cecill.info/licences/Licence_CeCILL_V2.1-en.html}{CeCILL v2.1} (GPL v2 compatible)
-\end{block}
-}
-
-
-\frame{\frametitle{Development - Lessons from a 7 year old project}
-\begin{itemize}
-\item Simplicity is better than complexity (a Python developer rule)
-\item Modularity is only accessible with a flexible language
-\item Models and objects are more important than technologies
-\item A good workflow is defined by the users themselves through feedback and revisions
-\item Prototyping is a crucial part of the development process
-\item A good platform should rely on standards, not on formats
-\item The Open Source ecosystem gives some tremendous possibilities to scale a platform project
-\end{itemize}
-}
-
-\frame{\frametitle{Development - TODO list}
-\begin{block}{TimeSide}
- \begin{itemize}
- \item Tiny web server (django)
- \item Process task manager
- \item Full HTML5 zooming player (+ annotations, segmentations, etc..)
- \item Analyzer parameters (+ interface)
- \item Improve Vamp plugins support (Vamp python host ?)
- \item Add more automatic segmentation and classification tools to support various semantic ontologies (cf. thesaurus)
- \item Add more music analysis tools to support Ethnomusicological research
- \item Add automatic similarity analysis tools (inside a song or between sound items)
- \item Enhance analysis result displays to send to Telemeta
- \item \dchref{https://github.com/yomguy/TimeSide/issues}
- \end{itemize}
-\end{block}
-}
-
-
-\frame{\frametitle{Development - TODO list}
-\begin{block}{Telemeta}
- \begin{itemize}
- \item Update code to support Django new Class based views
- \item Rewrite geolocation services
- \item Public and enhanced user playlists
- \item Smart breadcrumbs
- \item Better interactions with TimeSide
- \item Enhance user interface (full HTML 5 + web audio API)
- \begin{itemize}
- \item For annotations and segmentations in a collaborative manner
- \item Provide import capabilities and feedback loop between manual and automatic annotations
- \item Fancy displays of automatic analysis results (zoomable + synchronized with audio)
- \item Add a User interface to control and tune the analysis parameters
- \end{itemize}
- \item More documentation
- \item \dchref{http://telemeta.org/report/1}
- \end{itemize}
-\end{block}
-}
-
-
-
-\frame{\frametitle{The End}
- \begin{center}
- \large{Thank you!}
- \vspace{0.25cm}
- \begin{block}{Links}
- \begin{itemize}
- \item \chref{http://telemeta.org}{telemeta.org}
- \item \chref{https://twitter.com/telemeta/}{@telemeta}
- \end{itemize}
- \end{block}
- \begin{block}{Contact}
- \begin{itemize}
- \item \chref{mailto:guillaume@parisson.com}{guillaume@parisson.com}
- \item \chref{https://twitter.com/yomguy/}{@yomguy}
- \item \chref{https://github.com/yomguy/}{github.com/yomguy/}
- \item \chref{https://plus.google.com/u/0/+GuillaumePellerin/posts}{+GuillaumePellerin}
- \item \chref{http://fr.linkedin.com/in/guillaumepellerin}{fr.linkedin.com/in/guillaumepellerin}
- \end{itemize}
- \end{block}
- \end{center}
-}
-
-% BONUS
-
-\begin{frame}[fragile]
- \begin{block}{TimeSide - Github repository}
- \begin{center}\scriptsize
- \colorbox{yellow!50}{\bf \hskip3ex
- \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
- \end{center}
-
- \begin{itemize}
- \item 3 main branches: master, dev, diadems
- \end{itemize}
- \end{block}
- \begin{block}{Installation}
-\url{https://github.com/yomguy/TimeSide\#install}
- \begin{itemize}
- \item Installation des dépendances :
-\begin{lstlisting}[language=bash, basicstyle=\tiny]
-$ echo "deb http://debian.parisson.com/debian/ stable main" |
-$ sudo tee -a /etc/apt/sources.list
-$ echo "deb-src http://debian.parisson.com/debian/ stable main" | sudo tee -a /etc/apt/sources.list
-$ sudo apt-get update
-$ sudo apt-get install git
-$ sudo apt-get build-dep python-timeside
-\end{lstlisting}
-
- \item Installation depuis le dépôt \emph{Github} :
-\begin{lstlisting}[language=bash, basicstyle=\tiny]
-$ git clone https://github.com/yomguy/TimeSide.git
-$ cd TimeSide
-$ git checkout dev
-$ export PYTHONPATH=$PYTHONPATH:`pwd`
-$ python tests/run_all_tests
-\end{lstlisting}
-\end{itemize}
-\end{block}
-\end{frame}
-
-\begin{frame}
- \frametitle{Statistics - CREM revisions}
- \begin{center}
- \includegraphics[width=0.8\textwidth]{img/telemeta-revisions.png}
- \end{center}
-\end{frame}
-
-
-\end{document}
\ No newline at end of file
+++ /dev/null
-../Common/img/
\ No newline at end of file
+++ /dev/null
-\documentclass[10pt, final, hyperref, table]{beamer}
-\mode<presentation>
-
-
- %\usepackage[english]{babel} % "babel.sty"
-% \usepackage{french} % "french.sty"
-% \usepackage{franglais} % "franglais.sty" (a defaut)
- \usepackage{times} % ajout times le 30 mai 2003
-
-%% --------------------------------------------------------------
-%% CODAGE DE POLICES ?
-%% Si votre moteur Latex est francise, il est conseille
-%% d'utiliser le codage de police T1 pour faciliter la césure,
-%% si vous disposez de ces polices (DC/EC)
-\usepackage[utf8]{inputenc}
-\usepackage[T1]{fontenc}
-\usepackage{eurosym}
-
-
-%% ==============================================================
-%\usepackage{graphicx}
-\usepackage{amsmath,amsfonts}
-%\usepackage[table]{xcolor}
-\usepackage{subfigure}
-\usepackage{fancybox}
-
-\usepackage{multicol}
-\usepackage{wrapfig}
-\usepackage{listings}
-\usepackage{xcolor}
-\usepackage{multimedia} % For playing sound
-
-\usepackage{hyperref}
-% Define hyperlinks color
-\definecolor{links}{HTML}{2A1B81}
-\hypersetup{colorlinks,linkcolor=,urlcolor=links}
-
-\usetheme{Madrid}
-\setbeamercovered{transparent}
-
-
-% telemeta red
-\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
-\usecolortheme[rgb={0.41568, 0.01176, 0.02745}]{structure}
-
-%\setbeamercolor{frametitle}{bg=telemetaRed}
-% Display a grid to help align images
-%\beamertemplategridbackground[1cm]
-
-%We will get the normal bibliography style (number or text instead of icon) by including the following code
-\setbeamertemplate{bibliography item}[text]
-\setbeamerfont{caption}{size=\footnotesize}
-% listings settings
-\definecolor{lstComments}{rgb}{0,0.6,0}
-\definecolor{lstBkgrd}{rgb}{0.95,0.95,1}
-\lstset{%
- language=Python, % the language of the code
- frame=single, % adds a frame around the code
- frameround=tttt,
- commentstyle=\color{lstComments},% comment style
- backgroundcolor=\color{lstBkgrd}, % choose the background color
- basicstyle=\tiny, % the size of the fonts that are used for the code
- stringstyle=\ttfamily, % typewriter type for strings
- keywordstyle=\color{blue}, % keyword style
- showstringspaces=false, % underline spaces within strings only
-}
-
-
-\definecolor{rouge}{rgb}{0.7,0.1,0.1}
-\newcommand{\chref}[2]{
- \href{#1}{\color{rouge}\underline{#2}}
-}
-\newcommand{\dchref}[1]{
- \href{#1}{\color{rouge}\underline{#1}}
-}
-\newcommand{\curl}[1]{
- \color{rouge}\underline{\url{#1}}
-}
-\title[TimeSide]{Telemeta\\ open web audio content management system}
-
-\author{Guillaume Pellerin\inst{1}, Thomas Fillon \inst{1,2}}
-
-
-\institute[Parisson]{
- \inst{1}%
- Parisson, Paris, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
-\vskip1ex
- \begin{center}
- \includegraphics[width=.3\linewidth]{img/parisson_logo_FINALE_com.pdf}
- \end{center}
-}
-\date{IRCAM - WAVE \\ 13/03/2014}
-
-\begin{document}
-\frame{\titlepage}
-
-
-\section[Table of contents]{}
-\frame{\frametitle{Table of contents}
-\tableofcontents
-}
-
-\section{Goals}
-\frame{\frametitle{Main goals}
-\begin{itemize}
- \item Save, scale and sustain big music data and related metadata
- \item Play audio and read metadata at the same time, synchronously
- \item Index and share music data through a collaborative web app
- \item Link music data to various ontologies and external services
- \item Manage access rules and copyrights easily through time
- \item Process audio on demand through a modular architecture
-\end{itemize}
-}
-
-\section{History of the project}
-\frame{\frametitle{History of the project}
-\begin{itemize}
- \item 2006 : definition of the goals (open source web audio collaborative platform)
- \item 2007 : first partner : CREM
- \item 2007 - 2009 : technical specifications, definition of the DB migrator
- \item 2008 : prototype development
- \item 2008 - 2010 : workflow and format specifications
- \item 2011 : development, final migration and release of Telemeta 1.0 to the CREM for production : \dchref{http://archives.crem-cnrs.fr}
- \item 2011 - 2014 : collaborative indexing, more development, massive data imports...
-\end{itemize}
-}
-
-\section{Technologies}
-\frame{\frametitle{Technologies}
-\textbf{100\% 0pen Source}
-\begin{itemize}
- \item \chref{http://python.org}{Python} : smart object oriented language \\
- \item \chref{http://djangoproject.com}{Django} : high-level web MVC framework \\
- \item \chref{https://github.com/yomguy/TimeSide}{TimeSide} : open web audio processing framework
- \item \chref{http://gstreamer.freedesktop.org/}{GStreamer} : open source multimedia framework
- \item MySQL, PostgreSQL, etc : relational databases \\
- \item GNU / Linux : application and library suite / kernel \\
-\end{itemize}
-}
-
-\section{Key features}
-%\frame{\tableofcontents[currentsection]}
-\frame{\frametitle{Features}
- \begin{itemize}
- \item \alert{Pure HTML5} web user interface including dynamical forms
- and smart workflows
- \item \alert{On the fly} audio analyzing, transcoding and \alert{metadata}
- embedding in various formats
- \item Social editing with \alert{semantic ontologies}, smart workflows,
- realtime tools, human or automatic \alert{annotations and
- segmentations}
- \item User management with individual desk, playlists, profiles
- and access rights
- \item High level geo-located search engine
- \item DublinCore, OAI-PMH, RSS, XML and JSON \alert{data providers}
- \item Multi-language support (now english and french)
- \end{itemize}
-}
-
-
-\section{Data model}
-%\frame{\tableofcontents[currentsection]}
-\frame{\frametitle{Data model}
-\begin{itemize}
- \item Main objects (hierarchy)
- \begin{center}
- \pgfimage[width=10cm]{img/TM_model}
- \end{center}
- \item Complete model : \chref{http://telemeta.org/export/cb1fc9ad29e2cb0122fde9dd76c5275ba5dc7d14/doc/devel/telemeta-all.pdf}{view PDF}
-\end{itemize}
-
-}
-
-
-% \subsection{Démonstration}
-% \frame{\tableofcontents[currentsubsection]}
-
-\section{Related projects}
-\frame{\frametitle{Related projects}
-\begin{itemize}
-\item \chref{https://github.com/yomguy/TimeSide}{TimeSide} : open web audio processing framework
- \begin{itemize}
- \item Easy plugin architecture (full \alert{Python})
- \item Asynchronous and fast audio processing
- \item \alert{Feature extraction} (Aubio, Yaafe, Vamp plugins)
- \item Smart, fancy and dynamical \alert{HTML5 web audio player}
- \end{itemize}
-\vspace{0.5cm}
-\item \chref{http://www.irit.fr/recherches/SAMOVA/DIADEMS/fr/welcome/&cultureKey=en}{DIADEMS} : Description, Indexation, Access to Sound and Ethnomusicological Documents
- \begin{itemize}
- \item granted by ANR : french national research agency (ANR-12-CORD-0022)
- \item 3 years, 8 partners, 850 k\euro
- \item new collaboration between human and computer science laboratories (not so easy!)
- \item apply MIR algorithms on large scale ethnomusicological data
- \item define some high level interfaces to find musical informations in complex corpus
- \item \dchref{http://diadems.telemeta.org}
- \end{itemize}
-\end{itemize}
-}
-
-\section{Development}
-%\frame{\tableofcontents[currentsection]}
-\frame{\frametitle{Development}
-\begin{itemize}
- \item Links
- \begin{itemize}
- \item \dchref{http://telemeta.org}
- \item \dchref{https://github.com/yomguy/Telemeta/}
- \item \dchref{https://github.com/yomguy/TimeSide/}
- \end{itemize}
- \item Team
- \begin{itemize}
- \item Guillaume Pellerin
- \item Thomas Fillon
- \item Paul Brossier
- \item Riccardo Zaccarelli
- \item Maxime Lecoz
- \item David Doukan
- \end{itemize}
- \item Licence : CeCILL v2 (GPL v2 compatible)
-\end{itemize}
-}
-
-
-\frame{\frametitle{Partners}
-\begin{itemize}
-\item Sponsors:
-\begin{itemize}
- \item CNRS
- \item Huma-Num (ex TGE Adonis)
- \item ANR
- \item CREM
- \item UPMC
- \item Parisson
-\end{itemize}
-
-\vspace{0.25cm}
-
-\item Partners :
-\begin{itemize}
-\item IRIT (université Paul Sabatier, Toulouse 3)
-\item LIMSI (universités Pierre et Marie Curie (UPMC, Paris 6) et Paris-Sud)
-\item LAM (institut Jean Le Rond d'Alembert, UPMC)
-\item LABRI (université de Bordeaux)
-\item CREM (université Paris Ouest Nanterre La Défense)
-\item LESC (université Paris Ouest Nanterre La Défense)
-\item Museum d'Histoire Naturelle de Paris
-\item Musée du Quai Branly
-\end{itemize}
-
-\end{itemize}
-
-\begin{center}
-\begin{columns}[c]
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=1cm]{img/logo-CNRS}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
-\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
-\column{2cm}
-\begin{center}
-\pgfimage[width=1.2cm]{img/logo-mnhn}\end{center}
-\end{columns}
-\end{center}
-
-}
-
-
-\section{DIADEMS}
-\frame{\frametitle{DIADEMS : roadmap}
-\begin{center}
-\pgfimage[width=12cm]{img/TM_Roadmap}
-\end{center}
-}
-
-\frame{\frametitle{DIADEMS : TODO list}
-\begin{itemize}
- \item TimeSide
- \begin{itemize}
- \item web server (django)
- \item process task manager
- \item full HTML5 zooming player (+ annotations, segmentations, etc..)
- \item analyzer parameters (+ interface)
- \item more filtering (FIR, IIR, phase vocoder)
- \item \dchref{https://github.com/yomguy/TimeSide/issues}
- \end{itemize}
-
- \vspace{0.5cm}
-
- \item Telemeta
- \begin{itemize}
- \item class based views
- \item rewrite geolocation services
- \item public and enhanced user playlists
- \item smart breadcrumbs
- \item better interactions with TimeSide
- \item \dchref{http://telemeta.org/report/1}
- \end{itemize}
-
-\end{itemize}
-
-}
-
-
-
-\frame{\frametitle{The end}
- \begin{center}
- \large{Thanks !} \\
- \vspace{0.5cm}
- \chref{http://telemeta.org}{telemeta.org}
- \end{center}
-}
-
-\end{document}
\ No newline at end of file
+++ /dev/null
-\documentclass[10pt, final, hyperref, table]{beamer}
-\mode<presentation>
-
-
- %\usepackage[english]{babel} % "babel.sty"
-% \usepackage{french} % "french.sty"
-% \usepackage{franglais} % "franglais.sty" (a defaut)
- \usepackage{times} % ajout times le 30 mai 2003
-
-%% --------------------------------------------------------------
-%% CODAGE DE POLICES ?
-%% Si votre moteur Latex est francise, il est conseille
-%% d'utiliser le codage de police T1 pour faciliter la césure,
-%% si vous disposez de ces polices (DC/EC)
-\usepackage[utf8]{inputenc}
-\usepackage[T1]{fontenc}
-
-
-%% ==============================================================
-%\usepackage{graphicx}
-\usepackage{amsmath,amsfonts}
-%\usepackage[table]{xcolor}
-\usepackage{subfigure}
-\usepackage{fancybox}
-
-\usepackage{multicol}
-\usepackage{wrapfig}
-\usepackage{listings}
-\usepackage{xcolor}
-\usepackage{multimedia} % For playing sound
-
-\usepackage{hyperref}
-% Define hyperlinks color
-\definecolor{links}{HTML}{2A1B81}
-\hypersetup{colorlinks,linkcolor=,urlcolor=links}
-
-\usetheme{Madrid}
-\setbeamercovered{transparent}
-
-
-% telemeta red
-\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
-\usecolortheme[rgb={0.41568, 0.01176, 0.02745}]{structure}
-
-%\setbeamercolor{frametitle}{bg=telemetaRed}
-% Display a grid to help align images
-%\beamertemplategridbackground[1cm]
-
-%We will get the normal bibliography style (number or text instead of icon) by including the following code
-\setbeamertemplate{bibliography item}[text]
-\setbeamerfont{caption}{size=\footnotesize}
-% listings settings
-\definecolor{lstComments}{rgb}{0,0.6,0}
-\definecolor{lstBkgrd}{rgb}{0.95,0.95,1}
-\lstset{%
- language=Python, % the language of the code
- frame=single, % adds a frame around the code
- frameround=tttt,
- commentstyle=\color{lstComments},% comment style
- backgroundcolor=\color{lstBkgrd}, % choose the background color
- basicstyle=\tiny, % the size of the fonts that are used for the code
- stringstyle=\ttfamily, % typewriter type for strings
- keywordstyle=\color{blue}, % keyword style
- showstringspaces=false, % underline spaces within strings only
-}
-\title[TimeSide]{TimeSide\\\emph{ Open web audio processing framework}}
-
-\author{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}}
-
-
-\institute[Parisson]{
- \inst{1}%
- Parisson, Paris, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
-\vskip1ex
- \begin{center}
- \includegraphics[width=.5\linewidth]{../../Common/img/parisson_logo_FINALE_com.pdf}
- \end{center}
-}
-\date{IRCAM - WAVE \\ 13/03/2014}
-
-
-\newcommand{\pyfile}{$\vcenter{\hbox{\includegraphics[width=1cm]{img/python-file.png}}}$}
-\newcommand{\gstreamer}{\href{http://www.gstreamer.freedesktop.org}{$\vcenter{\hbox{\includegraphics[width=0.20\textwidth]{img/Gstreamer-logo.png}}}$}}
-\begin{document}
-\begin{frame}
- \maketitle
-\end{frame}
-
-\begin{frame}
- \frametitle{TimeSide - Goals}%\scriptsize
-% ==================================
-% --------- Résumé -----------------
-% ==================================
-\begin{block}{Server side - TimeSide Engine}
-
- \begin{itemize}
- \item \alert{Do} asynchronous and fast audio processing with Python,
- \item \alert{Decode} audio frames from ANY format into numpy arrays,
- \item \alert{Analyze} audio content with state-of-the-art audio feature extraction libraries,
- \item \alert{Organize}, serialize and save analysis metadata through various formats,
- \end{itemize}
- \end{block}
- \begin{block}{}
- \begin{itemize}
- \item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers,
- \item \alert{Transcode} audio data in various media formats and stream them through web apps,
-
- \end{itemize}
-
-\end{block}
-\begin{block}{Client side - TimeSide UI}
- \begin{itemize}
- \item \alert{Playback} and \alert{interact} on demand through a smart high-level HTML5 extensible player,
- \item \alert{Index}, \alert{tag} and \alert{organize semantic metadata} \\
-(see \href{http://telemeta.org/}{Telemeta} which embeds TimeSide).
-\hfill $\vcenter{\hbox{\includegraphics[width=0.2\textwidth]{../../Common/img/logo_telemeta_1-1.pdf}}}$
- % \begin{flushright}
- % \includegraphics[width=0.2\textwidth]{../../Common/img/logo_telemeta_1-1.pdf}\\
- % \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
- %\end{flushright}
- \end{itemize}
-\end{block}
-\end{frame}
-
-\begin{frame}
- \frametitle{TimeSide Engine Architecture}
- \begin{center}
- \includegraphics[width=0.8\textwidth]{../../Common/img/timeside_schema_v3.pdf}
- \end{center}
-\end{frame}
-\begin{frame}
- \frametitle{Processors}
- \begin{block}{4 types of processors}
- \begin{itemize}
- \item Decoder
- \item Analyzer
- \item Encoder
- \item Grapher
- \end{itemize}
- \end{block}
-\pyfile : \texttt{timeside/api.py}, \texttt{timeside/core.py}
-\end{frame}
-
-\begin{frame}
- \frametitle{Processors - Decoders}
- \begin{block}{Decoders}
- \begin{itemize}
- \item FileDecoder: Decode audio through Gstreamer \gstreamer
-
- \begin{itemize}
- \item File source: an \texttt{uri}
- \item A \alert{segment} of audio can be specified: \texttt{start, duration}
- \end{itemize}
-
- \item \alert{ArrayDecoder}: Use an Numpy array as source input
- \item \alert{LiveDecoder}: Capture audio from an live input source
- \end{itemize}
- \end{block}
-\pyfile : \texttt{timeside/decoder/core.py}, \texttt{timeside/decoder/file.py}
-\end{frame}
-
-\begin{frame}
- \frametitle{Processors - Encoders}
- \begin{block}{Encoders}
- \begin{itemize}
- \item Support streaming to the server
- \item Available formats (through Gstreamer) \gstreamer
-
- \begin{itemize}
- \item WavEncoder, FlacEncoder
- \item AacEncoder, VorbisEncoder, Mp3Encoder
- \item WebMEncoder, \alert{OpusEncoder}
- \item LiveEncoder : Send sound to soundcard
- \end{itemize}
- \end{itemize}
-
- \end{block}
-\pyfile : \texttt{timeside/encoder/core.py}, \texttt{timeside/encoder/mp3.py}
-\end{frame}
-
-\begin{frame}
- \frametitle{Processors - Analyzers}
- \begin{block}{Analyzers}
- \begin{itemize}
- \item Value Analyzers: Level, MeanDCShift
- \item \alert{Wrapping of \emph{state-of-the-art} audio features library}:
-\begin{itemize}
-\item Aubio: \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }\\
-AubioTemporal, AubioPitch, AubioMfcc, AubioMelEnergy, AubioSpecdesc
-\item Yaafe: \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }
-\item Vamp plugins: \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex } VampSimpleHost
-\end{itemize}
- \item \alert{Waveform}, \alert{Spectrogram}
- \item Speech Activity Detection: \alert{IRITSpeechEntropy}, \alert{IRITSpeech4Hz}, LimsiSad
- \item \alert{OnsetDetectionFunction}
- \end{itemize}
- \end{block}
- \alert{$\rightarrow$ An analyzer can declare other analyzers as \emph{parents}}
-
-\pyfile : \texttt{timeside/analyzer/core.py}, \texttt{timeside/analyzer/odf.py}
- \end{frame}
-\begin{frame}
- \frametitle{Processors - Graphers}
- \begin{block}{Graphers}
- \begin{itemize}
- \item Waveform
- \item WaveformCentroid
- \item \alert{WaveformTransparent}
- \item WaveformContourBlack
- \item WaveformContourWhite
- \item SpectrogramLog
- \item \alert{SpectrogramLinear}
- \end{itemize}
- \end{block}
- \alert{$\rightarrow$ Possibility to define grapher from analyzer}
- \end{frame}
-\begin{frame}
- \frametitle{Principales nouveautés}
- \begin{block}{}
- \begin{itemize}
- \item Version 0.5.4
- \item Mise en place d'une documentation :
- \url{http://files.parisson.com/timeside/doc/}
-
- \item Installation par paquets Debian (Timeside + Aubio + Yaafe)
- pour Debian Stable 7.0 Wheezy
- \url{https://github.com/yomguy/TimeSide\#install}
- \item Outil en \emph{ligne de commande} : \texttt{timeside-launch}
- \item Décodeur : possibilité de lire un \alert{segment} de fichier audio
- \end{itemize}
- \end{block}
- \begin{block}{Analyseurs - Sauvegarde des résultats}
- \begin{itemize}
- \item Amélioration de la sérialisation des resultats (xml, json,
- yaml, \alert{numpy}, \alert{hdf5})
- \item Ajout de fonctionnalités et \emph{Réusinage} de code en prévision de l'intégration de méthodes d'analyse automatique
- \item Notion d'analyseur " \emph{parent} "
- \end{itemize}
-
- \end{block}
-\end{frame}
-
-\begin{frame}{Analyzer results container}
-\begin{block}{Results types}
- Standardization of 8 different types of results:
- \begin{itemize}
- \item time\_mode : \texttt{global, event, segment, framewise}
- \item data\_mode : \texttt{value, label}
- \end{itemize}
-\end{block}
-\begin{block}{Metadata \& Data fields}
- \begin{itemize}
- \item Metadata:
- \begin{itemize}
- \item \texttt{id\_metadata}
- \item \texttt{audio\_metadata}
- \item \texttt{label\_metadata}
- \item \texttt{frame\_metadata}
- \item \texttt{parameters}
- \end{itemize}
- \item Data: \texttt{data\_object}
- \end{itemize}
-
-\end{block}
-
-\end{frame}
-
-\begin{frame}[fragile]
- \begin{block}{TimeSide - Github repository}
- \begin{center}\scriptsize
- \colorbox{yellow!50}{\bf \hskip3ex
- \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
- \end{center}
-
- \begin{itemize}
- \item 3 main branches: master (0.5.2), dev, diadems
- \end{itemize}
- \end{block}
- \begin{block}{Installation}
-\url{https://github.com/yomguy/TimeSide\#install}
- \begin{itemize}
- \item Installation des dépendances :
-\begin{lstlisting}[language=bash, basicstyle=\tiny]
-$ echo "deb http://debian.parisson.com/debian/ stable main" |
-$ sudo tee -a /etc/apt/sources.list
-$ echo "deb-src http://debian.parisson.com/debian/ stable main" | sudo tee -a /etc/apt/sources.list
-$ sudo apt-get update
-$ sudo apt-get install git
-$ sudo apt-get build-dep python-timeside
-\end{lstlisting}
-
- \item Installation depuis le dépôt \emph{Github} :
-\begin{lstlisting}[language=bash, basicstyle=\tiny]
-$ git clone https://github.com/yomguy/TimeSide.git
-$ cd TimeSide
-$ git checkout dev
-$ export PYTHONPATH=$PYTHONPATH:`pwd`
-$ python tests/run_all_tests
-\end{lstlisting}
-\end{itemize}
-\end{block}
-\end{frame}
-
-
-\begin{frame}
-\frametitle{Détecteur de parole IRIT (4Hz modulation)}
-\begin{center}
-\includegraphics[width=0.8\linewidth]{img/irit_speech4hz}\\
-\href{sounds/CNRSMH_I_2013_202_001_06.mp3}{CNRSMH\_I\_2013\_202\_001\_06}
-\end{center}
-\end{frame}
-\begin{frame}\frametitle{Aubio Pitch + Aubio Beat}
- \begin{center}
-\includegraphics[width=1.1\linewidth]{img/aubio_pitch_beat.png}\\
-\href{sounds/CNRSMH_E_1985_001_001_001_04.mp3}{CNRSMH\_E\_1985\_001\_001\_001\_04}
-\end{center}
-\end{frame}
-
-\begin{frame}\frametitle{Telemeta Player Mark}
- \vspace{-1cm}
- \begin{center}
- \includegraphics[width=12cm]{../../Common/img/shots/player_mark.png}
- \end{center}
-\end{frame}
-
-\begin{frame}
-\frametitle{DIADEMS Project}
-\begin{itemize}
-\item ANR project: \emph{Description, Indexation, Accès aux Documents EthnoMusicologiques et Sonores} \\
-(Description, Indexation, Access to Sound and Ethnomusicological Documents)\\
-\url{http://www.irit.fr/recherches/SAMOVA/DIADEMS}
-\item Partners:
- \begin{itemize}
- \item Ethnomusicology:
- \begin{itemize}
- \item CREM (Centre de Recherche en EthnoMusicologie),
- Univ. Nanterre
- \item MNHM (Museum National d'Histoire Naturelle)
- \end{itemize}
- \item Computer science, Music Informationa Retrieval, Speech Processing:
- \begin{itemize}
- \item IRIT, Toulouse
- \item LAM, Paris 6
- \item LIMSI, Orsay
- \item LABRI, Bordeaux
- \end{itemize}
-
- \end{itemize}
-
-\end{itemize}
-\end{frame}
-\begin{frame}
-\frametitle{Goals}
-%\begin{block}{Thesaurus}
-\begin{itemize}
-\item Improvement of the Telemeta User Interface
-\item Enhance annotation interface and management
-\item Introduce automatic description, indexation, segmentation with music information retrieval, audio signal and speech processing technologies $\rightarrow$ \emph{TimeSide}
-\item Ethnomusicological metadata: \href{Thesaurus.html}{Thesaurus
- Map}
-\end{itemize}
-
-%\end{block}
-\end{frame}
-\begin{frame}
-\frametitle{The End}
-\begin{center}
- \LARGE Merci !
-\end{center}
-\end{frame}
-\end{document}
-%%% Local Variables:
-%%% mode: latex
-%%% TeX-master: t
-%%% End:
+++ /dev/null
-\documentclass[mathserif]{beamer}
-
-% FOR BEAMER SLIDES
-%\usepackage{palatino}
-%\usepackage{helvet}
-%\usepackage{eulervm}
-\usepackage{mathpazo}
-%\documentclass[sans,mathserif]{beamer}
-%\usepackage{kerkis}
-%\usepackage{kmath}
-\usepackage{beamerthemeCambridgeUS}
-%\usepackage{beamerthemeBoadilla}
-%\usepackage{beamerthemeDarmstadt}
-%\usepackage{beamerthemeGoettingen}
-\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
-\usepackage{colortbl}
-\usepackage{amsmath,amssymb,amsfonts}
-\usepackage{latexsym}
-\usepackage{amsthm}
-\usepackage{newlfont}
-\usepackage{url}
-\urlstyle{footnotesize}
-\usepackage[french]{babel}
-\usepackage[latin1]{inputenc}
-\columnsep 1cm
-\columnsep 1cm
-\definecolor{rouge}{rgb}{0.7,0.1,0.1}
-\newcommand{\chref}[2]{
- \href{#1}{\color{rouge}\underline{#2}}
-}
-\newcommand{\dchref}[1]{
- \href{#1}{\color{rouge}\underline{#1}}
-}
-\newcommand{\curl}[1]{
- \color{rouge}\underline{\url{#1}}
-}
-\title{\textbf{Projet Telemeta}}
-\author{Anthroponet, CREM, MNHN, LAM, Parisson}
-\institute{Guillaume Pellerin (Parisson SARL) \\
- Joséphine Simonnot (CREM)}
-\date{\today\ - v0.3.4}
-
-\begin{document}
-\frame{\titlepage}
-
-
-\section[Plan]{}
-\frame{\tableofcontents}
-
-\section{Introduction}
-
-\subsection{Le fond d'archives du CREM}
-\frame{\frametitle{Le fond d'archives du CREM}
-Un fond ethnomusicologique unique :
-\begin{itemize}
- \item 4291 collections (inédit et édité)
- \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
- \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
- \item 3500 heures de sons édités soit 4,5 To environ
- \item 300 heures environ de video ($\approx$ 4 To)
-\end{itemize}
-\vspace{0.5cm}
-Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
-}
-
-
-\frame{\frametitle{Modèle de données du CREM}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=12cm]{img/data_model2}
- \end{center}
-}
-
-
-\subsection{Vers la numérisation}
-\frame{\tableofcontents[currentsubsection]}
-
-\frame{\frametitle{L'archivage classique sur supports physiques}
-Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
-
-\begin{columns}[c]
-
-\column{6cm}
-\begin{itemize}
- \item Buts :
- \begin{itemize}
- \item Conformité à l'oeuvre originale
- \item Reproductibilité
- \item Accessibilité
- \end{itemize}
- \item Problèmes :
- \begin{itemize}
- \item Fragilité : rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...
- \item Nécessité d'appareils de lecture specifiques
- \item Pérennité
- \end{itemize}
-\end{itemize}
-\column{6cm}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
-\end{columns}
-
-}
-
-\frame{\frametitle{L'archivage sur disque dur}
-\begin{itemize}
- \item Avantages :
- \begin{itemize}
- \item Information magnétique
- \item Confinement et compacité
- \item Vitesse et capacité d'accès (lecture et écriture)
- \item $\Rightarrow$ Valorisation
- \end{itemize}
- \item Inconvénients :
- \begin{itemize}
- \item Maintenance (recopie)
- \end{itemize}
-\end{itemize}
-\begin{center}
-\pgfimage[width=5cm]{img/HDMAXTOR}
-\end{center}
-}
-
-
-\section{Objectifs du projet Telemeta}
-\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Objectifs du projet Telemeta}
-\begin{itemize}
- \item Pérenniser les archives audionumériques
- \item Valoriser le patrimoine culturel par la consultation légale
- \item Optimiser la transmission des méta-données (OAI-PMH)
- \item Augmenter les capacités de recherche (web sémantique, interopérabilité, croisement de données)
- \item Définir un systématisme de sauvegarde des oeuvres audiovisuelles
-\end{itemize}
-\vspace{3mm}
-\begin{center}
-$\Rightarrow$ Demande de financement à TGE Adonis
-\end{center}
-\begin{center}
-\begin{columns}[c]
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
-\end{center}\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
-\column{2cm}
-\begin{center}
-\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
-\end{columns}
-\end{center}
-}
-
-
-\section{Technologies}
-\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Telemeta : un projet libre et ouvert}
-\textbf{Les fondamentaux du logiciel libre :}
-\begin{itemize}
- \item Pérenniser les ressources informatiques
- \item Dynamiser le développement (partage, communautés internationales)
- \item Limiter les coûts de déploiement à grande échelle
-\end{itemize}
-\vspace{3mm}
-\textbf{Briques 100\% 0pen Source :}
-\begin{itemize}
- \item \chref{http://python.org}{Python} : langage \\
- \item \chref{http://djangoproject.com}{Django} : framework \\
- \item \chref{http://mysql.com}{MySQL} : base de données relationnelle \\
- \item \chref{http://linux.com}{Linux} : noyau serveur \\
- \item \chref{http://scipy.org}{Scipy}, \chref{http://www.ar.media.kyoto-u.ac.jp/members/david/softwares/audiolab/}{Audiolab} : traitement des signaux audio
- \item \chref{http://www.cecill.info}{CeCILL} : licence libre conforme au droit français
-\end{itemize}
-}
-
-\frame{\frametitle{Les standards et normes utilisés par Telemeta}
-\begin{itemize}
- \item Web :
- \begin{itemize}
- \item \chref{http://www.w3schools.com/html/}{HTML} : langage hypertextuel
- \item \chref{http://www.w3.org/Style/CSS/}{CSS} : styles
- \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
- \end{itemize}
- \item Audio :
- \begin{itemize}
- \item \chref{http://fr.wikipedia.org/wiki/WAVEform_audio_format}{WAV} : archivage audio brut
- \item \chref{http://fr.wikipedia.org/wiki/MP3}{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
- \item \chref{http://www.vorbis.com}{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
- \item \chref{http://fr.wikipedia.org/wiki/FLAC}{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
- \end{itemize}
- \item Métadonnées :
- \begin{itemize}
- \item \chref{http://en.wikipedia.org/wiki/XML}{XML} (W3C)
- \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
- \item \chref{http://mysql.com}{SQL}
- \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
- \end{itemize}
-\end{itemize}
-}
-
-\frame{\frametitle{Plateforme communautaire de développement}
-\begin{center}
-\vspace{-0.2cm}
-\url{http://svn.parisson.org/telemeta/}
- \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
-\end{center}
-}
-
-% \subsection{Architecture}
-% \frame{\frametitle{L'architecture de Telemeta}
-% \begin{center}
-% \vspace{-0.2cm}
-% \pgfimage[width=11cm]{img/architecture_fr}
-% \end{center}
-% }
-
-
-\section{Développement}
-\frame{\tableofcontents[currentsection]}
-
-\subsection{Version 0.3.2}
-
-\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
- \begin{center}
- \vspace{-0.3cm}
- \pgfimage[width=12cm]{img/crem_telemeta-0.3.2}
- \end{center}
-}
-
-
-% \subsection{Démonstration}
-% \frame{\tableofcontents[currentsubsection]}
-
-
-\subsection{Besoins}
-\frame{\frametitle{Objectifs pour une version 1.0 de production}
-Elements à programmer et/ou consolider pour la version 1.0 de production
-\begin{itemize}
- \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
- \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
- \item \textbf{Sauvegarde} externe (audio + meta-données)
- \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
- \item \textbf{Marqueurs} temporels, lecture dynamique avec pièces attachées (texte, images)
- \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
- \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
- \item Fonctions de test
-\end{itemize}
-}
-
-
-\frame{\frametitle{En route pour 0.4 (edition)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
- \end{center}
-}
-
-
-\frame{\frametitle{En route pour 0.4 (vue item)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9cm]{img/maquette_v0.4_item_view}
- \end{center}
-}
-
-
-
-\frame{\frametitle{Partenariats}
-Partenaires participants :
-\begin{itemize}
- \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
- \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
- \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
- \item Museum National d'Histoire Naturelle (\textbf{MNHN})
- \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
- \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
-\end{itemize}
-Partenaires potentiels :
-\begin{itemize}
- \item Bibliothèque Nationale de France (\textbf{BNF})
- \item Institut National de l'Audiovisuel (\textbf{INA})
- \item Institut de Recherche et d'Innovation (\textbf{IRI})
- \item Queen Mary University (\textbf{QMU}, Londres)
-\end{itemize}
-}
-
-
-\section{Conclusion et perspectives}
-\frame{\frametitle{Conclusion et perspectives}
-\begin{itemize}
- \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
- \item \textbf{Déploiement} et \textbf{pérennité} optimisés grâce à l'\textbf{Open Source}
- \item \textbf{Intégration souple} de données ``métiers'' hétérogènes (sciences humaines et sciences informatiques)
- \item Plateforme de \textbf{développement}
- \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions
- \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
-\end{itemize}
-}
-
-\frame{\frametitle{Merci !}
- \begin{center}
- \vspace{-0.2cm}
- \dchref{http://telemeta.org}
- \dchref{http://parisson.com}
- \end{center}
-}
-
-
-\end{document}
\ No newline at end of file
+++ /dev/null
-\documentclass[mathserif]{beamer}
-
-% FOR BEAMER SLIDES
-%\usepackage{palatino}
-%\usepackage{helvet}
-%\usepackage{eulervm}
-\usepackage{mathpazo}
-%\documentclass[sans,mathserif]{beamer}
-%\usepackage{kerkis}
-%\usepackage{kmath}
-\usepackage{beamerthemeCambridgeUS}
-%\usepackage{beamerthemeBoadilla}
-%\usepackage{beamerthemeDarmstadt}
-%\usepackage{beamerthemeGoettingen}
-\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
-\usepackage{colortbl}
-\usepackage{amsmath,amssymb,amsfonts}
-\usepackage{latexsym}
-\usepackage{amsthm}
-\usepackage{newlfont}
-\usepackage{url}
-\urlstyle{footnotesize}
-\usepackage[french]{babel}
-\usepackage[latin1]{inputenc}
-\columnsep 1cm
-\columnsep 1cm
-\definecolor{rouge}{rgb}{0.7,0.1,0.1}
-\newcommand{\chref}[2]{
- \href{#1}{\color{rouge}\underline{#2}}
-}
-\newcommand{\dchref}[1]{
- \href{#1}{\color{rouge}\underline{#1}}
-}
-\newcommand{\curl}[1]{
- \color{rouge}\underline{\url{#1}}
-}
-\title{\textbf{Projet Telemeta}}
-\author{Anthroponet, CREM, MNHN, LAM, Parisson}
-\institute{Guillaume Pellerin (Parisson SARL) \\
- Joséphine Simonnot (CREM)}
-\date{\today\ - v0.3.4}
-
-\begin{document}
-\frame{\titlepage}
-
-
-\section[Plan]{}
-\frame{\tableofcontents}
-
-\section{Introduction}
-
-\subsection{Le fond d'archives du CREM}
-\frame{\frametitle{Le fond d'archives du CREM}
-Un fond ethnomusicologique unique :
-\begin{itemize}
- \item 4291 collections (inédit et édité)
- \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
- \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
- \item 3500 heures de sons édités soit 4,5 To environ
- \item 300 heures environ de video ($\approx$ 4 To)
-\end{itemize}
-\vspace{0.5cm}
-Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
-}
-
-
-\frame{\frametitle{Modèle de données du CREM}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=12cm]{img/data_model2}
- \end{center}
-}
-
-
-\subsection{Vers la numérisation}
-\frame{\tableofcontents[currentsubsection]}
-
-\frame{\frametitle{L'archivage classique sur supports physiques}
-Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
-
-\begin{columns}[c]
-
-\column{6cm}
-\begin{itemize}
- \item Buts :
- \begin{itemize}
- \item Conformité à l'oeuvre originale
- \item Reproductibilité
- \item Accessibilité
- \end{itemize}
- \item Problèmes :
- \begin{itemize}
- \item Fragilité : rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...
- \item Nécessité d'appareils de lecture specifiques
- \item Pérennité
- \end{itemize}
-\end{itemize}
-\column{6cm}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
-\end{columns}
-
-}
-
-\frame{\frametitle{L'archivage sur disque dur}
-\begin{itemize}
- \item Avantages :
- \begin{itemize}
- \item Information magnétique
- \item Confinement et compacité
- \item Vitesse et capacité d'accès (lecture et écriture)
- \item $\Rightarrow$ Valorisation
- \end{itemize}
- \item Inconvénients :
- \begin{itemize}
- \item Maintenance (recopie)
- \end{itemize}
-\end{itemize}
-\begin{center}
-\pgfimage[width=5cm]{img/HDMAXTOR}
-\end{center}
-}
-
-
-\section{Objectifs du projet Telemeta}
-\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Objectifs du projet Telemeta}
-\begin{itemize}
- \item Pérenniser les archives audionumériques
- \item Valoriser le patrimoine culturel par la consultation légale
- \item Optimiser la transmission des méta-données (OAI-PMH)
- \item Augmenter les capacités de recherche (web sémantique, interopérabilité, croisement de données)
- \item Définir un systématisme de sauvegarde des oeuvres audiovisuelles
-\end{itemize}
-\vspace{3mm}
-\begin{center}
-$\Rightarrow$ Demande de financement à TGE Adonis
-\end{center}
-\begin{center}
-\begin{columns}[c]
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
-\end{center}\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
-\column{2cm}
-\begin{center}
-\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
-\end{columns}
-\end{center}
-}
-
-
-\section{Technologies}
-\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Telemeta : un projet libre et ouvert}
-\textbf{Les fondamentaux du logiciel libre :}
-\begin{itemize}
- \item Pérenniser les ressources informatiques
- \item Dynamiser le développement (partage, communautés internationales)
- \item Limiter les coûts de déploiement à grande échelle
-\end{itemize}
-\vspace{3mm}
-\textbf{Briques 100\% 0pen Source :}
-\begin{itemize}
- \item \chref{http://python.org}{Python} : langage \\
- \item \chref{http://djangoproject.com}{Django} : framework \\
- \item \chref{http://mysql.com}{MySQL} : base de données relationnelle \\
- \item \chref{http://linux.com}{Linux} : noyau serveur \\
- \item \chref{http://scipy.org}{Scipy}, \chref{http://www.ar.media.kyoto-u.ac.jp/members/david/softwares/audiolab/}{Audiolab} : traitement des signaux audio
- \item \chref{http://www.cecill.info}{CeCILL} : licence libre conforme au droit français
-\end{itemize}
-}
-
-\frame{\frametitle{Les standards et normes utilisés par Telemeta}
-\begin{itemize}
- \item Web :
- \begin{itemize}
- \item \chref{http://www.w3schools.com/html/}{HTML} : langage hypertextuel
- \item \chref{http://www.w3.org/Style/CSS/}{CSS} : styles
- \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
- \end{itemize}
- \item Audio :
- \begin{itemize}
- \item \chref{http://fr.wikipedia.org/wiki/WAVEform_audio_format}{WAV} : archivage audio brut
- \item \chref{http://fr.wikipedia.org/wiki/MP3}{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
- \item \chref{http://www.vorbis.com}{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
- \item \chref{http://fr.wikipedia.org/wiki/FLAC}{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
- \end{itemize}
- \item Métadonnées :
- \begin{itemize}
- \item \chref{http://en.wikipedia.org/wiki/XML}{XML} (W3C)
- \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
- \item \chref{http://mysql.com}{SQL}
- \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
- \end{itemize}
-\end{itemize}
-}
-
-\frame{\frametitle{Plateforme communautaire de développement}
-\begin{center}
-\vspace{-0.2cm}
-\url{http://svn.parisson.org/telemeta/}
- \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
-\end{center}
-}
-
-% \subsection{Architecture}
-% \frame{\frametitle{L'architecture de Telemeta}
-% \begin{center}
-% \vspace{-0.2cm}
-% \pgfimage[width=11cm]{img/architecture_fr}
-% \end{center}
-% }
-
-
-\section{Développement}
-\frame{\tableofcontents[currentsection]}
-
-\subsection{Version 0.3.2}
-
-\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
- \begin{center}
- \vspace{-0.3cm}
- \pgfimage[width=12cm]{img/crem_telemeta-0.3.2}
- \end{center}
-}
-
-
-% \subsection{Démonstration}
-% \frame{\tableofcontents[currentsubsection]}
-
-
-\subsection{Besoins}
-\frame{\frametitle{Objectifs pour une version 1.0 de production}
-Elements à programmer et/ou consolider pour la version 1.0 de production
-\begin{itemize}
- \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
- \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
- \item \textbf{Sauvegarde} externe (audio + meta-données)
- \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
- \item \textbf{Marqueurs} temporels, lecture dynamique avec pièces attachées (texte, images)
- \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
- \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
- \item Fonctions de test
-\end{itemize}
-}
-
-
-\frame{\frametitle{En route pour 0.4 (edition)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
- \end{center}
-}
-
-
-\frame{\frametitle{En route pour 0.4 (vue item)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9cm]{img/maquette_v0.4_item_view}
- \end{center}
-}
-
-
-
-\frame{\frametitle{Partenariats}
-Partenaires participants :
-\begin{itemize}
- \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
- \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
- \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
- \item Museum National d'Histoire Naturelle (\textbf{MNHN})
- \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
- \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
-\end{itemize}
-Partenaires potentiels :
-\begin{itemize}
- \item Bibliothèque Nationale de France (\textbf{BNF})
- \item Institut National de l'Audiovisuel (\textbf{INA})
- \item Institut de Recherche et d'Innovation (\textbf{IRI})
- \item Queen Mary University (\textbf{QMU}, Londres)
-\end{itemize}
-}
-
-
-\section{Conclusion et perspectives}
-\frame{\frametitle{Conclusion et perspectives}
-\begin{itemize}
- \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
- \item \textbf{Déploiement} et \textbf{pérennité} optimisés grâce à l'\textbf{Open Source}
- \item \textbf{Intégration souple} de données ``métiers'' hétérogènes (sciences humaines et sciences informatiques)
- \item Plateforme de \textbf{développement}
- \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions
- \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
-\end{itemize}
-}
-
-\frame{\frametitle{Merci !}
- \begin{center}
- \vspace{-0.2cm}
- \dchref{http://telemeta.org}
- \dchref{http://parisson.com}
- \end{center}
-}
-
-
-\end{document}
\ No newline at end of file
+++ /dev/null
-../Common/img/
\ No newline at end of file
+++ /dev/null
-../Common/pdf_article_profile.sty
\ No newline at end of file
--- /dev/null
+../../../Common/img
\ No newline at end of file
--- /dev/null
+../../../Common/pdf_article_profile.sty
\ No newline at end of file
--- /dev/null
+../../../Common/img
\ No newline at end of file
--- /dev/null
+../../../Common/pdf_article_profile.sty
\ No newline at end of file
+++ /dev/null
-../Common/img/
\ No newline at end of file
+++ /dev/null
-../Common/pdf_article_profile.sty
\ No newline at end of file
--- /dev/null
+\documentclass[10pt, final, hyperref, table]{beamer}
+\mode<presentation>
+
+
+ %\usepackage[english]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+ \usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ?
+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+\usepackage{multimedia} % For playing sound
+% Define hyperlinks color
+\definecolor{links}{HTML}{2A1B81}
+\hypersetup{colorlinks,linkcolor=,urlcolor=links}
+
+\usetheme{Warsaw}
+\setbeamercovered{transparent}
+
+
+% telemeta red
+\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
+\usecolortheme[rgb={0.41568, 0.01176, 0.02745}]{structure}
+
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{0.95,0.95,1}
+\lstset{%
+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ frameround=tttt,
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\tiny, % the size of the fonts that are used for the code
+ stringstyle=\ttfamily, % typewriter type for strings
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+\title[Plénière DIADEMS 2014]{DIADEMS – Réunion plénière T0+12\\\emph{Bilan/avancement de la 1ère année}}
+
+\author{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}}
+
+\institute[Parisson]{
+ \inst{1}%
+ Parisson, Paris, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
+\vskip1ex
+ \begin{center}
+ \includegraphics[width=.5\linewidth]{img/parisson_logo_FINALE_com.pdf}
+ \end{center}
+}
+
+\date{LIMSI, Orsay - 12 février 2014}
+
+\begin{document}
+\begin{frame}
+ \maketitle
+\end{frame}
+
+\begin{frame}
+ \frametitle{TimeSide}\footnotesize %scriptsize
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+\begin{block}{Avancement : Versions 0.4.3 $\rightarrow$ 0.5.3}
+ \begin{itemize}
+ \item Python 2.7
+ \item Intégration de librairies d'extraction de descripteurs audio : Aubio, Yaafe, Vamp (expérimental)
+
+ \item Installation par paquet Debian
+ \item Documentation : \url{http://files.parisson.com/timeside/doc/} + doctest
+ \item Amélioration du code des grapheurs
+ \item Amélioration du code et des fonctionnalités des décodeurs : support de segment d'audio, mise en mémoire de l'audio pour le rejouer \emph{hors-ligne}
+ \item Amélioration du code et des fonctionnalités des analyseurs
+ \begin{itemize}\footnotesize
+ \item Mise en place d'un conteneur pour stocker et sérialiser (\emph{hdf5, yaml, json, xml}) les résultats des analyses et les annotations
+ \item Support de différents modes temporels et différents types de résultats
+ \item Ajout de la notion d'analyseurs \emph{Parents}
+ \item Ajout de méthodes pour générer les graphiques automatiquement (via \emph{matplotlib})
+ \end{itemize}
+ \item Mise en place d'un outil en ligne de commande : \texttt{timeside-launch}
+ \item Décodeur + Encodeur \emph{live}
+ \end{itemize}
+
+\end{block}
+\end{frame}
+\begin{frame}
+ \frametitle{Intégration des développements DIADEMS}
+ \begin{block}{IRIT}
+ \begin{itemize}
+ \item Détection de parole
+ \item Détection de musique
+ \item Segmentation monophonique/polyphonique
+ \end{itemize}
+ \end{block}
+ \begin{block}{LIMSI}
+ \begin{itemize}
+ \item Détecteur d'activité vocale (\emph{en cours})
+ \end{itemize}
+ \end{block}
+ \begin{block}{Perspectives}
+ \begin{itemize}
+ \item Mise en place d'une architecture permettant une plus grande complexité des algorithmes (partage de ressources, forward-backward, modèles d'apprentissage, ...)
+ \item Ajout de quelques outils d'analyse (Parisson) :
+ \begin{itemize}
+ \item Détection de percussions,
+ \item Séparation de sources aveugle : percussion / mélodie
+ \item Estimation du tempo, estimation des temps
+ \item Nouvelles représentation Temps-Fréquences
+ \end{itemize}
+
+ \end{itemize}
+
+ \end{block}
+\end{frame}
+\begin{frame}
+\frametitle{Communications - Collaborations}
+\begin{block}{Conférences - Démonstration de Telemeta-Timeside}
+ \begin{itemize}
+ \item Conférence \emph{Computer Music Multidisciplinary Research} - CMMR 2013 - Marseilles
+ \item Conférence \emph{Audio Engineering Society} AES-53, "Semantic Audio", 2014 - Londres
+ \end{itemize}
+\end{block}
+\begin{block}{Contact - Collaborations extérieures}
+ \begin{itemize}
+ \item IRCAM : Projet Wave, \emph{Web Audio Visualisation/Edition} : \url{http://wave.ircam.fr/}
+ \item Londres : Queen Mary University, BBC R\&D
+ \item Barcelone : UPF (Xavier Serra) : Projet CompMusic, \emph{Computational models for the discovery of the World’s Music}
+ \item Bioacoustique : Univ. Toulon Sud (Hervé Glotin), MNHM (Jérôme Sueur), LAM (Olivier Adam) : Projet SABIOD, \url{http://sabiod.telemeta.org/}
+ \end{itemize}
+\end{block}
+\end{frame}
+
+\begin{frame}
+\frametitle{Telemeta}
+ \begin{flushleft}
+ \includegraphics[width=0.2\textwidth]{img/logo_telemeta_1-1.pdf} \hfill
+ \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
+ \end{flushleft}
+ \begin{block}{Développement en cours}
+ \begin{itemize}
+ \item Annotation par segments
+ \item Importation d'annotations externes (Elan, transcriber)
+ \item Zoom en temps
+ \item Lecteur :
+ \begin{itemize}
+ \item Support de Web Audio API, HTML5
+ \item Synchronisation lecteur - annotation - analyses
+ \end{itemize}
+ \item Visualisation des analyses et segmentations issues de Timeside
+ \end{itemize}
+ \end{block}
+ \begin{block}{Perspectives}
+ \begin{itemize}
+ \item Extraire une partie des outils web de Telemeta vers Timeside
+ \item Zoom en fréquence
+ \item Annotation Temps-Fréquence
+ \item Utilisation de \emph{Pyannote} (Hervé bredin, LIMSI)
+ \end{itemize}
+ \end{block}
+\end{frame}
+\part{Annexe}
+\begin{frame}
+ \frametitle{Annexe}
+
+\end{frame}
+\begin{frame}
+\frametitle{Conférences à venir}
+\begin{itemize}
+\item 45th IASA (International Association of Sound and Audiovisual Archives) Annual Conference : ``\emph{Connecting Cultures: Content, Context, and Collaboration}'' :\\
+\alert{Soumission : 28 février 2014} \\
+\url{http://2014.iasa-web.org}
+\item 4th International Workshop on Folk Music Analysis :\\
+\alert{Soumission : 17 février 2014} \\
+\url{http://www.cmpe.boun.edu.tr/fma2014/}
+\end{itemize}
+\end{frame}
+
+
+\begin{frame}\tiny
+ \frametitle{Processeurs}
+ \begin{minipage}{0.45\linewidth}
+
+ \begin{block}{IDecoder}
+ \begin{itemize}
+ \item FileDecoder \texttt{[gst\_dec]}
+ \item \alert{ArrayDecoder} \texttt{[array\_dec]}
+ \end{itemize}
+ \end{block}
+ \begin{block}{IAnalyzer}
+ \begin{itemize}
+ \item Level \texttt{[level]}
+ \item MeanDCShift \texttt{[mean\_dc\_shift]}
+ \item AubioTemporal \texttt{[aubio\_temporal]}
+ \item AubioPitch \texttt{[aubio\_pitch]}
+ \item AubioMfcc \texttt{[aubio\_mfcc]}
+ \item AubioMelEnergy \texttt{[aubio\_melenergy]}
+ \item AubioSpecdesc \texttt{[aubio\_specdesc]}
+ \item \alert{Yaafe} \texttt{[yaafe]}
+ \item \alert{Spectrogram} \texttt{[spectrogram\_analyzer]}
+ \item \alert{Waveform} \texttt{[waveform\_analyzer]}
+ \item \alert{VampSimpleHost} \texttt{[vamp\_simple\_host]}
+ \item \alert{IRITSpeechEntropy} \texttt{[irit\_speech\_entropy]}
+ \item \alert{IRITSpeech4Hz} \texttt{[irit\_speech\_4hz]}
+ \item \alert{OnsetDetectionFunction} \texttt{[odf]}
+ \end{itemize}
+ \end{block}
+ \end{minipage} \hfill
+ \begin{minipage}{0.5\linewidth}
+ \begin{block}{IEncoder}
+ \begin{itemize}
+ \item VorbisEncoder \texttt{[gst\_vorbis\_enc]}
+ \item WavEncoder \texttt{[gst\_wav\_enc]}
+ \item Mp3Encoder \texttt{[gst\_mp3\_enc]}
+ \item FlacEncoder \texttt{ [gst\_flac\_enc]}
+ \item AacEncoder \texttt{[gst\_aac\_enc]}
+ \item WebMEncoder \texttt{[gst\_webm\_enc]}
+ \end{itemize}
+ \end{block}
+ \begin{block}{IGrapher}
+ \begin{itemize}
+ \item Waveform \texttt{[waveform\_simple]}
+ \item WaveformCentroid \texttt{[waveform\_centroid]}
+ \item \alert{WaveformTransparent} \texttt{[waveform\_transparent]}
+ \item WaveformContourBlack \texttt{[waveform\_contour\_black]}
+ \item WaveformContourWhite \texttt{[waveform\_contour\_white]}
+ \item SpectrogramLog \texttt{[spectrogram\_log]}
+ \item \alert{SpectrogramLinear} \texttt{[spectrogram\_linear]}
+ \end{itemize}
+ \end{block}
+ \end{minipage}
+
+\end{frame}
+\begin{frame}
+
+
+ \frametitle{Principales nouveautés}
+ \begin{block}{}
+ \begin{itemize}
+ \item Version 0.5.2
+ \item Mise en place d'une documentation :
+ \url{http://files.parisson.com/timeside/doc/}
+
+ \item Installation par paquets Debian (Timeside + Aubio + Yaafe)
+ pour Debian Stable 7.0 Wheezy
+ \url{https://github.com/yomguy/TimeSide\#install}
+ \item Outil en \emph{ligne de commande} : \texttt{timeside-launch}
+ \item Décodeur : possibilité de lire un \alert{segment} de fichier audio
+ \end{itemize}
+ \end{block}
+ \begin{block}{Analyseurs - Sauvegarde des résultats}
+ \begin{itemize}
+ \item Amélioration de la sérialisation des resultats (xml, json,
+ yaml, \alert{numpy}, \alert{hdf5})
+ \item Ajout de fonctionnalités et \emph{Réusinage} de code en prévision de l'intégration de méthodes d'analyse automatique
+ \item Notion d'analyseur " \emph{parent} "
+ \end{itemize}
+
+ \end{block}
+\end{frame}
+
+\begin{frame}{Extraction de descripteurs audio}
+
+ \begin{block}{Extraction de descripteurs audio}
+TimeSide incorpore des bibliothèques d'extraction de descripteurs audio de référence :
+\vspace{-0.1cm}
+\begin{itemize} \tiny
+\item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+\vspace{-0.1cm}
+\item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+\vspace{-0.1cm}
+\item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+\end{itemize}
+\alert{A partir de ses descripteurs, les analyses automatiques pour chaque item d'une collection peuvent être mises en place}\\
+$\longrightarrow$ Intégration des premiers analyseurs ``DIADEMS'' : Détecteurs de segments de paroles (IRIT)
+
+\end{block}
+\begin{block}{}
+ Formalisation de différents types de résultats :
+ \begin{itemize}
+ \item time\_mode : \texttt{global, event, segment, framewise}
+ \item data\_mode : \texttt{value, label}
+ \end{itemize}
+\end{block}
+\end{frame}
+
+\begin{frame}[fragile]
+ \begin{block}{TimeSide - Dépôt Github}
+ \begin{center}\scriptsize
+ \colorbox{yellow!50}{\bf \hskip3ex
+ \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+ \end{center}
+3 branches principales :
+ \begin{itemize}
+ \item master (0.5.2)
+ \item dev
+ \item \alert{diadems} $\longleftarrow$ \emph{vos précieuses contributions}
+ \end{itemize}
+ \end{block}
+ \begin{block}{Installation}
+\url{https://github.com/yomguy/TimeSide\#install}
+ \begin{itemize}
+ \item Installation des dépendances :
+\begin{lstlisting}[language=bash, basicstyle=\TINY]
+$ echo "deb http://debian.parisson.com/debian/ stable main" |
+$ sudo tee -a /etc/apt/sources.list
+$ echo "deb-src http://debian.parisson.com/debian/ stable main" | sudo tee -a /etc/apt/sources.list
+$ sudo apt-get update
+$ sudo apt-get install git
+$ sudo apt-get build-dep python-timeside
+\end{lstlisting}
+
+ \item Installation depuis le dépôt \emph{Github} :
+\begin{lstlisting}[language=bash, basicstyle=\TINY]
+$ git clone https://github.com/yomguy/TimeSide.git
+$ cd TimeSide
+$ git checkout dev
+$ export PYTHONPATH=$PYTHONPATH:`pwd`
+$ python tests/run_all_tests
+\end{lstlisting}
+\end{itemize}
+\end{block}
+\end{frame}
+
+\begin{frame}
+\frametitle{Détecteur de parole IRIT (4Hz modulation)}
+\begin{center}
+\includegraphics[width=0.8\linewidth]{img/irit_speech4hz}\\
+\href{sounds/CNRSMH_I_2013_202_001_06.mp3}{CNRSMH\_I\_2013\_202\_001\_06}
+\end{center}
+\end{frame}
+\begin{frame}\frametitle{Aubio Pitch + Aubio Beat}
+ \begin{center}
+\includegraphics[width=1.1\linewidth]{img/aubio_pitch_beat.png}\\
+\href{sounds/CNRSMH_E_1985_001_001_001_04.mp3}{CNRSMH\_E\_1985\_001\_001\_001\_04}
+\end{center}
+\end{frame}
+
+\end{document}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
--- /dev/null
+\documentclass[10pt, final, hyperref, table]{beamer}
+\mode<presentation>
+
+
+ %\usepackage[english]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+ \usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ?
+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+\usepackage{multimedia} % For playing sound
+% Define hyperlinks color
+\definecolor{links}{HTML}{2A1B81}
+\hypersetup{colorlinks,linkcolor=,urlcolor=links}
+
+\usetheme{Warsaw}
+\setbeamercovered{transparent}
+
+
+% telemeta red
+\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
+\usecolortheme[rgb={0.41568, 0.01176, 0.02745}]{structure}
+
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{0.95,0.95,1}
+\lstset{%
+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ frameround=tttt,
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\tiny, % the size of the fonts that are used for the code
+ stringstyle=\ttfamily, % typewriter type for strings
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+\title[TimeSide]{TimeSide\\\emph{ Open web audio processing framework}}
+
+\author{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}}
+
+
+\institute[Parisson]{
+ \inst{1}%
+ Parisson, Paris, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
+\vskip1ex
+ \begin{center}
+ \includegraphics[width=.5\linewidth]{img/parisson_logo_FINALE_com.pdf}
+ \end{center}
+}
+\date{DIADEMS - Conclusions 2013 \\ 11/12/2013}
+
+\begin{document}
+\begin{frame}
+ \maketitle
+\end{frame}
+
+\begin{frame}
+ \frametitle{TimeSide - Objectifs}\scriptsize
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+\begin{block}{We just need a python library to:}
+
+ \begin{itemize}
+
+ \item \alert{Do} asynchronous and fast audio processing with Python,
+ \item \alert{Decode} audio frames from ANY format into numpy arrays,
+ \item \alert{Analyze} audio content with some state-of-the-art audio feature extraction libraries,
+ \item \alert{Organize}, serialize and save analysis metadata through various formats,
+ \item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers,
+ \item \alert{Transcode} audio data in various media formats and stream them through web apps,
+ \item \alert{Playback} and \alert{interact} on demand through a smart high-level HTML5 extensible player,
+ \item \alert{Index}, \alert{tag} and \alert{organize semantic metadata} (see \href{http://telemeta.org/}{Telemeta} which embeds TimeSide).
+ \end{itemize}
+ \begin{flushright}
+ \includegraphics[width=0.2\textwidth]{img/logo_telemeta_1-1.pdf}\\
+ \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
+ \end{flushright}
+\end{block}
+\end{frame}
+
+\begin{frame}
+ \frametitle{Architecture du moteur TimeSide}
+ \begin{center}
+ \includegraphics[width=\textwidth]{img/timeside_schema.png}
+ \end{center}
+\end{frame}
+\begin{frame}\tiny
+ \frametitle{Processeurs}
+ \begin{minipage}{0.45\linewidth}
+
+ \begin{block}{IDecoder}
+ \begin{itemize}
+ \item FileDecoder \texttt{[gst\_dec]}
+ \item \alert{ArrayDecoder} \texttt{[array\_dec]}
+ \end{itemize}
+ \end{block}
+ \begin{block}{IAnalyzer}
+ \begin{itemize}
+ \item Level \texttt{[level]}
+ \item MeanDCShift \texttt{[mean\_dc\_shift]}
+ \item AubioTemporal \texttt{[aubio\_temporal]}
+ \item AubioPitch \texttt{[aubio\_pitch]}
+ \item AubioMfcc \texttt{[aubio\_mfcc]}
+ \item AubioMelEnergy \texttt{[aubio\_melenergy]}
+ \item AubioSpecdesc \texttt{[aubio\_specdesc]}
+ \item \alert{Yaafe} \texttt{[yaafe]}
+ \item \alert{Spectrogram} \texttt{[spectrogram\_analyzer]}
+ \item \alert{Waveform} \texttt{[waveform\_analyzer]}
+ \item \alert{VampSimpleHost} \texttt{[vamp\_simple\_host]}
+ \item \alert{IRITSpeechEntropy} \texttt{[irit\_speech\_entropy]}
+ \item \alert{IRITSpeech4Hz} \texttt{[irit\_speech\_4hz]}
+ \item \alert{OnsetDetectionFunction} \texttt{[odf]}
+ \end{itemize}
+ \end{block}
+ \end{minipage} \hfill
+ \begin{minipage}{0.5\linewidth}
+ \begin{block}{IEncoder}
+ \begin{itemize}
+ \item VorbisEncoder \texttt{[gst\_vorbis\_enc]}
+ \item WavEncoder \texttt{[gst\_wav\_enc]}
+ \item Mp3Encoder \texttt{[gst\_mp3\_enc]}
+ \item FlacEncoder \texttt{ [gst\_flac\_enc]}
+ \item AacEncoder \texttt{[gst\_aac\_enc]}
+ \item WebMEncoder \texttt{[gst\_webm\_enc]}
+ \end{itemize}
+ \end{block}
+ \begin{block}{IGrapher}
+ \begin{itemize}
+ \item Waveform \texttt{[waveform\_simple]}
+ \item WaveformCentroid \texttt{[waveform\_centroid]}
+ \item \alert{WaveformTransparent} \texttt{[waveform\_transparent]}
+ \item WaveformContourBlack \texttt{[waveform\_contour\_black]}
+ \item WaveformContourWhite \texttt{[waveform\_contour\_white]}
+ \item SpectrogramLog \texttt{[spectrogram\_log]}
+ \item \alert{SpectrogramLinear} \texttt{[spectrogram\_linear]}
+ \end{itemize}
+ \end{block}
+ \end{minipage}
+
+\end{frame}
+\begin{frame}
+ \frametitle{Principales nouveautés}
+ \begin{block}{}
+ \begin{itemize}
+ \item Version 0.5.2
+ \item Mise en place d'une documentation :
+ \url{http://files.parisson.com/timeside/doc/}
+
+ \item Installation par paquets Debian (Timeside + Aubio + Yaafe)
+ pour Debian Stable 7.0 Wheezy
+ \url{https://github.com/yomguy/TimeSide\#install}
+ \item Outil en \emph{ligne de commande} : \texttt{timeside-launch}
+ \item Décodeur : possibilité de lire un \alert{segment} de fichier audio
+ \end{itemize}
+ \end{block}
+ \begin{block}{Analyseurs - Sauvegarde des résultats}
+ \begin{itemize}
+ \item Amélioration de la sérialisation des resultats (xml, json,
+ yaml, \alert{numpy}, \alert{hdf5})
+ \item Ajout de fonctionnalités et \emph{Réusinage} de code en prévision de l'intégration de méthodes d'analyse automatique
+ \item Notion d'analyseur " \emph{parent} "
+ \end{itemize}
+
+ \end{block}
+\end{frame}
+
+\begin{frame}{Extraction de descripteurs audio}
+
+ \begin{block}{Extraction de descripteurs audio}
+TimeSide incorpore des bibliothèques d'extraction de descripteurs audio de référence :
+\vspace{-0.1cm}
+\begin{itemize} \tiny
+\item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+\vspace{-0.1cm}
+\item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+\vspace{-0.1cm}
+\item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+\end{itemize}
+\alert{A partir de ses descripteurs, les analyses automatiques pour chaque item d'une collection peuvent être mises en place}\\
+$\longrightarrow$ Intégration des premiers analyseurs ``DIADEMS'' : Détecteurs de segments de paroles (IRIT)
+
+\end{block}
+\begin{block}{}
+ Formalisation de différents types de résultats :
+ \begin{itemize}
+ \item time\_mode : \texttt{global, event, segment, framewise}
+ \item data\_mode : \texttt{value, label}
+ \end{itemize}
+\end{block}
+\end{frame}
+
+\begin{frame}[fragile]
+ \begin{block}{TimeSide - Dépôt Github}
+ \begin{center}\scriptsize
+ \colorbox{yellow!50}{\bf \hskip3ex
+ \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+ \end{center}
+3 branches principales :
+ \begin{itemize}
+ \item master (0.5.2)
+ \item dev
+ \item \alert{diadems} $\longleftarrow$ \emph{vos précieuses contributions}
+ \end{itemize}
+ \end{block}
+ \begin{block}{Installation}
+\url{https://github.com/yomguy/TimeSide\#install}
+ \begin{itemize}
+ \item Installation des dépendances :
+\begin{lstlisting}[language=bash, basicstyle=\TINY]
+$ echo "deb http://debian.parisson.com/debian/ stable main" |
+$ sudo tee -a /etc/apt/sources.list
+$ echo "deb-src http://debian.parisson.com/debian/ stable main" | sudo tee -a /etc/apt/sources.list
+$ sudo apt-get update
+$ sudo apt-get install git
+$ sudo apt-get build-dep python-timeside
+\end{lstlisting}
+
+ \item Installation depuis le dépôt \emph{Github} :
+\begin{lstlisting}[language=bash, basicstyle=\TINY]
+$ git clone https://github.com/yomguy/TimeSide.git
+$ cd TimeSide
+$ git checkout dev
+$ export PYTHONPATH=$PYTHONPATH:`pwd`
+$ python tests/run_all_tests
+\end{lstlisting}
+\end{itemize}
+\end{block}
+\end{frame}
+
+\begin{frame}[fragile]
+ \begin{block}{Exemple de code (Python)}
+ \vskip1ex
+ \begin{minipage}{0.6\linewidth}
+ \begin{lstlisting}
+import timeside
+
+# Define some processors:
+
+# Decoder
+decoder = timeside.decoder.FileDecoder('sweep.wav')
+
+# Analyzers
+analyzer = timeside.analyzer.Level()
+irit4hz = timeside.analyzer.IRITSpeech4Hz()
+
+# Grapher and Encoder
+grapher = timeside.grapher.Spectrogram()
+encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
+
+# Then, the magic pipeline:
+(decoder | analyzer | irit4hz | grapher | encoder).run()
+
+# Get the results:
+grapher.render(output='image.png')
+for key in analyzer.results.keys():
+ print '%s in %s : %s'% (analyzer.results[key].name,
+ analyzer.results[key].unit,
+ analyzer.results[key].data)
+ \end{lstlisting}
+ \end{minipage}
+ \hskip2ex
+ \begin{minipage}{0.32\linewidth}
+ \begin{center}
+ \textbf{Results}
+ \begin{figure}
+ \centering
+ \includegraphics[width=\linewidth]{img/spectrogram.png}
+ \caption{Spectrogram (sweep signal)}
+ \end{figure}
+ \end{center}
+ \vskip5ex
+ \begin{lstlisting}
+Level Analyzer Max:[-6.021]
+Level Analyzer RMS:[-9.856]
+ \end{lstlisting}
+ \end{minipage}
+ \end{block}
+\end{frame}
+
+\begin{frame}
+\frametitle{Détecteur de parole IRIT (4Hz modulation)}
+\begin{center}
+\includegraphics[width=0.8\linewidth]{img/irit_speech4hz}\\
+\href{sounds/CNRSMH_I_2013_202_001_06.mp3}{CNRSMH\_I\_2013\_202\_001\_06}
+\end{center}
+\end{frame}
+\begin{frame}\frametitle{Aubio Pitch + Aubio Beat}
+ \begin{center}
+\includegraphics[width=1.1\linewidth]{img/aubio_pitch_beat.png}\\
+\href{sounds/CNRSMH_E_1985_001_001_001_04.mp3}{CNRSMH\_E\_1985\_001\_001\_001\_04}
+\end{center}
+\end{frame}
+\end{document}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
--- /dev/null
+<map version="0.9.0">
+<!--To view this file, download free mind mapping software Freeplane from http://freeplane.sourceforge.net -->
+<attribute_registry>
+ <attribute_name VISIBLE="true" MANUAL="true" NAME="Définition"/>
+</attribute_registry>
+<node TEXT="Thésaurus" ID="ID_532826149" CREATED="1394091166451" MODIFIED="1394091197721">
+<hook NAME="MapStyle" max_node_width="600"/>
+<node TEXT="Téléméta" POSITION="right" ID="ID_1907771983" CREATED="1394091199774" MODIFIED="1394702485101" HGAP="19" VSHIFT="-40">
+<cloud WIDTH="0"/>
+<node TEXT="Fonds" ID="ID_960548034" CREATED="1394701547412" MODIFIED="1394704857407">
+<font BOLD="false"/>
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition: Ensemble d'enregistrements sonores regroupés par chercheur ou par projet
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Corpus" ID="ID_1424607752" CREATED="1394701901291" MODIFIED="1394703008291">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Sous-catégorie à l'intérieur de chaque Fonds
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Collection" ID="ID_1815254521" CREATED="1394701905038" MODIFIED="1394703021544">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Sous-catégorie à l'intérieur de chaque Corpus
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Item" ID="ID_957610735" CREATED="1394701909160" MODIFIED="1394703025925">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Unité désignant un enregistrement sonore accompagné d'une fiche descriptive
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+</node>
+<node TEXT="Bruits Techniques" POSITION="right" ID="ID_1366572370" CREATED="1394091204542" MODIFIED="1394702501516" HGAP="31" VSHIFT="-17">
+<cloud WIDTH="0"/>
+<node TEXT="Cloc" ID="ID_504181020" CREATED="1394703318365" MODIFIED="1394703362377">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ « Plop » caractéristique du démarrage et arrêt magnéto à bande type Nagra (magnetic tape thump) ou du démarrage et arrêt du cylindre ou des débuts et fins de gravure directe/lecture des disques noirs.
+ </p>
+ <p>
+ Son bref et très basse fréquence
+ </p>
+ <p>
+
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Démarrage de bande" ID="ID_1229394196" CREATED="1394703362368" MODIFIED="1394703390895">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ 1/x
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Caractéristique du re-démarrage de magnéto à bande type Nagra, caractérisé par la baisse rapide de toutes les fréquences ; le nom « 1/x » désigne la forme des courbes de fréquence visualisée sur un spectrogramme.
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Blanc" ID="ID_88046536" CREATED="1394703391684" MODIFIED="1394703414129"/>
+<node TEXT="Drop Out" ID="ID_1094527924" CREATED="1394703414624" MODIFIED="1394703419517"/>
+<node TEXT="Glitch" ID="ID_1509653261" CREATED="1394703420984" MODIFIED="1394703431673"/>
+<node TEXT="Crack(le)" ID="ID_574822309" CREATED="1394703432925" MODIFIED="1394703437881"/>
+<node TEXT="Saturation" ID="ID_211186799" CREATED="1394703438814" MODIFIED="1394703441533"/>
+<node TEXT="Variation de niveau" ID="ID_1764168812" CREATED="1394703442577" MODIFIED="1394703447736"/>
+<node TEXT="Choc micro" ID="ID_516384703" CREATED="1394703448581" MODIFIED="1394703465149"/>
+<node TEXT="Frottement de câble" ID="ID_1144048427" CREATED="1394703466329" MODIFIED="1394703472872"/>
+<node TEXT="Vent" ID="ID_1572879520" CREATED="1394703473709" MODIFIED="1394703476576"/>
+</node>
+<node TEXT="Voix" POSITION="right" ID="ID_27126464" CREATED="1394091260984" MODIFIED="1394702504696">
+<cloud WIDTH="0"/>
+<node TEXT="Catégories" ID="ID_1748629247" CREATED="1394703545888" MODIFIED="1394703558101">
+<node TEXT="Parlé" ID="ID_891549416" CREATED="1394703570381" MODIFIED="1394703713185">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Production vocale dont la fréquence fondamentale varie généralement rapidement sur de très faibles intervalles
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Chanté" ID="ID_1681609345" CREATED="1394703582700" MODIFIED="1394703695524">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Émission vocale aux syllabes allongées, à la voix "posée" et produisant généralement des hauteurs de son ordonnées selon des règles préétablies. La position du premier formant vocalique est importante pour la perception de la qualité de la voix chantée.
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Récité" ID="ID_1062285834" CREATED="1394703601137" MODIFIED="1394703686202">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Prononciation d'un texte à haute voix. Se différencie du parlé par une unité de souffle plus longue et plus régulière(?)
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Scandé" ID="ID_51580166" CREATED="1394703605459" MODIFIED="1394703670344">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Forte ponctuation/articulation des syllabes et forte variation de l'intensité ; allongement des syllabes souvent intégrées dans un schème rythmique.
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Psalmodié" ID="ID_1051291896" CREATED="1394703617428" MODIFIED="1394703663406">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Énonciation des paroles sur une seule fréquence ou un ambitus très restreint (proche du recto-tono)
+ </p>
+ <p>
+ Edit
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Clamé" ID="ID_115239030" CREATED="1394703627176" MODIFIED="1394703652254">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Émission brève et avec accentuation d'intensité de voyelles (interjections qui ponctuent le discours)
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Clameur" ID="ID_1439040662" CREATED="1394703631101" MODIFIED="1394703647342">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Expression vocale collective courte se situant entre le chanté et le parlé
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+</node>
+<node TEXT="Techniques vocales" ID="ID_1449179674" CREATED="1394091383769" MODIFIED="1394701876915" HGAP="26" VSHIFT="-9">
+<node TEXT="Mécanisme 1" ID="ID_268676012" CREATED="1394703725934" MODIFIED="1394703745350">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Vibration de toute la masse musculaire des cordes vocales (voix de poitrine)
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Mécanisme 2" ID="ID_588015901" CREATED="1394703745720" MODIFIED="1394703759087">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Vibration des muscles (long) des cordes vocales (voix de tête, fausset, falsetto)
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Yodel" ID="ID_640434408" CREATED="1394703759871" MODIFIED="1394703773200">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Alternance rapide entre M1 et M2, produisant des sauts mélodique, accompagnée d'une alternance entre voyelles ouvertes et voyelles fermées. L'alternance grave-aigu entraîne une modification de timbre et de l'intensité.
+ </p>
+ <p>
+ Edit
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+</node>
+<node TEXT="Paramètres vocaux" ID="ID_959205525" CREATED="1394091391353" MODIFIED="1394703889024" HGAP="23" VSHIFT="22">
+<node TEXT="Timbre Vocal" ID="ID_955056793" CREATED="1394703792566" MODIFIED="1394703937616">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Qualité spécifique d'un son vocal produit indépendamment de sa hauteur, de son intensité et de sa durée.
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Energie" ID="ID_1161353897" CREATED="1394703804463" MODIFIED="1394703928830">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Intensité acoustique, mesurée au niveau de la puissance d'une onde sonore par unité de surface et exprimée en décibels.
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Tempo" ID="ID_454662034" CREATED="1394703873479" MODIFIED="1394703881072">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Vitesse d'exécution de la voix parlée ou chantée
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Débit" ID="ID_1460796061" CREATED="1394703807707" MODIFIED="1394703872237">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Nombre de noyaux vocaliques (ex : syllabes) par unité de temps
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Unité de souffle" ID="ID_766751396" CREATED="1394703812916" MODIFIED="1394703861385">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Unité de temps correspondant à la durée d'énonciation exécutée entre deux reprises de souffle.
+ </p>
+ <p>
+ Edit
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Profil d'intonation" ID="ID_162128031" CREATED="1394703995677" MODIFIED="1394704003340"/>
+<node TEXT="Contour mélodique" ID="ID_680763428" CREATED="1394704003851" MODIFIED="1394704009167"/>
+<node TEXT="Quantité vocalique" ID="ID_124837286" CREATED="1394704009838" MODIFIED="1394704016849"/>
+<node TEXT="Ambitus" ID="ID_875976742" CREATED="1394704017718" MODIFIED="1394704020889"/>
+<node TEXT="Tessiture" ID="ID_409635999" CREATED="1394704021903" MODIFIED="1394704024194"/>
+<node TEXT="Registre" ID="ID_1314714166" CREATED="1394704024730" MODIFIED="1394704034070"/>
+</node>
+</node>
+<node TEXT="Interaction entre plusieurs locuteurs ou chanteurs" POSITION="right" ID="ID_1707556496" CREATED="1394091264488" MODIFIED="1394701870124" HGAP="23" VSHIFT="45">
+<node TEXT="Tour de parole" ID="ID_1772822890" CREATED="1394704057021" MODIFIED="1394704061902"/>
+<node TEXT="Tour de chant" ID="ID_1091447920" CREATED="1394704062422" MODIFIED="1394704064864"/>
+<node TEXT="Partie" ID="ID_1992466431" CREATED="1394704065391" MODIFIED="1394704281695">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Concept musicologique : composante vocale produisant un énoncé mélodico-rythmique constitutif d'une polyphonie ou d'une alternance entre groupes.
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Superposition" ID="ID_76003571" CREATED="1394704068112" MODIFIED="1394704253276">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Simultanéité, au sein d'un même segment, de deux ou plusieurs locuteurs ou chanteurs ayant des énoncés différents.
+ </p>
+ <p>
+ Edit
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Tuilage" ID="ID_1848059243" CREATED="1394704071528" MODIFIED="1394704193263">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Recouvrement intentionnel et partiel entre deux groupes (locuteurs ou chanteurs) qui parlent ou chantent en alternance. Nécessité de prendre en compte ce qui se passe avant et après.
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Chevauchement" ID="ID_1980944125" CREATED="1394704082712" MODIFIED="1394704189717">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Recouvrement accidentel entre deux locuteurs ou deux groupes.
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Soliste" ID="ID_1309831322" CREATED="1394704087791" MODIFIED="1394704181363">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Groupe composé d'une seule voix.
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Choeur" ID="ID_679859633" CREATED="1394704091536" MODIFIED="1394704171512">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Groupe de plusieurs voix réalisant simultanément un même énoncé musical (monodie) ou plusieurs énoncés musicaux (polyphonie).
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Monodie" ID="ID_859468106" CREATED="1394704110581" MODIFIED="1394704154631">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Le chœur chanté à l'unisson.
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Polyphonie" ID="ID_62103223" CREATED="1394704114956" MODIFIED="1394704144557">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Le chœur se compose de plusieurs parties exécutées par une ou plusieurs voix.
+ </p>
+ <p>
+ Edit
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Hétérophonie" ID="ID_1255327717" CREATED="1394704119429" MODIFIED="1394704133251">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Le chœur chante un même énoncé musical mais le léger décalage temporel entre chaque voix qui compose le chœur crée une texture dense et hétérogène pendant l'exécution.
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+</node>
+<node TEXT="Instruments de musique" POSITION="right" ID="ID_1879360842" CREATED="1394091286078" MODIFIED="1394701865164" HGAP="23" VSHIFT="36">
+<node TEXT="Cordophone" ID="ID_1995139583" CREATED="1394704299729" MODIFIED="1394704302692"/>
+<node TEXT="Aérophone" ID="ID_302287263" CREATED="1394704303371" MODIFIED="1394704306275"/>
+<node TEXT="Idiophone" ID="ID_1927453365" CREATED="1394704307097" MODIFIED="1394704310088"/>
+<node TEXT="Membranophone" ID="ID_391426821" CREATED="1394704310695" MODIFIED="1394704315620"/>
+</node>
+<node TEXT="Paramètres musicaux" POSITION="right" ID="ID_1254563342" CREATED="1394091358897" MODIFIED="1394701862850" HGAP="22" VSHIFT="37">
+<node TEXT="Métrique (mesuré)" ID="ID_1798084162" CREATED="1394704342502" MODIFIED="1394704381825">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Les durées de la séquence sonore entretiennent des rapports strictement proportionnels dont le dénominateur commun est la pulsation prise comme étalon isochrone.
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Métrique (non mesuré)" ID="ID_861764463" CREATED="1394704383496" MODIFIED="1394704402901">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Toute segmentation du temps fondée sur un étalonnage régulier est impossible.
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Contour mélodique" ID="ID_699098834" CREATED="1394704403224" MODIFIED="1394704425612">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Forme réalisée par la succession des hauteurs des sons
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Tempo" ID="ID_84750349" CREATED="1394704426195" MODIFIED="1394704440634">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Vitesse d'exécution basée sur la vitesse de l'unité de temps isochrone
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Débit rythmique" ID="ID_220982544" CREATED="1394704441234" MODIFIED="1394704464941">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Nombre d'impacts par unité de temps
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+<node TEXT="Pause" ID="ID_364439590" CREATED="1394704465445" MODIFIED="1394704486884">
+<richcontent TYPE="NOTE">
+<html>
+ <head>
+
+ </head>
+ <body>
+ <p>
+ Définition
+ </p>
+ <p>
+
+ </p>
+ <p>
+ Silence entre zone sonore (vocale ou instrumentale) qui peut correspondre à : inspiration entre unité de souffle, silence volontaire, ambiance sonore (catégorie bruit)
+ </p>
+ </body>
+</html>
+</richcontent>
+</node>
+</node>
+<node TEXT="Traitement du signal sonore" POSITION="right" ID="ID_1460351178" CREATED="1394091367586" MODIFIED="1394701858001" HGAP="21" VSHIFT="47">
+<node TEXT="Segmentation sonore" ID="ID_1483778736" CREATED="1394704488089" MODIFIED="1394704518409"/>
+<node TEXT="Segment" ID="ID_1844262249" CREATED="1394704519000" MODIFIED="1394704521184"/>
+<node TEXT="Détection sonore" ID="ID_172222997" CREATED="1394704522101" MODIFIED="1394704525779"/>
+<node TEXT="Identification" ID="ID_216338684" CREATED="1394704534726" MODIFIED="1394704538291"/>
+<node TEXT="Trame" ID="ID_1514313924" CREATED="1394704539129" MODIFIED="1394704542557"/>
+<node TEXT="Groupe" ID="ID_507456451" CREATED="1394704548315" MODIFIED="1394704551933"/>
+<node TEXT="Vérification" ID="ID_885742748" CREATED="1394704553606" MODIFIED="1394704559155"/>
+</node>
+</node>
+</map>
--- /dev/null
+<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet href="treestyles.css" type="text/css"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN" "http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml"><!--This file has been created with toxhtml.xsl--><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8"/><title>Thésaurus</title><link rel="stylesheet" href="Thesaurus.html_files/treestyles.css" type="text/css"/><script type="text/javascript" src="Thesaurus.html_files/marktree.js">
+ </script></head><body><div class="basetop"><a href="#" onclick="expandAll(document.getElementById('base'))">Expand</a> -
+<a href="#" onclick="collapseAll(document.getElementById('base'))">Collapse</a></div><div id="base" class="basetext"><ul>
+ <li class="col" id="FMID_532826149FM"><div class="nodecontent">Thésaurus</div>
+ <ul class="subexp">
+ <li class="col" id="FMID_1907771983FM"><div class="nodecontent">Téléméta</div>
+ <ul class="subexp">
+ <li class="basic" id="FMID_960548034FM"><div class="boxed"><div class="nodecontent" style="">Fonds</div><div class="note-and-attributes"><span class="note"><p>
+ Définition: Ensemble d'enregistrements sonores regroupés par chercheur ou par projet
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_1424607752FM"><div class="boxed"><div class="nodecontent">Corpus</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Sous-catégorie à l'intérieur de chaque Fonds
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_1815254521FM"><div class="boxed"><div class="nodecontent">Collection</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Sous-catégorie à l'intérieur de chaque Corpus
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_957610735FM"><div class="boxed"><div class="nodecontent">Item</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Unité désignant un enregistrement sonore accompagné d'une fiche descriptive
+ </p></span></div></div></li></ul></li>
+ <li class="col" id="FMID_1366572370FM"><div class="nodecontent">Bruits Techniques</div>
+ <ul class="subexp">
+ <li class="basic" id="FMID_504181020FM"><div class="boxed"><div class="nodecontent">Cloc</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ « Plop » caractéristique du démarrage et arrêt magnéto à bande type Nagra (magnetic tape thump) ou du démarrage et arrêt du cylindre ou des débuts et fins de gravure directe/lecture des disques noirs.
+ </p><p>
+ Son bref et très basse fréquence
+ </p><p/></span></div></div></li>
+ <li class="basic" id="FMID_1229394196FM"><div class="boxed"><div class="nodecontent">Démarrage de bande</div><div class="note-and-attributes"><span class="note"><p>
+ 1/x
+ </p><p/><p>
+ Définition
+ </p><p/><p>
+ Caractéristique du re-démarrage de magnéto à bande type Nagra, caractérisé par la baisse rapide de toutes les fréquences ; le nom « 1/x » désigne la forme des courbes de fréquence visualisée sur un spectrogramme.
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_88046536FM"><div class="nodecontent">Blanc</div></li>
+ <li class="basic" id="FMID_1094527924FM"><div class="nodecontent">Drop Out</div></li>
+ <li class="basic" id="FMID_1509653261FM"><div class="nodecontent">Glitch</div></li>
+ <li class="basic" id="FMID_574822309FM"><div class="nodecontent">Crack(le)</div></li>
+ <li class="basic" id="FMID_211186799FM"><div class="nodecontent">Saturation</div></li>
+ <li class="basic" id="FMID_1764168812FM"><div class="nodecontent">Variation de niveau</div></li>
+ <li class="basic" id="FMID_516384703FM"><div class="nodecontent">Choc micro</div></li>
+ <li class="basic" id="FMID_1144048427FM"><div class="nodecontent">Frottement de câble</div></li>
+ <li class="basic" id="FMID_1572879520FM"><div class="nodecontent">Vent</div></li></ul></li>
+ <li class="col" id="FMID_27126464FM"><div class="nodecontent">Voix</div>
+ <ul class="subexp">
+ <li class="col" id="FMID_1748629247FM"><div class="nodecontent">Catégories</div>
+ <ul class="subexp">
+ <li class="basic" id="FMID_891549416FM"><div class="boxed"><div class="nodecontent">Parlé</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Production vocale dont la fréquence fondamentale varie généralement rapidement sur de très faibles intervalles
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_1681609345FM"><div class="boxed"><div class="nodecontent">Chanté</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Émission vocale aux syllabes allongées, à la voix "posée" et produisant généralement des hauteurs de son ordonnées selon des règles préétablies. La position du premier formant vocalique est importante pour la perception de la qualité de la voix chantée.
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_1062285834FM"><div class="boxed"><div class="nodecontent">Récité</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Prononciation d'un texte à haute voix. Se différencie du parlé par une unité de souffle plus longue et plus régulière(?)
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_51580166FM"><div class="boxed"><div class="nodecontent">Scandé</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Forte ponctuation/articulation des syllabes et forte variation de l'intensité ; allongement des syllabes souvent intégrées dans un schème rythmique.
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_1051291896FM"><div class="boxed"><div class="nodecontent">Psalmodié</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Énonciation des paroles sur une seule fréquence ou un ambitus très restreint (proche du recto-tono)
+ </p><p>
+ Edit
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_115239030FM"><div class="boxed"><div class="nodecontent">Clamé</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Émission brève et avec accentuation d'intensité de voyelles (interjections qui ponctuent le discours)
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_1439040662FM"><div class="boxed"><div class="nodecontent">Clameur</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Expression vocale collective courte se situant entre le chanté et le parlé
+ </p></span></div></div></li></ul></li>
+ <li class="col" id="FMID_1449179674FM"><div class="nodecontent">Techniques vocales</div>
+ <ul class="subexp">
+ <li class="basic" id="FMID_268676012FM"><div class="boxed"><div class="nodecontent">Mécanisme 1</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Vibration de toute la masse musculaire des cordes vocales (voix de poitrine)
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_588015901FM"><div class="boxed"><div class="nodecontent">Mécanisme 2</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Vibration des muscles (long) des cordes vocales (voix de tête, fausset, falsetto)
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_640434408FM"><div class="boxed"><div class="nodecontent">Yodel</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Alternance rapide entre M1 et M2, produisant des sauts mélodique, accompagnée d'une alternance entre voyelles ouvertes et voyelles fermées. L'alternance grave-aigu entraîne une modification de timbre et de l'intensité.
+ </p><p>
+ Edit
+ </p></span></div></div></li></ul></li>
+ <li class="exp" id="FMID_959205525FM"><div class="nodecontent">Paramètres vocaux</div>
+ <ul class="sub">
+ <li class="basic" id="FMID_955056793FM"><div class="boxed"><div class="nodecontent">Timbre Vocal</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Qualité spécifique d'un son vocal produit indépendamment de sa hauteur, de son intensité et de sa durée.
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_1161353897FM"><div class="boxed"><div class="nodecontent">Energie</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Intensité acoustique, mesurée au niveau de la puissance d'une onde sonore par unité de surface et exprimée en décibels.
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_454662034FM"><div class="boxed"><div class="nodecontent">Tempo</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Vitesse d'exécution de la voix parlée ou chantée
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_1460796061FM"><div class="boxed"><div class="nodecontent">Débit</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Nombre de noyaux vocaliques (ex : syllabes) par unité de temps
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_766751396FM"><div class="boxed"><div class="nodecontent">Unité de souffle</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Unité de temps correspondant à la durée d'énonciation exécutée entre deux reprises de souffle.
+ </p><p>
+ Edit
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_162128031FM"><div class="nodecontent">Profil d'intonation</div></li>
+ <li class="basic" id="FMID_680763428FM"><div class="nodecontent">Contour mélodique</div></li>
+ <li class="basic" id="FMID_124837286FM"><div class="nodecontent">Quantité vocalique</div></li>
+ <li class="basic" id="FMID_875976742FM"><div class="nodecontent">Ambitus</div></li>
+ <li class="basic" id="FMID_409635999FM"><div class="nodecontent">Tessiture</div></li>
+ <li class="basic" id="FMID_1314714166FM"><div class="nodecontent">Registre</div></li></ul></li></ul></li>
+ <li class="exp" id="FMID_1707556496FM"><div class="nodecontent">Interaction entre plusieurs locuteurs ou chanteurs</div>
+ <ul class="sub">
+ <li class="basic" id="FMID_1772822890FM"><div class="nodecontent">Tour de parole</div></li>
+ <li class="basic" id="FMID_1091447920FM"><div class="nodecontent">Tour de chant</div></li>
+ <li class="basic" id="FMID_1992466431FM"><div class="boxed"><div class="nodecontent">Partie</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Concept musicologique : composante vocale produisant un énoncé mélodico-rythmique constitutif d'une polyphonie ou d'une alternance entre groupes.
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_76003571FM"><div class="boxed"><div class="nodecontent">Superposition</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Simultanéité, au sein d'un même segment, de deux ou plusieurs locuteurs ou chanteurs ayant des énoncés différents.
+ </p><p>
+ Edit
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_1848059243FM"><div class="boxed"><div class="nodecontent">Tuilage</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Recouvrement intentionnel et partiel entre deux groupes (locuteurs ou chanteurs) qui parlent ou chantent en alternance. Nécessité de prendre en compte ce qui se passe avant et après.
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_1980944125FM"><div class="boxed"><div class="nodecontent">Chevauchement</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Recouvrement accidentel entre deux locuteurs ou deux groupes.
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_1309831322FM"><div class="boxed"><div class="nodecontent">Soliste</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Groupe composé d'une seule voix.
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_679859633FM"><div class="boxed"><div class="nodecontent">Choeur</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Groupe de plusieurs voix réalisant simultanément un même énoncé musical (monodie) ou plusieurs énoncés musicaux (polyphonie).
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_859468106FM"><div class="boxed"><div class="nodecontent">Monodie</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Le chœur chanté à l'unisson.
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_62103223FM"><div class="boxed"><div class="nodecontent">Polyphonie</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Le chœur se compose de plusieurs parties exécutées par une ou plusieurs voix.
+ </p><p>
+ Edit
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_1255327717FM"><div class="boxed"><div class="nodecontent">Hétérophonie</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Le chœur chante un même énoncé musical mais le léger décalage temporel entre chaque voix qui compose le chœur crée une texture dense et hétérogène pendant l'exécution.
+ </p></span></div></div></li></ul></li>
+ <li class="exp" id="FMID_1879360842FM"><div class="nodecontent">Instruments de musique</div>
+ <ul class="sub">
+ <li class="basic" id="FMID_1995139583FM"><div class="nodecontent">Cordophone</div></li>
+ <li class="basic" id="FMID_302287263FM"><div class="nodecontent">Aérophone</div></li>
+ <li class="basic" id="FMID_1927453365FM"><div class="nodecontent">Idiophone</div></li>
+ <li class="basic" id="FMID_391426821FM"><div class="nodecontent">Membranophone</div></li></ul></li>
+ <li class="col" id="FMID_1254563342FM"><div class="nodecontent">Paramètres musicaux</div>
+ <ul class="subexp">
+ <li class="basic" id="FMID_1798084162FM"><div class="boxed"><div class="nodecontent">Métrique (mesuré)</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Les durées de la séquence sonore entretiennent des rapports strictement proportionnels dont le dénominateur commun est la pulsation prise comme étalon isochrone.
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_861764463FM"><div class="boxed"><div class="nodecontent">Métrique (non mesuré)</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Toute segmentation du temps fondée sur un étalonnage régulier est impossible.
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_699098834FM"><div class="boxed"><div class="nodecontent">Contour mélodique</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Forme réalisée par la succession des hauteurs des sons
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_84750349FM"><div class="boxed"><div class="nodecontent">Tempo</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Vitesse d'exécution basée sur la vitesse de l'unité de temps isochrone
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_220982544FM"><div class="boxed"><div class="nodecontent">Débit rythmique</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Nombre d'impacts par unité de temps
+ </p></span></div></div></li>
+ <li class="basic" id="FMID_364439590FM"><div class="boxed"><div class="nodecontent">Pause</div><div class="note-and-attributes"><span class="note"><p>
+ Définition
+ </p><p/><p>
+ Silence entre zone sonore (vocale ou instrumentale) qui peut correspondre à : inspiration entre unité de souffle, silence volontaire, ambiance sonore (catégorie bruit)
+ </p></span></div></div></li></ul></li>
+ <li class="col" id="FMID_1460351178FM"><div class="nodecontent">Traitement du signal sonore</div>
+ <ul class="subexp">
+ <li class="basic" id="FMID_1483778736FM"><div class="nodecontent">Segmentation sonore</div></li>
+ <li class="basic" id="FMID_1844262249FM"><div class="nodecontent">Segment</div></li>
+ <li class="basic" id="FMID_172222997FM"><div class="nodecontent">Détection sonore</div></li>
+ <li class="basic" id="FMID_216338684FM"><div class="nodecontent">Identification</div></li>
+ <li class="basic" id="FMID_1514313924FM"><div class="nodecontent">Trame</div></li>
+ <li class="basic" id="FMID_507456451FM"><div class="nodecontent">Groupe</div></li>
+ <li class="basic" id="FMID_885742748FM"><div class="nodecontent">Vérification</div></li></ul></li></ul></li></ul></div></body></html>
\ No newline at end of file
--- /dev/null
+/* MarkTree JavaScript code\r\r
+ * \r\r
+ * The contents of this file are subject to the Mozilla Public License Version\r\r
+ * 1.1 (the "License"); you may not use this file except in compliance with\r\r
+ * the License. You may obtain a copy of the License at\r\r
+ * http://www.mozilla.org/MPL/\r\r
+ *\r\r
+ * Software distributed under the License is distributed on an "AS IS" basis,\r\r
+ * WITHOUT WARRANTY OF ANY KIND, either express or implied. See the License\r\r
+ * for the specific language governing rights and limitations under the\r\r
+ * License.\r\r
+ * \r\r
+ * Miika Nurminen, 12.7.2004.\r\r
+ */\r\r
+\r\r
+/* cross-browser (tested with ie5, mozilla 1 and opera 5) keypress detection */\r\r
+function get_keycode(evt) {\r\r
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+\r\r
+// up, left, down, right, keypress codes\r\r
+//ijkl\r\r
+//var keys = new Array(105,106,107,108);\r\r
+//num arrows\r\r
+//var keys = new Array(56,52,50,54);\r\r
+//wasd\r\r
+// var press2 = new Array(119,97,115,100);\r\r
+ var press = new Array(47,45,42,43);\r\r
+\r\r
+// keydown codes\r\r
+ // var keys2=new Array(87,65,83,68);\r\r
+ var keys= new Array(38,37,40,39);\r\r
+\r\r
+ // keyset 1 = keydown, otherwise press\r\r
+function checkup(keyset,n) {\r\r
+ if (keyset==1) return (n==keys[0]);\r\r
+ return ((n==press[0]) /*|| (n==press2[0])*/)\r\r
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+\r\r
+function checkdn(keyset,n) {\r\r
+ if (keyset==1) return (n==keys[2]);\r\r
+ return ((n==press[2]) /*|| (n==press2[2])*/)\r\r
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+\r\r
+function checkl(keyset,n) {\r\r
+ if (keyset==1) return (n==keys[1]);\r\r
+ return ((n==press[1]) /*|| (n==press2[1])*/)\r\r
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+\r\r
+function checkr(keyset,n) {\r\r
+ if (keyset==1) return (n==keys[3]);\r\r
+ return ((n==press[3]) /*|| (n==press2[3])*/)\r\r
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+\r\r
+\r\r
+\r\r
+\r\r
+\r\r
+function is_exp(n) {\r\r
+ if (n==null) return false;\r\r
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+\r\r
+function toggle_class(node) {\r\r
+ if ((node==null) || (node.className==null)) return;\r\r
+ str=node.className;\r\r
+ result="";\r\r
+ i = str.indexOf('_active');\r\r
+ if (i>0)\r\r
+ result= str.substr(0,i);\r\r
+ else\r\r
+ result= str+"_active";\r\r
+ node.className=result; \r\r
+ return node;\r\r
+}\r\r
+\r\r
+function activate(node) {\r\r
+ node.style.backgroundColor='#eeeeff';\r\r
+}\r\r
+\r\r
+function deactivate(node) {\r\r
+ node.style.backgroundColor='#ffffff';\r\r
+}\r\r
+\r\r
+function is_list_node(n) {\r\r
+ if (n==null) return false;\r\r
+ if (n.className==null) return false;\r\r
+ if ( (is_exp(n)) || \r\r
+ (is_col(n)) ||\r\r
+ (is_basic(n)) )\r\r
+ return true; else return false;\r\r
+}\r\r
+\r\r
+\r\r
+function get_href(n) {\r\r
+ alist=n.attributes;\r\r
+ if (alist!=null) {\r\r
+ hr = alist.getNamedItem('href');\r\r
+ if (hr!=null) return hr.nodeValue;\r\r
+ }\r\r
+ if (n.childNodes.length==0) return '';\r\r
+ for (var i=0; i<n.childNodes.length; i++) {\r\r
+ s = get_href(n.childNodes[i]);\r\r
+ if (s!='') return s;\r\r
+ }\r\r
+ return '';\r\r
+}\r\r
+\r\r
+function get_link(n) {\r\r
+ if (n==null) return null;\r\r
+ if (n.style==null) return null;\r\r
+\r\r
+ // disabling uncontrolled recursion to prevent error messages on IE\r\r
+ // when trying to focus to invisible links (readonly mode)\r\r
+// alert(n.nodeName+' '+n.className);\r\r
+ if ((n.nodeName=='UL') && (n.className=='sub')) return null;\r\r
+\r\r
+ if (n.nodeName=='A') return n;\r\r
+ if (n.childNodes.length==0) return null;\r\r
+ for (var i=0; i<n.childNodes.length; i++) {\r\r
+ s = get_link(n.childNodes[i]);\r\r
+ if (s!=null) return s;\r\r
+ }\r\r
+ return null;\r\r
+}\r\r
+\r\r
+function set_lastnode(n) {\r\r
+/*var d = new Date();\r\r
+var t_mil = d.getMilliseconds();*/\r\r
+// testattu nopeuksia explorerilla, ei merkittäviä eroja\r\r
+ if (lastnode==n) return; \r\r
+/* deactivate(lastnode)\r\r
+ lastnode=n;\r\r
+ activate(lastnode);*/\r\r
+\r\r
+ if (is_active(lastnode)>=0)\r\r
+ toggle_class(lastnode);\r\r
+ lastnode=n;\r\r
+ if (!(is_active(lastnode)>=0))\r\r
+ toggle_class(lastnode);\r\r
+\r\r
+\r\r
+/*var d2 = new Date();\r\r
+var t_mil2 = d2.getMilliseconds();\r\r
+ window.alert(t_mil2-t_mil);*/\r\r
+}\r\r
+\r\r
+function next_list_node() {\r\r
+ tempIndex = list_index;\r\r
+ while (tempIndex<listnodes.length-1) {\r\r
+ tempIndex++;\r\r
+ var x = listnodes[tempIndex];\r\r
+ if (is_list_node(x)) {\r\r
+ list_index=tempIndex;\r\r
+ return;\r\r
+ }\r\r
+ }\r\r
+}\r\r
+\r\r
+function prev_list_node() {\r\r
+ tempIndex = list_index;\r\r
+ while (tempIndex>0) {\r\r
+ tempIndex--;\r\r
+ var x = listnodes[tempIndex];\r\r
+ if (is_list_node(x)) {\r\r
+ list_index=tempIndex;\r\r
+ return;\r\r
+ }\r\r
+ }\r\r
+}\r\r
+\r\r
+\r\r
+\r\r
+function getsub (li) {\r\r
+ if (li.childNodes.length==0) return null;\r\r
+ for (var c = 0; c < li.childNodes.length; c++)\r\r
+ if ( (li.childNodes[c].className == 'sub') || (li.childNodes[c].className == 'subexp') ) \r\r
+ return li.childNodes[c];\r\r
+}\r\r
+\r\r
+function find_listnode_recursive (li) {\r\r
+ if (is_list_node(li)) return li; \r\r
+ if (li.childNodes.length==0) return null;\r\r
+ result=null;\r\r
+ for (var c = 0; c < li.childNodes.length; c++) {\r\r
+ result=find_listnode_recursive(li.childNodes[c]);\r\r
+ if (result!=null) return result;\r\r
+ }\r\r
+ return null;\r\r
+}\r\r
+\r\r
+function next_child_listnode(li) {\r\r
+ var result=null;\r\r
+ for (var i=0; i<li.childNodes.length; i++) {\r\r
+ result=find_listnode_recursive(li.childNodes[i]);\r\r
+ if (result!=null) return result;\r\r
+ }\r\r
+ return null; \r\r
+}\r\r
+\r\r
+function next_actual_sibling_listnode(li) {\r\r
+ if (li==null) return null;\r\r
+ var temp=li;\r\r
+ while (1) { \r\r
+ var n = temp.nextSibling;\r\r
+ if (n==null) {\r\r
+ n=parent_listnode(temp);\r\r
+ return next_actual_sibling_listnode(n);\r\r
+ }\r\r
+ if (is_list_node(n)) return n;\r\r
+ temp=n;\r\r
+ }\r\r
+}\r\r
+\r\r
+function next_sibling_listnode(li) {\r\r
+if (li==null) return null; \r\r
+ var result=null;\r\r
+ var temp=li;\r\r
+ if (is_col(temp)) return next_child_listnode(temp);\r\r
+ while (1) { \r\r
+ var n = temp.nextSibling;\r\r
+ if (n==null) {\r\r
+ n=parent_listnode(temp);\r\r
+ return next_actual_sibling_listnode(n);\r\r
+ }\r\r
+ if (is_list_node(n)) return n;\r\r
+ temp=n;\r\r
+ }\r\r
+}\r\r
+\r\r
+function last_sibling_listnode(li) {\r\r
+ if (li==null) return null;\r\r
+ var temp=li;\r\r
+ var last=null;\r\r
+ while(1) {\r\r
+ var n = temp.nextSibling;\r\r
+ if (is_list_node(temp)) \r\r
+ last = temp;\r\r
+ if (n==null) {\r\r
+ if (is_col(last)) return last_sibling_listnode(next_child_listnode(last));\r\r
+ else return last;\r\r
+ }\r\r
+ temp = n;\r\r
+ }\r\r
+}\r\r
+\r\r
+function prev_sibling_listnode(li) { \r\r
+ if (li==null) return null;\r\r
+ var temp=li;\r\r
+ var n = null;\r\r
+ while (1) { \r\r
+ n = temp.previousSibling;\r\r
+ if (n==null) {\r\r
+ return parent_listnode(li);\r\r
+ }\r\r
+ if (is_list_node(n)) {\r\r
+ if (is_col(n)) { \r\r
+ return last_sibling_listnode(next_child_listnode(n));\r\r
+ }\r\r
+ else {\r\r
+ return n;\r\r
+ }\r\r
+ }\r\r
+ temp=n;\r\r
+ }\r\r
+}\r\r
+\r\r
+\r\r
+function parent_listnode(li) {\r\r
+ // added 12.7.2004 to prevent IE error when readonly mode==true\r\r
+ if (li==null) return null;\r\r
+ n=li;\r\r
+ while (1) {\r\r
+ n=n.parentNode;\r\r
+ if (n==null) return null;\r\r
+ if (is_list_node(n)) return n;\r\r
+ }\r\r
+}\r\r
+\r\r
+function getVisibleParents(id) {\r\r
+ var n = document.getElementById(id);\r\r
+ while(1) {\r\r
+ expand(n);\r\r
+ n = parent_listnode(n);\r\r
+ if (n==null) return;\r\r
+ }\r\r
+}\r\r
+\r\r
+function onClickHandler (evt) {\r\r
+if (lastnode==null) \r\r
+{\r\r
+listnodes = document.getElementsByTagName('li');\r\r
+lastnode=listnodes[1];\r\r
+temp=listnodes[1];\r\r
+}\r\r
+\r\r
+\r\r
+ var target = evt ? evt.target : event.srcElement;\r\r
+ if (!is_list_node(target)) return;\r\r
+ toggle(target);\r\r
+ set_lastnode(target);\r\r
+}\r\r
+\r\r
+\r\r
+function expand(node) {\r\r
+ if (!is_exp(node)) return;\r\r
+ if (node.className=='exp_active') \r\r
+ node.className='col_active';\r\r
+ else \r\r
+ node.className='col';\r\r
+ setSubClass(node,'subexp');\r\r
+ // getsub(node).className='subexp';\r\r
+}\r\r
+\r\r
+function collapse(node) {\r\r
+ if (!is_col(node)) return;\r\r
+ \r\r
+if (node.className=='col_active')\r\r
+ node.className='exp_active'\r\r
+ else \r\r
+ node.className='exp';\r\r
+\r\r
+ setSubClass(node,'sub');\r\r
+// getsub(node).className='sub';\r\r
+\r\r
+}\r\r
+\r\r
+function setSubClass(node,name) {\r\r
+ sub = getsub(node);\r\r
+ if (sub==null) return;\r\r
+ sub.className=name; \r\r
+}\r\r
+\r\r
+function toggle(target) {\r\r
+ if (!is_list_node(target)) return;\r\r
+ if (is_col(target)) {\r\r
+ target.className='exp';\r\r
+ setSubClass(target,'sub');\r\r
+ // getsub(target).className='sub';\r\r
+ }\r\r
+ else if (is_exp(target)) {\r\r
+ target.className='col';\r\r
+ setSubClass(target,'subexp');\r\r
+ // getsub(target).className='subexp';\r\r
+ }\r\r
+ \r\r
+}\r\r
+\r\r
+function expandAll(node) {\r\r
+ if (node.className=='exp') {\r\r
+ node.className='col';\r\r
+ setSubClass(node,'subexp');\r\r
+// getsub(node).className='subexp';\r\r
+ }\r\r
+ var i;\r\r
+ if (node.childNodes!=null) \r\r
+// if (node.hasChildNodes()) \r\r
+ for ( i = 0; i<node.childNodes.length; i++)\r\r
+ expandAll(node.childNodes[i]);\r\r
+}\r\r
+\r\r
+function collapseAll(node) {\r\r
+ if (node.className=='col') {\r\r
+ node.className='exp';\r\r
+ setSubClass(node,'sub');\r\r
+// getsub(node).className='sub';\r\r
+ }\r\r
+ var i; \r\r
+ if (node.childNodes!=null) \r\r
+// for opera if (node.hasChildNodes()) \r\r
+ for ( i = 0; i<node.childNodes.length; i++)\r\r
+ collapseAll(node.childNodes[i]);\r\r
+}\r\r
+\r\r
+\r\r
+\r\r
+function unFocus(node) {\r\r
+ // unfocuses potential link that is to be hidden (if a==null there is no link so it should not be blurred).\r\r
+ // tested with mozilla 1.7, 12.7.2004. /mn (\r\r
+ intemp=parent_listnode(node); \r\r
+ a = get_link(intemp); // added 6.4. to get keyboard working with\r\r
+ // moved before collapse to prevent an error message with IE when readonly==true \r\r
+ if (a!=null) a.blur(); // netscape after collapsing a focused node\r\r
+ return intemp;\r\r
+}\r\r
+\r\r
+// mode: 0==keypress, 1==keyup\r\r
+function keyfunc(evt,mode) {\r\r
+ var c = get_keycode(evt);\r\r
+ var temp = null;\r\r
+ var a = null;\r\r
+\r\r
+ if (lastnode==null) {\r\r
+ listnodes = document.getElementsByTagName('li');\r\r
+ lastnode=listnodes[1];\r\r
+ temp=listnodes[1];\r\r
+ }\r\r
+\r\r
+ //window.alert(c);\r\r
+ if (checkup(mode,c)) { // i \r\r
+ temp=prev_sibling_listnode(lastnode);\r\r
+ }\r\r
+ else if (checkdn(mode,c)) { // k\r\r
+ temp=next_sibling_listnode(lastnode);\r\r
+ }\r\r
+ else if (checkr(mode,c)) { // l\r\r
+ expand(lastnode);\r\r
+ // temp=next_child_listnode(lastnode);\r\r
+ // if (temp==null) {\r\r
+ a = get_link(lastnode);\r\r
+ if (a!=null) a.focus(); else self.focus(); \r\r
+ //}\r\r
+ }\r\r
+ else if (checkl(mode,c)) { // j\r\r
+ if (is_col(lastnode)) {\r\r
+ unFocus(lastnode);\r\r
+ collapse(lastnode);\r\r
+ }\r\r
+ else {\r\r
+ temp=unFocus(lastnode);\r\r
+ collapse(temp);\r\r
+ }\r\r
+ // if (temp==null) lastnode.focus(); // forces focus to correct div (try mozilla typesearch) (doesn't seem to work -mn/6.4.2004)\r\r
+ }\r\r
+ else return;\r\r
+ if (temp!=null) set_lastnode(temp);\r\r
+\r\r
+ // alert('pressed ' + String.fromCharCode(c) + '(' + c + ')');\r\r
+ return true;\r\r
+}\r\r
+\r\r
+\r\r
+function keytest (evt) {\r\r
+ return keyfunc(evt,1);\r\r
+};\r\r
+\r\r
+\r\r
+function presstest (evt) {\r\r
+ return keyfunc(evt,0);\r\r
+};\r\r
+\r\r
+\r\r
+ document.onclick = onClickHandler;\r\r
+ document.onkeypress = presstest;\r\r
+ document.onkeyup = keytest;\r\r
--- /dev/null
+\r\r
+body {\r\r
+ background-color: #eeeeee;\r\r
+ color: #000000;\r\r
+ font-family:sans-serif;\r\r
+}\r\r
+\r\r
+:link { color: #0000ff; text-decoration:none;}\r\r
+:visited { color: #6666ff; text-decoration:none; }\r\r
+a:active { color: #0000ff; text-decoration:none;}\r\r
+a:hover {color: #0000ff; text-decoration:underline; }\r\r
+\r\r
+div.basetext {\r\r
+ background-color:#ffffff;\r\r
+ margin-top:11px;\r\r
+ margin-bottom:11px;\r\r
+ margin-left:1%;\r\r
+ margin-right:1%;\r\r
+ padding-top:11px;\r\r
+ padding-left:11px;\r\r
+ padding-right:11px;\r\r
+ padding-bottom:11px;\r\r
+ text-align:left;\r\r
+ font-weight:normal;\r\r
+ border-width:thin;\r\r
+ border-style:solid;\r\r
+ border-color:#dddddd;\r\r
+}\r\r
+\r\r
+div.basetop {\r\r
+ position: fixed;\r\r
+ width:auto;\r\r
+ height:auto;\r\r
+ right:0em;\r\r
+ top:0em;\r\r
+ left:auto; \r\r
+ top:0;\r\r
+ background-color:#ffffff;\r\r
+ margin-top:0;\r\r
+ margin-bottom:0;\r\r
+ margin-left:1%;\r\r
+ margin-right:1%;\r\r
+ padding-top:2px;\r\r
+ padding-left:11px;\r\r
+ padding-right:11px;\r\r
+ padding-bottom:2px;\r\r
+ text-align:left;\r\r
+ font-weight:normal;\r\r
+text-align:right;\r\r
+ border-width:thin;\r\r
+ border-style:solid;\r\r
+ border-color:#dddddd;\r\r
+}\r\r
+\r\r
+h1 {\r\r
+ text-align:center;\r\r
+}\r\r
+\r\r
+span.h2 {\r\r
+ font-family:sans-serif;\r\r
+ font-weight:bold;\r\r
+}\r\r
+\r\r
+div.year {\r\r
+ margin-right:2%;\r\r
+ background-color:#eeeeee;\r\r
+}\r\r
+\r\r
+div.form {\r\r
+}\r\r
+\r\r
+span.cpt {\r\r
+ color:#005500;\r\r
+ font-weight:bold;\r\r
+}\r\r
+\r\r
+span.cm {\r\r
+ color:#666666;\r\r
+}\r\r
+\r\r
+.fl {\r\r
+ color:#0000FF; \r\r
+ font-style:italic;\r\r
+}\r\r
+\r\r
+ul {\r\r
+ margin-top:1px;\r\r
+ margin-bottom:1px;\r\r
+ margin-left:0px;\r\r
+ padding-left:3%;\r\r
+}\r\r
+\r\r
+li {\r\r
+ list-style:outside;\r\r
+ margin-top:10px; \r\r
+ margin-bottom:10px;\r\r
+}\r\r
+\r\r
+ul li {\r\r
+ list-style:square;\r\r
+ font-family:sans-serif;\r\r
+ font-weight:normal;\r\r
+}\r\r
+\r\r
+li.basic {\r\r
+ list-style:square;\r\r
+ list-style-image:none;\r\r
+ margin-top:2px;\r\r
+ margin-bottom:2px;\r\r
+}\r\r
+\r\r
+span.links {\r\r
+}\r\r
+\r\r
+\r\r
+\r\r
+\r\r
+.sub { display: none; }\r\r
+.subexp {display: block; }\r\r
+.sub { display: none; } \r\r
+\r\r
+.subexp {display: block; } \r\r
+\r\r
+li.exp {\r\r
+ list-style-image:url("plus.png");\r\r
+ margin-top:10px;\r\r
+ margin-bottom:10px;\r\r
+ cursor:pointer;\r\r
+}\r\r
+\r\r
+li.col {\r\r
+ list-style-image:url("minus.png");\r\r
+ margin-top:10px;\r\r
+ margin-bottom:10px;\r\r
+ cursor:pointer;\r\r
+}\r\r
+\r\r
+li.exp_active {\r\r
+ list-style-image:url("plus.png");\r\r
+ margin-top:10px; \r\r
+ margin-bottom:10px;\r\r
+ background-color:#eeeeff;\r\r
+ cursor:pointer;\r\r
+}\r\r
+\r\r
+li.col_active {\r\r
+ list-style-image:url("minus.png");\r\r
+ margin-top:10px;\r\r
+ margin-bottom:10px;\r\r
+ background-color:#eeeeff;\r\r
+ cursor:pointer; /* if not included, bullets are not shown right in moz*/\r\r
+}\r\r
+\r\r
+\r\r
+li.basic_active {\r\r
+ list-style:square;\r\r
+ list-style-image:none;\r\r
+ background-color:#eeeeff;\r\r
+ margin-top:2px;\r\r
+ margin-bottom:2px;\r\r
+}\r\r
+\r\r
+/* the 'boxed' and 'attributes' styles are used to display notes and attributes\r\r
+*/\r\r
+\r\r
+.boxed,.nodecontent {display:inline;}\r\r
+.boxed .note-and-attributes {display:none;}\r\r
+\r\r
+.boxed:hover .note-and-attributes {\r\r
+ position:fixed; top:2em;right:10px;z-index:3;\r\r
+ display:block;\r\r
+ min-width:33%;\r\r
+ max-width:60%;\r\r
+ max-height:95%;\r\r
+ color:black;\r\r
+ background:#ffffff;\r\r
+ font:normal 16px courier, sans-serif;\r\r
+ border:1px solid black;\r\r
+ padding:10px;\r\r
+}\r\r
+\r\r
+.note:before {\r\r
+ content:"NOTE: ";\r\r
+ font-weight:bold;\r\r
+}\r\r
+\r\r
+table.attributes {\r\r
+ border-collapse:collapse;\r\r
+ empty-cells:show;\r\r
+ border:thin black solid;\r\r
+}\r\r
+table.attributes td,th {\r\r
+ border:thin black solid;\r\r
+ padding-top:2px;\r\r
+ padding-bottom:2px;\r\r
+ padding-left:3px;\r\r
+ padding-right:3px;\r\r
+}\r\r
+table.attributes th {\r\r
+ text-align:center;\r\r
+}\r\r
+table.attributes caption {\r\r
+ margin-top:1em;\r\r
+ font-style:italic;\r\r
+ text-align:center;\r\r
+}\r\r
+++ /dev/null
-@Misc{OAI-PMH,
- key = "OAI-PMH",
- url = "http://www.openarchives.org/pmh/",
- title = "Open Archives Initiative Protocol for Metadata
- Harvesting"
-}
-
-
-@Misc{DublinCore,
- key = "DublinCore",
- title = "{Dublin Core} Metadata Initiative",
- url = "http://dublincore.org/"
-}
-
-
-
-@Misc{telemetaCREM,
- key = "telemetaCREM",
- title = "Archives sonores du {CNRS} - {Musée de l'Homme}",
- url = "http://archives.crem-cnrs.fr"}
-
-
-@PhdThesis{BrossierPhD,
- author = {Paul Brossier},
- title = {Automatic annotation of musical audio for
- interactive systems},
- school = {Centre for Digital music, Queen Mary University of
- London, UK},
- year = 2006
-}
-
-
-@inproceedings{yaafe_ISMIR2010,
- author = {Mathieu, Benoît and Essid, Slim and Fillon, Thomas
- and Prado, Jacques and Richard, Gaël},
- title = {Yaafe, An Easy To Use And Efficient Audio Feature
- Extraction Software},
- booktitle = {Proc. of ISMIR 2010, Utrecht, Netherlands},
- year = 2010,
- pages = {441-446},
- publisher = {International Society for Music Information
- Retrieval},
- url =
- {http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}
-}
-
-@Misc{vamp-plugins,
- key = {vamp},
- title = {The {Vamp} audio analysis plugin system},
- url = {http://www.vamp-plugins.org}
-}
-
+++ /dev/null
-\r
-%%%%%%%%%%%%%%%%%%%%%%% file typeinst.tex %%%%%%%%%%%%%%%%%%%%%%%%%\r
-%\r
-% This is the LaTeX source for the instructions to authors using\r
-% the LaTeX document class 'llncs.cls' for contributions to\r
-% the Lecture Notes in Computer Sciences series.\r
-% http://www.springer.com/lncs Springer Heidelberg 2006/05/04\r
-%\r
-% It may be used as a template for your own input - copy it\r
-% to a new file with a new name and use it as the basis\r
-% for your article.\r
-%\r
-% NB: the document class 'llncs' has its own and detailed documentation, see\r
-% ftp://ftp.springer.de/data/pubftp/pub/tex/latex/llncs/latex2e/llncsdoc.pdf\r
-%\r
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
-\r
-\r
-\documentclass[runningheads,a4paper]{llncs}\r
-\r
-\usepackage{amssymb}\r
-\setcounter{tocdepth}{3}\r
-\usepackage{graphicx}\r
-\usepackage{xcolor}\r
-\usepackage{hyperref}\r
-\usepackage[utf8]{inputenc}\r
-\usepackage[T1]{fontenc}\r
-\r
-\newcommand{\keywords}[1]{\par\addvspace\baselineskip\r
-\noindent\keywordname\enspace\ignorespaces#1}\r
-\r
-\pagestyle{headings}\r
-\r
-\begin{document}\r
-\r
-\mainmatter % start of an individual contribution\r
-\r
-% first the title is needed\r
-\title{TELEMETA, audio web Content Management System for ethnomusicological sound archives}\r
-\r
-% a short form should be given in case it is too long for the running head\r
-\titlerunning{TELEMETA, audio web CMS for ethnomusicological sound archives}\r
-\r
-% the name(s) of the author(s) follow(s) next\r
-%\r
-% NB: Chinese authors should write their first names(s) in front of\r
-% their surnames. This ensures that the names appear correctly in\r
-% the running heads and the author index.\r
-%\r
-\author{Thomas Fillon\inst{1,2} \and Guillaume Pellerin\inst{1} \and Paul Brossier\inst{1}\r
- \and Jos{\'e}phine Simonnot\inst{3} \r
-\thanks{This work was partially done inside the DIADEMS project funded by the national french agency ANR (CONTINT)}\r
-}\r
-%\r
-\authorrunning{Thomas Fillon \and Guillaume Pellerin \and Paul Brossier \and Jos{\'e}phine Simonnot}\r
-% (feature abused for this document to repeat the title also on left hand pages)\r
-\r
-% the affiliations are given next; don't give your e-mail address\r
-% unless you accept that it will be published\r
-\institute{\r
-% 1 - PARISSON\r
-\href{http://www.parisson.com}{PARISSON}, 16 rue Jacques Louvel-Tessier 75010 Paris, France\r
-\url{{thomas.fillon,guillaume.pellerin}@parisson.com}\r
-% 2 - LAM / UPMC\r
-\and \r
-LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,\\ \r
- 11 rue de Lourmel, 75015 Paris, France\r
-% 3 - CREM\r
-\and\r
-CREM, LESC, UMR CNRS 7186\\ MAE, Université Paris Ouest Nanterre La Défense,\r
-21 Allée de l'Université - 92023 Nanterre\\\r
-\url{josephine.simonnot@mae.u-paris10.fr}}\r
-\r
-%\toctitle{Lecture Notes in Computer Science}\r
-%\tocauthor{Authors' Instructions}\r
-\maketitle\r
-\r
-% Reset Footnote counter after author definition\r
-\setcounter{footnote}{0}\r
-\r
-\r
-\begin{abstract}\r
-\emph{Telemeta} is an open-source audio web Content Management System (CMS) dedicated to digital sound archives secure storing, indexing and publishing. The demonstration presents the features of this platform in the context of \emph{ethnomusicological} research. It focuses on the enhance and collaborative user-experience in accessing audio items and their associated metadata and on the possibility for the expert user to further enrich those metadata. \emph{Telemeta} also provides integrated audio signal processing tools for automatic analysis of sound items.\r
-\keywords{Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}\r
-\end{abstract}\r
-\r
-\r
-\section{Introduction}\r
-\r
-In social sciences like anthropology and linguistics, researchers have to work on multiple types of multimedia documents such as photos, videos, sound recordings or databases. The need to easily access, visualize and annotate such materials can be problematic given their diverse formats, sources and given their chronological nature.\r
-With this in mind, some laboratories\footnote{The Research Center on Ethnomusicology (CREM), the Musical Acoustics Laboratory (LAM, UMR 7190) and the sound archives of the Mediterranean House of Human Sciences (MMHS)} involved in ethnomusicological research have been working together on that issue.\r
-\r
-The CREM laboratory and Parisson, a company specialized in the management of audio databases, have been developing an innovative, collaborative and interdisciplinary open-source web-based multimedia platform since 2007. This platform, \emph{Telemeta} is designed to fit the professional requirements from both sound archivists and researchers in ethnomusicology. The first prototype of this platform has been online\footnote{Archives sonores du CNRS, Musée de l'Homme, \url{http://archives.crem-cnrs.fr}} since 2008.\r
-\r
-\section{Telemeta}\label{sec:Telemeta}\vspace{-0.2cm}\r
-\subsection{Web audio content management features and architecture}\r
-Telemeta\footnote{\url{http://telemeta.org}} is a free and open source\footnote{Telemeta code is available under the \href{http://cecill.info/licences/Licence_CeCILL_V2-en.html}{CeCILL Free Software License Agreement}} web audio content management system which introduces efficient and secure methods for back-uping, indexing, transcoding, analysing and publishing any digitalized audio file with its metadata. \r
-\r
-An overview of the Telemeta's web interface is illustrated in Figure~\ref{fig:Telemeta}\r
-\begin{figure}[htbp]\r
- \centering\r
- \includegraphics[width=10cm]{img/telemeta.png}\r
- \caption{Screenshot excerpt of the \emph{Telemeta} web interface}\label{fig:Telemeta}\r
-\end{figure}\r
-\r
-Telemeta is ideal for professionals who wants to easily organize, backup, archive and publish documented sound collections of audio files, CDs, digitalized vinyls and magnetic tapes over a strong database, in accordance with open web standards. \r
-\emph{Telemeta} architecture is flexible and can easily be adapted to particular database organization of a given sound archives. \r
-\r
-The main features of \emph{Telemeta} are:\r
-\vspace{-0.1cm}\r
-\begin{itemize}\r
-\item \emph{Pure HTML} web user interface including high level \emph{search engine}\r
-\item Smart \emph{workflow management} with contextual user lists, profiles and rights\r
- % \item RSS and JSON feed generators\r
- % \item XML serialized backup\r
-\item Strong Structured Query Language (SQL) or Oracle backend\r
-\item Model-View-Controller (MVC) architecture \r
-\end{itemize}\r
-Beside database management, the audio support is mainly provided through an external component, TimeSide, which is described in Section~\ref{sec:Timeside}.\r
-\r
-\subsection{Metadata}\label{sec:metadata}\r
-In addition to the audio data, an efficient and dynamic management of the associated metadata is also required. %Consulting metadata provide both an exhaustive access to valuable information about the source of the data and to the related work of peer researchers. \r
-Dynamically handling metadata in a collaborative manner optimises the continuous process of knowledge gathering and enrichment of the materials in the database. \r
-%One of the major challenge is thus the standardization of audio and metadata formats with the aim of long-term preservation and usage of the different materials.\r
-The compatibility with other systems is facilitated by the integration of the metadata standards protocols \emph{Dublin Core} and \emph{OAI-PMH} (Open Archives Initiative Protocol for Metadata Harvesting) \cite{DublinCore,OAI-PMH}.\r
-\vspace{-0.2cm}\r
-%Metadata provide two different kinds of information about the audio item: contextual information and annotations.\r
-\paragraph{Contextual Information}\r
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format. \vspace{-0.2cm}\r
-\paragraph{Annotations and segmentation}\r
-Metadata also consist in temporal information such as a list of \emph{time-coded markers} associated with annotations and a list of of \emph{time-segments} associated with labels. The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).\r
-It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis (see Section~\ref{sec:Timeside}).\r
-\r
-\r
-\section{TimeSide}\label{sec:Timeside}\vspace{-0.2cm}\r
-One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with audio signal processing analysis capabilities. Figure~\ref{fig:TimeSide_Archi} illustrates the overall architecture of \emph{TimeSide}.\r
-\r
-\begin{figure}[htbp]\r
- \centering\r
- \includegraphics[width=10.5cm]{img/timeside_schema.pdf}\r
- \caption{TimeSide architecture (see \url{https://code.google.com/p/timeside/})}\label{fig:TimeSide_Archi}\r
-\end{figure}\r
-\r
-\vspace{-0.4cm}\r
-\subsection{Audio management}\r
-TimeSide provides the following main features:\r
-\begin{itemize}\r
-\item \emph{Secure archiving, editing and publishing of audio files} over\r
- internet.\r
-\item Smart \emph{audio player} with enhanced visualisation (waveform, spectrogram)\r
-\item \emph{Multi-format support}: reads all available audio and video formats through Gstreamer, transcoding with smart streaming and caching methods% (FLAC, OGG, MP3, WAV and WebM)\r
- % \item \emph{Playlist management} for all users with CSV data export\r
-\item "On the fly" \emph{audio analyzing, transcoding and metadata\r
- embedding} based on an easy plugin architecture\r
-\end{itemize}\r
-\vspace{-0.4cm}\r
-\subsection{Audio features extraction}\r
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as \href{http://aubio.org}{Aubio}, \href{http://yaafe.sourceforge.net}{Yaafe} and \href{http://www.vamp-plugins.org}{Vamp plugins} \cite{brossierPhD,yaafe_ISMIR2010,vamp-plugins}.\r
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.\r
-Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide automatic annotation, segmentation and similarity analysis.\r
-\vspace{-0.2cm}\r
-\section{Conclusion - Purpose of the demonstration}\vspace{-0.1cm}\r
-The demonstration presents the features offered by \emph{Telemeta} as detailed in Section~\ref{sec:Telemeta} in the context of ethnomusicological sound archiving \cite{telemetaCREM}. It focuses on the enhance and collaborative user-experience when accessing audio items and their associated metadata, and on the possibility for the expert user to further enrich those metadata.\r
-Another goal of this demonstration is to present the integrated audio analysis tools described in Section~\ref{sec:Timeside}.\r
-\r
-\vspace{-0.3cm}\r
-\section*{Acknowledgments} \vspace{-0.2cm}\r
-The authors would like to thank all the people that have been involved in \emph{Telemeta} specification and development or have provide useful input and feedback. \r
-The project has been partially funded by the French National Centre for Scientific Research (CNRS), the French Ministry of Culture and Communication, the TGE Adonis Consortium, and the Centre of Research in Ethnomusicology (CREM).\r
-\r
-\vspace{-0.3cm}\r
-\bibliographystyle{splncs03}\r
-\bibliography{cmmr_2013}\r
-\r
-\r
-\end{document}\r
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- {\normalfont\normalsize\itshape}}\r
-\renewcommand\subparagraph[1]{\typeout{LLNCS warning: You should not use\r
- \string\subparagraph\space with this class}\vskip0.5cm\r
-You should not use \verb|\subparagraph| with this class.\vskip0.5cm}\r
-\r
-\DeclareMathSymbol{\Gamma}{\mathalpha}{letters}{"00}\r
-\DeclareMathSymbol{\Delta}{\mathalpha}{letters}{"01}\r
-\DeclareMathSymbol{\Theta}{\mathalpha}{letters}{"02}\r
-\DeclareMathSymbol{\Lambda}{\mathalpha}{letters}{"03}\r
-\DeclareMathSymbol{\Xi}{\mathalpha}{letters}{"04}\r
-\DeclareMathSymbol{\Pi}{\mathalpha}{letters}{"05}\r
-\DeclareMathSymbol{\Sigma}{\mathalpha}{letters}{"06}\r
-\DeclareMathSymbol{\Upsilon}{\mathalpha}{letters}{"07}\r
-\DeclareMathSymbol{\Phi}{\mathalpha}{letters}{"08}\r
-\DeclareMathSymbol{\Psi}{\mathalpha}{letters}{"09}\r
-\DeclareMathSymbol{\Omega}{\mathalpha}{letters}{"0A}\r
-\r
-\let\footnotesize\small\r
-\r
-\if@custvec\r
-\def\vec#1{\mathchoice{\mbox{\boldmath$\displaystyle#1$}}\r
-{\mbox{\boldmath$\textstyle#1$}}\r
-{\mbox{\boldmath$\scriptstyle#1$}}\r
-{\mbox{\boldmath$\scriptscriptstyle#1$}}}\r
-\fi\r
-\r
-\def\squareforqed{\hbox{\rlap{$\sqcap$}$\sqcup$}}\r
-\def\qed{\ifmmode\squareforqed\else{\unskip\nobreak\hfil\r
-\penalty50\hskip1em\null\nobreak\hfil\squareforqed\r
-\parfillskip=0pt\finalhyphendemerits=0\endgraf}\fi}\r
-\r
-\def\getsto{\mathrel{\mathchoice {\vcenter{\offinterlineskip\r
-\halign{\hfil\r
-$\displaystyle##$\hfil\cr\gets\cr\to\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\textstyle##$\hfil\cr\gets\r
-\cr\to\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\scriptstyle##$\hfil\cr\gets\r
-\cr\to\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\scriptscriptstyle##$\hfil\cr\r
-\gets\cr\to\cr}}}}}\r
-\def\lid{\mathrel{\mathchoice {\vcenter{\offinterlineskip\halign{\hfil\r
-$\displaystyle##$\hfil\cr<\cr\noalign{\vskip1.2pt}=\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\textstyle##$\hfil\cr<\cr\r
-\noalign{\vskip1.2pt}=\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\scriptstyle##$\hfil\cr<\cr\r
-\noalign{\vskip1pt}=\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\scriptscriptstyle##$\hfil\cr\r
-<\cr\r
-\noalign{\vskip0.9pt}=\cr}}}}}\r
-\def\gid{\mathrel{\mathchoice {\vcenter{\offinterlineskip\halign{\hfil\r
-$\displaystyle##$\hfil\cr>\cr\noalign{\vskip1.2pt}=\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\textstyle##$\hfil\cr>\cr\r
-\noalign{\vskip1.2pt}=\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\scriptstyle##$\hfil\cr>\cr\r
-\noalign{\vskip1pt}=\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\scriptscriptstyle##$\hfil\cr\r
->\cr\r
-\noalign{\vskip0.9pt}=\cr}}}}}\r
-\def\grole{\mathrel{\mathchoice {\vcenter{\offinterlineskip\r
-\halign{\hfil\r
-$\displaystyle##$\hfil\cr>\cr\noalign{\vskip-1pt}<\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\textstyle##$\hfil\cr\r
->\cr\noalign{\vskip-1pt}<\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\scriptstyle##$\hfil\cr\r
->\cr\noalign{\vskip-0.8pt}<\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\scriptscriptstyle##$\hfil\cr\r
->\cr\noalign{\vskip-0.3pt}<\cr}}}}}\r
-\def\bbbr{{\rm I\!R}} %reelle Zahlen\r
-\def\bbbm{{\rm I\!M}}\r
-\def\bbbn{{\rm I\!N}} %natuerliche Zahlen\r
-\def\bbbf{{\rm I\!F}}\r
-\def\bbbh{{\rm I\!H}}\r
-\def\bbbk{{\rm I\!K}}\r
-\def\bbbp{{\rm I\!P}}\r
-\def\bbbone{{\mathchoice {\rm 1\mskip-4mu l} {\rm 1\mskip-4mu l}\r
-{\rm 1\mskip-4.5mu l} {\rm 1\mskip-5mu l}}}\r
-\def\bbbc{{\mathchoice {\setbox0=\hbox{$\displaystyle\rm C$}\hbox{\hbox\r
-to0pt{\kern0.4\wd0\vrule height0.9\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\textstyle\rm C$}\hbox{\hbox\r
-to0pt{\kern0.4\wd0\vrule height0.9\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\scriptstyle\rm C$}\hbox{\hbox\r
-to0pt{\kern0.4\wd0\vrule height0.9\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\scriptscriptstyle\rm C$}\hbox{\hbox\r
-to0pt{\kern0.4\wd0\vrule height0.9\ht0\hss}\box0}}}}\r
-\def\bbbq{{\mathchoice {\setbox0=\hbox{$\displaystyle\rm\r
-Q$}\hbox{\raise\r
-0.15\ht0\hbox to0pt{\kern0.4\wd0\vrule height0.8\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\textstyle\rm Q$}\hbox{\raise\r
-0.15\ht0\hbox to0pt{\kern0.4\wd0\vrule height0.8\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\scriptstyle\rm Q$}\hbox{\raise\r
-0.15\ht0\hbox to0pt{\kern0.4\wd0\vrule height0.7\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\scriptscriptstyle\rm Q$}\hbox{\raise\r
-0.15\ht0\hbox to0pt{\kern0.4\wd0\vrule height0.7\ht0\hss}\box0}}}}\r
-\def\bbbt{{\mathchoice {\setbox0=\hbox{$\displaystyle\rm\r
-T$}\hbox{\hbox to0pt{\kern0.3\wd0\vrule height0.9\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\textstyle\rm T$}\hbox{\hbox\r
-to0pt{\kern0.3\wd0\vrule height0.9\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\scriptstyle\rm T$}\hbox{\hbox\r
-to0pt{\kern0.3\wd0\vrule height0.9\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\scriptscriptstyle\rm T$}\hbox{\hbox\r
-to0pt{\kern0.3\wd0\vrule height0.9\ht0\hss}\box0}}}}\r
-\def\bbbs{{\mathchoice\r
-{\setbox0=\hbox{$\displaystyle \rm S$}\hbox{\raise0.5\ht0\hbox\r
-to0pt{\kern0.35\wd0\vrule height0.45\ht0\hss}\hbox\r
-to0pt{\kern0.55\wd0\vrule height0.5\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\textstyle \rm S$}\hbox{\raise0.5\ht0\hbox\r
-to0pt{\kern0.35\wd0\vrule height0.45\ht0\hss}\hbox\r
-to0pt{\kern0.55\wd0\vrule height0.5\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\scriptstyle \rm S$}\hbox{\raise0.5\ht0\hbox\r
-to0pt{\kern0.35\wd0\vrule height0.45\ht0\hss}\raise0.05\ht0\hbox\r
-to0pt{\kern0.5\wd0\vrule height0.45\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\scriptscriptstyle\rm S$}\hbox{\raise0.5\ht0\hbox\r
-to0pt{\kern0.4\wd0\vrule height0.45\ht0\hss}\raise0.05\ht0\hbox\r
-to0pt{\kern0.55\wd0\vrule height0.45\ht0\hss}\box0}}}}\r
-\def\bbbz{{\mathchoice {\hbox{$\mathsf\textstyle Z\kern-0.4em Z$}}\r
-{\hbox{$\mathsf\textstyle Z\kern-0.4em Z$}}\r
-{\hbox{$\mathsf\scriptstyle Z\kern-0.3em Z$}}\r
-{\hbox{$\mathsf\scriptscriptstyle Z\kern-0.2em Z$}}}}\r
-\r
-\let\ts\,\r
-\r
-\setlength\leftmargini {17\p@}\r
-\setlength\leftmargin {\leftmargini}\r
-\setlength\leftmarginii {\leftmargini}\r
-\setlength\leftmarginiii {\leftmargini}\r
-\setlength\leftmarginiv {\leftmargini}\r
-\setlength \labelsep {.5em}\r
-\setlength \labelwidth{\leftmargini}\r
-\addtolength\labelwidth{-\labelsep}\r
-\r
-\def\@listI{\leftmargin\leftmargini\r
- \parsep 0\p@ \@plus1\p@ \@minus\p@\r
- \topsep 8\p@ \@plus2\p@ \@minus4\p@\r
- \itemsep0\p@}\r
-\let\@listi\@listI\r
-\@listi\r
-\def\@listii {\leftmargin\leftmarginii\r
- \labelwidth\leftmarginii\r
- \advance\labelwidth-\labelsep\r
- \topsep 0\p@ \@plus2\p@ \@minus\p@}\r
-\def\@listiii{\leftmargin\leftmarginiii\r
- \labelwidth\leftmarginiii\r
- \advance\labelwidth-\labelsep\r
- \topsep 0\p@ \@plus\p@\@minus\p@\r
- \parsep \z@\r
- \partopsep \p@ \@plus\z@ \@minus\p@}\r
-\r
-\renewcommand\labelitemi{\normalfont\bfseries --}\r
-\renewcommand\labelitemii{$\m@th\bullet$}\r
-\r
-\setlength\arraycolsep{1.4\p@}\r
-\setlength\tabcolsep{1.4\p@}\r
-\r
-\def\tableofcontents{\chapter*{\contentsname\@mkboth{{\contentsname}}%\r
- {{\contentsname}}}\r
- \def\authcount##1{\setcounter{auco}{##1}\setcounter{@auth}{1}}\r
- \def\lastand{\ifnum\value{auco}=2\relax\r
- \unskip{} \andname\\r
- \else\r
- \unskip \lastandname\\r
- \fi}%\r
- \def\and{\stepcounter{@auth}\relax\r
- \ifnum\value{@auth}=\value{auco}%\r
- \lastand\r
- \else\r
- \unskip,\r
- \fi}%\r
- \@starttoc{toc}\if@restonecol\twocolumn\fi}\r
-\r
-\def\l@part#1#2{\addpenalty{\@secpenalty}%\r
- \addvspace{2em plus\p@}% % space above part line\r
- \begingroup\r
- \parindent \z@\r
- \rightskip \z@ plus 5em\r
- \hrule\vskip5pt\r
- \large % same size as for a contribution heading\r
- \bfseries\boldmath % set line in boldface\r
- \leavevmode % TeX command to enter horizontal mode.\r
- #1\par\r
- \vskip5pt\r
- \hrule\r
- \vskip1pt\r
- \nobreak % Never break after part entry\r
- \endgroup}\r
-\r
-\def\@dotsep{2}\r
-\r
-\let\phantomsection=\relax\r
-\r
-\def\hyperhrefextend{\ifx\hyper@anchor\@undefined\else\r
-{}\fi}\r
-\r
-\def\addnumcontentsmark#1#2#3{%\r
-\addtocontents{#1}{\protect\contentsline{#2}{\protect\numberline\r
- {\thechapter}#3}{\thepage}\hyperhrefextend}}%\r
-\def\addcontentsmark#1#2#3{%\r
-\addtocontents{#1}{\protect\contentsline{#2}{#3}{\thepage}\hyperhrefextend}}%\r
-\def\addcontentsmarkwop#1#2#3{%\r
-\addtocontents{#1}{\protect\contentsline{#2}{#3}{0}\hyperhrefextend}}%\r
-\r
-\def\@adcmk[#1]{\ifcase #1 \or\r
-\def\@gtempa{\addnumcontentsmark}%\r
- \or \def\@gtempa{\addcontentsmark}%\r
- \or \def\@gtempa{\addcontentsmarkwop}%\r
- \fi\@gtempa{toc}{chapter}%\r
-}\r
-\def\addtocmark{%\r
-\phantomsection\r
-\@ifnextchar[{\@adcmk}{\@adcmk[3]}%\r
-}\r
-\r
-\def\l@chapter#1#2{\addpenalty{-\@highpenalty}\r
- \vskip 1.0em plus 1pt \@tempdima 1.5em \begingroup\r
- \parindent \z@ \rightskip \@tocrmarg\r
- \advance\rightskip by 0pt plus 2cm\r
- \parfillskip -\rightskip \pretolerance=10000\r
- \leavevmode \advance\leftskip\@tempdima \hskip -\leftskip\r
- {\large\bfseries\boldmath#1}\ifx0#2\hfil\null\r
- \else\r
- \nobreak\r
- \leaders\hbox{$\m@th \mkern \@dotsep mu.\mkern\r
- \@dotsep mu$}\hfill\r
- \nobreak\hbox to\@pnumwidth{\hss #2}%\r
- \fi\par\r
- \penalty\@highpenalty \endgroup}\r
-\r
-\def\l@title#1#2{\addpenalty{-\@highpenalty}\r
- \addvspace{8pt plus 1pt}\r
- \@tempdima \z@\r
- \begingroup\r
- \parindent \z@ \rightskip \@tocrmarg\r
- \advance\rightskip by 0pt plus 2cm\r
- \parfillskip -\rightskip \pretolerance=10000\r
- \leavevmode \advance\leftskip\@tempdima \hskip -\leftskip\r
- #1\nobreak\r
- \leaders\hbox{$\m@th \mkern \@dotsep mu.\mkern\r
- \@dotsep mu$}\hfill\r
- \nobreak\hbox to\@pnumwidth{\hss #2}\par\r
- \penalty\@highpenalty \endgroup}\r
-\r
-\def\l@author#1#2{\addpenalty{\@highpenalty}\r
- \@tempdima=15\p@ %\z@\r
- \begingroup\r
- \parindent \z@ \rightskip \@tocrmarg\r
- \advance\rightskip by 0pt plus 2cm\r
- \pretolerance=10000\r
- \leavevmode \advance\leftskip\@tempdima %\hskip -\leftskip\r
- \textit{#1}\par\r
- \penalty\@highpenalty \endgroup}\r
-\r
-\setcounter{tocdepth}{0}\r
-\newdimen\tocchpnum\r
-\newdimen\tocsecnum\r
-\newdimen\tocsectotal\r
-\newdimen\tocsubsecnum\r
-\newdimen\tocsubsectotal\r
-\newdimen\tocsubsubsecnum\r
-\newdimen\tocsubsubsectotal\r
-\newdimen\tocparanum\r
-\newdimen\tocparatotal\r
-\newdimen\tocsubparanum\r
-\tocchpnum=\z@ % no chapter numbers\r
-\tocsecnum=15\p@ % section 88. plus 2.222pt\r
-\tocsubsecnum=23\p@ % subsection 88.8 plus 2.222pt\r
-\tocsubsubsecnum=27\p@ % subsubsection 88.8.8 plus 1.444pt\r
-\tocparanum=35\p@ % paragraph 88.8.8.8 plus 1.666pt\r
-\tocsubparanum=43\p@ % subparagraph 88.8.8.8.8 plus 1.888pt\r
-\def\calctocindent{%\r
-\tocsectotal=\tocchpnum\r
-\advance\tocsectotal by\tocsecnum\r
-\tocsubsectotal=\tocsectotal\r
-\advance\tocsubsectotal by\tocsubsecnum\r
-\tocsubsubsectotal=\tocsubsectotal\r
-\advance\tocsubsubsectotal by\tocsubsubsecnum\r
-\tocparatotal=\tocsubsubsectotal\r
-\advance\tocparatotal by\tocparanum}\r
-\calctocindent\r
-\r
-\def\l@section{\@dottedtocline{1}{\tocchpnum}{\tocsecnum}}\r
-\def\l@subsection{\@dottedtocline{2}{\tocsectotal}{\tocsubsecnum}}\r
-\def\l@subsubsection{\@dottedtocline{3}{\tocsubsectotal}{\tocsubsubsecnum}}\r
-\def\l@paragraph{\@dottedtocline{4}{\tocsubsubsectotal}{\tocparanum}}\r
-\def\l@subparagraph{\@dottedtocline{5}{\tocparatotal}{\tocsubparanum}}\r
-\r
-\def\listoffigures{\@restonecolfalse\if@twocolumn\@restonecoltrue\onecolumn\r
- \fi\section*{\listfigurename\@mkboth{{\listfigurename}}{{\listfigurename}}}\r
- \@starttoc{lof}\if@restonecol\twocolumn\fi}\r
-\def\l@figure{\@dottedtocline{1}{0em}{1.5em}}\r
-\r
-\def\listoftables{\@restonecolfalse\if@twocolumn\@restonecoltrue\onecolumn\r
- \fi\section*{\listtablename\@mkboth{{\listtablename}}{{\listtablename}}}\r
- \@starttoc{lot}\if@restonecol\twocolumn\fi}\r
-\let\l@table\l@figure\r
-\r
-\renewcommand\listoffigures{%\r
- \section*{\listfigurename\r
- \@mkboth{\listfigurename}{\listfigurename}}%\r
- \@starttoc{lof}%\r
- }\r
-\r
-\renewcommand\listoftables{%\r
- \section*{\listtablename\r
- \@mkboth{\listtablename}{\listtablename}}%\r
- \@starttoc{lot}%\r
- }\r
-\r
-\ifx\oribibl\undefined\r
-\ifx\citeauthoryear\undefined\r
-\renewenvironment{thebibliography}[1]\r
- {\section*{\refname}\r
- \def\@biblabel##1{##1.}\r
- \small\r
- \list{\@biblabel{\@arabic\c@enumiv}}%\r
- {\settowidth\labelwidth{\@biblabel{#1}}%\r
- \leftmargin\labelwidth\r
- \advance\leftmargin\labelsep\r
- \if@openbib\r
- \advance\leftmargin\bibindent\r
- \itemindent -\bibindent\r
- \listparindent \itemindent\r
- \parsep \z@\r
- \fi\r
- \usecounter{enumiv}%\r
- \let\p@enumiv\@empty\r
- \renewcommand\theenumiv{\@arabic\c@enumiv}}%\r
- \if@openbib\r
- \renewcommand\newblock{\par}%\r
- \else\r
- \renewcommand\newblock{\hskip .11em \@plus.33em \@minus.07em}%\r
- \fi\r
- \sloppy\clubpenalty4000\widowpenalty4000%\r
- \sfcode`\.=\@m}\r
- {\def\@noitemerr\r
- {\@latex@warning{Empty `thebibliography' environment}}%\r
- \endlist}\r
-\def\@lbibitem[#1]#2{\item[{[#1]}\hfill]\if@filesw\r
- {\let\protect\noexpand\immediate\r
- \write\@auxout{\string\bibcite{#2}{#1}}}\fi\ignorespaces}\r
-\newcount\@tempcntc\r
-\def\@citex[#1]#2{\if@filesw\immediate\write\@auxout{\string\citation{#2}}\fi\r
- \@tempcnta\z@\@tempcntb\m@ne\def\@citea{}\@cite{\@for\@citeb:=#2\do\r
- {\@ifundefined\r
- {b@\@citeb}{\@citeo\@tempcntb\m@ne\@citea\def\@citea{,}{\bfseries\r
- ?}\@warning\r
- {Citation `\@citeb' on page \thepage \space undefined}}%\r
- {\setbox\z@\hbox{\global\@tempcntc0\csname b@\@citeb\endcsname\relax}%\r
- \ifnum\@tempcntc=\z@ \@citeo\@tempcntb\m@ne\r
- \@citea\def\@citea{,}\hbox{\csname b@\@citeb\endcsname}%\r
- \else\r
- \advance\@tempcntb\@ne\r
- \ifnum\@tempcntb=\@tempcntc\r
- \else\advance\@tempcntb\m@ne\@citeo\r
- \@tempcnta\@tempcntc\@tempcntb\@tempcntc\fi\fi}}\@citeo}{#1}}\r
-\def\@citeo{\ifnum\@tempcnta>\@tempcntb\else\r
- \@citea\def\@citea{,\,\hskip\z@skip}%\r
- \ifnum\@tempcnta=\@tempcntb\the\@tempcnta\else\r
- {\advance\@tempcnta\@ne\ifnum\@tempcnta=\@tempcntb \else\r
- \def\@citea{--}\fi\r
- \advance\@tempcnta\m@ne\the\@tempcnta\@citea\the\@tempcntb}\fi\fi}\r
-\else\r
-\renewenvironment{thebibliography}[1]\r
- {\section*{\refname}\r
- \small\r
- \list{}%\r
- {\settowidth\labelwidth{}%\r
- \leftmargin\parindent\r
- \itemindent=-\parindent\r
- \labelsep=\z@\r
- \if@openbib\r
- \advance\leftmargin\bibindent\r
- \itemindent -\bibindent\r
- \listparindent \itemindent\r
- \parsep \z@\r
- \fi\r
- \usecounter{enumiv}%\r
- \let\p@enumiv\@empty\r
- \renewcommand\theenumiv{}}%\r
- \if@openbib\r
- \renewcommand\newblock{\par}%\r
- \else\r
- \renewcommand\newblock{\hskip .11em \@plus.33em \@minus.07em}%\r
- \fi\r
- \sloppy\clubpenalty4000\widowpenalty4000%\r
- \sfcode`\.=\@m}\r
- {\def\@noitemerr\r
- {\@latex@warning{Empty `thebibliography' environment}}%\r
- \endlist}\r
- \def\@cite#1{#1}%\r
- \def\@lbibitem[#1]#2{\item[]\if@filesw\r
- {\def\protect##1{\string ##1\space}\immediate\r
- \write\@auxout{\string\bibcite{#2}{#1}}}\fi\ignorespaces}\r
- \fi\r
-\else\r
-\@cons\@openbib@code{\noexpand\small}\r
-\fi\r
-\r
-\def\idxquad{\hskip 10\p@}% space that divides entry from number\r
-\r
-\def\@idxitem{\par\hangindent 10\p@}\r
-\r
-\def\subitem{\par\setbox0=\hbox{--\enspace}% second order\r
- \noindent\hangindent\wd0\box0}% index entry\r
-\r
-\def\subsubitem{\par\setbox0=\hbox{--\,--\enspace}% third\r
- \noindent\hangindent\wd0\box0}% order index entry\r
-\r
-\def\indexspace{\par \vskip 10\p@ plus5\p@ minus3\p@\relax}\r
-\r
-\renewenvironment{theindex}\r
- {\@mkboth{\indexname}{\indexname}%\r
- \thispagestyle{empty}\parindent\z@\r
- \parskip\z@ \@plus .3\p@\relax\r
- \let\item\par\r
- \def\,{\relax\ifmmode\mskip\thinmuskip\r
- \else\hskip0.2em\ignorespaces\fi}%\r
- \normalfont\small\r
- \begin{multicols}{2}[\@makeschapterhead{\indexname}]%\r
- }\r
- {\end{multicols}}\r
-\r
-\renewcommand\footnoterule{%\r
- \kern-3\p@\r
- \hrule\@width 2truecm\r
- \kern2.6\p@}\r
- \newdimen\fnindent\r
- \fnindent1em\r
-\long\def\@makefntext#1{%\r
- \parindent \fnindent%\r
- \leftskip \fnindent%\r
- \noindent\r
- \llap{\hb@xt@1em{\hss\@makefnmark\ }}\ignorespaces#1}\r
-\r
-\long\def\@makecaption#1#2{%\r
- \small\r
- \vskip\abovecaptionskip\r
- \sbox\@tempboxa{{\bfseries #1.} #2}%\r
- \ifdim \wd\@tempboxa >\hsize\r
- {\bfseries #1.} #2\par\r
- \else\r
- \global \@minipagefalse\r
- \hb@xt@\hsize{\hfil\box\@tempboxa\hfil}%\r
- \fi\r
- \vskip\belowcaptionskip}\r
-\r
-\def\fps@figure{htbp}\r
-\def\fnum@figure{\figurename\thinspace\thefigure}\r
-\def \@floatboxreset {%\r
- \reset@font\r
- \small\r
- \@setnobreak\r
- \@setminipage\r
-}\r
-\def\fps@table{htbp}\r
-\def\fnum@table{\tablename~\thetable}\r
-\renewenvironment{table}\r
- {\setlength\abovecaptionskip{0\p@}%\r
- \setlength\belowcaptionskip{10\p@}%\r
- \@float{table}}\r
- {\end@float}\r
-\renewenvironment{table*}\r
- {\setlength\abovecaptionskip{0\p@}%\r
- \setlength\belowcaptionskip{10\p@}%\r
- \@dblfloat{table}}\r
- {\end@dblfloat}\r
-\r
-\long\def\@caption#1[#2]#3{\par\addcontentsline{\csname\r
- ext@#1\endcsname}{#1}{\protect\numberline{\csname\r
- the#1\endcsname}{\ignorespaces #2}}\begingroup\r
- \@parboxrestore\r
- \@makecaption{\csname fnum@#1\endcsname}{\ignorespaces #3}\par\r
- \endgroup}\r
-\r
-% LaTeX does not provide a command to enter the authors institute\r
-% addresses. The \institute command is defined here.\r
-\r
-\newcounter{@inst}\r
-\newcounter{@auth}\r
-\newcounter{auco}\r
-\newdimen\instindent\r
-\newbox\authrun\r
-\newtoks\authorrunning\r
-\newtoks\tocauthor\r
-\newbox\titrun\r
-\newtoks\titlerunning\r
-\newtoks\toctitle\r
-\r
-\def\clearheadinfo{\gdef\@author{No Author Given}%\r
- \gdef\@title{No Title Given}%\r
- \gdef\@subtitle{}%\r
- \gdef\@institute{No Institute Given}%\r
- \gdef\@thanks{}%\r
- \global\titlerunning={}\global\authorrunning={}%\r
- \global\toctitle={}\global\tocauthor={}}\r
-\r
-\def\institute#1{\gdef\@institute{#1}}\r
-\r
-\def\institutename{\par\r
- \begingroup\r
- \parskip=\z@\r
- \parindent=\z@\r
- \setcounter{@inst}{1}%\r
- \def\and{\par\stepcounter{@inst}%\r
- \noindent$^{\the@inst}$\enspace\ignorespaces}%\r
- \setbox0=\vbox{\def\thanks##1{}\@institute}%\r
- \ifnum\c@@inst=1\relax\r
- \gdef\fnnstart{0}%\r
- \else\r
- \xdef\fnnstart{\c@@inst}%\r
- \setcounter{@inst}{1}%\r
- \noindent$^{\the@inst}$\enspace\r
- \fi\r
- \ignorespaces\r
- \@institute\par\r
- \endgroup}\r
-\r
-\def\@fnsymbol#1{\ensuremath{\ifcase#1\or\star\or{\star\star}\or\r
- {\star\star\star}\or \dagger\or \ddagger\or\r
- \mathchar "278\or \mathchar "27B\or \|\or **\or \dagger\dagger\r
- \or \ddagger\ddagger \else\@ctrerr\fi}}\r
-\r
-\def\inst#1{\unskip$^{#1}$}\r
-\def\fnmsep{\unskip$^,$}\r
-\def\email#1{{\tt#1}}\r
-\AtBeginDocument{\@ifundefined{url}{\def\url#1{#1}}{}%\r
-\@ifpackageloaded{babel}{%\r
-\@ifundefined{extrasenglish}{}{\addto\extrasenglish{\switcht@albion}}%\r
-\@ifundefined{extrasfrenchb}{}{\addto\extrasfrenchb{\switcht@francais}}%\r
-\@ifundefined{extrasgerman}{}{\addto\extrasgerman{\switcht@deutsch}}%\r
-}{\switcht@@therlang}%\r
-\providecommand{\keywords}[1]{\par\addvspace\baselineskip\r
-\noindent\keywordname\enspace\ignorespaces#1}%\r
-}\r
-\def\homedir{\~{ }}\r
-\r
-\def\subtitle#1{\gdef\@subtitle{#1}}\r
-\clearheadinfo\r
-%\r
-%%% to avoid hyperref warnings\r
-\providecommand*{\toclevel@author}{999}\r
-%%% to make title-entry parent of section-entries\r
-\providecommand*{\toclevel@title}{0}\r
-%\r
-\renewcommand\maketitle{\newpage\r
-\phantomsection\r
- \refstepcounter{chapter}%\r
- \stepcounter{section}%\r
- \setcounter{section}{0}%\r
- \setcounter{subsection}{0}%\r
- \setcounter{figure}{0}\r
- \setcounter{table}{0}\r
- \setcounter{equation}{0}\r
- \setcounter{footnote}{0}%\r
- \begingroup\r
- \parindent=\z@\r
- \renewcommand\thefootnote{\@fnsymbol\c@footnote}%\r
- \if@twocolumn\r
- \ifnum \col@number=\@ne\r
- \@maketitle\r
- \else\r
- \twocolumn[\@maketitle]%\r
- \fi\r
- \else\r
- \newpage\r
- \global\@topnum\z@ % Prevents figures from going at top of page.\r
- \@maketitle\r
- \fi\r
- \thispagestyle{empty}\@thanks\r
-%\r
- \def\\{\unskip\ \ignorespaces}\def\inst##1{\unskip{}}%\r
- \def\thanks##1{\unskip{}}\def\fnmsep{\unskip}%\r
- \instindent=\hsize\r
- \advance\instindent by-\headlineindent\r
- \if!\the\toctitle!\addcontentsline{toc}{title}{\@title}\else\r
- \addcontentsline{toc}{title}{\the\toctitle}\fi\r
- \if@runhead\r
- \if!\the\titlerunning!\else\r
- \edef\@title{\the\titlerunning}%\r
- \fi\r
- \global\setbox\titrun=\hbox{\small\rm\unboldmath\ignorespaces\@title}%\r
- \ifdim\wd\titrun>\instindent\r
- \typeout{Title too long for running head. Please supply}%\r
- \typeout{a shorter form with \string\titlerunning\space prior to\r
- \string\maketitle}%\r
- \global\setbox\titrun=\hbox{\small\rm\r
- Title Suppressed Due to Excessive Length}%\r
- \fi\r
- \xdef\@title{\copy\titrun}%\r
- \fi\r
-%\r
- \if!\the\tocauthor!\relax\r
- {\def\and{\noexpand\protect\noexpand\and}%\r
- \protected@xdef\toc@uthor{\@author}}%\r
- \else\r
- \def\\{\noexpand\protect\noexpand\newline}%\r
- \protected@xdef\scratch{\the\tocauthor}%\r
- \protected@xdef\toc@uthor{\scratch}%\r
- \fi\r
- \addtocontents{toc}{\noexpand\protect\noexpand\authcount{\the\c@auco}}%\r
- \addcontentsline{toc}{author}{\toc@uthor}%\r
- \if@runhead\r
- \if!\the\authorrunning!\r
- \value{@inst}=\value{@auth}%\r
- \setcounter{@auth}{1}%\r
- \else\r
- \edef\@author{\the\authorrunning}%\r
- \fi\r
- \global\setbox\authrun=\hbox{\small\unboldmath\@author\unskip}%\r
- \ifdim\wd\authrun>\instindent\r
- \typeout{Names of authors too long for running head. Please supply}%\r
- \typeout{a shorter form with \string\authorrunning\space prior to\r
- \string\maketitle}%\r
- \global\setbox\authrun=\hbox{\small\rm\r
- Authors Suppressed Due to Excessive Length}%\r
- \fi\r
- \xdef\@author{\copy\authrun}%\r
- \markboth{\@author}{\@title}%\r
- \fi\r
- \endgroup\r
- \setcounter{footnote}{\fnnstart}%\r
- \clearheadinfo}\r
-%\r
-\def\@maketitle{\newpage\r
- \markboth{}{}%\r
- \def\lastand{\ifnum\value{@inst}=2\relax\r
- \unskip{} \andname\\r
- \else\r
- \unskip \lastandname\\r
- \fi}%\r
- \def\and{\stepcounter{@auth}\relax\r
- \ifnum\value{@auth}=\value{@inst}%\r
- \lastand\r
- \else\r
- \unskip,\r
- \fi}%\r
- \begin{center}%\r
- \let\newline\\\r
- {\Large \bfseries\boldmath\r
- \pretolerance=10000\r
- \@title \par}\vskip .8cm\r
-\if!\@subtitle!\else {\large \bfseries\boldmath\r
- \vskip -.65cm\r
- \pretolerance=10000\r
- \@subtitle \par}\vskip .8cm\fi\r
- \setbox0=\vbox{\setcounter{@auth}{1}\def\and{\stepcounter{@auth}}%\r
- \def\thanks##1{}\@author}%\r
- \global\value{@inst}=\value{@auth}%\r
- \global\value{auco}=\value{@auth}%\r
- \setcounter{@auth}{1}%\r
-{\lineskip .5em\r
-\noindent\ignorespaces\r
-\@author\vskip.35cm}\r
- {\small\institutename}\r
- \end{center}%\r
- }\r
-\r
-% definition of the "\spnewtheorem" command.\r
-%\r
-% Usage:\r
-%\r
-% \spnewtheorem{env_nam}{caption}[within]{cap_font}{body_font}\r
-% or \spnewtheorem{env_nam}[numbered_like]{caption}{cap_font}{body_font}\r
-% or \spnewtheorem*{env_nam}{caption}{cap_font}{body_font}\r
-%\r
-% New is "cap_font" and "body_font". It stands for\r
-% fontdefinition of the caption and the text itself.\r
-%\r
-% "\spnewtheorem*" gives a theorem without number.\r
-%\r
-% A defined spnewthoerem environment is used as described\r
-% by Lamport.\r
-%\r
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
-\r
-\def\@thmcountersep{}\r
-\def\@thmcounterend{.}\r
-\r
-\def\spnewtheorem{\@ifstar{\@sthm}{\@Sthm}}\r
-\r
-% definition of \spnewtheorem with number\r
-\r
-\def\@spnthm#1#2{%\r
- \@ifnextchar[{\@spxnthm{#1}{#2}}{\@spynthm{#1}{#2}}}\r
-\def\@Sthm#1{\@ifnextchar[{\@spothm{#1}}{\@spnthm{#1}}}\r
-\r
-\def\@spxnthm#1#2[#3]#4#5{\expandafter\@ifdefinable\csname #1\endcsname\r
- {\@definecounter{#1}\@addtoreset{#1}{#3}%\r
- \expandafter\xdef\csname the#1\endcsname{\expandafter\noexpand\r
- \csname the#3\endcsname \noexpand\@thmcountersep \@thmcounter{#1}}%\r
- \expandafter\xdef\csname #1name\endcsname{#2}%\r
- \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#4}{#5}}%\r
- \global\@namedef{end#1}{\@endtheorem}}}\r
-\r
-\def\@spynthm#1#2#3#4{\expandafter\@ifdefinable\csname #1\endcsname\r
- {\@definecounter{#1}%\r
- \expandafter\xdef\csname the#1\endcsname{\@thmcounter{#1}}%\r
- \expandafter\xdef\csname #1name\endcsname{#2}%\r
- \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#3}{#4}}%\r
- \global\@namedef{end#1}{\@endtheorem}}}\r
-\r
-\def\@spothm#1[#2]#3#4#5{%\r
- \@ifundefined{c@#2}{\@latexerr{No theorem environment `#2' defined}\@eha}%\r
- {\expandafter\@ifdefinable\csname #1\endcsname\r
- {\newaliascnt{#1}{#2}%\r
- \expandafter\xdef\csname #1name\endcsname{#3}%\r
- \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#4}{#5}}%\r
- \global\@namedef{end#1}{\@endtheorem}}}}\r
-\r
-\def\@spthm#1#2#3#4{\topsep 7\p@ \@plus2\p@ \@minus4\p@\r
-\refstepcounter{#1}%\r
-\@ifnextchar[{\@spythm{#1}{#2}{#3}{#4}}{\@spxthm{#1}{#2}{#3}{#4}}}\r
-\r
-\def\@spxthm#1#2#3#4{\@spbegintheorem{#2}{\csname the#1\endcsname}{#3}{#4}%\r
- \ignorespaces}\r
-\r
-\def\@spythm#1#2#3#4[#5]{\@spopargbegintheorem{#2}{\csname\r
- the#1\endcsname}{#5}{#3}{#4}\ignorespaces}\r
-\r
-\def\@spbegintheorem#1#2#3#4{\trivlist\r
- \item[\hskip\labelsep{#3#1\ #2\@thmcounterend}]#4}\r
-\r
-\def\@spopargbegintheorem#1#2#3#4#5{\trivlist\r
- \item[\hskip\labelsep{#4#1\ #2}]{#4(#3)\@thmcounterend\ }#5}\r
-\r
-% definition of \spnewtheorem* without number\r
-\r
-\def\@sthm#1#2{\@Ynthm{#1}{#2}}\r
-\r
-\def\@Ynthm#1#2#3#4{\expandafter\@ifdefinable\csname #1\endcsname\r
- {\global\@namedef{#1}{\@Thm{\csname #1name\endcsname}{#3}{#4}}%\r
- \expandafter\xdef\csname #1name\endcsname{#2}%\r
- \global\@namedef{end#1}{\@endtheorem}}}\r
-\r
-\def\@Thm#1#2#3{\topsep 7\p@ \@plus2\p@ \@minus4\p@\r
-\@ifnextchar[{\@Ythm{#1}{#2}{#3}}{\@Xthm{#1}{#2}{#3}}}\r
-\r
-\def\@Xthm#1#2#3{\@Begintheorem{#1}{#2}{#3}\ignorespaces}\r
-\r
-\def\@Ythm#1#2#3[#4]{\@Opargbegintheorem{#1}\r
- {#4}{#2}{#3}\ignorespaces}\r
-\r
-\def\@Begintheorem#1#2#3{#3\trivlist\r
- \item[\hskip\labelsep{#2#1\@thmcounterend}]}\r
-\r
-\def\@Opargbegintheorem#1#2#3#4{#4\trivlist\r
- \item[\hskip\labelsep{#3#1}]{#3(#2)\@thmcounterend\ }}\r
-\r
-\if@envcntsect\r
- \def\@thmcountersep{.}\r
- \spnewtheorem{theorem}{Theorem}[section]{\bfseries}{\itshape}\r
-\else\r
- \spnewtheorem{theorem}{Theorem}{\bfseries}{\itshape}\r
- \if@envcntreset\r
- \@addtoreset{theorem}{section}\r
- \else\r
- \@addtoreset{theorem}{chapter}\r
- \fi\r
-\fi\r
-\r
-%definition of divers theorem environments\r
-\spnewtheorem*{claim}{Claim}{\itshape}{\rmfamily}\r
-\spnewtheorem*{proof}{Proof}{\itshape}{\rmfamily}\r
-\if@envcntsame % alle Umgebungen wie Theorem.\r
- \def\spn@wtheorem#1#2#3#4{\@spothm{#1}[theorem]{#2}{#3}{#4}}\r
-\else % alle Umgebungen mit eigenem Zaehler\r
- \if@envcntsect % mit section numeriert\r
- \def\spn@wtheorem#1#2#3#4{\@spxnthm{#1}{#2}[section]{#3}{#4}}\r
- \else % nicht mit section numeriert\r
- \if@envcntreset\r
- \def\spn@wtheorem#1#2#3#4{\@spynthm{#1}{#2}{#3}{#4}\r
- \@addtoreset{#1}{section}}\r
- \else\r
- \def\spn@wtheorem#1#2#3#4{\@spynthm{#1}{#2}{#3}{#4}\r
- \@addtoreset{#1}{chapter}}%\r
- \fi\r
- \fi\r
-\fi\r
-\spn@wtheorem{case}{Case}{\itshape}{\rmfamily}\r
-\spn@wtheorem{conjecture}{Conjecture}{\itshape}{\rmfamily}\r
-\spn@wtheorem{corollary}{Corollary}{\bfseries}{\itshape}\r
-\spn@wtheorem{definition}{Definition}{\bfseries}{\itshape}\r
-\spn@wtheorem{example}{Example}{\itshape}{\rmfamily}\r
-\spn@wtheorem{exercise}{Exercise}{\itshape}{\rmfamily}\r
-\spn@wtheorem{lemma}{Lemma}{\bfseries}{\itshape}\r
-\spn@wtheorem{note}{Note}{\itshape}{\rmfamily}\r
-\spn@wtheorem{problem}{Problem}{\itshape}{\rmfamily}\r
-\spn@wtheorem{property}{Property}{\itshape}{\rmfamily}\r
-\spn@wtheorem{proposition}{Proposition}{\bfseries}{\itshape}\r
-\spn@wtheorem{question}{Question}{\itshape}{\rmfamily}\r
-\spn@wtheorem{solution}{Solution}{\itshape}{\rmfamily}\r
-\spn@wtheorem{remark}{Remark}{\itshape}{\rmfamily}\r
-\r
-\def\@takefromreset#1#2{%\r
- \def\@tempa{#1}%\r
- \let\@tempd\@elt\r
- \def\@elt##1{%\r
- \def\@tempb{##1}%\r
- \ifx\@tempa\@tempb\else\r
- \@addtoreset{##1}{#2}%\r
- \fi}%\r
- \expandafter\expandafter\let\expandafter\@tempc\csname cl@#2\endcsname\r
- \expandafter\def\csname cl@#2\endcsname{}%\r
- \@tempc\r
- \let\@elt\@tempd}\r
-\r
-\def\theopargself{\def\@spopargbegintheorem##1##2##3##4##5{\trivlist\r
- \item[\hskip\labelsep{##4##1\ ##2}]{##4##3\@thmcounterend\ }##5}\r
- \def\@Opargbegintheorem##1##2##3##4{##4\trivlist\r
- \item[\hskip\labelsep{##3##1}]{##3##2\@thmcounterend\ }}\r
- }\r
-\r
-\renewenvironment{abstract}{%\r
- \list{}{\advance\topsep by0.35cm\relax\small\r
- \leftmargin=1cm\r
- \labelwidth=\z@\r
- \listparindent=\z@\r
- \itemindent\listparindent\r
- \rightmargin\leftmargin}\item[\hskip\labelsep\r
- \bfseries\abstractname]}\r
- {\endlist}\r
-\r
-\newdimen\headlineindent % dimension for space between\r
-\headlineindent=1.166cm % number and text of headings.\r
-\r
-\def\ps@headings{\let\@mkboth\@gobbletwo\r
- \let\@oddfoot\@empty\let\@evenfoot\@empty\r
- \def\@evenhead{\normalfont\small\rlap{\thepage}\hspace{\headlineindent}%\r
- \leftmark\hfil}\r
- \def\@oddhead{\normalfont\small\hfil\rightmark\hspace{\headlineindent}%\r
- \llap{\thepage}}\r
- \def\chaptermark##1{}%\r
- \def\sectionmark##1{}%\r
- \def\subsectionmark##1{}}\r
-\r
-\def\ps@titlepage{\let\@mkboth\@gobbletwo\r
- \let\@oddfoot\@empty\let\@evenfoot\@empty\r
- \def\@evenhead{\normalfont\small\rlap{\thepage}\hspace{\headlineindent}%\r
- \hfil}\r
- \def\@oddhead{\normalfont\small\hfil\hspace{\headlineindent}%\r
- \llap{\thepage}}\r
- \def\chaptermark##1{}%\r
- \def\sectionmark##1{}%\r
- \def\subsectionmark##1{}}\r
-\r
-\if@runhead\ps@headings\else\r
-\ps@empty\fi\r
-\r
-\setlength\arraycolsep{1.4\p@}\r
-\setlength\tabcolsep{1.4\p@}\r
-\r
-\endinput\r
-%end of file llncs.cls\r
+++ /dev/null
-% this style was created by Philippe Dreuw and Thomas Deselaers
-\ProvidesPackage{beamerthemeTF}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\RequirePackage{colorsTF}
-\selectcolormodel{cmyk}
-\mode<presentation>
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\definecolor{veryLightBlue}{rgb}{0.95,0.9,0.95} %
-\definecolor{lightBlue}{rgb}{0.8,0.8,1} % dark blue
-\definecolor{darkBlue}{rgb}{0,0,0.7} % dark blue
-\definecolor{textBG}{rgb}{0.95,0.95,1} % dark blue
-
-
-\setbeamercolor{headline}{fg=black,bg=white}
-\setbeamercolor{footline}{fg=black, bg=white}
-\setbeamerfont{footline}{size=\large,series=\sf}
-\setbeamercolor{separation line}{bg=black}
-\setbeamercolor{title in headline}{fg=black, bg=}
-\setbeamercolor{author in headline}{fg=black, bg=}
-\setbeamercolor{institute in headline}{fg=black, bg=}
-
-\setbeamercolor{framesubtitle}{fg=ta3orange, bg=veryLightBlue}
-\setbeamercolor{author in head/foot}{fg=black, bg=white}
-\setbeamercolor{title in head/foot}{fg=black, bg=white}
-
-\setbeamercolor*{normal text}{fg=black, bg=veryLightBlue}
-
-\setbeamercolor*{block body}{bg=white,fg=black}
-\setbeamercolor*{block title}{bg=telemetaRed,fg=white}
-\setbeamerfont{block title}{size=\large,series=\bf}
-\setbeamercolor{upper separation line head}{fg=red}
-
-\setbeamercolor*{example body}{fg=ta3aluminium,bg=white}
-\setbeamercolor*{example text}{fg=ta3aluminium,bg=white}
-\setbeamercolor*{example title}{bg=taorange,fg=ta2gray}
-
-\setbeamercolor{alerted text}{fg=red, bg=white}
-\setbeamercolor*{alerted body}{fg=ta3aluminium,bg=white}
-
-%\setbeamercolor{example text}{fg=taorange}
-\setbeamercolor{structure}{fg=ta3skyblue}
-
-\setbeamertemplate{itemize items}[triangle]
-\setbeamertemplate{navigation symbols}{} % no navigation on a poster
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\setbeamertemplate{block begin}{
- \vskip.75ex
- \begin{beamercolorbox}[rounded=true,shadow=true,leftskip=1cm,colsep*=.75ex]{block title}%
- \usebeamerfont*{block title}\insertblocktitle
- \end{beamercolorbox}%
- {\ifbeamercolorempty[bg]{block body}{}{\nointerlineskip\vskip-0.5pt}}%
- \usebeamerfont{block body}%
- \begin{beamercolorbox}[rounded=true,shadow=true,colsep*=.75ex,sep=.75ex,vmode]{block body}%
- \ifbeamercolorempty[bg]{block body}{\vskip-.25ex}{\vskip-.75ex}\vbox{}%
- }
- \setbeamertemplate{block end}{
- \end{beamercolorbox}
-}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\setbeamertemplate{headline}{
- \leavevmode
- \begin{beamercolorbox}[wd=\paperwidth]{headline}
- \begin{columns}[T]
- \begin{column}{.02\paperwidth}
- \end{column}
- \begin{column}{.07\paperwidth}
- \begin{center}
- \includegraphics[width=1.2\linewidth]{img/logo_CREM.png}\\
- % \hspace{1cm}
- \includegraphics[width=1.2\linewidth]{img/logo_LESC.png}
- \end{center}
- \vskip1ex
- \end{column}
- \begin{column}{.675\paperwidth}
- \vskip4ex \raggedleft
-
- \usebeamercolor{title in
- headline}{\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
- \usebeamercolor{author in
- headline}{\color{fg}\large{\insertauthor}\\[1ex]}
- \usebeamercolor{institute in
- headline}{\color{fg}\large{\insertinstitute}\\[1ex]}
- \end{column}
- \begin{column}{.25\paperwidth}
- \vskip1cm
- \begin{center}
- \includegraphics[width=.65\linewidth]{img/parisson_logo_FINALE_com.pdf}\\
- \vspace{2.5cm}
- \includegraphics[width=.6\linewidth]{img/upmc.png}
- \end{center}
- \vskip1.5cm
- \end{column}
- \begin{column}{.03\paperwidth}
- \end{column}
- \end{columns}
- \end{beamercolorbox}
- \begin{beamercolorbox}[wd=\paperwidth]{lower separation line head}
- \rule{0pt}{2pt}
- \end{beamercolorbox}
-}
-
-% \setbeamertemplate{headline}{
-% \leavevmode
-% \begin{beamercolorbox}[sep=0.5cm,wd=.8\paperwidth]{headline}
-% \usebeamercolor{title in headline}{\raggedleft\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
-% \usebeamercolor{author in headline}{\raggedleft\color{fg}\large{\insertauthor}\\[1ex]}
-% \usebeamercolor{institute in headline}{\raggedleft\color{fg}\large{\insertinstitute}\\[1ex]}
-% \end{beamercolorbox}%
-% \begin{beamercolorbox}[wd=.2\paperwidth]{logo in headline}
-% \centering
-% \LARGE{LOGO}
-% \end{beamercolorbox}
-
-
-%}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\setbeamertemplate{footline}{}
-
-% \begin{beamercolorbox}[wd=\paperwidth]{Footer}
-% \begin{center}
- % \includegraphics[width=0.5\paperwidth]{img/CMMR2013banner.png}
-% \end{center}
-
-% \end{beamercolorbox}
-
-% \begin{beamercolorbox}[wd=\paperwidth]{upper separation line foot}
-% \rule{0pt}{2pt}
-% \end{beamercolorbox}
-% \vskip1ex
-% \leavevmode%
-% \begin{beamercolorbox}[ht=5ex,leftskip=1cm,rightskip=1cm]{author in head/foot}%
-% %\includegraphics[width=5.5cm]{img/CMMR2013footer.png} \hskip2cm%
-% {\large \textbf{10th International Symposium on Computer Music Multidisciplinary Research (CMMR) Sound, Music and Motion , \hspace{1cm} Marseilles , \hspace{1cm} 15-18 October 2013}}
-
-% \vskip1ex
-% \end{beamercolorbox}
-
-% \vskip0pt%
-% \begin{beamercolorbox}[wd=\paperwidth]{lower separation line foot}
-% \rule{0pt}{2pt}\begin{picture}(0,0) \put(0,0){\includegraphics[width=\paperwidth]{img/CMMR2013footer_alpha.png}}\end{picture}
-% \end{beamercolorbox}
-%}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Display a grid to help align images ... and it looks nice with this color scheme
-%\beamertemplategridbackground[1cm]
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\mode<all>
-
+++ /dev/null
-% this style was created by Philippe Dreuw and Thomas Deselaers
-\ProvidesPackage{beamerthemeTF}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\RequirePackage{colorsTF}
-\selectcolormodel{cmyk}
-\mode<presentation>
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\definecolor{veryLightBlue}{rgb}{0.95,0.9,0.95} %
-\definecolor{lightBlue}{rgb}{0.8,0.8,1} % dark blue
-\definecolor{darkBlue}{rgb}{0,0,0.7} % dark blue
-\definecolor{textBG}{rgb}{0.95,0.95,1} % dark blue
-
-
-\setbeamercolor{headline}{fg=black,bg=white}
-\setbeamercolor{footline}{fg=black, bg=white}
-\setbeamerfont{footline}{size=\large,series=\sf}
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- Utrecht, Netherlands. pp. 441--446. International Society for Music
- Information Retrieval (2010),
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-% \usepackage{franglais} % "franglais.sty" (a defaut)
- \usepackage{times} % ajout times le 30 mai 2003
-
-%% --------------------------------------------------------------
-%% CODAGE DE POLICES ?
-%% Si votre moteur Latex est francise, il est conseille
-%% d'utiliser le codage de police T1 pour faciliter la césure,
-%% si vous disposez de ces polices (DC/EC)
-\usepackage[utf8]{inputenc}
-\usepackage[T1]{fontenc}
-
-
-%% ==============================================================
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-\usepackage{amsmath,amsfonts}
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-%\usepackage{hyperref}
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-\usepackage{wrapfig}
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-\usepackage[orientation=portrait,size=a0,scale=1.4]{beamerposter}
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-% Display a grid to help align images
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-
-%We will get the normal bibliography style (number or text instead of icon) by including the following code
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-% listings settings
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- basicstyle=\scriptsize, % the size of the fonts that are used for the code
- keywordstyle=\color{blue}, % keyword style
- showstringspaces=false, % underline spaces within strings only
-}
-\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
-
-
-\institute[Parisson]{\small
- \inst{1}%
- Parisson, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
- 11 rue de Lourmel, 75015 Paris, France\\
- \inst{3}%
- CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
-21 Allée de l'Université - 92023 Nanterre, France\\
-%Thanks
-\vskip1ex
- {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
-}
-
-\date[03/09/2013]{03 septembre 2013}
-%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
-\begin{document}
-%\maketitle
-\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
-% ==================================
-% --------- Résumé -----------------
-% ==================================
- \begin{block}{Abstract}\small
-
- \begin{minipage}{0.74\linewidth}
- \begin{itemize}
- \item \emph{Telemeta} is an \alert{open-source audio web Content
- Management System} (CMS) dedicated to \alert{digital sound
- archives} secure storing, indexing and publishing.
- \item The demonstration presents the features of this platform
- in the context of \alert{\emph{ethnomusicological} research}.
- \item It focuses on the enhance and collaborative
- user-experience in accessing audio items and their associated
- metadata and on the possibility for the expert user to further
- enrich those metadata.
- \item \emph{Telemeta} also provides integrated \alert{audio signal
- processing tools} for automatic analysis of sound items.
- \end{itemize}
- \end{minipage}
- \begin{minipage}{0.24\linewidth}
- \begin{center}
- \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
-
- \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
- \vskip1ex
- \colorbox{yellow!50}
- { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
- \end{center}
- \end{minipage}
- \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
- \end{block}
-
-% ==================================
-% --------- Corps -----------------
-% ==================================
- \begin{columns}[t]
-\footnotesize
-% ==================================
-% --------- Colonne gauche ---------
-% ==================================
- \begin{column}[T]{.49\linewidth}
- \begin{block}{Introduction}
- \textbf{Needs}\\
- \begin{itemize}
- \item In social sciences like anthropology and linguistics,
- researchers have to work on multiple types of multimedia
- documents such as photos, videos, sound recordings or
- databases.
- \item The need to easily access, visualize and annotate
- such materials can be problematic given their diverse formats,
- sources and given their chronological nature.
- \end{itemize}
-
-\textbf{The \emph{Telemeta} project}\\
-\begin{itemize}
-\item The CREM laboratory and Parisson have been developing an innovative,
- collaborative and interdisciplinary open-source web-based multimedia
- platform since 2007.
-\item Goal : fit the professional requirements from both sound archivists and
- researchers in ethnomusicology.
-\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
- l'Homme}:
-\end{itemize}
-\begin{center}
- \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
-\end{center}
-
- \end{block}
-
-\begin{block}{Web audio content management features and architecture}
- \begin{itemize}
- \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
- Free Software License Agreement}) web audio content management
- system which introduces efficient and secure methods for
- \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
- digitalized audio file with its metadata.
- \item \emph{Telemeta} is ideal for
- professional collaborators who wants to easily organize, backup, archive and
- publish documented sound collections of audio files, CDs,
- digitalized vinyls and magnetic tapes over a strong database in
- accordance with \alert{open web standards}.
- \item \emph{Telemeta} architecture
- is \alert{flexible} and can easily be adapted to particular database
- organization of a given sound archives.
- \end{itemize}
-
-\begin{figure}[htbp]
- \centering
- \includegraphics[width=0.47\paperwidth]{img/player_mark.png}
- \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
-\end{figure}
-
-
-
-The main features of \emph{Telemeta} are:
-\vspace{-0.1cm}
-\begin{itemize}
-\item \alert{Pure HTML} web user interface including high level \alert{search engine}
-\item \alert{Smart workflow management} with contextual user lists, profiles and rights
- % \item RSS and JSON feed generators
- % \item XML serialized backup
-\item Model-View-Controller (\alert{MVC}) architecture
-\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
-
-\end{itemize}
-Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
-
-\end{block}
-\begin{block}{Metadata}
- \begin{itemize}
- \item In addition to the audio data, an efficient and \alert{dynamic
- management} of the associated metadata is also required.
- \item Dynamically handling metadata in a \alert{collaborative} manner optimises
- the continuous process of knowledge gathering and enrichment of
- the materials in the database.
- \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
- and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
- Harvesting) \cite{DublinCore,OAI-PMH}.
- \end{itemize}
-
-\textbf{Contextual Information}\\
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
-
-\textbf{Annotations and segmentation}\\
-Metadata also consist in temporal information such as:
-\begin{itemize}
-\item a list of \alert{time-coded markers} associated with annotations
-\item a list of of \alert{time-segments} associated with labels.
-\end{itemize}
-The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
-It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
-
-\end{block}
- \end{column}
-
-% ==================================
-% ------- Colonne droite -----------
-% ==================================
-\begin{column}[T]{.49\linewidth}
- \begin{block}{TimeSide : open web audio processing framework}
-One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
-
-\begin{center}
- \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
-\end{center}
-
- \begin{figure}[htbp]
- \centering
- \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
- \caption{TimeSide architecture}
-\end{figure}
-
-\textbf{Goals}\\
-
-\begin{itemize}
-\item \alert{Do} asynchronous and fast audio processing with Python.
-\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
-\item \alert{Analyze} audio content with some external audio feature extraction libraries.
-\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
-\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
-\item \alert{Transcode} audio data in various media formats and stream them through web apps.
-\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
-\end{itemize}
-
-\textbf{Audio features extraction}\\
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
-
- \begin{itemize}
- \item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
- \cite{brossierPhD}
- \item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
- \cite{yaafe_ISMIR2010}
- \item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
- \cite{vamp-plugins}
- \end{itemize}
-
-
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
-Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
-\end{block}
-\begin{block}{Code Example (Python)}
-\vskip1ex
- \begin{minipage}{0.6\linewidth}
- \begin{lstlisting}
-
-import timeside
-
-# Define some processors:
-decoder = timeside.decoder.FileDecoder('sweep.wav')
-analyzer = timeside.analyzer.Level()
-grapher = timeside.grapher.Spectrogram()
-encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
-
-# Then, the magic pipeline:
-(decoder | analyzer | grapher | encoder).run()
-
-# Get the results:
-grapher.render(output='image.png')
-for key in analyzer.results.keys():
- print '%s in %s : %s'% (analyzer.results[key].name,
- analyzer.results[key].unit,
- analyzer.results[key].data)
-
-\end{lstlisting}
-\end{minipage}
-\hskip2ex
-\begin{minipage}{0.32\linewidth}
- \begin{center}
- \textbf{Results}
- \begin{figure}
- \centering
- \includegraphics{img/spectrogram.png}
- \caption{Spectrogram (sweep signal)}
- \end{figure}
- \end{center}
-\vskip5ex
-\begin{lstlisting}
-
- Level Analyzer Max:[-6.021]
- Level Analyzer RMS:[-9.856]
-
-\end{lstlisting}
-
-
-\end{minipage}
-
- \end{block}
-\begin{block}{Références}\tiny
-\bibliographystyle{../splncs03}
-%\label{sec:ref}
-\vspace{-1cm}
-\begin{multicols}{2}[]
-\bibliography{../cmmr_2013}
-\end{multicols}
- \end{block}
- \end{column}
-\end{columns}
-\end{frame}
-\end{document}
-%%% Local Variables:
-%%% mode: latex
-%%% TeX-master: t
-%%% End:
+++ /dev/null
-\documentclass[final, hyperref, table]{beamer}
-\mode<presentation>
-{
-\usetheme{TF}
- }
-
- \usepackage[english,francais]{babel} % "babel.sty"
-% \usepackage{french} % "french.sty"
-% \usepackage{franglais} % "franglais.sty" (a defaut)
- \usepackage{times} % ajout times le 30 mai 2003
-
-%% --------------------------------------------------------------
-%% CODAGE DE POLICES ?
-%% Si votre moteur Latex est francise, il est conseille
-%% d'utiliser le codage de police T1 pour faciliter la césure,
-%% si vous disposez de ces polices (DC/EC)
-\usepackage[utf8]{inputenc}
-\usepackage[T1]{fontenc}
-
-
-%% ==============================================================
-%\usepackage{graphicx}
-\usepackage{amsmath,amsfonts}
-%\usepackage[table]{xcolor}
-\usepackage{subfigure}
-\usepackage{fancybox}
-%\usepackage{hyperref}
-\usepackage{multicol}
-\usepackage{wrapfig}
-\usepackage{listings}
-\usepackage{xcolor}
-\usepackage[orientation=portrait,size=a0,scale=1.4]{beamerposter}
-
-% Display a grid to help align images
-%\beamertemplategridbackground[1cm]
-
-%We will get the normal bibliography style (number or text instead of icon) by including the following code
-\setbeamertemplate{bibliography item}[text]
-\setbeamerfont{caption}{size=\footnotesize}
-% listings settings
-\definecolor{lstComments}{rgb}{0,0.6,0}
-\definecolor{lstBkgrd}{rgb}{1,1,0.8}
-\lstset{%
- language=Python, % the language of the code
- frame=single, % adds a frame around the code
- commentstyle=\color{lstComments},% comment style
- backgroundcolor=\color{lstBkgrd}, % choose the background color
- basicstyle=\scriptsize, % the size of the fonts that are used for the code
- keywordstyle=\color{blue}, % keyword style
- showstringspaces=false, % underline spaces within strings only
-}
-\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
-
-
-\institute[Parisson]{\small
- \inst{1}%
- Parisson, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
- 11 rue de Lourmel, 75015 Paris, France\\
- \inst{3}%
- CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
-21 Allée de l'Université - 92023 Nanterre, France\\
-%Thanks
-\vskip1ex
- {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
-}
-
-\date[03/09/2013]{03 septembre 2013}
-%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
-\begin{document}
-%\maketitle
-\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
-% ==================================
-% --------- Résumé -----------------
-% ==================================
- \begin{block}{Abstract}\small
-
- \begin{minipage}{0.74\linewidth}
- \begin{itemize}
- \item \emph{Telemeta} is an \alert{open-source audio web Content
- Management System} (CMS) dedicated to \alert{digital sound
- archives} secure storing, indexing and publishing.
- \item The demonstration presents the features of this platform
- in the context of \alert{\emph{ethnomusicological} research}.
- \item It focuses on the enhance and collaborative
- user-experience in accessing audio items and their associated
- metadata and on the possibility for the expert user to further
- enrich those metadata.
- \item \emph{Telemeta} also provides integrated \alert{audio signal
- processing tools} for automatic analysis of sound items.
- \end{itemize}
- \end{minipage}
- \begin{minipage}{0.24\linewidth}
- \begin{center}
- \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
-
- \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
- \vskip1ex
- \colorbox{yellow!50}
- { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
- \end{center}
- \end{minipage}
- \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
- \end{block}
-
-% ==================================
-% --------- Corps -----------------
-% ==================================
- \begin{columns}[t]
-\footnotesize
-% ==================================
-% --------- Colonne gauche ---------
-% ==================================
- \begin{column}[T]{.49\linewidth}
- \begin{block}{Introduction}
- \textbf{Needs}\\
- \begin{itemize}
- \item In social sciences like anthropology and linguistics,
- researchers have to work on multiple types of multimedia
- documents such as photos, videos, sound recordings or
- databases.
- \item The need to easily access, visualize and annotate
- such materials can be problematic given their diverse formats,
- sources and given their chronological nature.
- \end{itemize}
-
-\textbf{The \emph{Telemeta} project}\\
-\begin{itemize}
-\item The CREM laboratory and Parisson have been developing an innovative,
- collaborative and interdisciplinary open-source web-based multimedia
- platform since 2007.
-\item Goal : fit the professional requirements from both sound archivists and
- researchers in ethnomusicology.
-\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
- l'Homme}:
-\end{itemize}
-\begin{center}
- \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
-\end{center}
-
- \end{block}
-
-\begin{block}{Web audio content management features and architecture}
- \begin{itemize}
- \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
- Free Software License Agreement}) web audio content management
- system which introduces efficient and secure methods for
- back-uping, indexing, transcoding, analysing and publishing any
- digitalized audio file with its metadata.
- \item \emph{Telemeta} is ideal for
- professionals who wants to easily organize, backup, archive and
- publish documented sound collections of audio files, CDs,
- digitalized vinyls and magnetic tapes over a strong database, in
- accordance with open web standards.
- \item \emph{Telemeta} architecture
- is flexible and can easily be adapted to particular database
- organization of a given sound archives.
- \end{itemize}
-
-\begin{figure}[htbp]
- \centering
- \includegraphics[width=0.4\paperwidth]{../img/telemeta.png}
- \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
-\end{figure}
-
-
-
-The main features of \emph{Telemeta} are:
-\vspace{-0.1cm}
-\begin{itemize}
-\item \emph{Pure HTML} web user interface including high level \emph{search engine}
-\item Smart \emph{workflow management} with contextual user lists, profiles and rights
- % \item RSS and JSON feed generators
- % \item XML serialized backup
-\item Strong Structured Query Language (SQL) or Oracle backend
-\item Model-View-Controller (MVC) architecture
-\end{itemize}
-Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
-
-\end{block}
-\begin{block}{Metadata}
- \begin{itemize}
- \item In addition to the audio data, an efficient and dynamic
- management of the associated metadata is also required.
- \item Dynamically handling metadata in a collaborative manner optimises
- the continuous process of knowledge gathering and enrichment of
- the materials in the database.
- \item Compatibility : integration of the metadata standards protocols \emph{Dublin Core}
- and \emph{OAI-PMH} (Open Archives Initiative Protocol for Metadata
- Harvesting) \cite{DublinCore,OAI-PMH}.
- \end{itemize}
-
-\textbf{Contextual Information}\\
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
-
-\textbf{Annotations and segmentation}\\
-Metadata also consist in temporal information such as:
-\begin{itemize}
-\item a list of \emph{time-coded markers} associated with annotations
-\item a list of of \emph{time-segments} associated with labels.
-\end{itemize}
-The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
-It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
-
-\end{block}
- \end{column}
-
-% ==================================
-% ------- Colonne droite -----------
-% ==================================
-\begin{column}[T]{.49\linewidth}
- \begin{block}{TimeSide : open web audio processing framework}
-One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
-
-\begin{center}
- \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
-\end{center}
-
- \begin{figure}[htbp]
- \centering
- \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
- \caption{TimeSide architecture}
-\end{figure}
-
-\textbf{Goals}\\
-
-\begin{itemize}
-\item \alert{Do} asynchronous and fast audio processing with Python.
-\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
-\item \alert{Analyze} audio content with some external audio feature extraction libraries.
-\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
-\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
-\item \alert{Transcode} audio data in various media formats and stream them through web apps.
-\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
-\end{itemize}
-
-\textbf{Audio features extraction}\\
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
-
- \begin{itemize}
- \item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
- \cite{brossierPhD}
- \item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
- \cite{yaafe_ISMIR2010}
- \item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
- \cite{vamp-plugins}
- \end{itemize}
-
-
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
-Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide automatic annotation, segmentation and similarity analysis.
-\end{block}
-\begin{block}{Code Example (Python)}
-\vskip1ex
- \begin{minipage}{0.6\linewidth}
- \begin{lstlisting}
-
-import timeside
-
-# Define some processors:
-decoder = timeside.decoder.FileDecoder('sweep.wav')
-analyzer = timeside.analyzer.Level()
-grapher = timeside.grapher.Spectrogram()
-encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
-
-# Then, the magic pipeline:
-(decoder | analyzer | grapher | encoder).run()
-
-# Get the results:
-grapher.render(output='image.png')
-for key in analyzer.results.keys():
- print '%s in %s : %s'% (analyzer.results[key].name,
- analyzer.results[key].unit,
- analyzer.results[key].data)
-
-\end{lstlisting}
-\end{minipage}
-\hskip2ex
-\begin{minipage}{0.32\linewidth}
- \begin{center}
- \textbf{Results}
- \begin{figure}
- \centering
- \includegraphics{img/spectrogram.png}
- \caption{Spectrogram (sweep signal)}
- \end{figure}
- \end{center}
-\vskip5ex
-\begin{lstlisting}
-
- Level Analyzer Max:[-6.021]
- Level Analyzer RMS:[-9.856]
-
-\end{lstlisting}
-
-
-\end{minipage}
-
- \end{block}
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-\bibliographystyle{../splncs03}
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-\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
-
-
-\institute[Parisson]{\small
- \inst{1}%
- Parisson, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
- 11 rue de Lourmel, 75015 Paris, France\\
- \inst{3}%
- CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
-21 Allée de l'Université - 92023 Nanterre, France\\
-%Thanks
-\vskip1ex
- {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
-}
-
-\date[03/09/2013]{03 septembre 2013}
-%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
-\begin{document}
-%\maketitle
-\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
-% ==================================
-% --------- Résumé -----------------
-% ==================================
- \begin{block}{Abstract}\small
-
- \begin{minipage}{0.74\linewidth}
- \begin{itemize}
- \item \emph{Telemeta} is an \alert{open-source audio web Content
- Management System} (CMS) dedicated to \alert{digital sound
- archives} secure storing, indexing and publishing.
- \item The demonstration presents the features of this platform
- in the context of \alert{\emph{ethnomusicological} research}.
- \item It focuses on the enhance and collaborative
- user-experience in accessing audio items and their associated
- metadata and on the possibility for the expert user to further
- enrich those metadata.
- \item \emph{Telemeta} also provides integrated \alert{audio signal
- processing tools} for automatic analysis of sound items.
- \end{itemize}
- \end{minipage}
- \begin{minipage}{0.24\linewidth}
- \begin{center}
- \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
-
- \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
- \vskip1ex
- \colorbox{yellow!50}
- { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
- \end{center}
- \end{minipage}
- \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
- \end{block}
-
-% ==================================
-% --------- Corps -----------------
-% ==================================
- \begin{columns}[t]
-\footnotesize
-% ==================================
-% --------- Colonne gauche ---------
-% ==================================
- \begin{column}[T]{.49\linewidth}
- \begin{block}{Introduction}
- \textbf{Needs}\\
- \begin{itemize}
- \item In social sciences like anthropology and linguistics,
- researchers have to work on multiple types of multimedia
- documents such as photos, videos, sound recordings or
- databases.
- \item The need to easily access, visualize and annotate
- such materials can be problematic given their diverse formats,
- sources and given their chronological nature.
- \end{itemize}
-
-\textbf{The \emph{Telemeta} project}\\
-\begin{itemize}
-\item The CREM laboratory and Parisson have been developing an innovative,
- collaborative and interdisciplinary open-source web-based multimedia
- platform since 2007.
-\item Goal : fit the professional requirements from both sound archivists and
- researchers in ethnomusicology.
-\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
- l'Homme}:
-\end{itemize}
-\begin{center}
- \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
-\end{center}
-
- \end{block}
-
-\begin{block}{Web audio content management features and architecture}
- \begin{itemize}
- \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
- Free Software License Agreement}) web audio content management
- system which introduces efficient and secure methods for
- \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
- digitalized audio file with its metadata.
- \item \emph{Telemeta} is ideal for
- professional collaborators who wants to easily organize, backup, archive and
- publish documented sound collections of audio files, CDs,
- digitalized vinyls and magnetic tapes over a strong database in
- accordance with \alert{open web standards}.
- \item \emph{Telemeta} architecture
- is \alert{flexible} and can easily be adapted to particular database
- organization of a given sound archives.
- \end{itemize}
-
-\begin{figure}[htbp]
- \centering
- \includegraphics[width=0.4\paperwidth]{../img/telemeta.png}
- \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
-\end{figure}
-
-
-
-The main features of \emph{Telemeta} are:
-\vspace{-0.1cm}
-\begin{itemize}
-\item \alert{Pure HTML} web user interface including high level \alert{search engine}
-\item \alert{Smart workflow management} with contextual user lists, profiles and rights
- % \item RSS and JSON feed generators
- % \item XML serialized backup
-\item Model-View-Controller (\alert{MVC}) architecture
-\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
-
-\end{itemize}
-Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
-
-\end{block}
-\begin{block}{Metadata}
- \begin{itemize}
- \item In addition to the audio data, an efficient and \alert{dynamic
- management} of the associated metadata is also required.
- \item Dynamically handling metadata in a \alert{collaborative} manner optimises
- the continuous process of knowledge gathering and enrichment of
- the materials in the database.
- \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
- and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
- Harvesting) \cite{DublinCore,OAI-PMH}.
- \end{itemize}
-
-\textbf{Contextual Information}\\
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
-
-\textbf{Annotations and segmentation}\\
-Metadata also consist in temporal information such as:
-\begin{itemize}
-\item a list of \alert{time-coded markers} associated with annotations
-\item a list of of \alert{time-segments} associated with labels.
-\end{itemize}
-The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
-It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
-
-\end{block}
- \end{column}
-
-% ==================================
-% ------- Colonne droite -----------
-% ==================================
-\begin{column}[T]{.49\linewidth}
- \begin{block}{TimeSide : open web audio processing framework}
-One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
-
-\begin{center}
- \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
-\end{center}
-
- \begin{figure}[htbp]
- \centering
- \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
- \caption{TimeSide architecture}
-\end{figure}
-
-\textbf{Goals}\\
-
-\begin{itemize}
-\item \alert{Do} asynchronous and fast audio processing with Python.
-\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
-\item \alert{Analyze} audio content with some external audio feature extraction libraries.
-\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
-\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
-\item \alert{Transcode} audio data in various media formats and stream them through web apps.
-\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
-\end{itemize}
-
-\textbf{Audio features extraction}\\
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
-
- \begin{itemize}
- \item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
- \cite{brossierPhD}
- \item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
- \cite{yaafe_ISMIR2010}
- \item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
- \cite{vamp-plugins}
- \end{itemize}
-
-
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
-Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
-\end{block}
-\begin{block}{Code Example (Python)}
-\vskip1ex
- \begin{minipage}{0.6\linewidth}
- \begin{lstlisting}
-
-import timeside
-
-# Define some processors:
-decoder = timeside.decoder.FileDecoder('sweep.wav')
-analyzer = timeside.analyzer.Level()
-grapher = timeside.grapher.Spectrogram()
-encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
-
-# Then, the magic pipeline:
-(decoder | analyzer | grapher | encoder).run()
-
-# Get the results:
-grapher.render(output='image.png')
-for key in analyzer.results.keys():
- print '%s in %s : %s'% (analyzer.results[key].name,
- analyzer.results[key].unit,
- analyzer.results[key].data)
-
-\end{lstlisting}
-\end{minipage}
-\hskip2ex
-\begin{minipage}{0.32\linewidth}
- \begin{center}
- \textbf{Results}
- \begin{figure}
- \centering
- \includegraphics{img/spectrogram.png}
- \caption{Spectrogram (sweep signal)}
- \end{figure}
- \end{center}
-\vskip5ex
-\begin{lstlisting}
-
- Level Analyzer Max:[-6.021]
- Level Analyzer RMS:[-9.856]
-
-\end{lstlisting}
-
-
-\end{minipage}
-
- \end{block}
-\begin{block}{Références}\tiny
-\bibliographystyle{../splncs03}
-%\label{sec:ref}
-\vspace{-1cm}
-\begin{multicols}{2}[]
-\bibliography{../cmmr_2013}
-\end{multicols}
- \end{block}
- \end{column}
-\end{columns}
-\end{frame}
-\end{document}
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-Brossier, P.: Automatic annotation of musical audio for interactive systems.
- Ph.D. thesis, Centre for Digital music, Queen Mary University of London, UK
- (2006)
-
-\bibitem{DublinCore}
-{Dublin Core} metadata initiative, \url{http://dublincore.org/}
-
-\bibitem{yaafe_ISMIR2010}
-Mathieu, B., Essid, S., Fillon, T., Prado, J., Richard, G.: Yaafe, an easy to
- use and efficient audio feature extraction software. In: Proc. of ISMIR 2010,
- Utrecht, Netherlands. pp. 441--446. International Society for Music
- Information Retrieval (2010),
- \url{http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}
-
-\bibitem{OAI-PMH}
-Open archives initiative protocol for metadata harvesting,
- \url{http://www.openarchives.org/pmh/}
-
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-The {Vamp} audio analysis plugin system, \url{http://www.vamp-plugins.org}
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-\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
-
-\institute[Parisson]{\small
- \inst{1}%
- Parisson, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
- 11 rue de Lourmel, 75015 Paris, France\\
- \inst{3}%
- CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
-21 Allée de l'Université - 92023 Nanterre, France\\
-%Thanks
-\vskip1ex
- {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project funded by the French National Research Agency ANR (CONTINT)}}}
-}
-
-\begin{document}
-%\maketitle
-\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
-% ==================================
-% --------- Résumé -----------------
-% ==================================
- \begin{block}{Abstract}\small
- \begin{minipage}[T]{0.74\linewidth}
- \begin{itemize}
- \item \emph{Telemeta} is an \alert{open-source audio web Content
- Management System} (CMS) dedicated to \alert{digital sound
- archives} secure storing, indexing and publishing.
- \item The demonstration presents the features of this platform
- in the context of \alert{\emph{ethnomusicological} research}.
- \item It focuses on the enhance and collaborative
- user-experience in accessing audio items and their associated
- metadata and on the possibility for the expert user to further
- enrich those metadata.
- \item \emph{Telemeta} also provides integrated \alert{audio signal
- processing tools} for automatic analysis of sound items.
- \end{itemize}
-\vskip1ex
- \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
- \end{minipage}
- \begin{minipage}[T]{0.24\linewidth}
- \begin{center}
- \vspace{-0.7cm}
- \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
- \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
- \vskip1ex
- \colorbox{yellow!50}
- { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
- \end{center}
-\vspace{-1cm}
-\end{minipage}
- \end{block}
- \vspace{-1cm}
-% ==================================
-% --------- Corps -----------------
-% ==================================
- \begin{columns}[t]
-\footnotesize
-% ==================================
-% --------- Colonne gauche ---------
-% ==================================
- \begin{column}[T]{.33\linewidth}
- \begin{block}{Introduction}
-\vspace{-0.5cm}
- \textbf{Needs}\\
- \begin{itemize}
- \item In social sciences like anthropology and linguistics,
- researchers have to work on multiple types of multimedia
- documents such as photos, videos, sound recordings or
- databases.
- \item The need to easily access, visualize and annotate
- such materials can be problematic given their diverse formats,
- sources and given their chronological nature.
- \end{itemize}
-
-\textbf{The \emph{Telemeta} project}\\
-\begin{itemize}
-\item The CREM laboratory and Parisson have been developing an innovative,
- collaborative and interdisciplinary open-source web-based multimedia
- platform since 2007.
-\item Goal : fit the professional requirements from both sound archivists and
- researchers in ethnomusicology.
-\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
- l'Homme}:
-\end{itemize}
-\begin{center}
- \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
-\end{center}
-\vspace{-1cm}
-\end{block}
-
-\begin{block}{Web audio content management features and architecture}
-\vspace{-0.5cm}
-\begin{itemize}
- \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
- Free Software License Agreement}) web audio content management
- system which introduces efficient and secure methods for
- \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
- digitalized audio file with its metadata.
- \item \emph{Telemeta} is ideal for
- professional collaborators who wants to easily organize, backup, archive and
- publish documented sound collections of audio files, CDs,
- digitalized vinyls and magnetic tapes over a strong database in
- accordance with \alert{open web standards}.
- \item \emph{Telemeta} architecture
- is \alert{flexible} and can easily be adapted to particular database
- organization of a given sound archives.
- \end{itemize}
-
-The main features of \emph{Telemeta} are:
-\vspace{-0.1cm}
-\begin{itemize}
-\item \alert{Pure HTML} web user interface including high level \alert{search engine}
-\item \alert{Smart workflow management} with contextual user lists, profiles and rights
-\item Model-View-Controller (\alert{MVC}) architecture
-\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
-\end{itemize}
-Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
-
-\end{block}
-\begin{block}{Metadata}
-\vspace{-0.5cm}
- \begin{itemize}
- \item In addition to the audio data, an efficient and \alert{dynamic
- management} of the associated metadata is also required.
- \item Dynamically handling metadata in a \alert{collaborative} manner optimises
- the continuous process of knowledge gathering and enrichment of
- the materials in the database.
- \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
- and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
- Harvesting) \cite{DublinCore,OAI-PMH}.
- \end{itemize}
-
-\textbf{Contextual Information}\\
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
-
-\textbf{Annotations and segmentation}\\
-Metadata also consist in temporal information such as:
-\begin{itemize}
-\item a list of \alert{time-coded markers} associated with annotations
-\item a list of of \alert{time-segments} associated with labels.
-\end{itemize}
-The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
-It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
-\end{block}
-\end{column}
-
-% ==================================
-% ------- Colonne centre -----------
-% ==================================
-\begin{column}[T]{.33\linewidth}
- \begin{block}{Telemeta web interface}
- \begin{figure}[htbp]
- \centering
- \includegraphics[width=0.32\paperwidth]{img/player_mark.png}
- % \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
- \end{figure}
- \end{block}
- \begin{block}{TimeSide : open web audio processing framework}
-One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
-
-\begin{center}
- \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
-\end{center}
-
-\textbf{Goals}\\
-
-\begin{itemize}
-\item \alert{Do} asynchronous and fast audio processing with Python.
-\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
-\item \alert{Analyze} audio content with some external audio feature extraction libraries.
-\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
-\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
-\item \alert{Transcode} audio data in various media formats and stream them through web apps.
-\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
-\end{itemize}
-
-\textbf{Audio features extraction}\\
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
-
- \begin{itemize}
- \item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
- \cite{brossierPhD}
- \item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
- \cite{yaafe_ISMIR2010}
- \item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
- \cite{vamp-plugins}
- \end{itemize}
-
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
-Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
-\end{block}
-\end{column}
-
-% ==================================
-% ------- Colonne droite -----------
-% ==================================
-\begin{column}[t]{.33\linewidth}
-\begin{block}{TimeSide Architecture}
- \begin{figure}[htbp]
- \centering
- \includegraphics[width=0.31\paperwidth]{../img/timeside_schema.pdf}
- %\caption{TimeSide architecture}
- \end{figure}
-\end{block}
-
-\begin{block}{Code Example (Python)}
-\vskip1ex
- \begin{minipage}{0.6\linewidth}
- \begin{lstlisting}
-
-import timeside
-
-# Define some processors:
-decoder = timeside.decoder.FileDecoder('sweep.wav')
-analyzer = timeside.analyzer.Level()
-grapher = timeside.grapher.Spectrogram()
-encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
-
-# Then, the magic pipeline:
-(decoder | analyzer | grapher | encoder).run()
-
-# Get the results:
-grapher.render(output='image.png')
-for key in analyzer.results.keys():
- print '%s in %s : %s'% (analyzer.results[key].name,
- analyzer.results[key].unit,
- analyzer.results[key].data)
-
-\end{lstlisting}
-\end{minipage}
-\hskip2ex
-\begin{minipage}{0.32\linewidth}
- \begin{center}
- \textbf{Results}
- \begin{figure}
- \centering
- \includegraphics{img/spectrogram.png}
- \caption{Spectrogram (sweep signal)}
- \end{figure}
- \end{center}
-\vskip5ex
-\begin{lstlisting}
-
- Level Analyzer Max:[-6.021]
- Level Analyzer RMS:[-9.856]
-
-\end{lstlisting}
-
-\end{minipage}
-
- \end{block}
-\begin{block}{Références}\tiny
-\bibliographystyle{../splncs03}
-%\label{sec:ref}
-\vspace{-1cm}
-\begin{multicols}{2}[]
-\bibliography{../cmmr_2013}
-\end{multicols}
-\end{block}
-
-\end{column}
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-\title[TELEMETA, audio web CMS for Ethnomusicological archives]{TELEMETA\\ Audio web Content Management System \\for ethnomusicological sound archives}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
-
-
-\institute[Parisson]{\tiny
- \inst{1}%
- Parisson, Paris, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
- \inst{3}%
- CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense, Nanterre, France\\
-%Thanks
-\vskip1ex
- {\tiny \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
- \begin{center}
-\hfill
- \raisebox{-4ex}{\includegraphics[width=0.1\linewidth]{../poster/img/logo_CREM.png}} \hfill
- \includegraphics[width=0.15\linewidth]{../poster/img/logo_LESC.png}\hfill
- \includegraphics[width=.3\linewidth]{../poster/img/parisson_logo_FINALE_com.pdf}\hfill
- \includegraphics[width=.18\linewidth]{../poster/img/upmc.png}\hfill
- \end{center}
-
-}
-
-
-\begin{document}
-\begin{frame}
- \maketitle
-\end{frame}
-
-\begin{frame}\tiny
-\frametitle{Telemeta}
-% ==================================
-% --------- Résumé -----------------
-% ==================================
-\begin{block}{The project}
- \begin{itemize}
- \item The CREM laboratory and Parisson have been developing an innovative,
- collaborative and interdisciplinary open-source web-based multimedia
- platform since 2007.
- \item Goal : fit the professional requirements from both sound archivists and
- researchers in ethnomusicology.
- \item Official platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
- l'Homme}:
- \end{itemize}
-\vspace{-0.6cm}
- \begin{center}
- \colorbox{yellow!50} { \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
- \end{center}
-\end{block}
-\begin{block}{The platform}
- \begin{itemize}
- \item \emph{Telemeta} is an \alert{open-source audio web Content
- Management System} (CMS) dedicated to \alert{digital sound
- archives} secure storing, indexing and publishing with database management through (\alert{SQL}) or Oracle backend.
- \item The demonstration presents the features of this platform
- in the context of \alert{\emph{ethnomusicological} research}.
- \item It focuses on the enhance and \alert{collaborative}
- user-experience in accessing audio items and their associated \alert{metadata} and on the possibility for the expert user to further enrich those metadata.\\
- Metadata consist in both \alert{Contextual Ethnomusicological Information} and
- \alert{Annotations and segmentations} (by human or automatic).
- \item \emph{Telemeta} also provides integrated \alert{audio signal
- processing tools} for automatic analysis of sound items through an external component, \emph{TimeSide}.
- \end{itemize}
-\vspace{-0.5cm}
- \begin{center}
- \includegraphics[width=0.3\textwidth]{../poster/img/logo_telemeta_1-1.pdf}\\
- \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
- \end{center}
- \end{block}
-\end{frame}
-\begin{frame}\tiny
- \frametitle{TimeSide}
- \begin{block}{TimeSide : open web audio processing framework}
-One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
-\vspace{-0.25cm}
-\begin{center}
- \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
-\end{center}
-\vspace{-0.5cm}
-\textbf{Goals}\\
-\begin{itemize}
-\item \alert{Do} asynchronous and fast audio processing with Python.
-\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
-\item \alert{Analyze} audio content with some external audio feature extraction libraries.
-\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
-\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
-\item \alert{Transcode} audio data in various media formats and stream them through web apps.
-\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
-\end{itemize}
-\end{block}
-
- \begin{block}{Audio features extraction}
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
-\vspace{-0.1cm}
-\begin{itemize}
-\item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
-\vspace{-0.1cm}
-\item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
-\vspace{-0.1cm}
-\item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
-\end{itemize}
-Given the extracted features, every sound item in a given collection can be automatically analyzed. The results of this analysis can be displayed as a support to ethnomusicological studies.
-Further works lead by the DIADEMS project will incorporate advanced Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
- \end{block}
-\end{frame}
-\begin{frame}
- \frametitle{Demonstration}
-
- \begin{itemize}
- \item \textbf{Demo Session \#1}
- \item \alert{Wednesday} October 16th, 14:30 - 16:00
- \item In the Hall
- \end{itemize}
- \begin{center}
- \includegraphics[width=.3\linewidth]{../poster/img/parisson_logo_FINALE_com.pdf}
- \end{center}
-
- \begin{itemize}
- \item Live demonstration of the \emph{Telemeta} web platform with the CNRS ethnomusicological sound archives
- \item Live demonstration \emph{Timeside} audio processing framework (Python)
- \end{itemize}
-\end{frame}
-\end{document}
-%%% Local Variables:
-%%% mode: latex
-%%% TeX-master: t
-%%% End:
+++ /dev/null
-\documentclass[final, hyperref, table]{beamer}
-\mode<presentation>
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-% \usepackage{french} % "french.sty"
-% \usepackage{franglais} % "franglais.sty" (a defaut)
- \usepackage{times} % ajout times le 30 mai 2003
-
-%% --------------------------------------------------------------
-%% CODAGE DE POLICES ?
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-%% d'utiliser le codage de police T1 pour faciliter la césure,
-%% si vous disposez de ces polices (DC/EC)
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-
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- showstringspaces=false, % underline spaces within strings only
-}
-\title[TELEMETA, audio web CMS for Ethnomusicological archives]{TELEMETA\\ Audio web Content Management System \\for ethnomusicological sound archives}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
-
-
-\institute[Parisson]{\tiny
- \inst{1}%
- Parisson, Paris, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
- \inst{3}%
- CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense, Nanterre, France\\
-%Thanks
-\vskip1ex
- {\tiny \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
- \begin{center}
-\hfill
- \raisebox{-4ex}{\includegraphics[width=0.1\linewidth]{img/logo_CREM.png}} \hfill
- \includegraphics[width=0.15\linewidth]{img/logo_LESC.png}\hfill
- \includegraphics[width=.3\linewidth]{img/parisson_logo_FINALE_com.pdf}\hfill
- \includegraphics[width=.18\linewidth]{img/upmc.png}\hfill
- \end{center}
-
-}
-
-
-\begin{document}
-\begin{frame}
- \maketitle
-\end{frame}
-
-\begin{frame}\tiny
-\frametitle{Telemeta}
-% ==================================
-% --------- Résumé -----------------
-% ==================================
-\begin{block}{The \emph{Telemeta} project}
- \begin{itemize}
- \item The CREM laboratory and Parisson have been developing an innovative,
- collaborative and interdisciplinary open-source web-based multimedia
- platform since 2007.
- \item Goal : fit the professional requirements from both sound archivists and
- researchers in ethnomusicology.
- \item Official platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
- l'Homme}:
- \end{itemize}
-\vspace{-0.6cm}
- \begin{center}
- \colorbox{yellow!50} { \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
- \end{center}
-\end{block}
-\begin{block}{\emph{Telemeta} platform overview}
- \begin{itemize}
- \item \emph{Telemeta} is an \alert{open-source audio web Content
- Management System} (CMS) dedicated to \alert{digital sound
- archives} secure storing, indexing and publishing with database management through (\alert{SQL}) or Oracle backend.
- \item The demonstration presents the features of this platform
- in the context of \alert{\emph{ethnomusicological} research}.
- \item It focuses on the enhance and \alert{collaborative}
- user-experience in accessing audio items and their associated \alert{metadata} and on the possibility for the expert user to further enrich those metadata.\\
- Metadata consist in both \alert{Contextual Ethnomusicological Information} and
- \alert{Annotations and segmentations} (by human or automatic).
- \item \emph{Telemeta} also provides integrated \alert{audio signal
- processing tools} for automatic analysis of sound items through an external component, \emph{TimeSide}.
- \end{itemize}
-\vspace{-0.5cm}
- \begin{center}
- \includegraphics[width=0.3\textwidth]{img/logo_telemeta_1-1.pdf}\\
- \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
- \end{center}
- \end{block}
-\end{frame}
-\begin{frame}\tiny
- \frametitle{TimeSide}
- \begin{block}{TimeSide : open web audio processing framework}
-One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
-\vspace{-0.25cm}
-\begin{center}
- \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
-\end{center}
-\vspace{-0.5cm}
-\textbf{Goals}\\
-\begin{itemize}
-\item \alert{Do} asynchronous and fast audio processing with Python.
-\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
-\item \alert{Analyze} audio content with some external audio feature extraction libraries.
-\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
-\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
-\item \alert{Transcode} audio data in various media formats and stream them through web apps.
-\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
-\end{itemize}
-\end{block}
-
- \begin{block}{Audio features extraction}
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
-\vspace{-0.1cm}
-\begin{itemize}
-\item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
-\vspace{-0.1cm}
-\item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
-\vspace{-0.1cm}
-\item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
-\end{itemize}
-Given the extracted features, every sound item in a given collection can be automatically analyzed. The results of this analysis can be displayed as a support to ethnomusicological studies.
-Further works lead by the DIADEMS project will incorporate advanced Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
- \end{block}
-\end{frame}
-\begin{frame}
- \frametitle{Demonstration}
-
- \begin{itemize}
- \item \textbf{Demo Session \#1}
- \item \alert{Wednesday} October 16th, 14:30 - 16:00
- \item In the Hall
- \end{itemize}
- \begin{center}
- \includegraphics[width=.3\linewidth]{img/parisson_logo_FINALE_com.pdf}
- \end{center}
-
- \begin{itemize}
- \item Live demonstration of the \emph{Telemeta} web platform with the CNRS ethnomusicological sound archives
- \item Live demonstration \emph{Timeside} audio processing framework (Python)
- \end{itemize}
-\end{frame}
-\end{document}
-%%% Local Variables:
-%%% mode: latex
-%%% TeX-master: t
-%%% End:
+++ /dev/null
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- % \cite{key} ==>> [#]\r
- % \cite[chap. 2]{key} ==>> [#, chap. 2]\r
- % where # is a number determined by the ordering in the reference list.\r
- % The order in the reference list is alphabetical by authors.\r
- %---------------------------------------------------------------------\r
-\r
-ENTRY\r
- { address\r
- author\r
- booktitle\r
- chapter\r
- edition\r
- editor\r
- eid\r
- howpublished\r
- institution\r
- journal\r
- key\r
- month\r
- note\r
- number\r
- organization\r
- pages\r
- publisher\r
- school\r
- series\r
- title\r
- type\r
- url\r
- volume\r
- year\r
- }\r
- {}\r
- { label }\r
-INTEGERS { output.state before.all mid.sentence after.sentence after.block }\r
-FUNCTION {init.state.consts}\r
-{ #0 'before.all :=\r
- #1 'mid.sentence :=\r
- #2 'after.sentence :=\r
- #3 'after.block :=\r
-}\r
-STRINGS { s t}\r
-FUNCTION {output.nonnull}\r
-{ 's :=\r
- output.state mid.sentence =\r
- { ", " * write$ }\r
- { output.state after.block =\r
- { add.period$ write$\r
-% newline$\r
-% "\newblock " write$ % removed for titto-lncs-01\r
- " " write$ % to avoid long spaces between title and "In: ..."\r
- }\r
- { output.state before.all =\r
- 'write$\r
- { add.period$ " " * write$ }\r
- if$\r
- }\r
- if$\r
- mid.sentence 'output.state :=\r
- }\r
- if$\r
- s\r
-}\r
-FUNCTION {output}\r
-{ duplicate$ empty$\r
- 'pop$\r
- 'output.nonnull\r
- if$\r
-}\r
-FUNCTION {output.check}\r
-{ 't :=\r
- duplicate$ empty$\r
- { pop$ "empty " t * " in " * cite$ * warning$ }\r
- 'output.nonnull\r
- if$\r
-}\r
-FUNCTION {fin.entry}\r
-{ duplicate$ empty$\r
- 'pop$\r
- 'write$\r
- if$\r
- newline$\r
-}\r
-\r
-FUNCTION {new.block}\r
-{ output.state before.all =\r
- 'skip$\r
- { after.block 'output.state := }\r
- if$\r
-}\r
-FUNCTION {new.sentence}\r
-{ output.state after.block =\r
- 'skip$\r
- { output.state before.all =\r
- 'skip$\r
- { after.sentence 'output.state := }\r
- if$\r
- }\r
- if$\r
-}\r
-FUNCTION {add.blank}\r
-{ " " * before.all 'output.state :=\r
-}\r
-\r
-\r
-FUNCTION {add.colon}\r
-{ duplicate$ empty$\r
- 'skip$\r
- { ":" * add.blank }\r
- if$\r
-}\r
-\r
-FUNCTION {date.block}\r
-{\r
- new.block\r
-}\r
-\r
-FUNCTION {not}\r
-{ { #0 }\r
- { #1 }\r
- if$\r
-}\r
-FUNCTION {and}\r
-{ 'skip$\r
- { pop$ #0 }\r
- if$\r
-}\r
-FUNCTION {or}\r
-{ { pop$ #1 }\r
- 'skip$\r
- if$\r
-}\r
-STRINGS {z}\r
-FUNCTION {remove.dots}\r
-{ 'z :=\r
- ""\r
- { z empty$ not }\r
- { z #1 #1 substring$\r
- z #2 global.max$ substring$ 'z :=\r
- duplicate$ "." = 'pop$\r
- { * }\r
- if$\r
- }\r
- while$\r
-}\r
-FUNCTION {new.block.checka}\r
-{ empty$\r
- 'skip$\r
- 'new.block\r
- if$\r
-}\r
-FUNCTION {new.block.checkb}\r
-{ empty$\r
- swap$ empty$\r
- and\r
- 'skip$\r
- 'new.block\r
- if$\r
-}\r
-FUNCTION {new.sentence.checka}\r
-{ empty$\r
- 'skip$\r
- 'new.sentence\r
- if$\r
-}\r
-FUNCTION {new.sentence.checkb}\r
-{ empty$\r
- swap$ empty$\r
- and\r
- 'skip$\r
- 'new.sentence\r
- if$\r
-}\r
-FUNCTION {field.or.null}\r
-{ duplicate$ empty$\r
- { pop$ "" }\r
- 'skip$\r
- if$\r
-}\r
-FUNCTION {emphasize}\r
-{ skip$ }\r
-FUNCTION {tie.or.space.prefix}\r
-{ duplicate$ text.length$ #3 <\r
- { "~" }\r
- { " " }\r
- if$\r
- swap$\r
-}\r
-FUNCTION {titto.space.prefix} % always introduce a space\r
-{ duplicate$ text.length$ #3 <\r
- { " " }\r
- { " " }\r
- if$\r
- swap$\r
-}\r
-\r
-\r
-FUNCTION {capitalize}\r
-{ "u" change.case$ "t" change.case$ }\r
-\r
-FUNCTION {space.word}\r
-{ " " swap$ * " " * }\r
- % Here are the language-specific definitions for explicit words.\r
- % Each function has a name bbl.xxx where xxx is the English word.\r
- % The language selected here is ENGLISH\r
-FUNCTION {bbl.and}\r
-{ "and"}\r
-\r
-FUNCTION {bbl.etal}\r
-{ "et~al." }\r
-\r
-FUNCTION {bbl.editors}\r
-{ "eds." }\r
-\r
-FUNCTION {bbl.editor}\r
-{ "ed." }\r
-\r
-FUNCTION {bbl.edby}\r
-{ "edited by" }\r
-\r
-FUNCTION {bbl.edition}\r
-{ "edn." }\r
-\r
-FUNCTION {bbl.volume}\r
-{ "vol." }\r
-\r
-FUNCTION {titto.bbl.volume} % for handling journals\r
-{ "" }\r
-\r
-FUNCTION {bbl.of}\r
-{ "of" }\r
-\r
-FUNCTION {bbl.number}\r
-{ "no." }\r
-\r
-FUNCTION {bbl.nr}\r
-{ "no." }\r
-\r
-FUNCTION {bbl.in}\r
-{ "in" }\r
-\r
-FUNCTION {bbl.pages}\r
-{ "pp." }\r
-\r
-FUNCTION {bbl.page}\r
-{ "p." }\r
-\r
-FUNCTION {titto.bbl.pages} % for journals\r
-{ "" }\r
-\r
-FUNCTION {titto.bbl.page} % for journals\r
-{ "" }\r
-\r
-FUNCTION {bbl.chapter}\r
-{ "chap." }\r
-\r
-FUNCTION {bbl.techrep}\r
-{ "Tech. Rep." }\r
-\r
-FUNCTION {bbl.mthesis}\r
-{ "Master's thesis" }\r
-\r
-FUNCTION {bbl.phdthesis}\r
-{ "Ph.D. thesis" }\r
-\r
-MACRO {jan} {"Jan."}\r
-\r
-MACRO {feb} {"Feb."}\r
-\r
-MACRO {mar} {"Mar."}\r
-\r
-MACRO {apr} {"Apr."}\r
-\r
-MACRO {may} {"May"}\r
-\r
-MACRO {jun} {"Jun."}\r
-\r
-MACRO {jul} {"Jul."}\r
-\r
-MACRO {aug} {"Aug."}\r
-\r
-MACRO {sep} {"Sep."}\r
-\r
-MACRO {oct} {"Oct."}\r
-\r
-MACRO {nov} {"Nov."}\r
-\r
-MACRO {dec} {"Dec."}\r
-\r
-MACRO {acmcs} {"ACM Comput. Surv."}\r
-\r
-MACRO {acta} {"Acta Inf."}\r
-\r
-MACRO {cacm} {"Commun. ACM"}\r
-\r
-MACRO {ibmjrd} {"IBM J. Res. Dev."}\r
-\r
-MACRO {ibmsj} {"IBM Syst.~J."}\r
-\r
-MACRO {ieeese} {"IEEE Trans. Software Eng."}\r
-\r
-MACRO {ieeetc} {"IEEE Trans. Comput."}\r
-\r
-MACRO {ieeetcad}\r
- {"IEEE Trans. Comput. Aid. Des."}\r
-\r
-MACRO {ipl} {"Inf. Process. Lett."}\r
-\r
-MACRO {jacm} {"J.~ACM"}\r
-\r
-MACRO {jcss} {"J.~Comput. Syst. Sci."}\r
-\r
-MACRO {scp} {"Sci. Comput. Program."}\r
-\r
-MACRO {sicomp} {"SIAM J. Comput."}\r
-\r
-MACRO {tocs} {"ACM Trans. Comput. Syst."}\r
-\r
-MACRO {tods} {"ACM Trans. Database Syst."}\r
-\r
-MACRO {tog} {"ACM Trans. Graphic."}\r
-\r
-MACRO {toms} {"ACM Trans. Math. Software"}\r
-\r
-MACRO {toois} {"ACM Trans. Office Inf. Syst."}\r
-\r
-MACRO {toplas} {"ACM Trans. Progr. Lang. Syst."}\r
-\r
-MACRO {tcs} {"Theor. Comput. Sci."}\r
-\r
-FUNCTION {bibinfo.check}\r
-{ swap$\r
- duplicate$ missing$\r
- {\r
- pop$ pop$\r
- ""\r
- }\r
- { duplicate$ empty$\r
- {\r
- swap$ pop$\r
- }\r
- { swap$\r
- pop$\r
- }\r
- if$\r
- }\r
- if$\r
-}\r
-FUNCTION {bibinfo.warn}\r
-{ swap$\r
- duplicate$ missing$\r
- {\r
- swap$ "missing " swap$ * " in " * cite$ * warning$ pop$\r
- ""\r
- }\r
- { duplicate$ empty$\r
- {\r
- swap$ "empty " swap$ * " in " * cite$ * warning$\r
- }\r
- { swap$\r
- pop$\r
- }\r
- if$\r
- }\r
- if$\r
-}\r
-FUNCTION {format.url}\r
-{ url empty$\r
- { "" }\r
-% { "\urlprefix\url{" url * "}" * }\r
- { "\url{" url * "}" * } % changed in titto-lncs-02.bst\r
- if$\r
-}\r
-\r
-INTEGERS { nameptr namesleft numnames }\r
-\r
-\r
-STRINGS { bibinfo}\r
-\r
-FUNCTION {format.names}\r
-{ 'bibinfo :=\r
- duplicate$ empty$ 'skip$ {\r
- 's :=\r
- "" 't :=\r
- #1 'nameptr :=\r
- s num.names$ 'numnames :=\r
- numnames 'namesleft :=\r
- { namesleft #0 > }\r
- { s nameptr\r
- "{vv~}{ll}{, jj}{, f{.}.}"\r
- format.name$\r
- bibinfo bibinfo.check\r
- 't :=\r
- nameptr #1 >\r
- {\r
- namesleft #1 >\r
- { ", " * t * }\r
- {\r
- s nameptr "{ll}" format.name$ duplicate$ "others" =\r
- { 't := }\r
- { pop$ }\r
- if$\r
- "," *\r
- t "others" =\r
- {\r
- " " * bbl.etal *\r
- }\r
- { " " * t * }\r
- if$\r
- }\r
- if$\r
- }\r
- 't\r
- if$\r
- nameptr #1 + 'nameptr :=\r
- namesleft #1 - 'namesleft :=\r
- }\r
- while$\r
- } if$\r
-}\r
-FUNCTION {format.names.ed}\r
-{\r
- 'bibinfo :=\r
- duplicate$ empty$ 'skip$ {\r
- 's :=\r
- "" 't :=\r
- #1 'nameptr :=\r
- s num.names$ 'numnames :=\r
- numnames 'namesleft :=\r
- { namesleft #0 > }\r
- { s nameptr\r
- "{f{.}.~}{vv~}{ll}{ jj}"\r
- format.name$\r
- bibinfo bibinfo.check\r
- 't :=\r
- nameptr #1 >\r
- {\r
- namesleft #1 >\r
- { ", " * t * }\r
- {\r
- s nameptr "{ll}" format.name$ duplicate$ "others" =\r
- { 't := }\r
- { pop$ }\r
- if$\r
- "," *\r
- t "others" =\r
- {\r
-\r
- " " * bbl.etal *\r
- }\r
- { " " * t * }\r
- if$\r
- }\r
- if$\r
- }\r
- 't\r
- if$\r
- nameptr #1 + 'nameptr :=\r
- namesleft #1 - 'namesleft :=\r
- }\r
- while$\r
- } if$\r
-}\r
-FUNCTION {format.authors}\r
-{ author "author" format.names\r
-}\r
-FUNCTION {get.bbl.editor}\r
-{ editor num.names$ #1 > 'bbl.editors 'bbl.editor if$ }\r
-\r
-FUNCTION {format.editors}\r
-{ editor "editor" format.names duplicate$ empty$ 'skip$\r
- {\r
- " " *\r
- get.bbl.editor\r
-% capitalize\r
- "(" swap$ * ")" *\r
- *\r
- }\r
- if$\r
-}\r
-FUNCTION {format.note}\r
-{\r
- note empty$\r
- { "" }\r
- { note #1 #1 substring$\r
- duplicate$ "{" =\r
- 'skip$\r
- { output.state mid.sentence =\r
- { "l" }\r
- { "u" }\r
- if$\r
- change.case$\r
- }\r
- if$\r
- note #2 global.max$ substring$ * "note" bibinfo.check\r
- }\r
- if$\r
-}\r
-\r
-FUNCTION {format.title}\r
-{ title\r
- duplicate$ empty$ 'skip$\r
- { "t" change.case$ }\r
- if$\r
- "title" bibinfo.check\r
-}\r
-FUNCTION {output.bibitem}\r
-{ newline$\r
- "\bibitem{" write$\r
- cite$ write$\r
- "}" write$\r
- newline$\r
- ""\r
- before.all 'output.state :=\r
-}\r
-\r
-FUNCTION {n.dashify}\r
-{\r
- 't :=\r
- ""\r
- { t empty$ not }\r
- { t #1 #1 substring$ "-" =\r
- { t #1 #2 substring$ "--" = not\r
- { "--" *\r
- t #2 global.max$ substring$ 't :=\r
- }\r
- { { t #1 #1 substring$ "-" = }\r
- { "-" *\r
- t #2 global.max$ substring$ 't :=\r
- }\r
- while$\r
- }\r
- if$\r
- }\r
- { t #1 #1 substring$ *\r
- t #2 global.max$ substring$ 't :=\r
- }\r
- if$\r
- }\r
- while$\r
-}\r
-\r
-FUNCTION {word.in}\r
-{ bbl.in capitalize\r
- ":" *\r
- " " * }\r
-\r
-FUNCTION {format.date}\r
-{\r
- month "month" bibinfo.check\r
- duplicate$ empty$\r
- year "year" bibinfo.check duplicate$ empty$\r
- { swap$ 'skip$\r
- { "there's a month but no year in " cite$ * warning$ }\r
- if$\r
- *\r
- }\r
- { swap$ 'skip$\r
- {\r
- swap$\r
- " " * swap$\r
- }\r
- if$\r
- *\r
- remove.dots\r
- }\r
- if$\r
- duplicate$ empty$\r
- 'skip$\r
- {\r
- before.all 'output.state :=\r
- " (" swap$ * ")" *\r
- }\r
- if$\r
-}\r
-FUNCTION {format.btitle}\r
-{ title "title" bibinfo.check\r
- duplicate$ empty$ 'skip$\r
- {\r
- }\r
- if$\r
-}\r
-FUNCTION {either.or.check}\r
-{ empty$\r
- 'pop$\r
- { "can't use both " swap$ * " fields in " * cite$ * warning$ }\r
- if$\r
-}\r
-FUNCTION {format.bvolume}\r
-{ volume empty$\r
- { "" }\r
- { bbl.volume volume tie.or.space.prefix\r
- "volume" bibinfo.check * *\r
- series "series" bibinfo.check\r
- duplicate$ empty$ 'pop$\r
- { emphasize ", " * swap$ * }\r
- if$\r
- "volume and number" number either.or.check\r
- }\r
- if$\r
-}\r
-FUNCTION {format.number.series}\r
-{ volume empty$\r
- { number empty$\r
- { series field.or.null }\r
- { output.state mid.sentence =\r
- { bbl.number }\r
- { bbl.number capitalize }\r
- if$\r
- number tie.or.space.prefix "number" bibinfo.check * *\r
- series empty$\r
- { "there's a number but no series in " cite$ * warning$ }\r
- { bbl.in space.word *\r
- series "series" bibinfo.check *\r
- }\r
- if$\r
- }\r
- if$\r
- }\r
- { "" }\r
- if$\r
-}\r
-\r
-FUNCTION {format.edition}\r
-{ edition duplicate$ empty$ 'skip$\r
- {\r
- output.state mid.sentence =\r
- { "l" }\r
- { "t" }\r
- if$ change.case$\r
- "edition" bibinfo.check\r
- " " * bbl.edition *\r
- }\r
- if$\r
-}\r
-INTEGERS { multiresult }\r
-FUNCTION {multi.page.check}\r
-{ 't :=\r
- #0 'multiresult :=\r
- { multiresult not\r
- t empty$ not\r
- and\r
- }\r
- { t #1 #1 substring$\r
- duplicate$ "-" =\r
- swap$ duplicate$ "," =\r
- swap$ "+" =\r
- or or\r
- { #1 'multiresult := }\r
- { t #2 global.max$ substring$ 't := }\r
- if$\r
- }\r
- while$\r
- multiresult\r
-}\r
-FUNCTION {format.pages}\r
-{ pages duplicate$ empty$ 'skip$\r
- { duplicate$ multi.page.check\r
- {\r
- bbl.pages swap$\r
- n.dashify\r
- }\r
- {\r
- bbl.page swap$\r
- }\r
- if$\r
- tie.or.space.prefix\r
- "pages" bibinfo.check\r
- * *\r
- }\r
- if$\r
-}\r
-FUNCTION {format.journal.pages}\r
-{ pages duplicate$ empty$ 'pop$\r
- { swap$ duplicate$ empty$\r
- { pop$ pop$ format.pages }\r
- {\r
- ", " *\r
- swap$\r
- n.dashify\r
- pages multi.page.check\r
- 'titto.bbl.pages\r
- 'titto.bbl.page\r
- if$\r
- swap$ tie.or.space.prefix\r
- "pages" bibinfo.check\r
- * *\r
- *\r
- }\r
- if$\r
- }\r
- if$\r
-}\r
-FUNCTION {format.journal.eid}\r
-{ eid "eid" bibinfo.check\r
- duplicate$ empty$ 'pop$\r
- { swap$ duplicate$ empty$ 'skip$\r
- {\r
- ", " *\r
- }\r
- if$\r
- swap$ *\r
- }\r
- if$\r
-}\r
-FUNCTION {format.vol.num.pages} % this function is used only for journal entries\r
-{ volume field.or.null\r
- duplicate$ empty$ 'skip$\r
- {\r
-% bbl.volume swap$ tie.or.space.prefix\r
- titto.bbl.volume swap$ titto.space.prefix\r
-% rationale for the change above: for journals you don't want "vol." label\r
-% hence it does not make sense to attach the journal number to the label when\r
-% it is short\r
- "volume" bibinfo.check\r
- * *\r
- }\r
- if$\r
- number "number" bibinfo.check duplicate$ empty$ 'skip$\r
- {\r
- swap$ duplicate$ empty$\r
- { "there's a number but no volume in " cite$ * warning$ }\r
- 'skip$\r
- if$\r
- swap$\r
- "(" swap$ * ")" *\r
- }\r
- if$ *\r
- eid empty$\r
- { format.journal.pages }\r
- { format.journal.eid }\r
- if$\r
-}\r
-\r
-FUNCTION {format.chapter.pages}\r
-{ chapter empty$\r
- 'format.pages\r
- { type empty$\r
- { bbl.chapter }\r
- { type "l" change.case$\r
- "type" bibinfo.check\r
- }\r
- if$\r
- chapter tie.or.space.prefix\r
- "chapter" bibinfo.check\r
- * *\r
- pages empty$\r
- 'skip$\r
- { ", " * format.pages * }\r
- if$\r
- }\r
- if$\r
-}\r
-\r
-FUNCTION {format.booktitle}\r
-{\r
- booktitle "booktitle" bibinfo.check\r
-}\r
-FUNCTION {format.in.ed.booktitle}\r
-{ format.booktitle duplicate$ empty$ 'skip$\r
- {\r
-% editor "editor" format.names.ed duplicate$ empty$ 'pop$ % changed by titto\r
- editor "editor" format.names duplicate$ empty$ 'pop$\r
- {\r
- " " *\r
- get.bbl.editor\r
-% capitalize\r
- "(" swap$ * ") " *\r
- * swap$\r
- * }\r
- if$\r
- word.in swap$ *\r
- }\r
- if$\r
-}\r
-FUNCTION {empty.misc.check}\r
-{ author empty$ title empty$ howpublished empty$\r
- month empty$ year empty$ note empty$\r
- and and and and and\r
- key empty$ not and\r
- { "all relevant fields are empty in " cite$ * warning$ }\r
- 'skip$\r
- if$\r
-}\r
-FUNCTION {format.thesis.type}\r
-{ type duplicate$ empty$\r
- 'pop$\r
- { swap$ pop$\r
- "t" change.case$ "type" bibinfo.check\r
- }\r
- if$\r
-}\r
-FUNCTION {format.tr.number}\r
-{ number "number" bibinfo.check\r
- type duplicate$ empty$\r
- { pop$ bbl.techrep }\r
- 'skip$\r
- if$\r
- "type" bibinfo.check\r
- swap$ duplicate$ empty$\r
- { pop$ "t" change.case$ }\r
- { tie.or.space.prefix * * }\r
- if$\r
-}\r
-FUNCTION {format.article.crossref}\r
-{\r
- key duplicate$ empty$\r
- { pop$\r
- journal duplicate$ empty$\r
- { "need key or journal for " cite$ * " to crossref " * crossref * warning$ }\r
- { "journal" bibinfo.check emphasize word.in swap$ * }\r
- if$\r
- }\r
- { word.in swap$ * " " *}\r
- if$\r
- " \cite{" * crossref * "}" *\r
-}\r
-FUNCTION {format.crossref.editor}\r
-{ editor #1 "{vv~}{ll}" format.name$\r
- "editor" bibinfo.check\r
- editor num.names$ duplicate$\r
- #2 >\r
- { pop$\r
- "editor" bibinfo.check\r
- " " * bbl.etal\r
- *\r
- }\r
- { #2 <\r
- 'skip$\r
- { editor #2 "{ff }{vv }{ll}{ jj}" format.name$ "others" =\r
- {\r
- "editor" bibinfo.check\r
- " " * bbl.etal\r
- *\r
- }\r
- {\r
- bbl.and space.word\r
- * editor #2 "{vv~}{ll}" format.name$\r
- "editor" bibinfo.check\r
- *\r
- }\r
- if$\r
- }\r
- if$\r
- }\r
- if$\r
-}\r
-FUNCTION {format.book.crossref}\r
-{ volume duplicate$ empty$\r
- { "empty volume in " cite$ * "'s crossref of " * crossref * warning$\r
- pop$ word.in\r
- }\r
- { bbl.volume\r
- capitalize\r
- swap$ tie.or.space.prefix "volume" bibinfo.check * * bbl.of space.word *\r
- }\r
- if$\r
- editor empty$\r
- editor field.or.null author field.or.null =\r
- or\r
- { key empty$\r
- { series empty$\r
- { "need editor, key, or series for " cite$ * " to crossref " *\r
- crossref * warning$\r
- "" *\r
- }\r
- { series emphasize * }\r
- if$\r
- }\r
- { key * }\r
- if$\r
- }\r
- { format.crossref.editor * }\r
- if$\r
- " \cite{" * crossref * "}" *\r
-}\r
-FUNCTION {format.incoll.inproc.crossref}\r
-{\r
- editor empty$\r
- editor field.or.null author field.or.null =\r
- or\r
- { key empty$\r
- { format.booktitle duplicate$ empty$\r
- { "need editor, key, or booktitle for " cite$ * " to crossref " *\r
- crossref * warning$\r
- }\r
- { word.in swap$ * }\r
- if$\r
- }\r
- { word.in key * " " *}\r
- if$\r
- }\r
- { word.in format.crossref.editor * " " *}\r
- if$\r
- " \cite{" * crossref * "}" *\r
-}\r
-FUNCTION {format.org.or.pub}\r
-{ 't :=\r
- ""\r
- address empty$ t empty$ and\r
- 'skip$\r
- {\r
- t empty$\r
- { address "address" bibinfo.check *\r
- }\r
- { t *\r
- address empty$\r
- 'skip$\r
- { ", " * address "address" bibinfo.check * }\r
- if$\r
- }\r
- if$\r
- }\r
- if$\r
-}\r
-FUNCTION {format.publisher.address}\r
-{ publisher "publisher" bibinfo.warn format.org.or.pub\r
-}\r
-\r
-FUNCTION {format.organization.address}\r
-{ organization "organization" bibinfo.check format.org.or.pub\r
-}\r
-\r
-FUNCTION {article}\r
-{ output.bibitem\r
- format.authors "author" output.check\r
- add.colon\r
- new.block\r
- format.title "title" output.check\r
- new.block\r
- crossref missing$\r
- {\r
- journal\r
- "journal" bibinfo.check\r
- "journal" output.check\r
- add.blank\r
- format.vol.num.pages output\r
- format.date "year" output.check\r
- }\r
- { format.article.crossref output.nonnull\r
- format.pages output\r
- }\r
- if$\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-FUNCTION {book}\r
-{ output.bibitem\r
- author empty$\r
- { format.editors "author and editor" output.check\r
- add.colon\r
- }\r
- { format.authors output.nonnull\r
- add.colon\r
- crossref missing$\r
- { "author and editor" editor either.or.check }\r
- 'skip$\r
- if$\r
- }\r
- if$\r
- new.block\r
- format.btitle "title" output.check\r
- crossref missing$\r
- { format.bvolume output\r
- new.block\r
- new.sentence\r
- format.number.series output\r
- format.publisher.address output\r
- }\r
- {\r
- new.block\r
- format.book.crossref output.nonnull\r
- }\r
- if$\r
- format.edition output\r
- format.date "year" output.check\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-FUNCTION {booklet}\r
-{ output.bibitem\r
- format.authors output\r
- add.colon\r
- new.block\r
- format.title "title" output.check\r
- new.block\r
- howpublished "howpublished" bibinfo.check output\r
- address "address" bibinfo.check output\r
- format.date output\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-\r
-FUNCTION {inbook}\r
-{ output.bibitem\r
- author empty$\r
- { format.editors "author and editor" output.check\r
- add.colon\r
- }\r
- { format.authors output.nonnull\r
- add.colon\r
- crossref missing$\r
- { "author and editor" editor either.or.check }\r
- 'skip$\r
- if$\r
- }\r
- if$\r
- new.block\r
- format.btitle "title" output.check\r
- crossref missing$\r
- {\r
- format.bvolume output\r
- format.chapter.pages "chapter and pages" output.check\r
- new.block\r
- new.sentence\r
- format.number.series output\r
- format.publisher.address output\r
- }\r
- {\r
- format.chapter.pages "chapter and pages" output.check\r
- new.block\r
- format.book.crossref output.nonnull\r
- }\r
- if$\r
- format.edition output\r
- format.date "year" output.check\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-\r
-FUNCTION {incollection}\r
-{ output.bibitem\r
- format.authors "author" output.check\r
- add.colon\r
- new.block\r
- format.title "title" output.check\r
- new.block\r
- crossref missing$\r
- { format.in.ed.booktitle "booktitle" output.check\r
- format.bvolume output\r
- format.chapter.pages output\r
- new.sentence\r
- format.number.series output\r
- format.publisher.address output\r
- format.edition output\r
- format.date "year" output.check\r
- }\r
- { format.incoll.inproc.crossref output.nonnull\r
- format.chapter.pages output\r
- }\r
- if$\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-FUNCTION {inproceedings}\r
-{ output.bibitem\r
- format.authors "author" output.check\r
- add.colon\r
- new.block\r
- format.title "title" output.check\r
- new.block\r
- crossref missing$\r
- { format.in.ed.booktitle "booktitle" output.check\r
- new.sentence % added by titto\r
- format.bvolume output\r
- format.pages output\r
- new.sentence\r
- format.number.series output\r
- publisher empty$\r
- { format.organization.address output }\r
- { organization "organization" bibinfo.check output\r
- format.publisher.address output\r
- }\r
- if$\r
- format.date "year" output.check\r
- }\r
- { format.incoll.inproc.crossref output.nonnull\r
- format.pages output\r
- }\r
- if$\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-FUNCTION {conference} { inproceedings }\r
-FUNCTION {manual}\r
-{ output.bibitem\r
- author empty$\r
- { organization "organization" bibinfo.check\r
- duplicate$ empty$ 'pop$\r
- { output\r
- address "address" bibinfo.check output\r
- }\r
- if$\r
- }\r
- { format.authors output.nonnull }\r
- if$\r
- add.colon\r
- new.block\r
- format.btitle "title" output.check\r
- author empty$\r
- { organization empty$\r
- {\r
- address new.block.checka\r
- address "address" bibinfo.check output\r
- }\r
- 'skip$\r
- if$\r
- }\r
- {\r
- organization address new.block.checkb\r
- organization "organization" bibinfo.check output\r
- address "address" bibinfo.check output\r
- }\r
- if$\r
- format.edition output\r
- format.date output\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-\r
-FUNCTION {mastersthesis}\r
-{ output.bibitem\r
- format.authors "author" output.check\r
- add.colon\r
- new.block\r
- format.btitle\r
- "title" output.check\r
- new.block\r
- bbl.mthesis format.thesis.type output.nonnull\r
- school "school" bibinfo.warn output\r
- address "address" bibinfo.check output\r
- format.date "year" output.check\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-\r
-FUNCTION {misc}\r
-{ output.bibitem\r
- format.authors output\r
- add.colon\r
- title howpublished new.block.checkb\r
- format.title output\r
- howpublished new.block.checka\r
- howpublished "howpublished" bibinfo.check output\r
- format.date output\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
- empty.misc.check\r
-}\r
-FUNCTION {phdthesis}\r
-{ output.bibitem\r
- format.authors "author" output.check\r
- add.colon\r
- new.block\r
- format.btitle\r
- "title" output.check\r
- new.block\r
- bbl.phdthesis format.thesis.type output.nonnull\r
- school "school" bibinfo.warn output\r
- address "address" bibinfo.check output\r
- format.date "year" output.check\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-\r
-FUNCTION {proceedings}\r
-{ output.bibitem\r
- editor empty$\r
- { organization "organization" bibinfo.check output\r
- }\r
- { format.editors output.nonnull }\r
- if$\r
- add.colon\r
- new.block\r
- format.btitle "title" output.check\r
- format.bvolume output\r
- editor empty$\r
- { publisher empty$\r
- { format.number.series output }\r
- {\r
- new.sentence\r
- format.number.series output\r
- format.publisher.address output\r
- }\r
- if$\r
- }\r
- { publisher empty$\r
- {\r
- new.sentence\r
- format.number.series output\r
- format.organization.address output }\r
- {\r
- new.sentence\r
- format.number.series output\r
- organization "organization" bibinfo.check output\r
- format.publisher.address output\r
- }\r
- if$\r
- }\r
- if$\r
- format.date "year" output.check\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-\r
-FUNCTION {techreport}\r
-{ output.bibitem\r
- format.authors "author" output.check\r
- add.colon\r
- new.block\r
- format.title\r
- "title" output.check\r
- new.block\r
- format.tr.number output.nonnull\r
- institution "institution" bibinfo.warn output\r
- address "address" bibinfo.check output\r
- format.date "year" output.check\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-\r
-FUNCTION {unpublished}\r
-{ output.bibitem\r
- format.authors "author" output.check\r
- add.colon\r
- new.block\r
- format.title "title" output.check\r
- format.date output\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note "note" output.check\r
- fin.entry\r
-}\r
-\r
-FUNCTION {default.type} { misc }\r
-READ\r
-FUNCTION {sortify}\r
-{ purify$\r
- "l" change.case$\r
-}\r
-INTEGERS { len }\r
-FUNCTION {chop.word}\r
-{ 's :=\r
- 'len :=\r
- s #1 len substring$ =\r
- { s len #1 + global.max$ substring$ }\r
- 's\r
- if$\r
-}\r
-FUNCTION {sort.format.names}\r
-{ 's :=\r
- #1 'nameptr :=\r
- ""\r
- s num.names$ 'numnames :=\r
- numnames 'namesleft :=\r
- { namesleft #0 > }\r
- { s nameptr\r
- "{ll{ }}{ ff{ }}{ jj{ }}"\r
- format.name$ 't :=\r
- nameptr #1 >\r
- {\r
- " " *\r
- namesleft #1 = t "others" = and\r
- { "zzzzz" * }\r
- { t sortify * }\r
- if$\r
- }\r
- { t sortify * }\r
- if$\r
- nameptr #1 + 'nameptr :=\r
- namesleft #1 - 'namesleft :=\r
- }\r
- while$\r
-}\r
-\r
-FUNCTION {sort.format.title}\r
-{ 't :=\r
- "A " #2\r
- "An " #3\r
- "The " #4 t chop.word\r
- chop.word\r
- chop.word\r
- sortify\r
- #1 global.max$ substring$\r
-}\r
-FUNCTION {author.sort}\r
-{ author empty$\r
- { key empty$\r
- { "to sort, need author or key in " cite$ * warning$\r
- ""\r
- }\r
- { key sortify }\r
- if$\r
- }\r
- { author sort.format.names }\r
- if$\r
-}\r
-FUNCTION {author.editor.sort}\r
-{ author empty$\r
- { editor empty$\r
- { key empty$\r
- { "to sort, need author, editor, or key in " cite$ * warning$\r
- ""\r
- }\r
- { key sortify }\r
- if$\r
- }\r
- { editor sort.format.names }\r
- if$\r
- }\r
- { author sort.format.names }\r
- if$\r
-}\r
-FUNCTION {author.organization.sort}\r
-{ author empty$\r
- { organization empty$\r
- { key empty$\r
- { "to sort, need author, organization, or key in " cite$ * warning$\r
- ""\r
- }\r
- { key sortify }\r
- if$\r
- }\r
- { "The " #4 organization chop.word sortify }\r
- if$\r
- }\r
- { author sort.format.names }\r
- if$\r
-}\r
-FUNCTION {editor.organization.sort}\r
-{ editor empty$\r
- { organization empty$\r
- { key empty$\r
- { "to sort, need editor, organization, or key in " cite$ * warning$\r
- ""\r
- }\r
- { key sortify }\r
- if$\r
- }\r
- { "The " #4 organization chop.word sortify }\r
- if$\r
- }\r
- { editor sort.format.names }\r
- if$\r
-}\r
-FUNCTION {presort}\r
-{ type$ "book" =\r
- type$ "inbook" =\r
- or\r
- 'author.editor.sort\r
- { type$ "proceedings" =\r
- 'editor.organization.sort\r
- { type$ "manual" =\r
- 'author.organization.sort\r
- 'author.sort\r
- if$\r
- }\r
- if$\r
- }\r
- if$\r
- " "\r
- *\r
- year field.or.null sortify\r
- *\r
- " "\r
- *\r
- title field.or.null\r
- sort.format.title\r
- *\r
- #1 entry.max$ substring$\r
- 'sort.key$ :=\r
-}\r
-ITERATE {presort}\r
-SORT\r
-STRINGS { longest.label }\r
-INTEGERS { number.label longest.label.width }\r
-FUNCTION {initialize.longest.label}\r
-{ "" 'longest.label :=\r
- #1 'number.label :=\r
- #0 'longest.label.width :=\r
-}\r
-FUNCTION {longest.label.pass}\r
-{ number.label int.to.str$ 'label :=\r
- number.label #1 + 'number.label :=\r
- label width$ longest.label.width >\r
- { label 'longest.label :=\r
- label width$ 'longest.label.width :=\r
- }\r
- 'skip$\r
- if$\r
-}\r
-EXECUTE {initialize.longest.label}\r
-ITERATE {longest.label.pass}\r
-FUNCTION {begin.bib}\r
-{ preamble$ empty$\r
- 'skip$\r
- { preamble$ write$ newline$ }\r
- if$\r
- "\begin{thebibliography}{" longest.label * "}" *\r
- write$ newline$\r
- "\providecommand{\url}[1]{\texttt{#1}}"\r
- write$ newline$\r
- "\providecommand{\urlprefix}{URL }"\r
- write$ newline$\r
-}\r
-EXECUTE {begin.bib}\r
-EXECUTE {init.state.consts}\r
-ITERATE {call.type$}\r
-FUNCTION {end.bib}\r
-{ newline$\r
- "\end{thebibliography}" write$ newline$\r
-}\r
-EXECUTE {end.bib}\r
-%% End of customized bst file\r
-%%\r
-%% End of file `titto.bst'.\r
-\r
-\r
+++ /dev/null
-%%\r
-%% This is file `aes.cls',\r
-%% generated with the docstrip utility.\r
-%%\r
-%% The original source files were:\r
-%%\r
-%% aes.dtx \r
-%% \r
-%% Copyright (c) 2001--2004, 2007, 2008, 2010--2012 by Adam H. Lewenberg\r
-%% All rights reserved\r
-%% \r
-%% Author: Adam H. Lewenberg\r
-%% \r
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
-\r
-\ifx\AESconname\undefined\r
- \errmessage{This class is not meant to be used directly. Please use\r
- a different class for the argument of \string\documentclass}%\r
-\fi\r
-\NeedsTeXFormat{LaTeX2e}[1996/12/01]\r
-\tracingstats=1\r
-\ProvidesClass{aes}\r
- [2012/08/11 v0.65 AES convention paper style]\r
-\newif\ifAES@draft@mode\global\AES@draft@modefalse\r
-\DeclareOption{draft}{%\r
- \global\AES@draft@modetrue\r
- \PassOptionsToPackage{draft}{graphicx}%\r
- \overfullrule=2pt%\r
-}%\r
-\DeclareOption{hyperref}{%\r
- \relax\r
-}%\r
-\newif\ifaespdfcheck\r
-\aespdfcheckfalse % Default value is no pdf output\r
-\ifx\pdfoutput\undefined\r
- \aespdfcheckfalse % pdflatex not running\r
-\else\r
- \ifnum\pdfoutput=1 % pdflatex running; pdf output?\r
- \aespdfchecktrue % Yes, pdf output\r
- \fi\r
-\fi\r
-\newif\ifAES@boiler@plate\global\AES@boiler@platetrue\r
-\DeclareOption{noboilerplate}{%\r
- \global\AES@boiler@platefalse\r
-}%\r
-\newif\ifAES@peer@reviewed\global\AES@peer@reviewedfalse\r
-\DeclareOption{peer-reviewed}{%\r
- \global\AES@peer@reviewedtrue\r
-}%\r
-\DeclareOption{non-peer-reviewed}{%\r
- \global\AES@peer@reviewedfalse\r
-}%\r
-\newif\ifAES@using@@cm@fonts\global\AES@using@@cm@fontstrue\r
-\DeclareOption{mathptmx}{%\r
- \global\AES@using@@cm@fontsfalse\r
- \AtEndOfPackage{%\r
- \RequirePackage{mathptmx}\r
- \RequirePackage{helvet}\r
- }%\r
-}%\r
-%% \DescribeMacro{mathtime}\r
-\DeclareOption{mathtime}{%\r
- \global\AES@using@@cm@fontsfalse\r
- \AtEndOfPackage{%\r
- \RequirePackage{mathtime}\r
- \renewcommand{\ttdefault}{cmtt}%\r
- }%\r
-}%\r
-%% \DescribeMacro{caption}\r
-\newif\ifAES@use@caption@package\global\AES@use@caption@packagefalse\r
-\DeclareOption{caption}{%\r
- \global\AES@use@caption@packagetrue\r
- \AtEndOfPackage{%\r
- \RequirePackage[labelfont={bf}]{caption}\r
- }%\r
-}%\r
-\ProcessOptions\r
-\newif\ifAES@@Conference\AES@@Conferencefalse\r
-\newif\ifAES@@Convention\AES@@Conventionfalse\r
- \def\temp@@decided{X}%\r
-\def\temp@@decided{}%\r
-\def\temp@@{Conference}%\r
-\ifx\temp@@\AEScontype\r
- \global\AES@@Conferencetrue\r
- \global\AES@@Conventionfalse\r
- \message{...this is a Conference...}%\r
- \def\temp@@decided{X}%\r
-\fi\r
-\def\temp@@{Convention}%\r
-\ifx\temp@@\AEScontype\r
- \global\AES@@Conferencefalse\r
- \global\AES@@Conventiontrue\r
- \message{...this is a Convention...}%\r
- \def\temp@@decided{X}%\r
-\fi\r
-\ifx\temp@@decided\empty\r
- \errmessage{The macro \string\AEScontype\space is currently defined\r
-as '\AEScontype'. However, the only valid values it can be defined to be\r
-are 'Convention' or 'Conference' (case matters). Please fix}\r
-\fi\r
-\let\temp@@decided\undefined\r
-\LoadClass[twocolumn,notitlepage,oneside,10pt]{report}\r
-\ifaespdfcheck\r
- \RequirePackage[pdftex]{graphicx}%\r
- \DeclareGraphicsExtensions{.pdf}%\r
- \pdfcompresslevel=9\relax\r
-\else\r
- \RequirePackage{graphicx}%\r
- \DeclareGraphicsExtensions{.eps}%\r
-\fi\r
-\RequirePackage[normalem]{ulem}%\r
-\textwidth=6.5in\r
-\textheight=49pc\r
-\headsep=0.375in\r
-\headheight=14pt\r
-\footskip=\headsep\advance\footskip by 0.375in\relax\r
-\columnsep=0.25in\r
-\topmargin=0in\r
-\oddsidemargin=-0.0in\r
-\parskip=6pt plus3.0pt minus3.0pt\relax\r
-\parindent=0pt\relax\r
-\voffset=-0.0in\r
-\r
-\def\title#1{\gdef\@title{#1}}\r
-\def\email#1{\gdef\@email{#1}}\r
-\let\authors\author\r
-\def\shorttitle#1{%\r
- \gdef\@shorttitle{#1}%\r
-}%\r
-\let\@shorttitle\undefined\r
-\let\@lastnames\undefined\r
-\def\aff#1{${}^{#1}$}%\r
-\newcommand{\correspondence}[2]{%\r
- \gdef\corr@author{#1}%\r
- \gdef\corr@email{#2}%\r
-}%\r
-\r
-\newcounter{lastnamecount}%\r
-\def\lastnames#1{\gdef\@lastnames{#1}}%\r
-\let\lastname\lastnames%\r
-\let\@lastnames\undefined\r
-\r
-\newcounter{affiliationcount}%\r
-\def\affiliation@in@title{}%\r
-\newcommand{\affiliation}[2][\the\c@affiliationcount]{%\r
- \global\advance\c@affiliationcount by 1\relax\r
- \xdef\affiliation@in@title{%\r
- \affiliation@in@title\r
- \par\r
- ${}^{#1}$#2}%\r
-}%\r
-\def\preprintnumber#1{\gdef\@preprintnumber{#1}}%\r
-\let\@preprintnumber\undefined\r
-\r
-\def\lastpage@putlabel{\addtocounter{page}{-1}%\r
- \immediate\write\@auxout{\string\r
- \newlabel{aesxx:lastpage}{{}{\thepage}}}%\r
- \addtocounter{page}{1}}\r
-\def\BeginAESPaper{%\r
- \ifx\@lastnames\undefined\r
- \errmessage{You must have a \string\lastnames\space command before\r
- starting the document}\r
- \fi\r
- \author@parse@aes % Parse the \lastnames.\r
- \renewenvironment{abstract}{%\r
- \errmessage{The abstract environment can ONLY be used in the\r
- preamble, that is, before the begin document command.}}{}%\r
- \ifx\@shorttitle\undefined\r
- \global\let\@shorttitle\@title\r
- \fi\r
-}%\r
-\global\let\StartAESPaper\BeginAESPaper\r
-\def\EndAESPaper{%\r
- \relax\r
- \clearpage% Important in case of figure-only page at end of document.\r
- \lastpage@putlabel\r
- \ifx\aes@maketitle@called\relax\r
- \else\r
- \errmessage{You did not use the mandatory \string\maketitle\space %\r
- command; your paper CANNOT be accepted without using this\r
- command. Please see the AES LaTeX class manual for more information}%\r
- \fi\r
-}%\r
-\AtBeginDocument{\BeginAESPaper}%\r
-\AtEndDocument{\EndAESPaper}%\r
-\newbox\abstract@@box%\r
-\newbox\abstract@box%\r
-\renewenvironment{abstract}%\r
-{%\r
- \begin{lrbox}{\abstract@@box}\r
- \begin{minipage}{\textwidth}%\r
- \textbf{ABSTRACT}\\\r
- \normalsize\r
- \ignorespaces\r
-}{%\r
- \end{minipage}\r
- \end{lrbox}\r
- \global\setbox\abstract@box=\vtop{\copy\abstract@@box}%\r
- \ignorespaces\r
-}%\r
-\newcommand{\SetAbstract}{%\r
- \noindent\r
- \box\abstract@box%\r
- \smallskip\r
-}%\r
-\r
-\newcounter{authorcount}%\r
-\def\author@parse@aes{\r
- \setcounter{authorcount}{0}%\r
- \for\name:=\@lastnames\do{%\r
- \message{\name}%\r
- \stepcounter{authorcount}%\r
- }%\r
- \ifnum\c@authorcount=1\r
- \xdef\author@in@header{\@lastnames}%\r
- \fi\r
- %\r
- \ifnum\c@authorcount=2\r
- \count255=0\r
- \for\name:=\@lastnames\do{%\r
- \ifnum\count255=0\r
- \xdef\@lastnameone{\name}%\r
- \else\r
- \xdef\@lastnametwo{\ignorespaces\name}%\r
- \fi\r
- \advance\count255 by 1\relax\r
- }%\r
- \xdef\author@in@header{\@lastnameone\ AND \@lastnametwo}%\r
- \fi\r
- %\r
- \ifnum\c@authorcount>2\r
- \count255=0\r
- \for\name:=\@lastnames\do{%\r
- \ifnum\count255=0\r
- \xdef\author@in@header{\name\ et al.}%\r
- \fi\r
- \advance\count255 by 1\relax\r
- }%\r
- \fi\r
-}\r
-\r
-\renewcommand\maketitle{\par\r
- \begingroup\r
- \renewcommand\thefootnote{\@fnsymbol\c@footnote}%\r
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- obtained by sending request and remittance to Audio\r
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- Street, New York, New York\r
- 10165-2520, USA; also see \uline{www.aes.org}. All rights reserved.\r
- Reproduction of this paper, or any portion thereof, is not\r
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- \else\r
- This Convention paper was selected based on a submitted\r
- abstract and 750-word precis that have been peer reviewed by\r
- at least two qualified anonymous reviewers. The complete\r
- manuscript was not peer reviewed. This convention paper has\r
- been reproduced from the author's advance manuscript without\r
- editing, corrections, or consideration by the Review\r
- Board. The AES takes no responsibility for the\r
- contents. Additional papers may be obtained by sending\r
- request and remittance to Audio Engineering Society, 60 East\r
- 42${}^{\mbox{\scriptsize nd}}$\r
- Street, New York, New York 10165-2520, USA; also see\r
- \uline{www.aes.org}. All rights reserved. Reproduction of this\r
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- Engineering Society}.\r
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- \par%\r
- {\AESfont@affiliation\affiliation@in@title\par}%\r
- }%\r
- Correspondence should be addressed to \corr@author\space\r
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- \vskip 1.0em plus 0.25em minus 0.25em\relax\r
- \end{flushleft}%\r
- \par\r
- \vskip 0.00em plus 0.00em minus0.00em\relax\r
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-\r
-\setcounter{secnumdepth}{3}%\r
-\renewcommand{\thesection}{\arabic{section}}%\r
-\renewcommand{\section}{\secdef\@aes@section\@aes@starred@section}%\r
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-\def\set@aes@section#1#2#3{%\r
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-\relax\r
- \else\r
-\textbf{\textsf{#3}}.\quad%\r
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- \fi\r
- \textsf{\textbf{\uppercase{#2}}}%\r
- \nobreak\r
- \par\r
- \nobreak\r
- \noindent\r
- \egroup\r
- \ignorespaces\r
-}\r
-\renewcommand{\subsection}{\secdef\@aes@subsection\@aes@starred@subsection}%\r
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- \set@aes@subsection{#1}{#2}{\thesubsection}%\r
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-}%\r
-\def\@aes@starred@subsection#1{%\r
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- \ignorespaces\r
-}%\r
-\def\set@aes@subsection#1#2#3{%\r
- \medskip\par\r
- \bgroup\r
- \parskip=0pt%\r
- \noindent\r
- \ifnum\c@secnumdepth>1\r
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- \ifx\temp@\empty\r
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- \else\r
-\textbf{\textsf{#3}}.\quad%\r
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- \fi\r
- \textbf{\textsf{#2}}%\r
- \nobreak\r
- \par\r
- \nobreak\r
- \noindent\r
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- \ignorespaces\r
-}\r
-\renewcommand{\subsubsection}%\r
- {\secdef\@aes@subsubsection\@aes@starred@subsubsection}%\r
-\def\@aes@subsubsection[#1]#2{%\r
- \refstepcounter{subsubsection}%\r
- \set@aes@subsubsection{#1}{#2}{\thesubsubsection}%\r
- \ignorespaces\r
-}%\r
-\def\@aes@starred@subsubsection#1{%\r
- \set@aes@subsubsection{}{#1}{}%\r
- \ignorespaces\r
-}%\r
-\def\set@aes@subsubsection#1#2#3{%\r
- \medskip\par\r
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- \ifx\temp@\empty\r
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- \else\r
-\textbf{\textsf{#3}}.\quad%\r
- \fi\r
- \fi\r
- \textbf{\textsf{#2}}%\r
- \nobreak\r
- \par\r
- \nobreak\r
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- \ignorespaces\r
-}\r
-\newcommand{\stack@aesfooter}[2]{%\r
- \vbox{%\r
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- \hbox to \textwidth{\hfill#1\hfill}\par\vskip0.5pc\vfill\r
- \hbox to \textwidth{\hfill#2\hfill}%\r
- \par\r
- }%\r
-}\r
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- \rule{\textwidth}{2pt}%\r
- \par\r
- }%\r
-}\r
-\def\ps@headings{%\r
-\def\@mkboth{\protect\markboth}%\r
-\def\@oddhead{%\r
- \bgroup\r
- \AESfont@rhead\r
- \stack@aesheader{\author@in@header}{\@shorttitle}%\r
- \egroup\r
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-\let\@evenhead\@oddhead%\r
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-\def\ps@footeronly{%\r
-\def\@mkboth{\protect\markboth}%\r
-\def\@oddhead{\hfil}%\r
-\def\@oddfoot{%\r
- \stack@aesfooter{\AESconRHname, \AESconRHplace, \AESconRHdate}{\the\c@page}%\r
- }%\r
-\let\@evenhead\@oddhead%\r
-\let\@evenfoot\@oddfoot%\r
-}%\r
-\pagestyle{headings}\r
-\renewenvironment{thebibliography}[1]\r
- {\r
- %\section{\bibname\r
- % \@mkboth{\MakeUppercase\bibname}{\MakeUppercase\bibname}}%\r
- \medskip\r
- \section{References}%\r
- \list{\@biblabel{\@arabic\c@enumiv}}%\r
- {\settowidth\labelwidth{\@biblabel{#1}}%\r
- \leftmargin\labelwidth\r
- \advance\leftmargin\labelsep\r
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- \let\p@enumiv\@empty\r
- \renewcommand\theenumiv{\@arabic\c@enumiv}\r
- %\r
- \topsep=0pt\partopsep=0pt\r
- \@beginparpenalty=10000\relax%\r
- }%\r
- \sloppy\r
- \clubpenalty4000\r
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- \widowpenalty4000%\r
- \sfcode`\.\@m}\r
- {\def\@noitemerr\r
- {\@latex@warning{Empty `thebibliography' environment}}%\r
- \endlist}\r
-\r
-\let\for = \@for\r
-\def\@for#1:=#2\do#3{%\r
- \edef\@fortmp{#2}%\r
- \ifx\@fortmp\empty \else\r
- \expandafter\@forloop#2,\@nil,\@nil\@@#1{#3}%\r
- \fi\r
-}%\r
-\def\@forloop#1,#2,#3\@@#4#5{\def#4{#1}\ifx #4\@nnil \else\r
- #5\def#4{#2}\ifx #4\@nnil \else#5\@iforloop #3\@@#4{#5}\fi\fi\r
-}%\r
-\def\@iforloop#1,#2\@@#3#4{\def#3{#1}\ifx #3\@nnil\r
- \let\@nextwhile=\@fornoop \else\r
- #4\relax\let\@nextwhile=\@iforloop\fi\@nextwhile#2\@@#3{#4}%\r
-}%\r
-\def\figurename{Fig.}\r
-\ifAES@use@caption@package\r
-\else\r
- \renewcommand{\caption}[1][]{%\r
- \ifx\@captype\@undefined\r
- \@latex@error{\noexpand\caption outside float}\@ehd\r
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- \fi\r
- \vskip\belowcaptionskip}\r
-\fi\r
-\r
-\endinput\r
-%%\r
-%% End of file `aes.cls'.\r
+++ /dev/null
-@Misc{OAI-PMH,
- key = "OAI-PMH",
- howpublished = {\url{http://www.openarchives.org/pmh/}},
- title = "Open Archives Initiative Protocol for Metadata
- Harvesting"
-}
-
-@Misc{DublinCore,
- key = "DublinCore",
- title = "{Dublin Core} Metadata Initiative",
- howpublished = {\url{http://dublincore.org/}}
-}
-
-@Misc{telemetaCREM,
- key = "telemetaCREM",
- title = "Archives sonores du {CNRS} - {Musée de l'Homme}",
- howpublished = {\url{http://archives.crem-cnrs.fr}}
-}
-
-@PhdThesis{BrossierPhD,
- author = {Paul Brossier},
- title = {Automatic annotation of musical audio for
- interactive systems},
- school = {Centre for Digital music, Queen Mary University of
- London, UK},
- year = 2006
-}
-
-@inproceedings{yaafe_ISMIR2010,
- author = {Mathieu, Benoît and Essid, Slim and Fillon, Thomas
- and Prado, Jacques and Richard, Gaël},
- title = {Yaafe, An Easy To Use And Efficient Audio Feature
- Extraction Software},
- booktitle = {Proc. of ISMIR 2010, Utrecht, Netherlands},
- year = 2010,
- pages = {441-446},
- publisher = {International Society for Music Information
- Retrieval},
- howpublished = {\url{http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}}
-}
-
-@Misc{vamp-plugins,
- key = {vamp},
- title = {The {Vamp} audio analysis plugin system},
- howpublished = {\url{http://www.vamp-plugins.org}}
-}
+++ /dev/null
-\documentclass{aes53i}\r
-\hyphenation{Post-Script}\r
-\r
-\r
-\usepackage{graphicx}\r
-\usepackage{amssymb}\r
-\r
-\usepackage{xcolor}\r
-%\usepackage{hyperref} % Apparemment pas compatible avec le style AES !!\r
-\usepackage{url}\r
-\usepackage[utf8]{inputenc}\r
-\usepackage[T1]{fontenc}\r
-\r
-\usepackage{enumitem}\r
-\setlist{nosep}\r
-\r
-\setlength{\parskip}{0pt}\r
-\r
-%----------\r
-% Header\r
-%----------\r
-\r
-\r
-% first the title is needed\r
-\title{Telemeta : open web audio platform for sound archives in the use case of ethnomusicology}\r
-\r
-% a short form should be given in case it is too long for the running head\r
-\shorttitle{Telemeta : open web audio platform for sound archives}\r
-\r
-\author{\r
- Thomas Fillon\aff{1,2},\r
- Guillaume Pellerin\aff{1},\r
- Paul Brossier\aff{1},\r
- and Jos{\'e}phine Simonnot\aff{3} \r
-\thanks{This work was partially done inside the DIADEMS project funded by the national french agency ANR (CONTINT)}\r
-}\r
-\r
-\r
-\affiliation[1]{PARISSON, 16 rue Jacques Louvel-Tessier 75010 Paris, France}\r
-\affiliation[2]{LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, 11 rue de Lourmel, 75015 Paris, France}\r
-\affiliation[3]{\r
-CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,\r
-21 Allée de l'Université - 92023 Nanterre}\r
-\r
-\correspondence{Thomas Fillon and Guillaume Pellerin}{thomas.fillon@parisson.com, guillaume.pellerin@parisson.com}\r
-\r
-\lastnames{Fillon, Pellerin, Brossier, Simonnot}\r
-\r
-%\url{josephine.simonnot@mae.u-paris10.fr}}\r
-\r
-\r
-\r
-\begin{abstract}\r
-\emph{Telemeta} is a fully-operational open-source web audio platform dedicated to digital sound archives secure storing, indexing and publishing. It focuses on the enhanced and collaborative user-experience in accessing audio items and their associated metadata and on the possibility for the expert users to further enrich those metadata.\r
-\r
-Telemeta architecture relies on \emph{TimeSide}, an open audio processing framework written in Python which provides decoding, encoding and streaming methods for various formats together with a smart embeddable HTML audio player. TimeSide also includes a set of audio analysis plugins and additionally wraps several audio features extraction libraries to provide automatic annotation, segmentation and musicological analysis.\r
-\r
-The demonstration presents the features of this platform in the context of ethnomusicological research.\r
-\end{abstract}\r
-\r
-\begin{document}\r
-\maketitle\r
-\r
-\section{Introduction}\r
-\r
- % In social sciences like anthropology and linguistics, researchers have to work on multiple types of multimedia documents such as photos, videos, sound recordings or databases. The need to easily access, visualize and annotate such materials can be problematic given their diverse formats, sources and given their chronological nature.\r
- %With this in mind, some laboratories\footnote{The Research Center on Ethnomusicology (CREM), the Musical Acoustics Laboratory (LAM, UMR 7190) and the sound archives of the Mediterranean House of Human Sciences (MMHS)} involved in ethnomusicological research have been working together on that issue.\r
-\r
- In the context of ethnomusicological research, the Research Center on Ethnomusicology \r
-(CREM) and Parisson, a company specialized in the management of audio databases, have been developing an innovative, collaborative and interdisciplinary open-source web-based multimedia platform since 2007. This platform, \emph{Telemeta} is designed to fit the professional requirements from both sound archivists and researchers in ethnomusicology. The first prototype of this platform has been online\footnote{Archives sonores du CNRS, Musée de l'Homme, http://archives.crem-cnrs.fr} since 2008.\r
-\r
- \section{Telemeta}\label{sec:Telemeta}\r
- \subsection{Web audio content management features and architecture}\r
- Telemeta\footnote{http://telemeta.org} is a free and open source\footnote{Telemeta code is available under the CeCILL Free Software License Agreement \texttt{http://cecill.info/licences/Licence\_CeCILL\_V2-en.html}} web audio platform which introduces efficient and secure methods for back-uping, indexing, transcoding, analysing and publishing any digitalized audio file with its metadata. \r
-\r
-% An overview of the Telemeta's web interface is illustrated in Figure~\ref{fig:Telemeta}\r
-% \begin{figure}\r
-% \centering\r
-% \includegraphics[width=0.95\linewidth]{img/telemeta.png}\r
-% \caption[1]{Screenshot excerpt of the \emph{Telemeta} web interface}\r
-% \label{fig:Telemeta}\r
-% \end{figure}\r
-\r
-Telemeta is ideal for professionals who wants to easily organize, backup, archive and publish documented sound collections of audio files, CDs, digitalized vinyls and magnetic tapes over a strong database, in accordance with open web standards. \r
-\emph{Telemeta} architecture is flexible and can easily be adapted to particular database organization of a given sound archives. \r
-\r
-The main features of \emph{Telemeta} are:\r
-\begin{itemize}\r
-\item \emph{Pure HTML} web user interface including high level \emph{search engine}\r
-\item Smart \emph{workflow management} with contextual user lists, profiles and rights\r
- % \item RSS and JSON feed generators\r
- % \item XML serialized backup\r
-\item Strong Structured Query Language (SQL) or Oracle backend\r
-\item Model-View-Controller (MVC) architecture \r
-\end{itemize}\r
-Beside database management, the audio support is mainly provided through an external component, TimeSide, which is described in Section~\ref{sec:Timeside}.\r
-\r
-\subsection{Metadata}\label{sec:metadata}\r
-In addition to the audio data, an efficient and dynamic management of the associated metadata is also required. %Consulting metadata provide both an exhaustive access to valuable information about the source of the data and to the related work of peer researchers. \r
-Dynamically handling metadata in a collaborative manner optimises the continuous process of knowledge gathering and enrichment of the materials in the database. \r
-%One of the major challenge is thus the standardization of audio and metadata formats with the aim of long-term preservation and usage of the different materials.\r
-The compatibility with other systems is facilitated by the integration of the metadata standards protocols \emph{Dublin Core} and \emph{OAI-PMH} (Open Archives Initiative Protocol for Metadata Harvesting) \cite{DublinCore,OAI-PMH}.\r
-\r
-Metadata provide two different kinds of information about the audio item: contextual information and annotations.\r
-\vspace{-0.4cm}\r
-\r
-\paragraph{Contextual Information}\r
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.\r
-\vspace{-0.4cm}\r
-\paragraph{Annotations and segmentation}\r
-Metadata also consist in temporal information such as a list of \emph{time-coded markers} associated with annotations and a list of of \emph{time-segments} associated with labels. The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).\r
-It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis (see Section~\ref{sec:Timeside}).\r
-\r
-\section{TimeSide}\label{sec:Timeside}\r
-One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}\footnote{\url{https://github.com/yomguy/TimeSide}}, that offers audio player web integration together with audio signal processing analysis capabilities. \r
-\r
-% Figure~\ref{fig:TimeSide_Archi} illustrates the overall architecture of \emph{TimeSide}.\r
-\r
-% \begin{figure}[htbp]\r
-% \centering\r
-% \includegraphics[width=0.95\linewidth]{img/timeside_schema.pdf}\r
-% \caption{TimeSide architecture (see \texttt{https://code.google.com/p/timeside/})}\label{fig:TimeSide_Archi}\r
-% \end{figure}\r
-\r
-\r
-\subsection{Audio management}\r
-TimeSide provides the following main features:\r
-\begin{itemize}\r
-\item \emph{Secure archiving, editing and publishing of audio files} over\r
- internet.\r
-\item Smart \emph{audio player} with enhanced visualisation (waveform, spectrogram)\r
-\item \emph{Multi-format support}: reads all available audio and video formats through Gstreamer, transcoding with smart streaming and caching methods% (FLAC, OGG, MP3, WAV and WebM)\r
- % \item \emph{Playlist management} for all users with CSV data export\r
-\item "On the fly" \emph{audio analyzing, transcoding and metadata\r
- embedding} based on an easy plugin architecture\r
-\end{itemize}\r
-\r
-\subsection{Audio features extraction}\r
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as Aubio\footnote{\url{http://aubio.org/}}, Yaafe\footnote{\url{http://yaafe.sourceforge.net}} and Vamp plugins\footnote{ \url{http://www.vamp-plugins.org}} \cite{brossierPhD,yaafe_ISMIR2010,vamp-plugins}.\r
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be stored in a scientific file format (\emph{Numpy}, \emph{HDF5}) and serialized to the web browser through commons markup languages (\emph{xml}, \emph{json}, \emph{yaml}).\r
-Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide automatic annotation, segmentation and similarity analysis.\r
-\r
-\section{Conclusion - Purpose of the demonstration}\vspace{-0.1cm}\r
-The demonstration presents the features offered by \emph{Telemeta} as detailed in Section~\ref{sec:Telemeta} in the context of ethnomusicological sound archiving.%\cite{telemetaCREM} \r
-It focuses on the enhanced and collaborative user-experience when accessing audio items and their associated metadata, and on the possibility for the expert user to further enrich those metadata.\r
-Another goal of this demonstration is to present the integrated audio analysis tools described in Section~\ref{sec:Timeside}.\r
-\vspace{-0.2cm}\r
-\section*{Acknowledgments} \r
-{\small The authors would like to thank all the people that have been involved in \emph{Telemeta} specification and development or have provide useful input and feedback. \r
-The project has been partially funded by the French National Centre for Scientific Research (CNRS), the French Ministry of Culture and Communication, the TGE Adonis Consortium, and the Centre of Research in Ethnomusicology (CREM).}\r
-\r
-\r
-\bibliographystyle{plain}\r
-\bibliography{aes53_Telemeta}\r
-\r
-\r
-\end{document}\r
+++ /dev/null
-
-Title
------
-"Telemeta : open web audio platform for sound archives in the use case of ethnomusicology"
-
-
-Authors
--------
-Thomas Fillon, Guillaume Pellerin, Paul Brossier and Joséphine Simonnot
-
-
-Abstract
---------
-
-Telemeta is a fully-operational open-source web audio platform dedicated to digital sound archives secure storing, indexing and publishing. It focuses on the enhance and collaborative user-experience in accessing audio items and their associated metadata and on the possibility for the expert users to further enrich those metadata.
-
-Telemeta architecture relies on TimeSide, an open audio processing framework written in Python which provides a smart embeddable HTML audio player together with decoding, encoding and streaming methods for various formats. TimeSide also includes a set of audio analysis plugins and additionally wraps several audio features extraction libraries to provide automatic annotation, segmentation and musicological analysis.
-
-The demonstration presents the features of this platform in the context of ethnomusicological research.
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-\title[TELEMETA, open web audio platform for
-sound archives]{TELEMETA : open web audio platform for
-sound archives\\in the use case of
-ethnomusicology}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
-
-
-\institute[Parisson]{\small
- \inst{1}%
- Parisson, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
- 11 rue de Lourmel, 75015 Paris, France\\
- \inst{3}%
- CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
-21 Allée de l'Université - 92023 Nanterre, France\\
-%Thanks
-\vskip1ex
- {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
-}
-
-\date[03/09/2013]{03 septembre 2013}
-%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
-\begin{document}
-%\maketitle
-\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
-% ==================================
-% --------- Résumé -----------------
-% ==================================
- \begin{block}{Abstract}\small
-
- \begin{minipage}{0.74\linewidth}
- \begin{itemize}
- \item \emph{Telemeta} is an \alert{open-source audio web Content
- Management System} (CMS) dedicated to \alert{digital sound
- archives} secure storing, indexing and publishing.
- \item The demonstration presents the features of this platform
- in the context of \alert{\emph{ethnomusicological} research}.
- \item It focuses on the enhance and collaborative
- user-experience in accessing audio items and their associated
- metadata and on the possibility for the expert user to further
- enrich those metadata.
- \item \emph{Telemeta} also provides integrated \alert{audio signal
- processing tools} for automatic analysis of sound items.
- \end{itemize}
- \end{minipage}
- \begin{minipage}{0.24\linewidth}
- \begin{center}
- \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
-
- \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
- \vskip1ex
- \colorbox{yellow!50}
- { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
- \end{center}
- \end{minipage}
- \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
- \end{block}
-
-% ==================================
-% --------- Corps -----------------
-% ==================================
- \begin{columns}[t]
-\footnotesize
-% ==================================
-% --------- Colonne gauche ---------
-% ==================================
- \begin{column}[T]{.49\linewidth}
- \begin{block}{Introduction}
- \textbf{Needs}\\
- \begin{itemize}
- \item In social sciences like anthropology and linguistics,
- researchers have to work on multiple types of multimedia
- documents such as photos, videos, sound recordings or
- databases.
- \item The need to easily access, visualize and annotate
- such materials can be problematic given their diverse formats,
- sources and given their chronological nature.
- \end{itemize}
-
-\textbf{The \emph{Telemeta} project}\\
-\begin{itemize}
-\item The CREM laboratory and Parisson have been developing an innovative,
- collaborative and interdisciplinary open-source web-based multimedia
- platform since 2007.
-\item Goal : fit the professional requirements from both sound archivists and
- researchers in ethnomusicology.
-\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
- l'Homme}:
-\end{itemize}
-\begin{center}
- \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
-\end{center}
-
- \end{block}
-
-\begin{block}{Web audio content management features and architecture}
- \begin{itemize}
- \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
- Free Software License Agreement}) web audio content management
- system which introduces efficient and secure methods for
- \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
- digitalized audio file with its metadata.
- \item \emph{Telemeta} is ideal for
- professional collaborators who wants to easily organize, backup, archive and
- publish documented sound collections of audio files, CDs,
- digitalized vinyls and magnetic tapes over a strong database in
- accordance with \alert{open web standards}.
- \item \emph{Telemeta} architecture
- is \alert{flexible} and can easily be adapted to particular database
- organization of a given sound archives.
- \end{itemize}
-
-\begin{figure}[htbp]
- \centering
- \includegraphics[width=0.47\paperwidth]{img/player_mark.png}
- \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
-\end{figure}
-
-
-
-The main features of \emph{Telemeta} are:
-\vspace{-0.1cm}
-\begin{itemize}
-\item \alert{Pure HTML} web user interface including high level \alert{search engine}
-\item \alert{Smart workflow management} with contextual user lists, profiles and rights
- % \item RSS and JSON feed generators
- % \item XML serialized backup
-\item Model-View-Controller (\alert{MVC}) architecture
-\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
-
-\end{itemize}
-Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
-
-\end{block}
-\begin{block}{Metadata}
- \begin{itemize}
- \item In addition to the audio data, an efficient and \alert{dynamic
- management} of the associated metadata is also required.
- \item Dynamically handling metadata in a \alert{collaborative} manner optimises
- the continuous process of knowledge gathering and enrichment of
- the materials in the database.
- \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
- and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
- Harvesting) \cite{DublinCore,OAI-PMH}.
- \end{itemize}
-
-\textbf{Contextual Information}\\
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
-
-\textbf{Annotations and segmentation}\\
-Metadata also consist in temporal information such as:
-\begin{itemize}
-\item a list of \alert{time-coded markers} associated with annotations
-\item a list of of \alert{time-segments} associated with labels.
-\end{itemize}
-The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
-It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
-
-\end{block}
- \end{column}
-
-% ==================================
-% ------- Colonne droite -----------
-% ==================================
-\begin{column}[T]{.49\linewidth}
- \begin{block}{TimeSide : open web audio processing framework}
-One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
-
-\begin{center}
- \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
-\end{center}
-
- \begin{figure}[htbp]
- \centering
- \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
- \caption{TimeSide architecture}
-\end{figure}
-
-\textbf{Goals}\\
-
-\begin{itemize}
-\item \alert{Do} asynchronous and fast audio processing with Python.
-\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
-\item \alert{Analyze} audio content with some external audio feature extraction libraries.
-\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
-\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
-\item \alert{Transcode} audio data in various media formats and stream them through web apps.
-\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
-\end{itemize}
-
-\textbf{Audio features extraction}\\
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
-
- \begin{itemize}
- \item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
- \cite{brossierPhD}
- \item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
- \cite{yaafe_ISMIR2010}
- \item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
- \cite{vamp-plugins}
- \end{itemize}
-
-
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
-Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
-\end{block}
-\begin{block}{Code Example (Python)}
-\vskip1ex
- \begin{minipage}{0.6\linewidth}
- \begin{lstlisting}
-
-import timeside
-
-# Define some processors:
-decoder = timeside.decoder.FileDecoder('sweep.wav')
-analyzer = timeside.analyzer.Level()
-grapher = timeside.grapher.Spectrogram()
-encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
-
-# Then, the magic pipeline:
-(decoder | analyzer | grapher | encoder).run()
-
-# Get the results:
-grapher.render(output='image.png')
-for key in analyzer.results.keys():
- print '%s in %s : %s'% (analyzer.results[key].name,
- analyzer.results[key].unit,
- analyzer.results[key].data)
-
-\end{lstlisting}
-\end{minipage}
-\hskip2ex
-\begin{minipage}{0.32\linewidth}
- \begin{center}
- \textbf{Results}
- \begin{figure}
- \centering
- \includegraphics{img/spectrogram.png}
- \caption{Spectrogram (sweep signal)}
- \end{figure}
- \end{center}
-\vskip5ex
-\begin{lstlisting}
-
- Level Analyzer Max:[-6.021]
- Level Analyzer RMS:[-9.856]
-
-\end{lstlisting}
-
-
-\end{minipage}
-
- \end{block}
-\begin{block}{Références}\tiny
-\bibliographystyle{plain}
-%\label{sec:ref}
-\vspace{-1cm}
-\begin{multicols}{2}[]
-\bibliography{../aes53_Telemeta}
-\end{multicols}
- \end{block}
- \end{column}
-\end{columns}
-\end{frame}
-\end{document}
-%%% Local Variables:
-%%% mode: latex
-%%% TeX-master: t
-%%% End:
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-
-\title[TELEMETA, audio web CMS for Ethnomusicological
-archives]{Telemeta\\Open web audio platform for sound archives in the
- use case of ethnomusicology}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon
- \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1},
- Jos{\'e}phine Simonnot\inst{3}}
-
-
-\begin{document}
-\setlength{\leftmargini}{10pt} \thispagestyle{empty}
-\begin{frame}\tiny
- \frametitle{\includegraphics[width=0.3\linewidth]{logo_telemeta_alpha_black.png}
- \hspace{.4\linewidth} \includegraphics[width=.3\linewidth]{../poster/img/parisson_logo_FINALE_com.pdf}}
- \framesubtitle{{\underline{DEMO SESSION}}: \textbf{Telemeta, Open web audio platform for sound archives\\
- \hspace{2.7cm}in the use case of ethnomusicology}}
-
- \vspace{-0.2cm}
- \begin{columns}
-
- % ----------------- Colonne de gauche -----------------
- \column[t]{5.3cm}
-
- \begin{block}{The project {\tiny(started in 2007)}}
- \begin{itemize}
- \item The CREM laboratory and Parisson are developing an
- innovative, collaborative and interdisciplinary
- \alert{open-source web based multimedia platform} dedicated to
- \alert{sound archivists} and \alert{researchers in
- ethnomusicology}.
- \item The platform is fully operational since 2011 :
- \colorbox{yellow!50} {\bf \url{http://archives.crem-cnrs.fr}}
- \end{itemize}
- \end{block}
- \vspace{-0.2cm}
- \begin{block}{The framework}
- TimeSide is an \alert{open web audio processing framework} written in
- Python which is used to build the engine of Telemeta.
- % \textbf{Goals}\\
- \begin{itemize}
- \item Easy plugin architecture (full \alert{Python})
- \item Asynchronous and fast audio processing
- \item \alert{Feature extraction} (Aubio, Yaafe, Vamp plugins)
- \item Smart, fancy and dynamical \alert{HTML5 web audio player}
- \end{itemize}
- \vspace{-0.5cm}
- \begin{center}
- \colorbox{yellow!50}{\bf
- \url{https://github.com/yomguy/TimeSide/}}
- \end{center}
-
- \end{block}
-
-
- % ----------------- Colonne de droite -----------------
- \column[t]{6cm}
- \begin{block}{The platform (features)}
- \begin{itemize}
- \setlength{\itemsep}{1.5pt}
- \item \alert{Pure HTML5} web user interface including dynamical forms
- and smart workflows
- \item \alert{On the fly} audio analyzing, transcoding and \alert{metadata}
- embedding
- \item Social editing with \alert{semantic ontologies}, smart workflows,
- realtime tools, human or automatic \alert{annotations and
- segmentations}
- \item User management with individual desk, playlists, profiles
- and access rights
- \item High level geo-located search engine
- \item DublinCore, OAI-PMH, RSS, XML and JSON \alert{data providers}
- \item Multi-language support (now english and french)
- \end{itemize}
- \vspace{-0.6cm}
- \begin{center}
- \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
- \end{center}
- \end{block}
- \vspace{-0.2cm}
- \begin{block}{Late-breaking Demos/poster session \#2
- \texttt{\textbf{D2-4}}}
- \begin{itemize}
- \item Live demonstration of the \emph{Telemeta} web platform
- with the CNRS \alert{ethnomusicological sound archives}
- \item Live demonstration of \emph{Timeside}, the audio
- processing framework (Python)
- \end{itemize}
- \end{block}
-
- \end{columns}
-\end{frame}
-
-\end{document}
-
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+++ /dev/null
-@Misc{OAI-PMH,
- key = "OAI-PMH",
- howpublished = {\url{http://www.openarchives.org/pmh/}},
- title = "Open Archives Initiative Protocol for Metadata
- Harvesting"
-}
-
-@Misc{DublinCore,
- key = "DublinCore",
- title = "{Dublin Core} Metadata Initiative",
- howpublished = {\url{http://dublincore.org/}}
-}
-
-@Misc{telemetaCREM,
- key = "telemetaCREM",
- title = "Archives sonores du {CNRS} - {Musée de l'Homme}",
- howpublished = {\url{http://archives.crem-cnrs.fr}}
-}
-
-@PhdThesis{BrossierPhD,
- author = {Paul Brossier},
- title = {Automatic annotation of musical audio for
- interactive systems},
- school = {Centre for Digital music, Queen Mary University of
- London, UK},
- year = 2006,
- url = {http://aubio.org/}
-
-}
-
-@inproceedings{yaafe_ISMIR2010,
- author = {Mathieu, Benoît and Essid, Slim and Fillon, Thomas
- and Prado, Jacques and Richard, Gaël},
- title = {Yaafe, An Easy To Use And Efficient Audio Feature
- Extraction Software},
- booktitle = {Proc. of ISMIR 2010, Utrecht, Netherlands},
- year = 2010,
- pages = {441-446},
- publisher = {International Society for Music Information
- Retrieval},
- howpublished = {\url{http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}}
-}
-
-@Misc{vamp-plugins,
- title = {The {Vamp} audio analysis plugin system},
- howpublished = {\url{http://www.vamp-plugins.org}}
-}
-
-@Misc{Simonnot_ICTM_2014,
- author = {Simonnot, Joséphine and Mifune, Marie-France and Lambert, Jean},
- title = {TELEMETA: Resources of an online archive of ethnomusicological recordings},
- howpublished = {Panel accepted at ICTM Study Group on Historical Sources of Traditional Music, Aveiro, Portugal, May 12-17 2014},
- year = 2014}
-
-@Article{Simmonot_IASA_2011,
- author = {Simonnot, Joséphine},
- title = {{TELEMETA}: an audio Content Management System for the Web},
- journal = {International Association of Sound and Audiovisual Archives journal},
- year = 2011,
- volume = 36,
- month = {jan}}
-
-@Article{Julien_IASA_2011,
- author = {Julien Da Cruz Lima, Aude},
- title = {The {CNRS} — {M}usée de l’{H}omme audio archives: a short introduction},
- journal = {International Association of Sound and Audiovisual Archives journal},
- year = 2011,
- volume = 36,
- month = {jan}}
-
-
-@article{Gomez_JNMR_2013,
-author = {Gómez, Emilia and Herrera, Perfecto and Gómez-Martin, Francisco},
-title = {Computational Ethnomusicology: perspectives and challenges},
-journal = {Journal of New Music Research},
-volume = {42},
-number = {2},
-pages = {111-112},
-year = {2013},
-doi = {10.1080/09298215.2013.818038},
-
-URL = {http://www.tandfonline.com/doi/abs/10.1080/09298215.2013.818038},
-eprint = {http://www.tandfonline.com/doi/pdf/10.1080/09298215.2013.818038}
-}
-
-@Article{Tzanetakis_2007_JIMS,
- author = {Tzanetakis, George and Kapur, Ajay and Schloss, W. Andrew and Wright, Matthew},
- title = {Computational ethnomusicology},
- journal = {Journal of Interdisciplinary Music Studies},
- year = 2007,
- volume = 1,
- number = 2,
- pages = {1-24},
- url = {http://www.musicstudies.org/CompEthno_JIMS_071201.pdf},
-}
-
+++ /dev/null
-\documentclass{paper}\r
-%\hyphenation{Post-Script}\r
-\usepackage[authoryear]{natbib}\r
-%\bibliographystyle{plainnat}\r
-\usepackage{fma2014}\r
-\r
-\usepackage{graphicx}\r
-%\usepackage{amssymb}\r
-\r
-%\usepackage{xcolor}\r
-%\usepackage{hyperref} % Apparemment pas compatible avec le style AES !!\r
-\usepackage{url}\r
-\usepackage[utf8]{inputenc}\r
-\usepackage[T1]{fontenc}\r
-%\usepackage{enumitem}\r
-%\setlist{nosep}\r
-\r
-%\setlength{\parskip}{0pt}\r
-\r
-%----------\r
-% Header\r
-%----------\r
-\r
-\r
-% first the title is needed\r
-\title{An open web audio platform for ethnomusicological sound archives management and automatic analysis}\r
-\r
-% a short form should be given in case it is too long for the running head\r
-%\shorttitle{Telemeta : open web audio platform for sound archives}\r
-\r
-\threeauthors\r
- {Thomas Fillon} {\r
- PARISSON / LAM, \\\r
-Institut Jean Le Rond d'Alembert, \\\r
- UPMC Univ. Paris 06, \\\r
- UMR CNRS 7190\\\r
- %PARISSON\\\r
- {\tt thomas.fillon@parisson.com}}\r
- %\href{http://www.parisson.com}{PARISSON}, 16 rue Jacques Louvel-Tessier 75010 Paris, France\r
- %\url{{thomas.fillon,guillaume.pellerin}@parisson.com}}\r
- {Guillaume Pellerin, Paul Brossier} {\r
- PARISSON \\\r
-16 rue Jacques Louvel-Tessier \\\r
- Paris, France\\ \vspace{0.3cm}\r
- {\tt guillaume.pellerin@parisson.com}}\r
- {Jos{\'e}phine Simonnot} {CREM, LESC, UMR CNRS 7186\\MAE, Université Paris Ouest\\ Nanterre La Défense\r
-{\tt %josephine.simonnot@mae.u-paris10.fr\r
-}\thanks{This work is partly supported by a grant from the french National Research Agency (ANR) with reference ANR-12-CORD-0022.}\vspace{0.7cm}}\r
-\r
-\r
-\r
-\begin{document}\r
-%\r
-\maketitle\r
-%\r
-\begin{abstract}\r
-Since 2007, ethnomusicologist and engineers have joint their effort to develop a scalable and collaborative web platform for management of and access to digital sound archives. This platform has been deployed since 2011 and hold the archives of the \emph{Center for Research in Ethnomusicology}, which is the most important collection in Europe.\r
-This web platform is based on \emph{Telemeta}, an open-source web audio framework dedicated to digital sound archives secure storing, indexing and publishing. It focuses on the enhanced and collaborative user-experience in accessing audio items and their associated metadata and on the possibility for the expert users to further enrich those metadata.\r
-\r
- Telemeta architecture relies on \emph{TimeSide}, an open audio processing framework written in Python which provides decoding, encoding and streaming methods for various formats together with a smart embeddable HTML audio player. TimeSide also includes a set of audio analysis plugins and additionally wraps several audio features extraction libraries to provide automatic annotation, segmentation and musicological analysis.\r
-\r
-\end{abstract}\r
-\r
-\section{Introduction}\label{sec:intro}\r
-\r
- In social sciences like anthropology and linguistics, researchers have to work on multiple types of multimedia documents such as photos, videos, sound recordings or databases. The need to easily access, visualize and annotate such materials can be problematic given their diverse formats, sources and given their chronological nature.\r
- %With this in mind, some laboratories\footnote{The Research Center on Ethnomusicology (CREM), the Musical Acoustics Laboratory (LAM, UMR 7190) and the sound archives of the Mediterranean House of Human Sciences (MMHS)} involved in ethnomusicological research have been working together on that issue.\r
-\r
- In the context of ethnomusicological research, the Research Center on Ethnomusicology (CREM) and Parisson, a company specialized in big music data projects, have been developing an innovative, collaborative and interdisciplinary open-source web-based multimedia platform since 2007. \r
-\r
- This platform, \emph{Telemeta} is designed to fit the professional requirements from both sound archivists, researchers and musicians to work together on big music data. The first prototype of this platform has been online since 2010 and is now fully operational and used on a daily basis for ethnomusicological studies since 2011. A description of theses archives and some use cases are given in Section~\ref{sec:archives-CREM}.\r
-\r
-The benefit of this collaborative platform for ethnomusicological research has been described in several publications \citep{Simmonot_IASA_2011, Julien_IASA_2011, Simonnot_ICTM_2014}.\r
-\r
-Recently, an open-source audio analysis framework, TimeSide, has been developed to bring automatic music analysis capabilities to the web platform and thus have turned Telemeta into a complete resource for \emph{Computational Ethnomusicology} \citep{Tzanetakis_2007_JIMS, Gomez_JNMR_2013}.\r
-%Section~\ref{sec:TimeSide} \r
-\r
- \section{The Telemeta platform}\label{sec:Telemeta}\r
- \subsection{Web audio content management features and architecture}\r
-The primary purpose of the project is to provide the ethnomusicological communities with a scalable system to access, preserve and share audio research materials together with their associated metadata, as these data provide key information on the context and significance of the recording. Telemeta\footnote{http://telemeta.org}, as a free and open source\footnote{Telemeta code is available under the CeCILL Free Software License Agreement}, is a unique scalable web audio platform for backuping, indexing, transcoding, analyzing, sharing and visualizing any digital audio or video file in accordance with open web standards.\r
-\r
-The time-based nature of such audio-visual materials and some associated metadata as annotations raises issues of access and visualization at a large scales. Easy and on demand access to these data, as you listen to the recording, represents a significant improvement.\r
-\r
-An overview of the Telemeta's web interface is illustrated in Figure~\ref{fig:Telemeta}.\r
-\begin{figure}\r
- \centering\r
- \fbox{\includegraphics[width=0.97\linewidth]{img/telemeta_screenshot_en.png}}\r
- \caption[1]{Screenshot excerpt of the Telemeta web interface}\r
- \label{fig:Telemeta}\r
- \end{figure}\r
-Its flexible and streaming safe architecture is represented in Figure~\ref{fig:TM_arch}.\r
-\begin{figure*}[htbp]\r
- \centering\r
- \includegraphics[width=0.5\linewidth]{img/TM_arch.pdf}\r
- \caption{Telemeta architecture}\label{fig:TM_arch}\r
-\end{figure*}\r
-\r
-The main features of \emph{Telemeta} are:\r
-\r
- \begin{itemize}\r
- \item Pure HTML5 web user interface including dynamical forms\r
- \item On the fly audio analyzing, transcoding and metadata\r
- embedding in various formats\r
- \item Social editing with semantic ontologies, smart workflows,\r
- realtime tools, human or automatic annotations and\r
- segmentations\r
- \item User management with individual desk, playlists, profiles\r
- and group access rights\r
- \item High level search engine (geolocation, instruments, ethnic groups, etc...)\r
- \item Data providers : DublinCore, OAI-PMH, RSS, XML, JSON and other \r
- \item Multi-language support (now english and french)\r
- \end{itemize}\r
-\r
-Beside database management, the audio support is mainly provided through an external component, TimeSide, which is described in Section~\ref{sec:TimeSide}.\r
-\defcitealias{DublinCore}{Papier I}\r
-\r
-\subsection{Metadata}\label{sec:metadata}\r
-In addition to the audio data, an efficient and dynamic management of the associated metadata is also required. Consulting metadata provide both an exhaustive access to valuable information about the source of the data and to the related work of peer researchers. \r
-Dynamically handling metadata in a collaborative manner optimises the continuous process of knowledge gathering and enrichment of the materials in the database. \r
-One of the major challenge is thus the standardization of audio and metadata formats with the aim of long-term preservation and usage of the different materials.\r
-The compatibility with other systems is facilitated by the integration of the metadata standards protocols \emph{Dublin Core}\footnote{{Dublin Core} Metadata Initiative, \url{http://dublincore.org/}} and \emph{OAI-PMH} (Open Archives Initiative Protocol for Metadata Harvesting)\footnote{\url{http://www.openarchives.org/pmh/}}.\r
-\r
-Metadata provide two different kinds of information about the audio item: contextual information and annotations.\r
-\r
-\r
-\subsubsection{Contextual Information}\r
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.\r
-\r
-\subsubsection{Annotations and segmentation}\r
-Metadata also consist in temporally-indexed information such as a list of time-coded markers associated with annotations and a list of of time-segments associated with labels. The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).\r
-\r
-Ethnomusicological researchers and archivists can produce their own annotations and share them with colleagues. These annotations are accessible from the sound archive item web page and are indexed through the database.\r
-\r
-It should be noted that annotations and segmentation can also be produce by some automatic signal processing analysis (see Section~\ref{sec:TimeSide}).\r
-\r
-\r
-\section{TimeSide, an audio analysis framework}\label{sec:TimeSide}\r
-One specificity of the Telemeta architecture is to rely on an external component, TimeSide\footnote{\url{https://github.com/yomguy/TimeSide}}, that offers audio player web integration together with audio signal processing analysis capabilities. \r
-\r
-TimeSide is an audio analysis and visualization framework based on both python and javascript languages to provide state-of-the-art signal processing and machine learning algorithms together with web audio capabilities for display and streaming.\r
-Figure~\ref{fig:TimeSide_Archi} illustrates the overall architecture of TimeSide together with the data flow between TimeSide and the Telemeta web-server.\r
-\r
-\begin{figure*}[htbp]\r
- \centering\r
- \includegraphics[width=0.7\linewidth]{img/timeside_schema_v3.pdf}\r
- \caption{TimeSide engine architecture and data flow with Telemeta web-server}\label{fig:TimeSide_Archi}\r
-\end{figure*}\r
-\r
-\r
-\subsection{Audio management}\r
-TimeSide provides the following main features:\r
-\begin{itemize}\r
-\item Secure archiving, editing and publishing of audio files over\r
- internet.\r
-\item Smart audio player with enhanced visualisation (waveform, spectrogram)\r
-\item Multi-format support: reads all available audio and video formats through Gstreamer, transcoding with smart streaming and caching methods% (FLAC, OGG, MP3, WAV and WebM)\r
- % \item \emph{Playlist management} for all users with CSV data export\r
-\item "On the fly" audio analyzing, transcoding and metadata\r
- embedding based on an easy plugin architecture\r
-\end{itemize}\r
-\r
-\subsection{Audio features extraction}\r
-In order to provide Music Information Retrieval analysis methods to be implemented over a large corpus for ethnomusicological studies, TimeSide incorporates some state-of-the-art audio feature extraction libraries such as Aubio\footnote{\url{http://aubio.org/}} \citep{brossierPhD}, Yaafe\footnote{\url{https://github.com/Yaafe/Yaafe}} \citep{yaafe_ISMIR2010} and Vamp plugins\footnote{ \url{http://www.vamp-plugins.org}}.\r
-\r
-As a open-source framework and given its architecture and the flexibility provided by Python, the implementation of any audio and music analysis algorithm can be consider. Thus, it makes it a very convenient framework for researchers in computational ethnomusicology to develop and evaluate their algorithms.\r
-\r
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be stored in a scientific file format like Numpy and HDF5 and serialized to the web browser through common markup languages: XML, JSON and YAML.\r
-\r
-\r
-\subsection{Automatic Analysis of ethnomusicological sound archives}\r
-Ongoing works lead by the DIADEMS project consist in implementing advanced classification, indexation, segmentation and similarity analysis methods dedicated to ethnomusicological sound archives.\r
-\r
-Besides music analysis, such automatic tools also deal with speech and noises classification and segmentation to enable a full annotation of the audio materials.\r
-\r
-In the context of this project, both researchers from Ethnomusicological, Speech and Music Information Retrieval communities are working together to specified the tasks to be addressed by automatic analysis tools.\r
-\r
-\section{Sound archives of the CNRS - Musée de l'Homme}\label{sec:archives-CREM}\r
-Since June 2011, the Telemeta platform has been deployed to hold the \emph{Sound archives of the CNRS - Musée de l'Homme}\footnote{\url{http://archives.crem-cnrs.fr}} and is managed by the CREM (Center for Research in Ethnomusicology).\r
-The platform aims to make these archives available to researchers and to the extent possible, the public, in compliance with the intellectual and moral rights of musicians and collectors.\r
-\r
-\subsection{Archiving research materials}\r
-The archives of CREM, the most important in Europe, are distinguished by their wealth:\r
-\begin{itemize}\r
-\item Nearly 3,500 hours of recordings of unpublished field.\r
-\item Approximately 3700 hours of material published (more than 5000 discs, many of which are very rare).\r
-\end{itemize}\r
-The collection is sustained by the field missions of researchers on all continents. \r
-\r
-Through this platform, archivists can properly ensure the long-term preservation of data and continuously maintain and enrich the associated metadata.\r
-\r
-Accessing the collections aid laboratory research, diachronic and synchronic comparisons, the preparation of new fieldwork and the training of PhD students.\r
-\r
-Publishing collections also helps researchers making their work more visible. Besides making available and listenable the related corpora, researchers can also append related academic publications and provide temporal annotations to further illustrate their work.\r
-\r
-\r
-\subsection{A collaborative platform}\r
-Given the collaborative nature of the platform, both research and archivist can cooperate with colleagues to continuously enrich metadata associated to a sound item or a collection. \r
-\r
-Collaborative tools like markers and comments enable researchers from different institutions to work together on some common audio materials.\r
-It also allows researchers to exchange data online with communities producing their music in their home countries.\r
-\r
-\r
-\section{Conclusion}\r
-\r
-The Telemeta open-source framework provides the researchers in musicology with a new platform to efficiently distribute, share and work on their research materials.\r
-The platform has been deployed since 2011 to manage the \emph{Sound archives of the CNRS - Musée de l'Homme} which is the most important european collection of ethnomusicocological resources.\r
-\r
-Furthermore, this platform is offered automatic music analysis capabilities through an external component, TimeSide that provides a flexible computational analysis engine together with web serialization and visualization capabilities. As an open-source framework TimeSide could be an appropriate platform for researchers in computational ethnomusicology to develop and evaluate their algorithms\r
-\r
-Further works on the user interface will enhance the visualization experience with time and frequency zooming capabilities and will thus improve the accuracy and the quality of time-segment base annotations.\r
-\r
-\r
-\section*{Acknowledgments} \r
-{\small The authors would like to thank all the people that have been involved in Telemeta specification and development or have provide useful input and feedback. \r
-The project has been partially funded by the French National Centre for Scientific Research (CNRS), the French Ministry of Culture and Communication, the TGE Adonis Consortium, and the Centre of Research in Ethnomusicology (CREM).}\r
-\r
-\r
-%\bibliographystyle{plainnat}\r
-\bibliography{fma2014_Telemeta}\r
-\r
-\r
-\end{document}\r
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-\documentclass[a4paper,11pt,french]{article}
-\usepackage[francais]{babel}
-\usepackage{pdf_article_profile}
-
-\author{Auteurs : \\
-\vspace{0.5cm}
-Guillaume Pellerin : directeur R$\&$D, Parisson SARL\\
-Joséphine Simonnot : ingénieur de recherche CNRS, CREM\\}
-
-
-\title{
-\huge{\bf{Telemeta : un système libre de gestion d'archives musicales orienté web}}\\
-\rule{15cm}{0.5mm}\\
-\vspace{0.5cm}
-\large{article pour la Revue Francophone d'Informatique Musicale}\\
-version 0.8 - \today \\
-\vspace{0.5cm}
-}
-
-
-\begin{document}
-
-\renewcommand{\labelitemi}{$\bullet$}
-
-\maketitle
-
-\tableofcontents
-\newpage
-
-\section*{Résumé}
-
-
-\section{Introduction}
-
-Telemeta est une solution libre d'archivage et d'indexation audio basée sur une interface de type web. Elle offre des fonctions avancées d'édition, d'indexation, de transcodage, de publication et de sauvegarde d'archives audio et de leurs méta-données. Il donne accès aux ressources distantes publiées ou privatisés issues de collections numérisées (fichiers, CD audio, vinyl ou bandes magnétiques) par l'intermédiaire d'un simple navigateur ou d'une application dédiée en accord avec les standards du web.\\
-
-\subsection{Historique}
-
-Initié en 2007 lorsque le besoin en système d'archivage pérenne du CREM et les développements en cours de Parisson se sont rencontrés, le projet Telemeta a proposé plusieurs objectifs :\\
-
-\begin{itemize}
-\item valoriser le fonds d'archives en faisant converger les archives sonores numérisées et leurs méta-données vers une plateforme de type web, \\
-\item concevoir et produire un une application orientée recherche pour la gestion collaborative des archives, \\
-\item définir le processus de migration de la base de données du CREM mais aussi de l'importation des fichiers numériques existants. \\
-\end{itemize}
-
-L'assistance à la maîtrise ouvrage fournie par Parisson pour la conception puis le développement de l'application a permis de livrer en 2009 un prototype logiciel qui a trouvé un écho favorable dans la communauté de chercheurs et des développeurs. En juin 2011, après une phase d'optimisation, Parisson a opéré la migration et l'importation finale de la base de données structurée du CREM (méta-données, ontologies géographiques ou thésaurus d'instruments) et des fichiers numérisés. Depuis, les chercheurs et les documentalistes participent de manière collaborative à l'amélioration de l'indexation de plus 35000 archives.\\
-
-Le code du logiciel "Telemeta" dans sa version 1.0 est désormais publié et les archives du CREM disponibles (\url{http://archives.crem-cnrs.fr}). \\
-
-Chronologie:
-
-\begin{itemize}
- \item 2007 : rencontre du CREM avec Parisson et le LAM, contour des besoins mutuels, soutiens du projet Anthroponet
- \item 2008 : définition du cahier des charges, choix du framework, modélisation, migrateur 4D $>$ MySQL
- \item 2009 : prototypage (v0.5), recherche de partenaires
- \item 2010 : corrections, développement agile (v0.9), soutien du TGE Adonis
- \item 2011 : migration définitive, v1.0 déployée sur serveur, mise en production
-\end{itemize}
-
-
-\begin{figure}[htp]
- \centering
- \pgfimage[width=15cm]{img/shots/index}
- \caption{Page d'accueil de Telemeta}
- \label{index1}
-\end{figure}
-
-
-
-\subsection{Objectifs}
-
-D'un point de vue fonctionnel:
-
-\begin{itemize}
- \item Pérenniser les archives audionumériques (logiciels et formats)
- \item Valoriser le patrimoine culturel par la consultation légale
- \item Faciliter et optimiser la transmission des méta-données par l'intermédiaire de protocoles et de standards ouverts
- \item Augmenter les capacités de recherche et de travail collaboratif (saisie en ligne, géo-localisation, web sémantique, interopérabilité, statistiques)
- \item Définir une ergonomie d'indexation et de publication collaborative, i.e. aussi un principe de flux de travail dans un contexte de sauvegarde pérenne d'oeuvres audio-visuelles.
-\end{itemize}
-
-D'un point de vue technique:
-
-\begin{itemize}
- \item architecture "<fluide"> : streaming, SOD
- \item langage objet, déploiement
- \item standards (W3C, open source, ressources JavaScript, HTML5)
-\end{itemize}
-
-\subsection{Partenariats}
-
-Les partenaires participants au projet:
-
-\begin{itemize}
- \item CREM : Centre de Recherche en Ethnomusicologie du Laboratoire d'Ethnologie et de Sociologie Comparée (LESC), UMR 7186
- \item LAM : équipe Lutheries, Acoustique et Musique de l'Institut Jean le Rond d'Alembert (IJLRA), UMR 7190
- \item MAE : Médiathèque Eric-de-Dampierre de la MAE, Nanterre
- \item MNHN : Museum National d'Histoire Naturelle
- \item IRI : Institut de Recherche et d'Innovation
- \item MuCEM : Musée des Civilisations de l'Europe de la Méditerranée
- \item MMSH : Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme
- \item TGE Adonis : Très Grand Equipement pour les sciences humaines et sociales du CNRS
-\end{itemize}
-
-
-example : CREM
-
-\subsection{Fonctionnalités}
-
-Liste des fonctionnalités principales :
-
-\begin{itemize}
-\item Edition, archivage pérenne sécurisé, indexation collaborative sur la base d'une application web
-\item Interface utilisateur conforme aux standards ouverts du web
-\item Moteur de recherche par mots clés ou par critères (géographques, ethniques, etc...)
-\item Lecteur audio avancé dynamique et paramétrable. Tous formats audio et video supportés.
-\item Moteur d'analyse et de visualisation audio basée sur une structure de modules paramétrables
-\item Transcodage vers les formats FLAC, OGG, MP3 et WAV avec encapsulation des métadonnées à la volée
-\item Gestion complète des droits et profils utilisateurs
-\item Gestion de listes de lecture personnelles avec export CSV
-\item Indexation temporelle à la volée (marqueurs textuels sur le lecteur web audio)
-\item Base de données relationnelle (type MySQL)
-\item Service d'accès aux données par le protocole OAI-PMH (moissonnage)
-\item Compatibilité DublinCore
-\item Geo-navigateur pour la géolocalisation audio (Google Maps)
-\item Flux RSS dynamique des dernières modifications
-\item Sauvegarde sérialisée des aarchives et de leurs métadonnées aux formats WAV + XML
-\item Flux RSS dynamique des dernières modifications
-\item Traduction complète anglais / français (détection automatique et/ou contrainte manuelle)
-\end{itemize}
-
-Telemeta incorpore ainsi un ensemble de fonctions spécifiques au travail des archives temporelles comme la musique ou la voix parlée / chantée, l'interface ayant été pensée par et pour les chercheurs. Les services de transposition des méta-données au format DublinCore à travers le protocole OAI-PMH permet de proposer l'ensemble des méta-données aux services de moissonnage institutionels tels que Isidore créé par le TGE Adonis pour les sciences humaines (http://www.rechercheisidore.fr).
-
-\subsection{Licence}
-
-Telemeta est publié selon les termes de la licence libre CeCILL \footnote{\dchref{http://www.cecill.info}} conforme au droit français et publiée par le CNRS, l'INRIA et le CEA.
-
-
-
-\section{Technologies et philosophie}
-
-
-\subsection{Les fondamentaux du logiciel libre}
-
-Pérenniser les ressources informatiques, copies à grandes échelles, réutilisation des innovations
-
-Dynamiser le développement (partage, communautés internationales)
-
-Limiter les coûts de déploiement à grande échelle
-
-sécurité
-
-
-
-\subsection{Standards et normes}
-
-Contraintes
-
-\subsubsection{Web, navigateurs}
-
- \begin{itemize}
- \item HTML5 : langage hypertextuel avec balises $<$audio$>$ $<$video$>$
- \item CSS : feuilles de styles
- \item JavaScript : langage côté navigateur (interfaces et lecteur dynamique)
- \end{itemize}
-
-\subsubsection{Audio}
-
-Alors que l'application est capable de décoder tous les formats audio-visuels connus grâce à la librairie GStreamer \footnote{\url{http://gstreamer.freedesktop.org}}, nous avons fait le choix de certains formats d'export pour l'encodage audio. Alors que, par défaut, la lecture en ligne s'effectue en streaming au format MP3 ou OGG Vorbis selon la disponibilité du navigateur, certains voudront télécharger un fichier FLAC compressé sans pertes encapsulant les méta-données DublinCore ou encore au format d'origine comme le WAV.
-
-\subsubsection{Métadonnées}
-
- \begin{itemize}
- \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
- \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
- \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
- \end{itemize}
-
-
-\subsection{Briques principales}
-
-Telemeta utilise de nombreuses briques logicielles libres, éprouvées et conformes aux standards de la programmation scientique:
-
-\begin{itemize}
-\item Linux : noyau serveur conseillé
-\item Apache : serveur web frontal (+ module WSGI)
-\item Python : langage interprété orienté objet
-\item Django : framework web pour Python
-\item MySQL : base de données relationnelle
-\item Scipy / Numpy : modules d'analyse mathématique en Python
-\item TimeSide \footnote{\url{http://code.google.com/p/timeside}} : traitement des signaux audio, lecteur audio web dynamique
-\end{itemize}
-
-
-\section{Architecture serveur}
-
- coté serveur
-
-L'architecture de Telemeta
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=15cm]{img/architecture_fr}
- \end{center}
-
-\subsection{Modèle de données}
-
-Modèle de données du CREM
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=15cm]{img/data_model2}
- \end{center}
-
-\subsection{Droits d'accès}
-
-Droits d'accès
-\begin{itemize}
- \item \textbf{Utilisateurs} : profils, droits, gestion des mots de passe
- \item \textbf{Groupes} : administrateur, documentaliste, chercheur, membre, anonyme
- \item \textbf{Droits} : ajouter, supprimer ou modifier les objets selon les règles
- \item Pour tous les utilisateurs : \textbf{listes de lecture} personnelle, ajout de \textbf{marqueurs temporels}
- \item \textbf{Droits particuliers} pour la lecture audio (date glissante de 50 ans, paramètre ``public access'')
-\end{itemize}
-
-Détail des droits des groupes
-\begin{itemize}
- \item \textbf{Anonyme} : parcours du site, lecture selon les autorisations de chaque objet
- \item \textbf{Membre} : ajout de listes de lectures personnelles, ajout de marqueurs
- \item \textbf{Chercheur} : ajout et edition des fiches documentaires
- \item \textbf{Documentaliste} : suppression d'objets, tous droits sur la base de données (hors utilisateurs), lecture audio de tous les items
- \item \textbf{Administrateur} : ajouter des utilisateurs
-\end{itemize}
-\vspace{5mm}
-+ droits spéciaux au cas par cas :
-\begin{itemize}
- \item Lecture audio de tous les items
- \item Téléchargement de tous les items
-\end{itemize}
-
-\subsection{Traitement audio}
-
-TimeSide : web audio components
-
-\begin{figure}[htp]
- \centering
- \pgfimage[width=15cm]{img/timeside_schema}
- \caption{Schéma fonctionnel de la librairie TimeSide}
- \label{index1}
-\end{figure}
-
-
-Pour l'analyse, le transcodage et la lecture des signaux, le projet connexe TimeSide a été créé par Parisson et d'autres développeurs externes. Cette librairie est dotée d'une architecture de processeurs de signaux temporels donnant accès à un ensemble de modules de calculs. Ces modules - écrits entièrement en Python grâce aux fonctions avancées du projet de calcul scientifique Numpy - font référence à une API simple et publiée. L'accès aux flux audio, aux flux de méta-données et aux ressources de calcul est définie par une API simple et publiée. Une couche graphique dynamique - écrite en AJAX / CSS / Javascipt y est également disponible pour la lecture et l'interfaçage du navigateur, côté client, pour l'affichage des résultats d'analyse et d'autres fonctions avancées comme l'indexation temporelle. La liste des modules diponibles peut petre agrémentée aisément de sorte que les plateformes externes, comme Telemeta, disposent automatiquement des nouveaux outils publiés. A ce jour, TimeSide est utisé par Telemeta pour calculer les images (formes d'onde, spectrogramme, etc), les propriétés acoustiques et informatique globales et moyennées des média sonores, le décodage et l'encodage des flux audio. Pour plus d'informations : \href{http://code.google.com/p/timeside/}{http://code.google.com/p/timeside/} \\
-
-
-\subsection{Moissonnage et sauvegarde}
-
-Moissonnage et sauvegarde
-
-\begin{itemize}
-\item mapping Dublin Core
-\item serveur OAI-PMH intégré
-\item flux RSS (revisions)
-\item sauvegarde sérialisée : XML + WAV
-\item upload accumulatif
-\end{itemize}
-
-\subsection{Installation}
-
-voir INSTALL.rst
-
-
-\section{Interface web}
-
-côté client
-
-\subsection{Espace utilisateur}
-
-
-\begin{figure}[htp]
- \centering
- \pgfimage[width=15cm]{img/shots/home1}
- \caption{Espace de travail personnel : listes de lectures, suivi des dernières modifications}
- \label{index1}
-\end{figure}
-
-
-\subsection{Edition}
-
-formulaires générés automatiquement selon le modèle de données
-
-\subsection{Moteur de recherche}
-
-par mot clés
-
-avancée
-
-
-\begin{figure}[htp]
- \centering
- \pgfimage[width=15cm]{img/shots/search1}
- \caption{Exemple de requête de recherche avancée avec complétion dynamique des termes géographiques}
- \label{search1}
-\end{figure}
-
-
-\subsection{Lecture et analyse audio}
-
-formats standards orientés web
-
-TimeSide UI : lecteur audio dynamique
-\begin{itemize}
-\item Lecture audio
-\item Affichage audio
-\item Indexation temporelle
-\item Portabilité
-\item Principes du modèle de développement
-\item \chref{http://code.google.com/p/timeside/wiki/UiGuide}{code.google.com/p/timeside/wiki/UiGuide}
-\end{itemize}
-
-
-\begin{figure}[htp]
- \centering
- \pgfimage[width=15cm]{img/shots/player_mark}
- \caption{Exemple d'un item en cours de lecture avec affichage dynamique des contenus des marqueurs}
- \label{item1}
-\end{figure}
-
-\subsection{Media associés}
-
-
-\subsection{Administration}
-
-\begin{itemize}
-\item Collections, Items
-\item Enumérations ou thésaurus
-\item Ontologie éthnographique
-\item Ontologie instrumentale
-\item Compositions
-\item Mots clés
-\item Marqueurs temporels
-\end{itemize}
-
-\begin{figure}[htp]
- \centering
- \pgfimage[width=15cm]{img/shots/admin2}
- \caption{Page d'accueil de l'administration générale du site}
- \label{item1}
-\end{figure}
-
-
-
-\section{Développement}
-
-\subsection{Contexte}
-
-
-Plateforme de développement : \chref{http://telemeta.org}{telemeta.org}
-
-Présentation, installation, documentation, Blog, tickets, bugs, Mailing list, Wiki
-
-utilisation de \chref{http://git-scm.org}{Git} (versionnement décentralisé) \\
-
-dépôts : vcs.parisson.com, github, vous !
-
- \begin{verbatim}
- git clone http://vcs.parisson.com/git/telemeta.git
- \end{verbatim}
-
-
-
-\subsection{Modélisation}
-
-Voir \chref{telemeta/models/}{http://github.com/yomguy/Telemeta.git/telemeta/models/}
-
-\subsection{Controlleurs}
-
-Voir web/ et url.py
-
-\subsection{Vues}
-
-Voir templates/telemeta\_default/
-
-
-\subsection{Feuille de route}
-
-Objectifs pour Telemeta 1.x:
-
-\begin{itemize}
- \item Compatibilté HTML5 totale du lecteur audio
- \item Accès spéciaux par adresses IP
- \item Intégration et MAJ des \textbf{ontologies} (langues, géographie)
-\end{itemize}
-\vspace{0.3cm}
-
-Objectifs pour Telemeta 2.x:
-\begin{itemize}
- \item \textbf{Modèle générique} de données
- \item \textbf{Fonctions d'analyse} augmentée (reconnaissance, recoupement statistique) : ANR CONTINT 2011 \textbf{DIADEMS} et ANR CORPUS 2011 \textbf{DicA2Ref}
- \item \textbf{Déploiement mutualisé} (CNRS IN2P3)
- \item Définition d'une \textbf{API}
-\end{itemize}
-
-
-\section{Conclusion et perspectives}
-
-\begin{itemize}
- \item Technologie et ergonomie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine musical
- \item \textbf{Déploiement} et \textbf{pérennité} optimisés avec les briques open source
- \item \textbf{Intégration souple} de données métiers hétérogènes (sciences humaines et sciences informatiques)
- \item \textbf{Plateforme collaborative} à un niveau international
- \item Exemple au CREM du 18/05 au 25/06 : plus de \textbf{450} fiches en moyenne éditées par semaines !
- \item Plateforme de \textbf{développement} ouverte
-\end{itemize}
-
-
-\newpage
-
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=3cm]{img/logo_telemeta_800}\\
- \dchref{http://telemeta.org}\\
- \vspace{1cm}
- Telemeta 1.3 ``Bell''\\
- \chref{http://pypi.python.org/packages/source/T/Telemeta/Telemeta-1.3.tar.gz}{http://pypi.python.org/packages/source/T/Telemeta/Telemeta-1.3.tar.gz}\\
- \vspace{10mm}
- \tiny{Ce document est mise à disposition selon un \chref{http://creativecommons.org/licenses/by-nc-sa/2.0/fr/}{contrat Creative Commons}}
- \end{center}
-
-
-
-\end{document}
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-\columnsep 1cm
-\title{\textbf{Projet Telemeta}}
-\author{CREM, MMSH, LAM, Anthroponet, Parisson}
-\institute{TGE ADONIS}
-\date{\today\ - v0.3.2}
-
-\begin{document}
-\frame{\titlepage}
-
-
-\section[Plan]{}
-\frame{\tableofcontents}
-
-\section{Introduction}
-
-\subsection{Les systèmes d'archivage}
-
-\frame{\frametitle{L'archivage classique sur supports physiques}
-Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
-
-\begin{columns}[c]
-
-\column{6cm}
-\begin{itemize}
- \item Buts :
- \begin{itemize}
- \item Conformité à l'oeuvre originale
- \item Reproductibilité
- \item Accessibilité
- \end{itemize}
- \item Problèmes :
- \begin{itemize}
- \item Fragilité : rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...
- \item Nécessité d'appareils de lecture specifiques
- \item Pérennité
- \end{itemize}
-\end{itemize}
-\column{6cm}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
-\end{columns}
-
-}
-
-\frame{\frametitle{L'archivage sur disque dur}
-\begin{itemize}
- \item Avantages :
- \begin{itemize}
- \item Information magnétique
- \item Confinement et compacité
- \item Vitesse et capacité d'accès (lecture et écriture)
- \item $\Rightarrow$ Valorisation
- \end{itemize}
- \item Inconvénients :
- \begin{itemize}
- \item Maintenance (recopie)
- \end{itemize}
-\end{itemize}
-\begin{center}
-\pgfimage[width=5cm]{img/HDMAXTOR}
-\end{center}
-}
-
-
-\subsection{Exemple : Le fond d'archives du CREM}
-\frame{\frametitle{Le fond d'archives du CREM}
-Un fond ethnomusicologique unique :
-\begin{itemize}
- \item 4291 collections (inédit et édité)
- \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
- \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
- \item 3500 heures de sons édités soit 4,5 To environ
- \item 300 heures environ de video ($\approx$ 4 To)
-\end{itemize}
-\vspace{0.5cm}
-Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
-}
-
-\frame{\frametitle{La base de données (logiciel 4D)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=8.5cm]{img/ethnomus4D}
- \end{center}
-}
-
-
-\subsection{Objectifs du projet Telemeta}
-\frame{\frametitle{Objectifs du projet Telemeta}
-\begin{itemize}
- \item Pérenniser les archives audionumériques
- \item Valoriser le patrimoine culturel par la consultation légale
- \item optimiser la transmission des méta-données
- \item Augmenter les capacités de recherche (web sémantique, interopérabilité, croisement de données)
- \item Définir un systématisme de sauvegarde des oeuvres audiovisuelles
-\end{itemize}
-\vspace{3mm}
-\begin{center}
-$\Rightarrow$ Demande de financement de TGE Adonis
-\end{center}
-\begin{center}
-\begin{columns}[c]
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
-\end{center}\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
-\column{2cm}
-\begin{center}
-\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
-\end{columns}
-\end{center}
-}
-
-
-\section{Moyens}
-\frame{\tableofcontents[currentsection]}
-
-\subsection{Technologies}
-\frame{\frametitle{Les technologies utilisées par Telemeta}
-Open Source :
-\begin{itemize}
- \item Licence CeCILL
- \item Pérennise les ressources
- \item Dynamise le développement (partage, communautés internationales)
- \item Limiter les coûts à grande échelle
-\end{itemize}
-
-Briques :
-\begin{itemize}
- \item Python : langage\\
- \url{http://python.org}
- \item Django : framework \\
- \url{http://djangoproject.com}
- \item MySQL : base de données relationnelle\\
- \url{http://mysql.com}
- \item Linux, OSX, Windows : système multi-plateforme
-\end{itemize}
-}
-
-\subsection{Standards}
-\frame{\frametitle{Les standards et normes utilisés par Telemeta}
-\begin{itemize}
- \item Web :
- \begin{itemize}
- \item HTML : langage hypertextuel
- \item CSS : styles
- \item SQL : base de données
- \end{itemize}
- \item Audio :
- \begin{itemize}
- \item WAV : archivage audio brut
- \item MP3, MP4 : compression avec pertes, largement utilisé, encapsulation partielle
- \item OGG Vorbis : compression avec pertes, open source, encapsulation totale
- \item FLAC : compression sans pertes, multi-pistes, open source, encapsulation totale
- \end{itemize}
- \item Métadonnées :
- \begin{itemize}
- \item XML (W3C)
- \item DublinCore (OAI-PMH)
- \item exports SQL
- \item (OWL : Web Ontology Language)
- \end{itemize}
-\end{itemize}
-}
-
-\subsection{Développement}
-\frame{\frametitle{Plateforme communautaire de développement}
-\begin{center}
-\vspace{-0.2cm}
-\url{http://svn.parisson.org/telemeta/}
- \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
-\end{center}
-}
-
-\subsection{Architecture}
-\frame{\frametitle{L'architecture de Telemeta}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=11cm]{img/architecture_fr}
- \end{center}
-}
-
-
-\section{Développements}
-\frame{\tableofcontents[currentsection]}
-
-\subsection{Version 0.3.1}
-
-\frame{\frametitle{Modèle de données du CREM}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=12cm]{img/data_model2}
- \end{center}
-}
-
-\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=11cm]{img/crem_telemeta_01}
- \end{center}
-}
-
-
-\subsection{Démonstration}
-\frame{\tableofcontents[currentsubsection]}
-
-
-\subsection{Besoins}
-\frame{\tableofcontents[currentsubsection]}
-\frame{\frametitle{Atteindre une version 1.0 de production}
-Elements à programmer et/ou consolider
-\begin{itemize}
- \item Intégration du workflow
- \item Thésaurus thématiques, ontologies de recherche
- \item Sauvegarde externe
- \item Compléter la vue DublinCore (moissonneuses)
- \item Marqueurs temporels, lecture dynamique avec pièces attachées
- \item Données issues de l'analyse du signal (transitoires, voisins fréquentiels,...)
- \item Specifications pour les composants
- \item Fonctions de test
-\end{itemize}
-}
-
-
-\frame{\frametitle{En route pour 0.4 (edition)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
- \end{center}
-}
-
-
-\frame{\frametitle{Partenariats}
-Partenaires participants :
-\begin{itemize}
- \item Centre de Recherche en Ethnomusicologie (CREM) du Laboratoire d'Ethnologie et de Sociologie Comparée (LESC), UMR 7186
- \item Médiathèque Eric-de-Dampierre de la MAE, Nanterre
- \item Equipe Lutheries, Acoustique et Musique (LAM) de l'Institut Jean le Rond d'Alembert (IJLRA), UMR 7190
- \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (MMSH)
-\end{itemize}
-Partenaires potentiels :
-\begin{itemize}
- \item Museum National d'Histoire Naturelle (MNHN)
- \item Bibliothèque Nationale de France (BNF)
- \item Musée des Civilisations de l'Europe de la Méditerranée (MuCEM)
- \item Institut de Recherche et d'Innovation (IRI)
- \item Queen Mary University (Londres)
-\end{itemize}
-}
-
-
-\section{Conclusion et perspectives}
-\frame{\frametitle{Conclusion et perspectives}
-\begin{itemize}
- \item Technologie prometteuse pour la sauvegarde et la valorisation du patrimoine
- \item Système intégrant des données issues des sciences humaines et des sciences informatiques
- \item Déploiement facilité grâce à l'open source
- \item Plateforme de développement
- \item Système de composants facilitant l'intégration de nouvelles fonctions
- \item Nécessite un financement pour le développement et le déploiement des ressources à un niveau national et international
-\end{itemize}
-}
-
-\frame{\frametitle{Merci !}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9cm]{img/maquette_v0.4_item_view}
- \end{center}
-}
-
-
-\end{document}
\ No newline at end of file
+++ /dev/null
-\documentclass[mathserif]{beamer}
-
-% FOR BEAMER SLIDES
-%\usepackage{palatino}
-%\usepackage{helvet}
-%\usepackage{eulervm}
-\usepackage{mathpazo}
-%\documentclass[sans,mathserif]{beamer}
-%\usepackage{kerkis}
-%\usepackage{kmath}
-\usepackage{beamerthemeCambridgeUS}
-%\usepackage{beamerthemeBoadilla}
-%\usepackage{beamerthemeDarmstadt}
-%\usepackage{beamerthemeGoettingen}
-\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
-\usepackage{colortbl}
-\usepackage{amsmath,amssymb,amsfonts}
-\usepackage{latexsym}
-\usepackage{amsthm}
-\usepackage{newlfont}
-\usepackage{url}
-\urlstyle{footnotesize}
-\usepackage[french]{babel}
-\usepackage[latin1]{inputenc}
-\columnsep 1cm
-\title{\textbf{Projet Telemeta}}
-\author{Anthroponet, CREM, MMSH, LAM, Parisson}
-\institute{TGE ADONIS, Valpré}
-\date{\today\ - v0.3.3}
-
-\begin{document}
-\frame{\titlepage}
-
-
-\section[Plan]{}
-\frame{\tableofcontents}
-
-\section{Introduction}
-
-\subsection{Le fond d'archives du CREM}
-\frame{\frametitle{Le fond d'archives du CREM}
-Un fond ethnomusicologique unique :
-\begin{itemize}
- \item 4291 collections (inédit et édité)
- \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
- \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
- \item 3500 heures de sons édités soit 4,5 To environ
- \item 300 heures environ de video ($\approx$ 4 To)
-\end{itemize}
-\vspace{0.5cm}
-Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
-}
-
-
-\frame{\frametitle{Modèle de données du CREM}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=12cm]{img/data_model2}
- \end{center}
-}
-
-
-\subsection{Vers la numérisation}
-\frame{\tableofcontents[currentsubsection]}
-
-\frame{\frametitle{L'archivage classique sur supports physiques}
-Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
-
-\begin{columns}[c]
-
-\column{6cm}
-\begin{itemize}
- \item Buts :
- \begin{itemize}
- \item Conformité à l'oeuvre originale
- \item Reproductibilité
- \item Accessibilité
- \end{itemize}
- \item Problèmes :
- \begin{itemize}
- \item Fragilité : rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...
- \item Nécessité d'appareils de lecture specifiques
- \item Pérennité
- \end{itemize}
-\end{itemize}
-\column{6cm}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
-\end{columns}
-
-}
-
-\frame{\frametitle{L'archivage sur disque dur}
-\begin{itemize}
- \item Avantages :
- \begin{itemize}
- \item Information magnétique
- \item Confinement et compacité
- \item Vitesse et capacité d'accès (lecture et écriture)
- \item $\Rightarrow$ Valorisation
- \end{itemize}
- \item Inconvénients :
- \begin{itemize}
- \item Maintenance (recopie)
- \end{itemize}
-\end{itemize}
-\begin{center}
-\pgfimage[width=5cm]{img/HDMAXTOR}
-\end{center}
-}
-
-
-\section{Objectifs du projet Telemeta}
-\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Objectifs du projet Telemeta}
-\begin{itemize}
- \item Pérenniser les archives audionumériques
- \item Valoriser le patrimoine culturel par la consultation légale
- \item Optimiser la transmission des méta-données
- \item Augmenter les capacités de recherche (web sémantique, interopérabilité, croisement de données)
- \item Définir un systématisme de sauvegarde des oeuvres audiovisuelles
-\end{itemize}
-\vspace{3mm}
-\begin{center}
-$\Rightarrow$ Demande de financement à TGE Adonis
-\end{center}
-\begin{center}
-\begin{columns}[c]
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
-\end{center}\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
-\column{2cm}
-\begin{center}
-\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
-\end{columns}
-\end{center}
-}
-
-
-\section{Technologies}
-\frame{\tableofcontents[currentsection]}
-
-\frame{\frametitle{Les fondements du projet Telemeta}
-\textbf{100\% Open Source} :
-\begin{itemize}
- \item Licence CeCILL
- \item Pérennise les ressources
- \item Dynamise le développement (partage, communautés internationales)
- \item Limite les coûts de déploiement à grande échelle
-\end{itemize}
-
-Briques :
-\begin{itemize}
- \item \textbf{Python} : langage\\
- \url{http://python.org}
- \item \textbf{Django} : framework \\
- \url{http://djangoproject.com}
- \item \textbf{MySQL} : base de données relationnelle\\
- \url{http://mysql.com}
- \item \textbf{Linux}, OSX, Windows : système multi-plateforme
-\end{itemize}
-}
-
-\frame{\frametitle{Les standards et normes utilisés par Telemeta}
-\begin{itemize}
- \item Web :
- \begin{itemize}
- \item \textbf{HTML} : langage hypertextuel
- \item \textbf{CSS} : styles
- \item \textbf{SQL} : base de données
- \end{itemize}
- \item Audio :
- \begin{itemize}
- \item \textbf{WAV} : archivage audio brut
- \item \textbf{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
- \item \textbf{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
- \item \textbf{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
- \end{itemize}
- \item Métadonnées :
- \begin{itemize}
- \item \textbf{XML} (W3C)
- \item \textbf{DublinCore} (OAI-PMH)
- \item exports \textbf{SQL}
- \item (\textbf{OWL} : Web Ontology Language)
- \end{itemize}
-\end{itemize}
-}
-
-\frame{\frametitle{Plateforme communautaire de développement}
-\begin{center}
-\vspace{-0.2cm}
-\url{http://svn.parisson.org/telemeta/}
- \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
-\end{center}
-}
-
-% \subsection{Architecture}
-% \frame{\frametitle{L'architecture de Telemeta}
-% \begin{center}
-% \vspace{-0.2cm}
-% \pgfimage[width=11cm]{img/architecture_fr}
-% \end{center}
-% }
-
-
-\section{Développement}
-\frame{\tableofcontents[currentsection]}
-
-\subsection{Version 0.3.2}
-
-\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
- \begin{center}
- \vspace{-0.3cm}
- \pgfimage[width=12cm]{img/crem_telemeta-0.3.2}
- \end{center}
-}
-
-
-% \subsection{Démonstration}
-% \frame{\tableofcontents[currentsubsection]}
-
-
-\subsection{Besoins}
-\frame{\frametitle{Objectifs pour une version 1.0 de production}
-Elements à programmer et/ou consolider pour la version 1.0 de production
-\begin{itemize}
- \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
- \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
- \item \textbf{Sauvegarde} externe (audio + meta-données)
- \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
- \item \textbf{Marqueurs} temporels, lecture dynamique avec pièces attachées (texte, images)
- \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
- \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
- \item Fonctions de test
-\end{itemize}
-}
-
-
-\frame{\frametitle{En route pour 0.4 (edition)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
- \end{center}
-}
-
-
-\frame{\frametitle{Partenariats}
-Partenaires participants :
-\begin{itemize}
- \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
- \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
- \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
- \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
-\end{itemize}
-Partenaires potentiels :
-\begin{itemize}
- \item Museum National d'Histoire Naturelle (\textbf{MNHN})
- \item Bibliothèque Nationale de France (\textbf{BNF})
- \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
- \item Institut de Recherche et d'Innovation (\textbf{IRI})
- \item Queen Mary University (\textbf{QMU}, Londres)
-\end{itemize}
-}
-
-
-\section{Conclusion et perspectives}
-\frame{\frametitle{Conclusion et perspectives}
-\begin{itemize}
- \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
- \item \textbf{Déploiement} et \textbf{pérennité} optimisés grâce à l'\textbf{Open Source}
- \item \textbf{Intégration souple} de données ``métiers'' hétérogènes (sciences humaines et sciences informatiques)
- \item Plateforme de \textbf{développement}
- \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions
- \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
-\end{itemize}
-}
-
-\frame{\frametitle{Merci !}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9cm]{img/maquette_v0.4_item_view}
- \end{center}
-}
-
-
-\end{document}
\ No newline at end of file
+++ /dev/null
-\documentclass[mathserif]{beamer}
-
-% FOR BEAMER SLIDES
-%\usepackage{palatino}
-%\usepackage{helvet}
-%\usepackage{eulervm}
-\usepackage{mathpazo}
-%\documentclass[sans,mathserif]{beamer}
-%\usepackage{kerkis}
-%\usepackage{kmath}
-\usepackage{beamerthemeCambridgeUS}
-%\usepackage{beamerthemeBoadilla}
-%\usepackage{beamerthemeDarmstadt}
-%\usepackage{beamerthemeGoettingen}
-\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
-\usepackage{colortbl}
-\usepackage{amsmath,amssymb,amsfonts}
-\usepackage{latexsym}
-\usepackage{amsthm}
-\usepackage{newlfont}
-\usepackage{url}
-\urlstyle{footnotesize}
-\usepackage[french]{babel}
-\usepackage[latin1]{inputenc}
-\columnsep 1cm
-\title{\textbf{Projet Telemeta}}
-\author{Anthroponet, CREM, MMSH, LAM, Parisson}
-\institute{TGE ADONIS}
-\date{\today\ - v0.3.3}
-
-\begin{document}
-\frame{\titlepage}
-
-
-\section[Plan]{}
-\frame{\tableofcontents}
-
-\section{Introduction}
-
-\subsection{Les systèmes d'archivage}
-
-\frame{\frametitle{L'archivage classique sur supports physiques}
-Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
-
-\begin{columns}[c]
-
-\column{6cm}
-\begin{itemize}
- \item Buts :
- \begin{itemize}
- \item Conformité à l'oeuvre originale
- \item Reproductibilité
- \item Accessibilité
- \end{itemize}
- \item Problèmes :
- \begin{itemize}
- \item Fragilité : rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...
- \item Nécessité d'appareils de lecture specifiques
- \item Pérennité
- \end{itemize}
-\end{itemize}
-\column{6cm}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
-\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
-\end{columns}
-
-}
-
-\frame{\frametitle{L'archivage sur disque dur}
-\begin{itemize}
- \item Avantages :
- \begin{itemize}
- \item Information magnétique
- \item Confinement et compacité
- \item Vitesse et capacité d'accès (lecture et écriture)
- \item $\Rightarrow$ Valorisation
- \end{itemize}
- \item Inconvénients :
- \begin{itemize}
- \item Maintenance (recopie)
- \end{itemize}
-\end{itemize}
-\begin{center}
-\pgfimage[width=5cm]{img/HDMAXTOR}
-\end{center}
-}
-
-
-\subsection{Exemple : Le fond d'archives du CREM}
-\frame{\frametitle{Le fond d'archives du CREM}
-Un fond ethnomusicologique unique :
-\begin{itemize}
- \item 4291 collections (inédit et édité)
- \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
- \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
- \item 3500 heures de sons édités soit 4,5 To environ
- \item 300 heures environ de video ($\approx$ 4 To)
-\end{itemize}
-\vspace{0.5cm}
-Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
-}
-
-\frame{\frametitle{La base de données (logiciel 4D)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=8.5cm]{img/ethnomus4D}
- \end{center}
-}
-
-
-\subsection{Objectifs du projet Telemeta}
-\frame{\frametitle{Objectifs du projet Telemeta}
-\begin{itemize}
- \item Pérenniser les archives audionumériques
- \item Valoriser le patrimoine culturel par la consultation légale
- \item optimiser la transmission des méta-données
- \item Augmenter les capacités de recherche (web sémantique, interopérabilité, croisement de données)
- \item Définir un systématisme de sauvegarde des oeuvres audiovisuelles
-\end{itemize}
-\vspace{3mm}
-\begin{center}
-$\Rightarrow$ Demande de financement de TGE Adonis
-\end{center}
-\begin{center}
-\begin{columns}[c]
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
-\end{center}\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
-\column{2cm}
-\begin{center}
-\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
-\column{2.5cm}
-\begin{center}
-\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
-\end{columns}
-\end{center}
-}
-
-
-\section{Moyens}
-\frame{\tableofcontents[currentsection]}
-
-\subsection{Technologies}
-\frame{\frametitle{Les fondements de Telemeta}
-\textbf{100\% Open Source :}
-\begin{itemize}
- \item Licence CeCILL
- \item Pérennise les ressources
- \item Dynamise le développement (partage, communautés internationales)
- \item Limiter les coûts à grande échelle
-\end{itemize}
-
-Briques :
-\begin{itemize}
- \item \textbf{Python} : langage\\
- \url{http://python.org}
- \item \textbf{Django} : framework \\
- \url{http://djangoproject.com}
- \item \textbf{MySQL} : base de données relationnelle\\
- \url{http://mysql.com}
- \item \textbf{Linux}, OSX, Windows : système multi-plateforme
-\end{itemize}
-}
-
-\subsection{Standards}
-\frame{\frametitle{Les standards et normes utilisés par Telemeta}
-\begin{itemize}
- \item Web :
- \begin{itemize}
- \item \textbf{HTML} : langage hypertextuel
- \item \textbf{CSS} : styles
- \item \textbf{SQL} : base de données
- \end{itemize}
- \item Audio :
- \begin{itemize}
- \item \textbf{WAV} : archivage audio brut
- \item \textbf{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
- \item \textbf{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
- \item \textbf{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
- \end{itemize}
- \item Métadonnées :
- \begin{itemize}
- \item \textbf{XML} (W3C)
- \item \textbf{DublinCore} (OAI-PMH)
- \item exports \textbf{SQL}
- \item (\textbf{OWL} : Web Ontology Language)
- \end{itemize}
-\end{itemize}
-}
-
-\subsection{Développement}
-\frame{\frametitle{Plateforme communautaire de développement}
-\begin{center}
-\vspace{-0.2cm}
-\url{http://svn.parisson.org/telemeta/}
- \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
-\end{center}
-}
-
-\subsection{Architecture}
-\frame{\frametitle{L'architecture de Telemeta}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=11cm]{img/architecture_fr}
- \end{center}
-}
-
-
-\section{Développements}
-\frame{\tableofcontents[currentsection]}
-
-\subsection{Version 0.3.1}
-
-\frame{\frametitle{Modèle de données du CREM}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=12cm]{img/data_model2}
- \end{center}
-}
-
-\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=11cm]{img/crem_telemeta_01}
- \end{center}
-}
-
-
-\subsection{Démonstration}
-\frame{\tableofcontents[currentsubsection]}
-
-
-\subsection{Besoins}
-\frame{\tableofcontents[currentsubsection]}
-\frame{\frametitle{Atteindre une version 1.0 de production}
-Elements à programmer et/ou consolider pour la version 1.0 de production
-\begin{itemize}
- \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
- \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
- \item \textbf{Sauvegarde} externe (audio + meta-données)
- \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
- \item \textbf{Marqueurs} temporels, lecture dynamique avec pièces attachées (texte, images)
- \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
- \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
- \item Fonctions de test
-\end{itemize}
-}
-
-
-\frame{\frametitle{En route pour 0.4 (edition)}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
- \end{center}
-}
-
-
-\frame{\frametitle{Partenariats}
-Partenaires participants :
-\begin{itemize}
- \item Centre de Recherche en Ethnomusicologie (CREM) du Laboratoire d'Ethnologie et de Sociologie Comparée (LESC), UMR 7186
- \item Médiathèque Eric-de-Dampierre de la MAE, Nanterre
- \item Equipe Lutheries, Acoustique et Musique (LAM) de l'Institut Jean le Rond d'Alembert (IJLRA), UMR 7190
- \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (MMSH)
-\end{itemize}
-Partenaires potentiels :
-\begin{itemize}
- \item Museum National d'Histoire Naturelle (MNHN)
- \item Bibliothèque Nationale de France (BNF)
- \item Musée des Civilisations de l'Europe de la Méditerranée (MuCEM)
- \item Institut de Recherche et d'Innovation (IRI)
- \item Queen Mary University (Londres)
-\end{itemize}
-}
-
-
-\section{Conclusion et perspectives}
-\frame{\frametitle{Conclusion et perspectives}
-\begin{itemize}
- \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
- \item \textbf{Déploiement} et \textbf{pérennité} optimisés à l'\textbf{Open Source}
- \item \textbf{Intégration souple} de données ``métiers'' hétérogènes (sciences humaines et sciences informatiques)
- \item Plateforme de \textbf{développement}
- \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions
- \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
-\end{itemize}
-}
-
-\frame{\frametitle{Merci !}
- \begin{center}
- \vspace{-0.2cm}
- \pgfimage[width=9cm]{img/maquette_v0.4_item_view}
- \end{center}
-}
-
-
-\end{document}
\ No newline at end of file
+++ /dev/null
-../Common/img/
\ No newline at end of file
+++ /dev/null
-../Common/pdf_article_profile.sty
\ No newline at end of file
+++ /dev/null
-../Common/img/
\ No newline at end of file
+++ /dev/null
-../Common/pdf_article_profile.sty
\ No newline at end of file
--- /dev/null
+\documentclass[mathserif]{beamer}
+
+% FOR BEAMER SLIDES
+%\usepackage{palatino}
+%\usepackage{helvet}
+%\usepackage{eulervm}
+\usepackage{mathpazo}
+%\documentclass[sans,mathserif]{beamer}
+%\usepackage{kerkis}
+%\usepackage{kmath}
+\usepackage{beamerthemeCambridgeUS}
+%\usepackage{beamerthemeBoadilla}
+%\usepackage{beamerthemeDarmstadt}
+%\usepackage{beamerthemeGoettingen}
+\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
+\usepackage{colortbl}
+\usepackage{amsmath,amssymb,amsfonts}
+\usepackage{latexsym}
+\usepackage{amsthm}
+\usepackage{newlfont}
+\usepackage{url}
+\urlstyle{footnotesize}
+\usepackage[french]{babel}
+\usepackage[latin1]{inputenc}
+\columnsep 1cm
+\columnsep 1cm
+\definecolor{rouge}{rgb}{0.7,0.1,0.1}
+\newcommand{\chref}[2]{
+ \href{#1}{\color{rouge}\underline{#2}}
+}
+\newcommand{\dchref}[1]{
+ \href{#1}{\color{rouge}\underline{#1}}
+}
+\newcommand{\curl}[1]{
+ \color{rouge}\underline{\url{#1}}
+}
+\title{\textbf{Projet Telemeta}}
+\author{Anthroponet, CREM, MNHN, LAM, Parisson}
+\institute{Guillaume Pellerin (Parisson SARL) \\
+ Joséphine Simonnot (CREM)}
+\date{\today\ - v0.3.4}
+
+\begin{document}
+\frame{\titlepage}
+
+
+\section[Plan]{}
+\frame{\tableofcontents}
+
+\section{Introduction}
+
+\subsection{Le fond d'archives du CREM}
+\frame{\frametitle{Le fond d'archives du CREM}
+Un fond ethnomusicologique unique :
+\begin{itemize}
+ \item 4291 collections (inédit et édité)
+ \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
+ \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
+ \item 3500 heures de sons édités soit 4,5 To environ
+ \item 300 heures environ de video ($\approx$ 4 To)
+\end{itemize}
+\vspace{0.5cm}
+Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
+}
+
+
+\frame{\frametitle{Modèle de données du CREM}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=12cm]{img/data_model2}
+ \end{center}
+}
+
+
+\subsection{Vers la numérisation}
+\frame{\tableofcontents[currentsubsection]}
+
+\frame{\frametitle{L'archivage classique sur supports physiques}
+Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
+
+\begin{columns}[c]
+
+\column{6cm}
+\begin{itemize}
+ \item Buts :
+ \begin{itemize}
+ \item Conformité à l'oeuvre originale
+ \item Reproductibilité
+ \item Accessibilité
+ \end{itemize}
+ \item Problèmes :
+ \begin{itemize}
+ \item Fragilité : rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...
+ \item Nécessité d'appareils de lecture specifiques
+ \item Pérennité
+ \end{itemize}
+\end{itemize}
+\column{6cm}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
+\end{columns}
+
+}
+
+\frame{\frametitle{L'archivage sur disque dur}
+\begin{itemize}
+ \item Avantages :
+ \begin{itemize}
+ \item Information magnétique
+ \item Confinement et compacité
+ \item Vitesse et capacité d'accès (lecture et écriture)
+ \item $\Rightarrow$ Valorisation
+ \end{itemize}
+ \item Inconvénients :
+ \begin{itemize}
+ \item Maintenance (recopie)
+ \end{itemize}
+\end{itemize}
+\begin{center}
+\pgfimage[width=5cm]{img/HDMAXTOR}
+\end{center}
+}
+
+
+\section{Objectifs du projet Telemeta}
+\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Objectifs du projet Telemeta}
+\begin{itemize}
+ \item Pérenniser les archives audionumériques (logiciels et formats)
+ \item Valoriser le patrimoine culturel par la consultation légale
+ \item Optimiser la transmission des méta-données (OAI-PMH)
+ \item Augmenter les capacités de Recherche (web sémantique, interopérabilité, croisement de données)
+ \item Définir un systématisme de sauvegarde et de publication des oeuvres audiovisuelles
+\end{itemize}
+\vspace{3mm}
+\begin{center}
+$\Rightarrow$ Demande de financement à TGE Adonis (AAP 2009)\\
+$\Rightarrow$ Demande de financement à l'ANR (AAP 2009)
+\end{center}
+\begin{center}
+\begin{columns}[c]
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
+\end{center}\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
+\column{2cm}
+\begin{center}
+\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
+\end{columns}
+\end{center}
+}
+
+
+\section{Technologies}
+\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Telemeta : un projet libre et ouvert}
+\textbf{Les fondamentaux du logiciel libre :}
+\begin{itemize}
+ \item Pérenniser les ressources informatiques
+ \item Dynamiser le développement (partage, communautés internationales)
+ \item Limiter les coûts de déploiement à grande échelle
+\end{itemize}
+\vspace{3mm}
+\textbf{Briques 100\% 0pen Source :}
+\begin{itemize}
+ \item \chref{http://python.org}{Python} : langage \\
+ \item \chref{http://djangoproject.com}{Django} : framework \\
+ \item \chref{http://mysql.com}{MySQL} : base de données relationnelle \\
+ \item \chref{http://linux.com}{Linux} : noyau serveur \\
+ \item \chref{http://scipy.org}{Scipy}, \chref{http://www.ar.media.kyoto-u.ac.jp/members/david/softwares/audiolab/}{Audiolab} : traitement des signaux audio
+ \item \chref{http://www.cecill.info}{CeCILL} : licence libre conforme au droit français
+\end{itemize}
+}
+
+\frame{\frametitle{Les standards et normes utilisés par Telemeta}
+\begin{itemize}
+ \item Web :
+ \begin{itemize}
+ \item \chref{http://www.w3schools.com/html/}{HTML} : langage hypertextuel
+ \item \chref{http://www.w3.org/Style/CSS/}{CSS} : styles
+ \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
+ \end{itemize}
+ \item Audio :
+ \begin{itemize}
+ \item \chref{http://fr.wikipedia.org/wiki/WAVEform_audio_format}{WAV} : archivage audio brut
+ \item \chref{http://fr.wikipedia.org/wiki/MP3}{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
+ \item \chref{http://www.vorbis.com}{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
+ \item \chref{http://fr.wikipedia.org/wiki/FLAC}{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
+ \end{itemize}
+ \item Métadonnées :
+ \begin{itemize}
+ \item \chref{http://en.wikipedia.org/wiki/XML}{XML} (W3C)
+ \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
+ \item \chref{http://mysql.com}{SQL}
+ \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
+ \end{itemize}
+\end{itemize}
+}
+
+\frame{\frametitle{Plateforme communautaire de développement}
+\begin{center}
+\vspace{-0.2cm}
+\dchref{http://telemeta.org}
+ \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
+\end{center}
+}
+
+% \subsection{Architecture}
+% \frame{\frametitle{L'architecture de Telemeta}
+% \begin{center}
+% \vspace{-0.2cm}
+% \pgfimage[width=11cm]{img/architecture_fr}
+% \end{center}
+% }
+
+
+\section{Développement}
+\frame{\tableofcontents[currentsection]}
+
+\subsection{Version 0.3.2}
+
+\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
+\begin{center}
+
+\dchref{http://crem.parisson.com}
+\end{center}
+ \begin{center}
+ \vspace{-0.3cm}
+ \pgfimage[width=11cm]{img/crem_telemeta-0.3.2}
+ \end{center}
+}
+
+
+% \subsection{Démonstration}
+% \frame{\tableofcontents[currentsubsection]}
+
+
+\subsection{Besoins}
+\frame{\frametitle{Objectifs pour une version 1.0 de production}
+Elements à programmer et/ou consolider pour la version 1.0 de production
+\begin{itemize}
+ \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
+ \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
+ \item \textbf{Sauvegarde} externe (audio + meta-données)
+ \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
+ \item \textbf{Marqueurs} temporels, lecture dynamique avec pièces attachées (texte, images)
+ \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
+ \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
+ \item Fonctions de test
+\end{itemize}
+}
+
+
+\frame{\frametitle{En route pour 0.4 (edition)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
+ \end{center}
+}
+
+
+\frame{\frametitle{En route pour 0.4 (vue item)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/maquette_v0.4_item_view}
+ \end{center}
+}
+
+
+
+\frame{\frametitle{Partenariats}
+Partenaires participants :
+\begin{itemize}
+ \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
+ \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
+ \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
+ \item Museum National d'Histoire Naturelle (\textbf{MNHN})
+ \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
+ \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
+\end{itemize}
+Partenaires potentiels :
+\begin{itemize}
+ \item Bibliothèque Nationale de France (\textbf{BNF})
+ \item Institut National de l'Audiovisuel (\textbf{INA})
+ \item Institut de Recherche et d'Innovation (\textbf{IRI})
+ \item Queen Mary University (\textbf{QMU}, Londres)
+\end{itemize}
+}
+
+
+\section{Conclusion et perspectives}
+\frame{\frametitle{Conclusion et perspectives}
+\begin{itemize}
+ \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
+ \item \textbf{Déploiement} et \textbf{pérennité} optimisés grâce à l'\textbf{Open Source}
+ \item \textbf{Intégration souple} de données ``métiers'' hétérogènes (sciences humaines et sciences informatiques)
+ \item Plateforme de \textbf{développement} ouverte
+ \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions et l'export des fonctions vers d'autres logiciels.
+ \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
+\end{itemize}
+}
+
+\frame{\frametitle{Merci !}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=3cm]{img/logo_telemeta_sat}\\
+ \dchref{http://telemeta.org}\\
+ \vspace{10mm}
+ \pgfimage[width=3.5cm]{img/parisson_logo_200}\\
+ \dchref{http://parisson.com}\\
+ \vspace{10mm}
+ \pgfimage[width=1cm]{img/88x31.png}\\
+ Ce document est mise à disposition sous un \chref{http://creativecommons.org/licenses/by-nc-sa/2.0/fr/}{contrat Creative Commons}.
+ \end{center}
+}
+
+
+\end{document}
\ No newline at end of file
--- /dev/null
+\documentclass[mathserif]{beamer}
+
+% FOR BEAMER SLIDES
+%\usepackage{palatino}
+%\usepackage{helvet}
+%\usepackage{eulervm}
+\usepackage{mathpazo}
+%\documentclass[sans,mathserif]{beamer}
+%\usepackage{kerkis}
+%\usepackage{kmath}
+\usepackage{beamerthemeCambridgeUS}
+%\usepackage{beamerthemeBoadilla}
+%\usepackage{beamerthemeDarmstadt}
+%\usepackage{beamerthemeGoettingen}
+\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
+\usepackage{colortbl}
+\usepackage{amsmath,amssymb,amsfonts}
+\usepackage{latexsym}
+\usepackage{amsthm}
+\usepackage{newlfont}
+\usepackage{url}
+\urlstyle{footnotesize}
+\usepackage[french]{babel}
+\usepackage[latin1]{inputenc}
+\columnsep 1cm
+\columnsep 1cm
+\definecolor{rouge}{rgb}{0.7,0.1,0.1}
+\newcommand{\chref}[2]{
+ \href{#1}{\color{rouge}\underline{#2}}
+}
+\newcommand{\dchref}[1]{
+ \href{#1}{\color{rouge}\underline{#1}}
+}
+\newcommand{\curl}[1]{
+ \color{rouge}\underline{\url{#1}}
+}
+\title{\textbf{Projet Telemeta}}
+\author{Anthroponet, CREM, MNHN, LAM, Parisson}
+\institute{Guillaume Pellerin (Parisson SARL) \\
+ Joséphine Simonnot (CREM)}
+\date{\today\ - v0.3.4}
+
+\begin{document}
+\frame{\titlepage}
+
+
+\section[Plan]{}
+\frame{\tableofcontents}
+
+\section{Introduction}
+
+\subsection{Le fond d'archives du CREM}
+\frame{\frametitle{Le fond d'archives du CREM}
+Un fond ethnomusicologique unique :
+\begin{itemize}
+ \item 4291 collections (inédit et édité)
+ \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
+ \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
+ \item 3500 heures de sons édités soit 4,5 To environ
+ \item 300 heures environ de video ($\approx$ 4 To)
+\end{itemize}
+\vspace{0.5cm}
+Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
+}
+
+
+\frame{\frametitle{Modèle de données du CREM}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=12cm]{img/data_model2}
+ \end{center}
+}
+
+
+\subsection{Vers la numérisation}
+\frame{\tableofcontents[currentsubsection]}
+
+\frame{\frametitle{L'archivage classique sur supports physiques}
+Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
+
+\begin{columns}[c]
+
+\column{6cm}
+\begin{itemize}
+ \item Buts :
+ \begin{itemize}
+ \item Conformité à l'oeuvre originale
+ \item Reproductibilité
+ \item Accessibilité
+ \end{itemize}
+ \item Problèmes :
+ \begin{itemize}
+ \item Fragilité : rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...
+ \item Nécessité d'appareils de lecture specifiques
+ \item Pérennité
+ \end{itemize}
+\end{itemize}
+\column{6cm}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
+\end{columns}
+
+}
+
+\frame{\frametitle{L'archivage sur disque dur}
+\begin{itemize}
+ \item Avantages :
+ \begin{itemize}
+ \item Information magnétique
+ \item Confinement et compacité
+ \item Vitesse et capacité d'accès (lecture et écriture)
+ \item $\Rightarrow$ Valorisation
+ \end{itemize}
+ \item Inconvénients :
+ \begin{itemize}
+ \item Maintenance (recopie)
+ \end{itemize}
+\end{itemize}
+\begin{center}
+\pgfimage[width=5cm]{img/HDMAXTOR}
+\end{center}
+}
+
+
+\section{Objectifs du projet Telemeta}
+\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Objectifs du projet Telemeta}
+\begin{itemize}
+ \item Pérenniser les archives audionumériques (logiciels et formats)
+ \item Valoriser le patrimoine culturel par la consultation légale
+ \item Optimiser la transmission des méta-données (OAI-PMH)
+ \item Augmenter les capacités de Recherche (web sémantique, interopérabilité, croisement de données)
+ \item Définir un systématisme de sauvegarde et de publication des oeuvres audiovisuelles
+\end{itemize}
+\vspace{3mm}
+\begin{center}
+$\Rightarrow$ Demande de financement à TGE Adonis (AAP 2009)\\
+$\Rightarrow$ Demande de financement à l'ANR (AAP 2009)
+\end{center}
+\begin{center}
+\begin{columns}[c]
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
+\end{center}\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
+\column{2cm}
+\begin{center}
+\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
+\end{columns}
+\end{center}
+}
+
+
+\section{Technologies}
+\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Telemeta : un projet libre et ouvert}
+\textbf{Les fondamentaux du logiciel libre :}
+\begin{itemize}
+ \item Pérenniser les ressources informatiques
+ \item Dynamiser le développement (partage, communautés internationales)
+ \item Limiter les coûts de déploiement à grande échelle
+\end{itemize}
+\vspace{3mm}
+\textbf{Briques 100\% 0pen Source :}
+\begin{itemize}
+ \item \chref{http://python.org}{Python} : langage \\
+ \item \chref{http://djangoproject.com}{Django} : framework \\
+ \item \chref{http://mysql.com}{MySQL} : base de données relationnelle \\
+ \item \chref{http://linux.com}{Linux} : noyau serveur \\
+ \item \chref{http://scipy.org}{Scipy}, \chref{http://www.ar.media.kyoto-u.ac.jp/members/david/softwares/audiolab/}{Audiolab} : traitement des signaux audio
+ \item \chref{http://www.cecill.info}{CeCILL} : licence libre conforme au droit français
+\end{itemize}
+}
+
+\frame{\frametitle{Les standards et normes utilisés par Telemeta}
+\begin{itemize}
+ \item Web :
+ \begin{itemize}
+ \item \chref{http://www.w3schools.com/html/}{HTML} : langage hypertextuel
+ \item \chref{http://www.w3.org/Style/CSS/}{CSS} : styles
+ \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
+ \end{itemize}
+ \item Audio :
+ \begin{itemize}
+ \item \chref{http://fr.wikipedia.org/wiki/WAVEform_audio_format}{WAV} : archivage audio brut
+ \item \chref{http://fr.wikipedia.org/wiki/MP3}{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
+ \item \chref{http://www.vorbis.com}{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
+ \item \chref{http://fr.wikipedia.org/wiki/FLAC}{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
+ \end{itemize}
+ \item Métadonnées :
+ \begin{itemize}
+ \item \chref{http://en.wikipedia.org/wiki/XML}{XML} (W3C)
+ \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
+ \item \chref{http://mysql.com}{SQL}
+ \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
+ \end{itemize}
+\end{itemize}
+}
+
+\frame{\frametitle{Plateforme communautaire de développement}
+\begin{center}
+\vspace{-0.2cm}
+\dchref{http://telemeta.org}
+ \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
+\end{center}
+}
+
+% \subsection{Architecture}
+% \frame{\frametitle{L'architecture de Telemeta}
+% \begin{center}
+% \vspace{-0.2cm}
+% \pgfimage[width=11cm]{img/architecture_fr}
+% \end{center}
+% }
+
+
+\section{Développement}
+\frame{\tableofcontents[currentsection]}
+
+\subsection{Version 0.3.2}
+
+\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
+\begin{center}
+
+\dchref{http://crem.parisson.com}
+\end{center}
+ \begin{center}
+ \vspace{-0.3cm}
+ \pgfimage[width=11cm]{img/crem_telemeta-0.3.2}
+ \end{center}
+}
+
+
+% \subsection{Démonstration}
+% \frame{\tableofcontents[currentsubsection]}
+
+
+\subsection{Besoins}
+\frame{\frametitle{Objectifs pour une version 1.0 de production}
+Elements à programmer et/ou consolider pour la version 1.0 de production
+\begin{itemize}
+ \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
+ \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
+ \item \textbf{Sauvegarde} externe (audio + meta-données)
+ \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
+ \item \textbf{Marqueurs} temporels, lecture dynamique avec pièces attachées (texte, images)
+ \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
+ \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
+ \item Fonctions de test
+\end{itemize}
+}
+
+
+\frame{\frametitle{En route pour 0.4 (edition)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
+ \end{center}
+}
+
+
+\frame{\frametitle{En route pour 0.4 (vue item)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/maquette_v0.4_item_view}
+ \end{center}
+}
+
+
+
+\frame{\frametitle{Partenariats}
+Partenaires participants :
+\begin{itemize}
+ \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
+ \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
+ \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
+ \item Museum National d'Histoire Naturelle (\textbf{MNHN})
+ \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
+ \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
+\end{itemize}
+Partenaires potentiels :
+\begin{itemize}
+ \item Bibliothèque Nationale de France (\textbf{BNF})
+ \item Institut National de l'Audiovisuel (\textbf{INA})
+ \item Institut de Recherche et d'Innovation (\textbf{IRI})
+ \item Queen Mary University (\textbf{QMU}, Londres)
+\end{itemize}
+}
+
+
+\section{Conclusion et perspectives}
+\frame{\frametitle{Conclusion et perspectives}
+\begin{itemize}
+ \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
+ \item \textbf{Déploiement} et \textbf{pérennité} optimisés grâce à l'\textbf{Open Source}
+ \item \textbf{Intégration souple} de données ``métiers'' hétérogènes (sciences humaines et sciences informatiques)
+ \item Plateforme de \textbf{développement} ouverte
+ \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions et l'export des fonctions vers d'autres logiciels.
+ \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
+\end{itemize}
+}
+
+\frame{\frametitle{Merci !}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=3cm]{img/logo_telemeta_sat}\\
+ \dchref{http://telemeta.org}\\
+ \vspace{10mm}
+ \pgfimage[width=3.5cm]{img/parisson_logo_200}\\
+ \dchref{http://parisson.com}\\
+ \vspace{10mm}
+ \pgfimage[width=1cm]{img/88x31.png}\\
+ Ce document est mise à disposition sous un \chref{http://creativecommons.org/licenses/by-nc-sa/2.0/fr/}{contrat Creative Commons}.
+ \end{center}
+}
+
+
+\end{document}
\ No newline at end of file
--- /dev/null
+../../Common/img
\ No newline at end of file
--- /dev/null
+../../Common/pdf_article_profile.sty
\ No newline at end of file
--- /dev/null
+\documentclass[mathserif]{beamer}
+
+% FOR BEAMER SLIDES
+%\usepackage{palatino}
+%\usepackage{helvet}
+%\usepackage{eulervm}
+\usepackage{mathpazo}
+%\documentclass[sans,mathserif]{beamer}
+%\usepackage{kerkis}
+%\usepackage{kmath}
+\usepackage{beamerthemeCambridgeUS}
+%\usepackage{beamerthemeBoadilla}
+%\usepackage{beamerthemeDarmstadt}
+%\usepackage{beamerthemeGoettingen}
+\usepackage[latin1]{inputenc}
+\usepackage[]{fontenc}
+\usepackage[francais]{babel}
+\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
+\usepackage{colortbl}
+\usepackage{amsmath,amssymb,amsfonts}
+\usepackage{latexsym}
+\usepackage{amsthm}
+\usepackage{newlfont}
+\usepackage{url}
+\urlstyle{footnotesize}
+\columnsep 1cm
+\columnsep 1cm
+\definecolor{rouge}{rgb}{0.7,0.1,0.1}
+\newcommand{\chref}[2]{
+ \href{#1}{\color{rouge}\underline{#2}}
+}
+\newcommand{\dchref}[1]{
+ \href{#1}{\color{rouge}\underline{#1}}
+}
+\newcommand{\curl}[1]{
+ \color{rouge}\underline{\url{#1}}
+}
+\title{\textbf{Projet TeleMeta}}
+\author{CREM, Anthroponet, MNHN, LAM, Parisson}
+\institute{Guillaume Pellerin (Parisson SARL) \\
+ Joséphine Simonnot (CREM)}
+\date{\today\ - v0.4.1}
+
+\begin{document}
+\frame{\titlepage}
+
+
+\section[Plan]{}
+\frame{\tableofcontents}
+
+\section{Introduction}
+
+\subsection{Le fond d'archives du CREM}
+\frame{\frametitle{Le fond d'archives du CREM}
+Un fond ethnomusicologique unique :
+\begin{itemize}
+ \item 4291 collections (inédit et édité)
+ \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
+ \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
+ \item 3500 heures de sons édités soit 4,5 To environ
+ \item 300 heures environ de video ($\approx$ 4 To)
+\end{itemize}
+\vspace{0.5cm}
+Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
+}
+
+
+\frame{\frametitle{Modèle de données du CREM}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=12cm]{img/data_model2}
+ \end{center}
+}
+
+
+\subsection{Vers la numérisation}
+\frame{\tableofcontents[currentsubsection]}
+
+\frame{\frametitle{L'archivage classique sur supports physiques}
+Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
+
+\begin{columns}[c]
+
+\column{6cm}
+\begin{itemize}
+ \item Buts :
+ \begin{itemize}
+ \item Conformité à l'oeuvre originale => \textbf{pérennité}
+ \item Reproductibilité => \textbf{accessibilité}
+ \end{itemize}
+ \item Problèmes :
+ \begin{itemize}
+ \item Accès difficile aux archives
+ \item Fragilité (rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...)
+ \item Appareils de lecture specifiques
+ \item Copie des archives disque par disque
+ \end{itemize}
+\end{itemize}
+\column{6cm}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
+\end{columns}
+
+}
+
+\frame{\frametitle{L'archivage sur disque dur}
+\begin{itemize}
+ \item Avantages :
+ \begin{itemize}
+ \item Information magnétique
+ \item Confinement et compacité
+ \item Vitesse et capacité d'accès (lecture et écriture)
+ \item Valorisation par accès logiciel + réseau
+ \item Recopie complète des données et du logiciel
+ \end{itemize}
+ \item Inconvénients :
+ \begin{itemize}
+ \item ?
+ \end{itemize}
+\end{itemize}
+\begin{center}
+\pgfimage[width=5cm]{img/HDMAXTOR}
+\end{center}
+}
+
+
+\section{Objectifs du projet Telemeta}
+\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Objectifs du projet Telemeta}
+\begin{itemize}
+ \item Pérenniser les archives audionumériques (logiciels et formats)
+ \item Valoriser le patrimoine culturel par la consultation légale
+ \item Optimiser la transmission des méta-données (OAI-PMH)
+ \item Augmenter les capacités de Recherche (web sémantique, interopérabilité, croisement de données)
+ \item Définir une ergonomie d'indexation, de publication et de sauvegarde des oeuvres audio.
+\end{itemize}
+\vspace{3mm}
+\begin{center}
+$\Rightarrow$ Demande de financement à TGE Adonis (AAP 2009)\\
+\end{center}
+\begin{center}
+\begin{columns}[c]
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
+\end{center}\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
+\column{2cm}
+\begin{center}
+\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
+\end{columns}
+\end{center}
+}
+
+
+\section{Technologies}
+\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Telemeta : un projet libre et ouvert}
+\textbf{Les fondamentaux du logiciel libre :}
+\begin{itemize}
+ \item Pérenniser les ressources informatiques
+ \item Dynamiser le développement (partage, communautés internationales)
+ \item Limiter les coûts de déploiement à grande échelle
+\end{itemize}
+\vspace{3mm}
+\textbf{Briques 100\% 0pen Source :}
+\begin{itemize}
+ \item \chref{http://python.org}{Python} : langage \\
+ \item \chref{http://djangoproject.com}{Django} : framework \\
+ \item \chref{http://mysql.com}{MySQL} : base de données relationnelle \\
+ \item \chref{http://linux.com}{Linux} : noyau serveur \\
+ \item \chref{http://scipy.org}{Scipy}, \chref{http://www.ar.media.kyoto-u.ac.jp/members/david/softwares/audiolab/}{Audiolab} : traitement des signaux audio
+ \item \chref{http://www.cecill.info}{CeCILL} : licence libre conforme au droit français
+\end{itemize}
+}
+
+\frame{\frametitle{Les standards et normes utilisés par Telemeta}
+\begin{itemize}
+ \item Web :
+ \begin{itemize}
+ \item \chref{http://www.w3schools.com/html/}{HTML} : langage hypertextuel
+ \item \chref{http://www.w3.org/Style/CSS/}{CSS} : styles
+ \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
+ \end{itemize}
+ \item Audio :
+ \begin{itemize}
+ \item \chref{http://fr.wikipedia.org/wiki/WAVEform_audio_format}{WAV} : archivage audio brut
+ \item \chref{http://fr.wikipedia.org/wiki/MP3}{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
+ \item \chref{http://www.vorbis.com}{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
+ \item \chref{http://fr.wikipedia.org/wiki/FLAC}{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
+ \end{itemize}
+ \item Métadonnées :
+ \begin{itemize}
+ \item \chref{http://en.wikipedia.org/wiki/XML}{XML} (W3C)
+ \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
+ \item \chref{http://mysql.com}{SQL}
+ \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
+ \end{itemize}
+\end{itemize}
+}
+
+\frame{\frametitle{Plateforme communautaire de développement}
+\begin{center}
+\vspace{-0.2cm}
+\dchref{http://telemeta.org}
+ \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
+\end{center}
+}
+
+% \subsection{Architecture}
+% \frame{\frametitle{L'architecture de Telemeta}
+% \begin{center}
+% \vspace{-0.2cm}
+% \pgfimage[width=11cm]{img/architecture_fr}
+% \end{center}
+% }
+
+
+\section{Développement}
+\frame{\tableofcontents[currentsection]}
+
+\subsection{Prototype 0.4.1}
+
+\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
+\begin{center}
+
+\dchref{http://crem.parisson.com}
+\end{center}
+ \begin{center}
+ \vspace{-0.3cm}
+ \pgfimage[width=11cm]{img/crem_telemeta-0.3.2}
+ \end{center}
+}
+
+
+% \subsection{Démonstration}
+% \frame{\tableofcontents[currentsubsection]}
+
+
+\subsection{Besoins}
+\frame{\frametitle{Objectifs pour la version 1.0 de production}
+Elements à programmer et/ou consolider pour la version 1.0 de production
+\begin{itemize}
+ \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
+ \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
+ \item \textbf{Sauvegarde} externe (audio + meta-données)
+ \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
+ \item \textbf{Marqueurs} temporels, lecture dynamique avec le moteur \chref{http://code.google.com/p/timeside/}{TimeSide}
+ \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
+ \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
+ \item Fonctions de test
+\end{itemize}
+}
+
+\frame{\frametitle{TimeSide : librairie de composants audio pour le web}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/timeside_schema}
+ \end{center}
+}
+
+
+\frame{\frametitle{En route pour 1.0 (edition)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
+ \end{center}
+}
+
+
+\frame{\frametitle{En route pour 1.0 (vue item)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/maquette_v0.4_item_view}
+ \end{center}
+}
+
+
+
+\frame{\frametitle{Partenariats}
+Partenaires participants :
+\begin{itemize}
+ \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
+ \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
+ \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
+ \item Museum National d'Histoire Naturelle (\textbf{MNHN})
+ \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
+ \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
+\end{itemize}
+Partenaires potentiels :
+\begin{itemize}
+ \item Bibliothèque Nationale de France (\textbf{BNF})
+ \item Institut National de l'Audiovisuel (\textbf{INA})
+ \item Institut de Recherche et d'Innovation (\textbf{IRI})
+ \item Queen Mary University (\textbf{QMU}, Londres)
+\end{itemize}
+}
+
+
+\section{Conclusion et perspectives}
+\frame{\frametitle{Conclusion et perspectives}
+\begin{itemize}
+ \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
+ \item \textbf{Déploiement} et \textbf{pérennité} optimisés avec les briques Open Source
+ \item \textbf{Intégration souple} de données métiers hétérogènes (sciences humaines et sciences informatiques)
+ \item Plateforme de \textbf{développement} ouverte
+ \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions et l'export des fonctions vers d'autres logiciels.
+ \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
+\end{itemize}
+}
+
+\frame{\frametitle{Merci !}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=3cm]{img/logo_telemeta_sat}\\
+ \dchref{http://telemeta.org}\\
+ \vspace{10mm}
+ \pgfimage[width=3.5cm]{img/parisson_logo_200}\\
+ \dchref{http://parisson.com}\\
+ \vspace{10mm}
+ \pgfimage[width=1cm]{img/88x31.png}\\
+ Ce document est mise à disposition sous un \chref{http://creativecommons.org/licenses/by-nc-sa/2.0/fr/}{contrat Creative Commons}.
+ \end{center}
+}
+
+
+\end{document}
\ No newline at end of file
--- /dev/null
+\documentclass[mathserif]{beamer}
+
+% FOR BEAMER SLIDES
+%\usepackage{palatino}
+%\usepackage{helvet}
+%\usepackage{eulervm}
+\usepackage{mathpazo}
+%\documentclass[sans,mathserif]{beamer}
+%\usepackage{kerkis}
+%\usepackage{kmath}
+\usepackage{beamerthemeCambridgeUS}
+%\usepackage{beamerthemeBoadilla}
+%\usepackage{beamerthemeDarmstadt}
+%\usepackage{beamerthemeGoettingen}
+\usepackage[latin1]{inputenc}
+\usepackage[]{fontenc}
+\usepackage[francais]{babel}
+\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
+\usepackage{colortbl}
+\usepackage{amsmath,amssymb,amsfonts}
+\usepackage{latexsym}
+\usepackage{amsthm}
+\usepackage{newlfont}
+\usepackage{url}
+\urlstyle{footnotesize}
+\columnsep 1cm
+\columnsep 1cm
+\definecolor{rouge}{rgb}{0.7,0.1,0.1}
+\newcommand{\chref}[2]{
+ \href{#1}{\color{rouge}\underline{#2}}
+}
+\newcommand{\dchref}[1]{
+ \href{#1}{\color{rouge}\underline{#1}}
+}
+\newcommand{\curl}[1]{
+ \color{rouge}\underline{\url{#1}}
+}
+\title{\textbf{Projet TeleMeta}}
+\author{CREM, Anthroponet, MNHN, LAM, Parisson}
+\institute{Guillaume Pellerin (Parisson SARL) \\
+ Joséphine Simonnot (CREM)}
+\date{\today\ - v0.4.1}
+
+\begin{document}
+\frame{\titlepage}
+
+
+\section[Plan]{}
+\frame{\tableofcontents}
+
+\section{Introduction}
+
+\subsection{Le fond d'archives du CREM}
+\frame{\frametitle{Le fond d'archives du CREM}
+Un fond ethnomusicologique unique :
+\begin{itemize}
+ \item 4291 collections (inédit et édité)
+ \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
+ \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
+ \item 3500 heures de sons édités soit 4,5 To environ
+ \item 300 heures environ de video ($\approx$ 4 To)
+\end{itemize}
+\vspace{0.5cm}
+Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
+}
+
+
+\frame{\frametitle{Modèle de données du CREM}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=12cm]{img/data_model2}
+ \end{center}
+}
+
+
+\subsection{Vers la numérisation}
+\frame{\tableofcontents[currentsubsection]}
+
+\frame{\frametitle{L'archivage classique sur supports physiques}
+Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
+
+\begin{columns}[c]
+
+\column{6cm}
+\begin{itemize}
+ \item Buts :
+ \begin{itemize}
+ \item Conformité à l'oeuvre originale : \textbf{pérennité}
+ \item Reproductibilité : \textbf{accessibilité}
+ \end{itemize}
+ \item Problèmes :
+ \begin{itemize}
+ \item Accès difficile aux archives
+ \item Fragilité (rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...)
+ \item Appareils de lecture specifiques
+ \item Copie des archives disque par disque
+ \end{itemize}
+\end{itemize}
+\column{6cm}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
+\end{columns}
+
+}
+
+\frame{\frametitle{L'archivage sur disque dur}
+\begin{itemize}
+ \item Avantages :
+ \begin{itemize}
+ \item Information magnétique
+ \item Confinement et compacité
+ \item Vitesse et capacité d'accès (lecture et écriture)
+ \item Valorisation par accès logiciel + réseau
+ \item Recopie complète des données et du logiciel
+ \item Coût de l'octet très réduit
+ \end{itemize}
+ \item Inconvénients :
+ \begin{itemize}
+ \item ?
+ \end{itemize}
+\end{itemize}
+\begin{center}
+\pgfimage[width=5cm]{img/HDMAXTOR}
+\end{center}
+}
+
+
+\section{Objectifs du projet Telemeta}
+\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Objectifs du projet Telemeta}
+\begin{itemize}
+ \item Pérenniser les archives audionumériques (logiciels et formats)
+ \item Valoriser le patrimoine culturel par la consultation légale
+ \item Optimiser la transmission des méta-données (OAI-PMH)
+ \item Augmenter les capacités de Recherche (web sémantique, interopérabilité, croisement de données)
+ \item Définir une ergonomie d'indexation, de publication et de sauvegarde des oeuvres audio.
+\end{itemize}
+\vspace{3mm}
+\begin{center}
+$\Rightarrow$ Demande de financement à TGE Adonis (AAP 2009)\\
+\end{center}
+\begin{center}
+\begin{columns}[c]
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
+\end{center}\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
+\column{2cm}
+\begin{center}
+\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
+\end{columns}
+\end{center}
+}
+
+
+\section{Technologies}
+\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Telemeta : un projet libre et ouvert}
+\textbf{Les fondamentaux du logiciel libre :}
+\begin{itemize}
+ \item Pérenniser les ressources informatiques
+ \item Dynamiser le développement (partage, communautés internationales)
+ \item Limiter les coûts de déploiement à grande échelle
+\end{itemize}
+\vspace{3mm}
+\textbf{Briques 100\% 0pen Source :}
+\begin{itemize}
+ \item \chref{http://python.org}{Python} : langage \\
+ \item \chref{http://djangoproject.com}{Django} : framework \\
+ \item \chref{http://mysql.com}{MySQL} : base de données relationnelle \\
+ \item \chref{http://linux.com}{Linux} : noyau serveur \\
+ \item \chref{http://scipy.org}{Scipy}, \chref{http://www.ar.media.kyoto-u.ac.jp/members/david/softwares/audiolab/}{Audiolab} : traitement des signaux audio
+ \item \chref{http://www.cecill.info}{CeCILL} : licence libre conforme au droit français
+\end{itemize}
+}
+
+\frame{\frametitle{Les standards et normes utilisés par Telemeta}
+\begin{itemize}
+ \item Web :
+ \begin{itemize}
+ \item \chref{http://www.w3schools.com/html/}{HTML} : langage hypertextuel
+ \item \chref{http://www.w3.org/Style/CSS/}{CSS} : styles
+ \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
+ \end{itemize}
+ \item Audio :
+ \begin{itemize}
+ \item \chref{http://fr.wikipedia.org/wiki/WAVEform_audio_format}{WAV} : archivage audio brut
+ \item \chref{http://fr.wikipedia.org/wiki/MP3}{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
+ \item \chref{http://www.vorbis.com}{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
+ \item \chref{http://fr.wikipedia.org/wiki/FLAC}{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
+ \end{itemize}
+ \item Métadonnées :
+ \begin{itemize}
+ \item \chref{http://en.wikipedia.org/wiki/XML}{XML} (W3C)
+ \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
+ \item \chref{http://mysql.com}{SQL}
+ \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
+ \end{itemize}
+\end{itemize}
+}
+
+\frame{\frametitle{Plateforme communautaire de développement}
+\begin{center}
+\vspace{-0.2cm}
+\dchref{http://telemeta.org}
+ \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
+\end{center}
+}
+
+% \subsection{Architecture}
+% \frame{\frametitle{L'architecture de Telemeta}
+% \begin{center}
+% \vspace{-0.2cm}
+% \pgfimage[width=11cm]{img/architecture_fr}
+% \end{center}
+% }
+
+
+\section{Développement}
+\frame{\tableofcontents[currentsection]}
+
+\subsection{Prototype 0.4.1}
+
+\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
+\begin{center}
+
+\dchref{http://crem.parisson.com}
+\end{center}
+ \begin{center}
+ \vspace{-0.3cm}
+ \pgfimage[width=11cm]{img/crem_telemeta-0.3.2}
+ \end{center}
+}
+
+
+% \subsection{Démonstration}
+% \frame{\tableofcontents[currentsubsection]}
+
+
+\subsection{Besoins}
+\frame{\frametitle{Objectifs pour la version 1.0 de production}
+Elements à programmer et/ou consolider pour la version 1.0 de production (voir CDC fonctionnel fourni au CREM en juillet 2009)
+\vspace{3mm}
+\begin{itemize}
+ \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
+ \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
+ \item \textbf{Sauvegarde} externe (audio + meta-données)
+ \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
+ \item \textbf{Marqueurs} temporels, lecture dynamique avec le moteur \chref{http://code.google.com/p/timeside/}{TimeSide}
+ \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
+ \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
+ \item Fonctions de test
+\end{itemize}
+}
+
+\frame{\frametitle{TimeSide : librairie de composants audio pour le web}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=8cm]{img/timeside_schema}
+ \vspace{5mm}
+ \url{http://code.google.com/p/timeside}
+ \end{center}
+}
+
+
+\frame{\frametitle{En route pour 1.0 (edition)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
+ \end{center}
+}
+
+
+\frame{\frametitle{En route pour 1.0 (vue item)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/maquette_v0.4_item_view}
+ \end{center}
+}
+
+
+
+\frame{\frametitle{Partenariats}
+Partenaires participants :
+\begin{itemize}
+ \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
+ \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
+ \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
+ \item Museum National d'Histoire Naturelle (\textbf{MNHN})
+ \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
+ \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
+\end{itemize}
+Partenaires potentiels :
+\begin{itemize}
+ \item Bibliothèque Nationale de France (\textbf{BNF})
+ \item Institut National de l'Audiovisuel (\textbf{INA})
+ \item Institut de Recherche et d'Innovation (\textbf{IRI})
+ \item Queen Mary University (\textbf{QMU}, Londres)
+\end{itemize}
+}
+
+
+\section{Conclusion et perspectives}
+\frame{\frametitle{Conclusion et perspectives}
+\begin{itemize}
+ \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
+ \item \textbf{Déploiement} et \textbf{pérennité} optimisés grâce aux briques Open Source
+ \item \textbf{Intégration souple} de données métiers hétérogènes (sciences humaines et sciences informatiques)
+ \item Plateforme de \textbf{développement} ouverte
+ \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions et l'export des fonctions vers d'autres logiciels.
+ \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
+\end{itemize}
+}
+
+\frame{\frametitle{Merci !}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=3cm]{img/logo_telemeta_sat}\\
+ \dchref{http://telemeta.org}\\
+ \vspace{10mm}
+ \pgfimage[width=3.5cm]{img/parisson_logo_200}\\
+ \dchref{http://parisson.com}\\
+ \vspace{10mm}
+ \pgfimage[width=1cm]{img/88x31.png}\\
+ Ce document est mise à disposition selon les termes de la licence \chref{http://creativecommons.org/licenses/by-nc-sa/2.0/fr/}{Creative Commons}.
+ \end{center}
+}
+
+
+\end{document}
\ No newline at end of file
--- /dev/null
+\documentclass[mathserif]{beamer}
+
+% FOR BEAMER SLIDES
+%\usepackage{palatino}
+%\usepackage{helvet}
+%\usepackage{eulervm}
+\usepackage{mathpazo}
+%\documentclass[sans,mathserif]{beamer}
+%\usepackage{kerkis}
+%\usepackage{kmath}
+\usepackage{beamerthemeCambridgeUS}
+%\usepackage{beamerthemeBoadilla}
+%\usepackage{beamerthemeDarmstadt}
+%\usepackage{beamerthemeGoettingen}
+\usepackage[utf8]{inputenc}
+\usepackage[]{fontenc}
+\usepackage[francais]{babel}
+\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
+\usepackage{colortbl}
+\usepackage{amsmath,amssymb,amsfonts}
+\usepackage{latexsym}
+\usepackage{amsthm}
+\usepackage{newlfont}
+\usepackage{url}
+\urlstyle{footnotesize}
+\columnsep 1cm
+\columnsep 1cm
+\definecolor{rouge}{rgb}{0.7,0.1,0.1}
+\newcommand{\chref}[2]{
+ \href{#1}{\color{rouge}\underline{#2}}
+}
+\newcommand{\dchref}[1]{
+ \href{#1}{\color{rouge}\underline{#1}}
+}
+\newcommand{\curl}[1]{
+ \color{rouge}\underline{\url{#1}}
+}
+\title{\textbf{Projet Telemeta CREM}}
+\institute{J. Simonnot (CREM), G. Pellerin (Parisson), R. Zaccarelli (Parisson)\\ R. Walter (TGE Adonis), J. Lambert (CREM)}
+\date{\today\ - CREM - v1.0}
+
+\begin{document}
+\frame{\titlepage
+\vspace{-1cm}
+\begin{center}
+\pgfimage[width=3cm]{img/logo_telemeta_800}
+ \end{center}
+}
+
+\section[Plan]{}
+\frame{\tableofcontents}
+
+\section{Introduction}
+% R. Walter, J. Lambert
+
+
+\subsection{Les archives du CREM}
+\frame{\tableofcontents[currentsubsection]}
+% J. Simonnot
+\frame{\frametitle{Des cylindres au web}
+Le CREM : un fond ethnomusicologique unique
+\begin{itemize}
+ \item Plus de 5300 collections (inédit et édité)
+ \item Plus de 34000 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
+ \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
+ \item 3500 heures de sons édités soit 4,5 To environ
+ \item 300 heures environ de video ($\approx$ 4 To)
+\end{itemize}
+\vspace{0.5cm}
+Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
+}
+
+
+\subsection{Historique du projet}
+\frame{\tableofcontents[currentsubsection]}
+% J. Simonnot
+
+
+\section{Présentation du logiciel}
+
+\subsection{Objectifs}
+\frame{\tableofcontents[currentsubsection]}
+
+\frame{\frametitle{Telemeta : Web Audio Content Management System}
+\begin{itemize}
+ \item Pérenniser les archives audionumériques (logiciels et formats)
+ \item Valoriser le patrimoine culturel par la consultation légale
+ \item Faciliter et optimiser la transmission des méta-données
+ \item Augmenter les capacités de recherche et de travail collaboratif (saisie en ligne, géo-localisation, web sémantique, interopérabilité, croisement de données)
+ \item Définir une ergonomie d'indexation et de publication, un principe de sauvegarde des oeuvres musicales
+\end{itemize}
+\vspace{3mm}
+
+\begin{center}
+\begin{columns}[c]
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2cm]{img/tge_logo}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
+\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
+\column{2cm}
+\begin{center}
+\pgfimage[width=1.2cm]{img/logo-mnhn}\end{center}
+\end{columns}
+\end{center}
+}
+
+
+\subsection{Technologies}
+\frame{\tableofcontents[currentsubsection]}
+
+\frame{\frametitle{Telemeta : un projet libre et ouvert}
+\textbf{Les fondamentaux du logiciel libre :}
+\begin{itemize}
+ \item Pérenniser les ressources informatiques
+ \item Dynamiser le développement (partage, communautés internationales)
+ \item Limiter les coûts de déploiement à grande échelle
+\end{itemize}
+\vspace{3mm}
+\textbf{Briques 100\% 0pen Source :}
+\begin{itemize}
+ \item \chref{http://python.org}{Python} et \chref{http://djangoproject.com}{Django} : langage côté serveur et framework web \\
+ \item \chref{http://code.google.com/p/timeside}{TimeSide} : traitement des signaux audio, lecteur audio dynamique
+ \item \chref{http://mysql.com}{MySQL} : base de données relationnelle \\
+ \item \chref{http://linux.com}{Linux} : noyau serveur \\
+ \item \chref{http://www.cecill.info}{CeCILL} : licence libre conforme au droit français (CNRS, INRIA, CEA)
+\end{itemize}
+}
+
+\frame{\frametitle{Les standards et normes utilisés par Telemeta}
+\begin{itemize}
+ \item Web :
+ \begin{itemize}
+ \item \chref{http://www.w3schools.com/html/}{HTML} : langage hypertextuel
+ \item \chref{http://www.w3.org/Style/CSS/}{CSS} : styles
+ \item \chref{http://fr.wikipedia.org/wiki/JavaScript}{JavaScript} : langage côté navigateur (interfaces et lecteur dynamiques)
+ \end{itemize}
+ \item Audio :
+ \begin{itemize}
+ \item \chref{http://fr.wikipedia.org/wiki/WAVEform_audio_format}{WAV} : archivage audio brut
+ \item \chref{http://fr.wikipedia.org/wiki/MP3}{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
+ \item \chref{http://www.vorbis.com}{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
+ \item \chref{http://fr.wikipedia.org/wiki/FLAC}{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
+ \end{itemize}
+ \item Métadonnées :
+ \begin{itemize}
+ \item \chref{http://en.wikipedia.org/wiki/XML}{XML} (W3C)
+ \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
+ \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
+ % \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
+ \end{itemize}
+\end{itemize}
+}
+
+
+\subsection{Développement}
+\frame{\tableofcontents[currentsubsection]}
+
+\frame{\frametitle{Plateforme communautaire de développement}
+\chref{http://telemeta.org}{telemeta.org}
+\begin{itemize}
+ \item Présentation, installation, documentation
+ \item Blog, tickets, bugs
+ \item Mailing list
+ \item Wiki
+\end{itemize}
+\vspace{0.5cm}
+\chref{http://code.google.com/p/timeside}{code.google.com/p/timeside}
+\begin{itemize}
+ \item Présentation, installation, examples, documentation
+ \item tickets, bugs
+ \item Wiki
+\end{itemize}
+}
+
+\frame{\frametitle{L'architecture de Telemeta}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=11cm]{img/architecture_fr}
+ \end{center}
+}
+
+\subsection{Modèle de données}
+\frame{\tableofcontents[currentsubsection]}
+
+\frame{\frametitle{Modèle de données du CREM}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=12cm]{img/data_model2}
+ \end{center}
+}
+
+\subsection{Interface web}
+\frame{\tableofcontents[currentsubsection]}
+
+\subsection{Droits d'accès}
+\frame{\tableofcontents[currentsubsection]}
+\frame{\frametitle{Droits d'accès}
+\begin{itemize}
+ \item \textbf{Utilisateurs} : profils, droits, gestion des mots de passe
+ \item \textbf{Groupes} : administrateur, documentaliste, chercheur, membre, anonyme
+ \item \textbf{Droits} : ajouter, supprimer ou modifier les objets selon les règles
+ \item Pour tous les utilisateurs : \textbf{listes de lecture} personnelle, ajout de \textbf{marqueurs temporels}
+ \item \textbf{Droits particuliers} pour la lecture audio (date glissante de 50 ans, paramètre ``public access'')
+\end{itemize}
+}
+
+\frame{\frametitle{Détail des droits des groupes}
+\begin{itemize}
+ \item \textbf{Anonyme} : parcours du site, lecture selon les autorisations de chaque objet
+ \item \textbf{Membre} : ajout de listes de lectures personnelles, ajout de marqueurs
+ \item \textbf{Chercheur} : ajout et edition des fiches documentaires
+ \item \textbf{Documentaliste} : suppression d'objets, tous droits sur la base de données (hors utilisateurs), lecture audio de tous les items
+ \item \textbf{Administrateur} : ajouter des utilisateurs
+\end{itemize}
+\vspace{5mm}
++ droits spéciaux au cas par cas :
+\begin{itemize}
+ \item Lecture audio de tous les items
+ \item Téléchargement de tous les items
+\end{itemize}
+
+}
+
+\subsection{Edition / Saisie}
+\frame{\tableofcontents[currentsubsection]}
+\frame{\frametitle{Edition des objets}
+\begin{itemize}
+\item Saisie documentaire
+\item Collections, Items
+\item Enumérations (Thésaurus)
+\item Lieux
+\item Instruments
+\item Compositions
+\item Mots clés
+\item Marqueurs temporels
+\end{itemize}
+}
+
+\subsection{Traitement et lecture audio}
+\frame{\tableofcontents[currentsubsection]}
+\frame{\frametitle{TimeSide : Web Audio Components}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/timeside_schema}
+ \end{center}
+}
+
+\frame{\frametitle{TimeSide UI : lecteur audio dynamique (R. Zaccarelli)}
+\begin{itemize}
+\item Lecture audio
+\item Affichage audio
+\item Indexation temporelle
+\item Portabilité
+\item Principes du modèle de développement
+\item \chref{http://code.google.com/p/timeside/wiki/UiGuide}{code.google.com/p/timeside/wiki/UiGuide}
+\end{itemize}
+}
+
+\subsection{Moissonnage et sauvegarde}
+\frame{\tableofcontents[currentsubsection]}
+\frame{\frametitle{Moissonnage et sauvegarde}
+\begin{itemize}
+\item Dublin Core
+\item OAI-PMH
+\item Flux RSS (revisions)
+\item XML + WAV
+\end{itemize}
+}
+
+
+\frame{\frametitle{Partenariats}
+Partenaires participants :
+\begin{itemize}
+ \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
+ \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
+ \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
+ \item Museum National d'Histoire Naturelle (\textbf{MNHN})
+ \item Institut de Recherche et d'Innovation (\textbf{IRI})
+ \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
+ \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
+\end{itemize}
+Partenaires potentiels :
+\begin{itemize}
+ \item Bibliothèque Nationale de France (\textbf{BNF})
+ \item Institut National de l'Audiovisuel (\textbf{INA})
+ \item Queen Mary University (\textbf{QMU}, Londres)
+\end{itemize}
+}
+
+
+\section{Conclusion et perspectives}
+\frame{\frametitle{Conclusion et perspectives}
+\begin{itemize}
+ \item Technologie et ergonomie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine musical
+ \item \textbf{Déploiement} et \textbf{pérennité} optimisés avec les briques open source
+ \item \textbf{Intégration souple} de données métiers hétérogènes (sciences humaines et sciences informatiques)
+ \item \textbf{Plateforme collaborative} à un niveau international
+ \item Exemple au CREM du 18/05 au 25/06 : plus de \textbf{450} fiches en moyenne éditées par semaines !
+ \item Plateforme de \textbf{développement} ouverte
+\end{itemize}
+}
+
+
+\frame{\frametitle{Objectifs pour Telemeta 1.X}
+\begin{itemize}
+ \item \textbf{Modèle générique} de données
+ \item \textbf{Documents attachés} (images, textes, vidéos, etc...)
+ \item \textbf{Compatibilté HTML5} totale du lecteur
+ \item \textbf{Fonctions d'analyse} augmentée (reconnaissance, recoupement statistique) : ANR CONTINT 2011 \textbf{DIADEMS}
+ \item \textbf{Déploiement mutualisé} (CNRS IN2P3)
+ \item \textbf{Accès spéciaux} par adresses IP
+ \item Définition d'une \textbf{API}
+\end{itemize}
+}
+
+\frame{\frametitle{Merci !}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=3cm]{img/logo_telemeta_2}\\
+ \dchref{http://telemeta.org}\\
+ \vspace{1cm}
+ Telemeta 1.0 ``Bell''\\
+ \chref{http://debian.parisson.org/telemeta-1.0.tar.gz}{debian.parisson.org/telemeta-1.0.tar.gz}\\
+ \vspace{10mm}
+ \tiny{Ce document est mise à disposition selon un \chref{http://creativecommons.org/licenses/by-nc-sa/2.0/fr/}{contrat Creative Commons}}
+ \end{center}
+}
+
+
+\end{document}
\ No newline at end of file
--- /dev/null
+../../Common/img
\ No newline at end of file
--- /dev/null
+../../Common/pdf_article_profile.sty
\ No newline at end of file
--- /dev/null
+\documentclass[10pt, final, hyperref, table]{beamer}
+\mode<presentation>
+
+
+ %\usepackage[english]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+ \usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ?
+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+\usepackage{eurosym}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+\usepackage{multimedia} % For playing sound
+
+\usepackage{hyperref}
+% Define hyperlinks color
+\definecolor{links}{HTML}{2A1B81}
+\hypersetup{colorlinks,linkcolor=,urlcolor=links}
+
+\usetheme{Madrid}
+\setbeamercovered{transparent}
+
+
+% telemeta red
+\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
+\usecolortheme[rgb={0.41568, 0.01176, 0.02745}]{structure}
+
+%\setbeamercolor{frametitle}{bg=telemetaRed}
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{0.95,0.95,1}
+\lstset{%
+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ frameround=tttt,
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\tiny, % the size of the fonts that are used for the code
+ stringstyle=\ttfamily, % typewriter type for strings
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+
+
+\definecolor{rouge}{rgb}{1.0,0,0}
+\newcommand{\chref}[2]{
+ \href{#1}{\color{rouge}\underline{#2}}
+}
+\newcommand{\dchref}[1]{
+ \href{#1}{\color{rouge}\underline{#1}}
+}
+\newcommand{\curl}[1]{
+ \color{rouge}\underline{\url{#1}}
+}
+\title[Telemeta]{Telemeta\\ open web audio content management system}
+
+\author{Guillaume Pellerin\inst{1}}
+
+\institute[Parisson]{
+ \inst{1}%
+ Parisson, Paris, France\\
+\vskip1ex
+ \begin{center}
+ \includegraphics[width=.3\linewidth]{img/parisson_logo_FINALE_com.pdf}
+ \end{center}
+}
+
+\date[DML 1st Workshop - 19/03/2014]{Digital Music Lab 1st Workshop - 19/03/2014}
+
+\begin{document}
+\frame{\titlepage}
+
+
+\section[Table of contents]{}
+\frame{\frametitle{Table of contents}
+\tableofcontents
+}
+
+\section{Overview}
+\subsection{Goals}
+\frame{\frametitle{Main goals}
+\vspace{-1cm}
+\center{\includegraphics[width=4cm]{img/logo_telemeta_1-1.pdf}}
+\vspace{0.5cm}
+\begin{itemize}
+ \item \alert{Archive}, \alert{preserve} and \alert{scale} big music data and related metadata
+ \item \alert{Play} audio and read metadata \alert{synchronously}
+ \item \alert{Index} and \alert{share} music data through a \alert{collaborative} web app
+ \item \alert{Link} music data to various \alert{ontologies} and \alert{external services}
+ \item \alert{Manage} \alert{workflow} rules (access, copyrights) easily through time
+ \item \alert{On demand audio processing} through a \alert{modular architecture}
+\end{itemize}
+}
+
+\subsection{History}
+\frame{\frametitle{History of the project}
+\begin{itemize}
+ \item \alert{2006}: definition of the goals (open source web audio collaborative platform)
+ \item \alert{2007}: first partner: french Research Center of Ethnomusicology (CREM)
+ \item \alert{2007 - 2009}: technical specifications, definition of the DB migrator
+ \item \alert{2008}: prototype development
+ \item \alert{2008 - 2010}: workflow and format specifications
+ \item \alert{2011}: development, final migration and release of \alert{Telemeta 1.0} to the CREM for production : \dchref{http://archives.crem-cnrs.fr}
+ \item \alert{2011 - 2014}: collaborative indexing, more development, massive data imports...
+\end{itemize}
+}
+
+\subsection{CREM's database}
+\frame{\frametitle{CREM's database (2014)}
+\begin{itemize}
+ \item
+ \item \alert{2007}: first partner: french Research Center of Ethnomusicology (CREM)
+ \item \alert{2007 - 2009}: technical specifications, definition of the DB migrator
+ \item \alert{2008}: prototype development
+ \item \alert{2008 - 2010}: workflow and format specifications
+ \item \alert{2011}: development, final migration and release of \alert{Telemeta 1.0} to the CREM for production : \dchref{http://archives.crem-cnrs.fr}
+ \item \alert{2011 - 2014}: collaborative indexing, more development, massive data imports...
+\end{itemize}
+}
+
+
+\begin{frame}
+ \frametitle{CREM items}
+ \begin{center}
+ \includegraphics[width=0.8\textwidth]{img/crem_items.png}
+ \end{center}
+\end{frame}
+
+
+\subsection{Technologies}
+\frame{\frametitle{Technologies}
+
+\begin{center}
+\large{100\% 0pen Source!}
+\end{center}
+
+\begin{itemize}
+ \item \chref{http://python.org}{Python} : smart object oriented language \\
+ \item \chref{http://djangoproject.com}{Django} : high-level web MVC framework \\
+ \item \chref{https://github.com/yomguy/TimeSide}{TimeSide} : open web audio processing framework
+ \item \chref{http://gstreamer.freedesktop.org/}{GStreamer} : open source multimedia framework
+ \item MySQL, PostgreSQL, others : relational databases \\
+ \item GNU / Linux : applications, libraries and kernel \\
+\end{itemize}
+
+}
+
+\subsection{Features}
+%\frame{\tableofcontents[currentsection]}
+\frame{\frametitle{Key features}
+ \begin{itemize}
+ \item \alert{Pure HTML5} web user interface including dynamical forms
+ and smart workflows
+ \item \alert{On the fly} audio analyzing, transcoding and metadata
+ embedding in various formats
+ \item \alert{Social editing} with \alert{semantic ontologies}, smart workflows,
+ realtime tools, human or automatic \alert{annotations and
+ segmentations}
+ \item \alert{User management} with individual desk, playlists, profiles
+ and access rights
+ \item \alert{High level search engine} (geolocation, instruments, ethnic groups, etc...)
+ \item \alert{Data providers} : DublinCore, OAI-PMH, RSS, XML, JSON and other
+ \item \alert{Multi-language} support (now english and french)
+ \end{itemize}
+}
+
+
+\section{Framework}
+
+\subsection{Architecture}
+\frame{\frametitle{Architecture}
+ \begin{center}
+ \pgfimage[width=8cm]{img/TM_arch}
+ \end{center}
+}
+
+\subsection{Data model}
+%\frame{\tableofcontents[currentsection]}
+\frame{\frametitle{Data model}
+
+\begin{block}{Main resource objects}
+ \begin{center}
+ \pgfimage[width=10cm]{img/TM_model}
+ \end{center}
+\end{block}
+
+\begin{block}{Other objects}
+\begin{itemize}
+ \item Instrument, InstrumentAlias, InstrumentRelation, InstrumentAliasRelation, Performance
+ \item Location, LocationAlias, LocationRelation, LocationAliasRelation
+ \item EthnicGroup, Format, PhysicalFormat, Publisher and various other Enumarations (1D lists)
+ \item Language (ISO 639-3)
+ \item Revision, PlayList, Profile, etc...
+\end{itemize}
+\end{block}
+
+\begin{block}{All objects}
+ \chref{http://telemeta.org/export/cb1fc9ad29e2cb0122fde9dd76c5275ba5dc7d14/doc/devel/telemeta-all.pdf}{view online PDF}
+\end{block}
+}
+
+
+\subsection{Workflow}
+\frame{\frametitle{Workflow}
+ Example: CREM audio archive access rules vs. resource status
+ \begin{center}
+ \pgfimage[width=12cm]{img/TM_workflow}
+ \end{center}
+}
+
+\section{Web User Interface}
+\begin{frame}\frametitle{Web User Interface}
+ \vspace{-0.25cm}
+ \begin{center}
+ \includegraphics[width=12cm]{img/shots/telemeta_eng.png}
+ \end{center}
+ \tiny{\url{http://archives.crem-cnrs.fr/archives/items/CNRSMH_I_1976_011_003_08/}}
+\end{frame}
+
+
+\section{Related projects}
+\frame{\tableofcontents[currentsection]}
+
+\begin{frame}
+ \frametitle{TimeSide : open web audio processing framework}%\scriptsize
+\begin{block}{Server side - TimeSide Engine}
+ \begin{itemize}
+ \item \alert{Do} asynchronous and fast audio processing with Python,
+ \item \alert{Decode} audio frames from ANY format into numpy arrays,
+ \item \alert{Analyze} audio content with state-of-the-art audio feature extraction libraries (Aubio, Yaafe, Vamp (experimental),
+ \item \alert{Organize}, serialize and save analysis metadata through various formats,
+ \item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers,
+ \item \alert{Transcode} audio data in various media formats and stream them through web apps,
+ \end{itemize}
+
+\end{block}
+\begin{block}{Client side - TimeSide UI}
+ \begin{itemize}
+ \item \alert{Playback} and \alert{interact} on demand through a smart high-level HTML5 extensible player,
+ \item \alert{Index}, \alert{tag} and \alert{organize semantic metadata} \\
+(see \href{http://telemeta.org/}{Telemeta} which embeds TimeSide).
+\hfill $\vcenter{\hbox{\includegraphics[width=0.2\textwidth]{img/logo_telemeta_1-1.pdf}}}$
+ % \begin{flushright}
+ % \includegraphics[width=0.2\textwidth]{../../Common/img/logo_telemeta_1-1.pdf}\\
+ % \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
+ %\end{flushright}
+ \end{itemize}
+\end{block}
+\end{frame}
+
+\begin{frame}
+ \frametitle{TimeSide - Architecture}
+ \begin{center}
+ \includegraphics[width=0.8\textwidth]{img/timeside_schema_v3.pdf}
+ \end{center}
+\end{frame}
+
+
+\frame{\frametitle{The DIADEMS project}
+\begin{itemize}
+ \item \chref{http://www.irit.fr/recherches/SAMOVA/DIADEMS/fr/welcome/&cultureKey=en}{DIADEMS} : Description, Indexation, Access to Sound and Ethnomusicological Documents
+ \item Granted by ANR : french national research agency (ANR-12-CORD-0022)
+ \item 3 years, 8 partners, 850 k\euro
+ \item Apply and test MIR algorithms on large scale ethnomusicological data
+ \item Define some high level interfaces to find new ways of explorations in large complex musical corpus
+ \item New modes of collaboration between human science and computer science laboratories and researchers
+ \item Define the \chref{http://files.parisson.com/telemeta/telemeta-doc/DIADEMS/thesaurus/Thesaurus/Thesaurus.html}{vocabulary} describing musical events in the usecase of ethnomusicilogy vs. signal processing
+ \item \dchref{http://www.irit.fr/recherches/SAMOVA/DIADEMS/fr/welcome/}
+ \item \dchref{http://diadems.telemeta.org}
+\end{itemize}
+}
+
+\frame{\frametitle{DIADEMS - Partners}
+\begin{itemize}
+\item Sponsors:
+\begin{itemize}
+ \item CNRS
+ \item Huma-Num (ex TGE Adonis)
+ \item ANR
+ \item CREM
+ \item UPMC
+ \item Parisson
+\end{itemize}
+
+\vspace{0.25cm}
+
+\item Partners :
+\begin{itemize}
+\item IRIT (université Paul Sabatier, Toulouse 3)
+\item LIMSI (universités Pierre et Marie Curie (UPMC, Paris 6) et Paris-Sud)
+\item LAM (institut Jean Le Rond d'Alembert, UPMC)
+\item LABRI (université de Bordeaux)
+\item CREM (université Paris Ouest Nanterre La Défense)
+\item LESC (université Paris Ouest Nanterre La Défense)
+\item Museum d'Histoire Naturelle de Paris
+\item Musée du Quai Branly
+\end{itemize}
+
+\end{itemize}
+
+\begin{center}
+\begin{columns}[c]
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=1cm]{img/logo-CNRS}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
+\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
+\column{2cm}
+\begin{center}
+\pgfimage[width=1.2cm]{img/logo-mnhn}\end{center}
+\end{columns}
+\end{center}
+
+}
+
+
+\section{Development and contact informations}
+%\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Development}
+\begin{block}{Links}
+ \begin{itemize}
+ \item \dchref{http://telemeta.org}
+ \item \dchref{https://github.com/yomguy/Telemeta/}
+ \item \dchref{https://github.com/yomguy/TimeSide/}
+ \end{itemize}
+\end{block}
+\begin{block}{Team}
+ \begin{itemize}
+ \item Guillaume Pellerin
+ \item Thomas Fillon
+ \item Paul Brossier
+ \item Riccardo Zaccarelli
+ \item Maxime Lecoz
+ \item David Doukan
+ \end{itemize}
+\end{block}
+\begin{block}{Licence}
+\chref{http://www.cecill.info/licences/Licence_CeCILL_V2.1-en.html}{CeCILL v2.1} (GPL v2 compatible)
+\end{block}
+}
+
+
+\frame{\frametitle{Development - Lessons from a 7 year old project}
+\begin{itemize}
+\item Simplicity is better than complexity (a Python developer rule)
+\item Modularity is only accessible with a flexible language
+\item Models and objects are more important than technologies
+\item A good workflow is defined by the users themselves through feedback and revisions
+\item Prototyping is a crucial part of the development process
+\item A good platform should rely on standards, not on formats
+\item The Open Source ecosystem gives some tremendous possibilities to scale a platform project
+\end{itemize}
+}
+
+\frame{\frametitle{Development - TODO list}
+\begin{block}{TimeSide}
+ \begin{itemize}
+ \item Tiny web server (django)
+ \item Process task manager
+ \item Full HTML5 zooming player (+ annotations, segmentations, etc..)
+ \item Analyzer parameters (+ interface)
+ \item Improve Vamp plugins support (Vamp python host ?)
+ \item Add more automatic segmentation and classification tools to support various semantic ontologies (cf. thesaurus)
+ \item Add more music analysis tools to support Ethnomusicological research
+ \item Add automatic similarity analysis tools (inside a song or between sound items)
+ \item Enhance analysis result displays to send to Telemeta
+ \item \dchref{https://github.com/yomguy/TimeSide/issues}
+ \end{itemize}
+\end{block}
+}
+
+
+\frame{\frametitle{Development - TODO list}
+\begin{block}{Telemeta}
+ \begin{itemize}
+ \item Update code to support Django new Class based views
+ \item Rewrite geolocation services
+ \item Public and enhanced user playlists
+ \item Smart breadcrumbs
+ \item Better interactions with TimeSide
+ \item Enhance user interface (full HTML 5 + web audio API)
+ \begin{itemize}
+ \item For annotations and segmentations in a collaborative manner
+ \item Provide import capabilities and feedback loop between manual and automatic annotations
+ \item Fancy displays of automatic analysis results (zoomable + synchronized with audio)
+ \item Add a User interface to control and tune the analysis parameters
+ \end{itemize}
+ \item More documentation
+ \item \dchref{http://telemeta.org/report/1}
+ \end{itemize}
+\end{block}
+}
+
+
+
+\frame{\frametitle{The End}
+ \begin{center}
+ \large{Thank you!}
+ \vspace{0.25cm}
+ \begin{block}{Links}
+ \begin{itemize}
+ \item \chref{http://telemeta.org}{telemeta.org}
+ \item \chref{https://twitter.com/telemeta/}{@telemeta}
+ \end{itemize}
+ \end{block}
+ \begin{block}{Contact}
+ \begin{itemize}
+ \item \chref{mailto:guillaume@parisson.com}{guillaume@parisson.com}
+ \item \chref{https://twitter.com/yomguy/}{@yomguy}
+ \item \chref{https://github.com/yomguy/}{github.com/yomguy/}
+ \item \chref{https://plus.google.com/u/0/+GuillaumePellerin/posts}{+GuillaumePellerin}
+ \item \chref{http://fr.linkedin.com/in/guillaumepellerin}{fr.linkedin.com/in/guillaumepellerin}
+ \end{itemize}
+ \end{block}
+ \end{center}
+}
+
+% BONUS
+
+\begin{frame}[fragile]
+ \begin{block}{TimeSide - Github repository}
+ \begin{center}\scriptsize
+ \colorbox{yellow!50}{\bf \hskip3ex
+ \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+ \end{center}
+
+ \begin{itemize}
+ \item 3 main branches: master, dev, diadems
+ \end{itemize}
+ \end{block}
+ \begin{block}{Installation}
+\url{https://github.com/yomguy/TimeSide\#install}
+ \begin{itemize}
+ \item Installation des dépendances :
+\begin{lstlisting}[language=bash, basicstyle=\tiny]
+$ echo "deb http://debian.parisson.com/debian/ stable main" |
+$ sudo tee -a /etc/apt/sources.list
+$ echo "deb-src http://debian.parisson.com/debian/ stable main" | sudo tee -a /etc/apt/sources.list
+$ sudo apt-get update
+$ sudo apt-get install git
+$ sudo apt-get build-dep python-timeside
+\end{lstlisting}
+
+ \item Installation depuis le dépôt \emph{Github} :
+\begin{lstlisting}[language=bash, basicstyle=\tiny]
+$ git clone https://github.com/yomguy/TimeSide.git
+$ cd TimeSide
+$ git checkout dev
+$ export PYTHONPATH=$PYTHONPATH:`pwd`
+$ python tests/run_all_tests
+\end{lstlisting}
+\end{itemize}
+\end{block}
+\end{frame}
+
+\begin{frame}
+ \frametitle{Statistics - CREM revisions}
+ \begin{center}
+ \includegraphics[width=0.8\textwidth]{img/telemeta-revisions.png}
+ \end{center}
+\end{frame}
+
+
+\end{document}
\ No newline at end of file
--- /dev/null
+../../Common/img
\ No newline at end of file
--- /dev/null
+\documentclass[10pt, final, hyperref, table]{beamer}
+\mode<presentation>
+
+
+ %\usepackage[english]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+ \usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ?
+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+\usepackage{eurosym}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+\usepackage{multimedia} % For playing sound
+
+\usepackage{hyperref}
+% Define hyperlinks color
+\definecolor{links}{HTML}{2A1B81}
+\hypersetup{colorlinks,linkcolor=,urlcolor=links}
+
+\usetheme{Madrid}
+\setbeamercovered{transparent}
+
+
+% telemeta red
+\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
+\usecolortheme[rgb={0.41568, 0.01176, 0.02745}]{structure}
+
+%\setbeamercolor{frametitle}{bg=telemetaRed}
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{0.95,0.95,1}
+\lstset{%
+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ frameround=tttt,
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\tiny, % the size of the fonts that are used for the code
+ stringstyle=\ttfamily, % typewriter type for strings
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+
+
+\definecolor{rouge}{rgb}{0.7,0.1,0.1}
+\newcommand{\chref}[2]{
+ \href{#1}{\color{rouge}\underline{#2}}
+}
+\newcommand{\dchref}[1]{
+ \href{#1}{\color{rouge}\underline{#1}}
+}
+\newcommand{\curl}[1]{
+ \color{rouge}\underline{\url{#1}}
+}
+\title[TimeSide]{Telemeta\\ open web audio content management system}
+
+\author{Guillaume Pellerin\inst{1}, Thomas Fillon \inst{1,2}}
+
+
+\institute[Parisson]{
+ \inst{1}%
+ Parisson, Paris, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
+\vskip1ex
+ \begin{center}
+ \includegraphics[width=.3\linewidth]{img/parisson_logo_FINALE_com.pdf}
+ \end{center}
+}
+\date{IRCAM - WAVE \\ 13/03/2014}
+
+\begin{document}
+\frame{\titlepage}
+
+
+\section[Table of contents]{}
+\frame{\frametitle{Table of contents}
+\tableofcontents
+}
+
+\section{Goals}
+\frame{\frametitle{Main goals}
+\begin{itemize}
+ \item Save, scale and sustain big music data and related metadata
+ \item Play audio and read metadata at the same time, synchronously
+ \item Index and share music data through a collaborative web app
+ \item Link music data to various ontologies and external services
+ \item Manage access rules and copyrights easily through time
+ \item Process audio on demand through a modular architecture
+\end{itemize}
+}
+
+\section{History of the project}
+\frame{\frametitle{History of the project}
+\begin{itemize}
+ \item 2006 : definition of the goals (open source web audio collaborative platform)
+ \item 2007 : first partner : CREM
+ \item 2007 - 2009 : technical specifications, definition of the DB migrator
+ \item 2008 : prototype development
+ \item 2008 - 2010 : workflow and format specifications
+ \item 2011 : development, final migration and release of Telemeta 1.0 to the CREM for production : \dchref{http://archives.crem-cnrs.fr}
+ \item 2011 - 2014 : collaborative indexing, more development, massive data imports...
+\end{itemize}
+}
+
+\section{Technologies}
+\frame{\frametitle{Technologies}
+\textbf{100\% 0pen Source}
+\begin{itemize}
+ \item \chref{http://python.org}{Python} : smart object oriented language \\
+ \item \chref{http://djangoproject.com}{Django} : high-level web MVC framework \\
+ \item \chref{https://github.com/yomguy/TimeSide}{TimeSide} : open web audio processing framework
+ \item \chref{http://gstreamer.freedesktop.org/}{GStreamer} : open source multimedia framework
+ \item MySQL, PostgreSQL, etc : relational databases \\
+ \item GNU / Linux : application and library suite / kernel \\
+\end{itemize}
+}
+
+\section{Key features}
+%\frame{\tableofcontents[currentsection]}
+\frame{\frametitle{Features}
+ \begin{itemize}
+ \item \alert{Pure HTML5} web user interface including dynamical forms
+ and smart workflows
+ \item \alert{On the fly} audio analyzing, transcoding and \alert{metadata}
+ embedding in various formats
+ \item Social editing with \alert{semantic ontologies}, smart workflows,
+ realtime tools, human or automatic \alert{annotations and
+ segmentations}
+ \item User management with individual desk, playlists, profiles
+ and access rights
+ \item High level geo-located search engine
+ \item DublinCore, OAI-PMH, RSS, XML and JSON \alert{data providers}
+ \item Multi-language support (now english and french)
+ \end{itemize}
+}
+
+
+\section{Data model}
+%\frame{\tableofcontents[currentsection]}
+\frame{\frametitle{Data model}
+\begin{itemize}
+ \item Main objects (hierarchy)
+ \begin{center}
+ \pgfimage[width=10cm]{img/TM_model}
+ \end{center}
+ \item Complete model : \chref{http://telemeta.org/export/cb1fc9ad29e2cb0122fde9dd76c5275ba5dc7d14/doc/devel/telemeta-all.pdf}{view PDF}
+\end{itemize}
+
+}
+
+
+% \subsection{Démonstration}
+% \frame{\tableofcontents[currentsubsection]}
+
+\section{Related projects}
+\frame{\frametitle{Related projects}
+\begin{itemize}
+\item \chref{https://github.com/yomguy/TimeSide}{TimeSide} : open web audio processing framework
+ \begin{itemize}
+ \item Easy plugin architecture (full \alert{Python})
+ \item Asynchronous and fast audio processing
+ \item \alert{Feature extraction} (Aubio, Yaafe, Vamp plugins)
+ \item Smart, fancy and dynamical \alert{HTML5 web audio player}
+ \end{itemize}
+\vspace{0.5cm}
+\item \chref{http://www.irit.fr/recherches/SAMOVA/DIADEMS/fr/welcome/&cultureKey=en}{DIADEMS} : Description, Indexation, Access to Sound and Ethnomusicological Documents
+ \begin{itemize}
+ \item granted by ANR : french national research agency (ANR-12-CORD-0022)
+ \item 3 years, 8 partners, 850 k\euro
+ \item new collaboration between human and computer science laboratories (not so easy!)
+ \item apply MIR algorithms on large scale ethnomusicological data
+ \item define some high level interfaces to find musical informations in complex corpus
+ \item \dchref{http://diadems.telemeta.org}
+ \end{itemize}
+\end{itemize}
+}
+
+\section{Development}
+%\frame{\tableofcontents[currentsection]}
+\frame{\frametitle{Development}
+\begin{itemize}
+ \item Links
+ \begin{itemize}
+ \item \dchref{http://telemeta.org}
+ \item \dchref{https://github.com/yomguy/Telemeta/}
+ \item \dchref{https://github.com/yomguy/TimeSide/}
+ \end{itemize}
+ \item Team
+ \begin{itemize}
+ \item Guillaume Pellerin
+ \item Thomas Fillon
+ \item Paul Brossier
+ \item Riccardo Zaccarelli
+ \item Maxime Lecoz
+ \item David Doukan
+ \end{itemize}
+ \item Licence : CeCILL v2 (GPL v2 compatible)
+\end{itemize}
+}
+
+
+\frame{\frametitle{Partners}
+\begin{itemize}
+\item Sponsors:
+\begin{itemize}
+ \item CNRS
+ \item Huma-Num (ex TGE Adonis)
+ \item ANR
+ \item CREM
+ \item UPMC
+ \item Parisson
+\end{itemize}
+
+\vspace{0.25cm}
+
+\item Partners :
+\begin{itemize}
+\item IRIT (université Paul Sabatier, Toulouse 3)
+\item LIMSI (universités Pierre et Marie Curie (UPMC, Paris 6) et Paris-Sud)
+\item LAM (institut Jean Le Rond d'Alembert, UPMC)
+\item LABRI (université de Bordeaux)
+\item CREM (université Paris Ouest Nanterre La Défense)
+\item LESC (université Paris Ouest Nanterre La Défense)
+\item Museum d'Histoire Naturelle de Paris
+\item Musée du Quai Branly
+\end{itemize}
+
+\end{itemize}
+
+\begin{center}
+\begin{columns}[c]
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=1cm]{img/logo-CNRS}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
+\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
+\column{2cm}
+\begin{center}
+\pgfimage[width=1.2cm]{img/logo-mnhn}\end{center}
+\end{columns}
+\end{center}
+
+}
+
+
+\section{DIADEMS}
+\frame{\frametitle{DIADEMS : roadmap}
+\begin{center}
+\pgfimage[width=12cm]{img/TM_Roadmap}
+\end{center}
+}
+
+\frame{\frametitle{DIADEMS : TODO list}
+\begin{itemize}
+ \item TimeSide
+ \begin{itemize}
+ \item web server (django)
+ \item process task manager
+ \item full HTML5 zooming player (+ annotations, segmentations, etc..)
+ \item analyzer parameters (+ interface)
+ \item more filtering (FIR, IIR, phase vocoder)
+ \item \dchref{https://github.com/yomguy/TimeSide/issues}
+ \end{itemize}
+
+ \vspace{0.5cm}
+
+ \item Telemeta
+ \begin{itemize}
+ \item class based views
+ \item rewrite geolocation services
+ \item public and enhanced user playlists
+ \item smart breadcrumbs
+ \item better interactions with TimeSide
+ \item \dchref{http://telemeta.org/report/1}
+ \end{itemize}
+
+\end{itemize}
+
+}
+
+
+
+\frame{\frametitle{The end}
+ \begin{center}
+ \large{Thanks !} \\
+ \vspace{0.5cm}
+ \chref{http://telemeta.org}{telemeta.org}
+ \end{center}
+}
+
+\end{document}
\ No newline at end of file
--- /dev/null
+\documentclass[10pt, final, hyperref, table]{beamer}
+\mode<presentation>
+
+
+ %\usepackage[english]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+ \usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ?
+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+\usepackage{multimedia} % For playing sound
+
+\usepackage{hyperref}
+% Define hyperlinks color
+\definecolor{links}{HTML}{2A1B81}
+\hypersetup{colorlinks,linkcolor=,urlcolor=links}
+
+\usetheme{Madrid}
+\setbeamercovered{transparent}
+
+
+% telemeta red
+\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
+\usecolortheme[rgb={0.41568, 0.01176, 0.02745}]{structure}
+
+%\setbeamercolor{frametitle}{bg=telemetaRed}
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{0.95,0.95,1}
+\lstset{%
+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ frameround=tttt,
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\tiny, % the size of the fonts that are used for the code
+ stringstyle=\ttfamily, % typewriter type for strings
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+\title[TimeSide]{TimeSide\\\emph{ Open web audio processing framework}}
+
+\author{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}}
+
+
+\institute[Parisson]{
+ \inst{1}%
+ Parisson, Paris, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
+\vskip1ex
+ \begin{center}
+ \includegraphics[width=.5\linewidth]{../../Common/img/parisson_logo_FINALE_com.pdf}
+ \end{center}
+}
+\date{IRCAM - WAVE \\ 13/03/2014}
+
+
+\newcommand{\pyfile}{$\vcenter{\hbox{\includegraphics[width=1cm]{img/python-file.png}}}$}
+\newcommand{\gstreamer}{\href{http://www.gstreamer.freedesktop.org}{$\vcenter{\hbox{\includegraphics[width=0.20\textwidth]{img/Gstreamer-logo.png}}}$}}
+\begin{document}
+\begin{frame}
+ \maketitle
+\end{frame}
+
+\begin{frame}
+ \frametitle{TimeSide - Goals}%\scriptsize
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+\begin{block}{Server side - TimeSide Engine}
+
+ \begin{itemize}
+ \item \alert{Do} asynchronous and fast audio processing with Python,
+ \item \alert{Decode} audio frames from ANY format into numpy arrays,
+ \item \alert{Analyze} audio content with state-of-the-art audio feature extraction libraries,
+ \item \alert{Organize}, serialize and save analysis metadata through various formats,
+ \end{itemize}
+ \end{block}
+ \begin{block}{}
+ \begin{itemize}
+ \item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers,
+ \item \alert{Transcode} audio data in various media formats and stream them through web apps,
+
+ \end{itemize}
+
+\end{block}
+\begin{block}{Client side - TimeSide UI}
+ \begin{itemize}
+ \item \alert{Playback} and \alert{interact} on demand through a smart high-level HTML5 extensible player,
+ \item \alert{Index}, \alert{tag} and \alert{organize semantic metadata} \\
+(see \href{http://telemeta.org/}{Telemeta} which embeds TimeSide).
+\hfill $\vcenter{\hbox{\includegraphics[width=0.2\textwidth]{../../Common/img/logo_telemeta_1-1.pdf}}}$
+ % \begin{flushright}
+ % \includegraphics[width=0.2\textwidth]{../../Common/img/logo_telemeta_1-1.pdf}\\
+ % \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
+ %\end{flushright}
+ \end{itemize}
+\end{block}
+\end{frame}
+
+\begin{frame}
+ \frametitle{TimeSide Engine Architecture}
+ \begin{center}
+ \includegraphics[width=0.8\textwidth]{../../Common/img/timeside_schema_v3.pdf}
+ \end{center}
+\end{frame}
+\begin{frame}
+ \frametitle{Processors}
+ \begin{block}{4 types of processors}
+ \begin{itemize}
+ \item Decoder
+ \item Analyzer
+ \item Encoder
+ \item Grapher
+ \end{itemize}
+ \end{block}
+\pyfile : \texttt{timeside/api.py}, \texttt{timeside/core.py}
+\end{frame}
+
+\begin{frame}
+ \frametitle{Processors - Decoders}
+ \begin{block}{Decoders}
+ \begin{itemize}
+ \item FileDecoder: Decode audio through Gstreamer \gstreamer
+
+ \begin{itemize}
+ \item File source: an \texttt{uri}
+ \item A \alert{segment} of audio can be specified: \texttt{start, duration}
+ \end{itemize}
+
+ \item \alert{ArrayDecoder}: Use an Numpy array as source input
+ \item \alert{LiveDecoder}: Capture audio from an live input source
+ \end{itemize}
+ \end{block}
+\pyfile : \texttt{timeside/decoder/core.py}, \texttt{timeside/decoder/file.py}
+\end{frame}
+
+\begin{frame}
+ \frametitle{Processors - Encoders}
+ \begin{block}{Encoders}
+ \begin{itemize}
+ \item Support streaming to the server
+ \item Available formats (through Gstreamer) \gstreamer
+
+ \begin{itemize}
+ \item WavEncoder, FlacEncoder
+ \item AacEncoder, VorbisEncoder, Mp3Encoder
+ \item WebMEncoder, \alert{OpusEncoder}
+ \item LiveEncoder : Send sound to soundcard
+ \end{itemize}
+ \end{itemize}
+
+ \end{block}
+\pyfile : \texttt{timeside/encoder/core.py}, \texttt{timeside/encoder/mp3.py}
+\end{frame}
+
+\begin{frame}
+ \frametitle{Processors - Analyzers}
+ \begin{block}{Analyzers}
+ \begin{itemize}
+ \item Value Analyzers: Level, MeanDCShift
+ \item \alert{Wrapping of \emph{state-of-the-art} audio features library}:
+\begin{itemize}
+\item Aubio: \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }\\
+AubioTemporal, AubioPitch, AubioMfcc, AubioMelEnergy, AubioSpecdesc
+\item Yaafe: \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }
+\item Vamp plugins: \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex } VampSimpleHost
+\end{itemize}
+ \item \alert{Waveform}, \alert{Spectrogram}
+ \item Speech Activity Detection: \alert{IRITSpeechEntropy}, \alert{IRITSpeech4Hz}, LimsiSad
+ \item \alert{OnsetDetectionFunction}
+ \end{itemize}
+ \end{block}
+ \alert{$\rightarrow$ An analyzer can declare other analyzers as \emph{parents}}
+
+\pyfile : \texttt{timeside/analyzer/core.py}, \texttt{timeside/analyzer/odf.py}
+ \end{frame}
+\begin{frame}
+ \frametitle{Processors - Graphers}
+ \begin{block}{Graphers}
+ \begin{itemize}
+ \item Waveform
+ \item WaveformCentroid
+ \item \alert{WaveformTransparent}
+ \item WaveformContourBlack
+ \item WaveformContourWhite
+ \item SpectrogramLog
+ \item \alert{SpectrogramLinear}
+ \end{itemize}
+ \end{block}
+ \alert{$\rightarrow$ Possibility to define grapher from analyzer}
+ \end{frame}
+\begin{frame}
+ \frametitle{Principales nouveautés}
+ \begin{block}{}
+ \begin{itemize}
+ \item Version 0.5.4
+ \item Mise en place d'une documentation :
+ \url{http://files.parisson.com/timeside/doc/}
+
+ \item Installation par paquets Debian (Timeside + Aubio + Yaafe)
+ pour Debian Stable 7.0 Wheezy
+ \url{https://github.com/yomguy/TimeSide\#install}
+ \item Outil en \emph{ligne de commande} : \texttt{timeside-launch}
+ \item Décodeur : possibilité de lire un \alert{segment} de fichier audio
+ \end{itemize}
+ \end{block}
+ \begin{block}{Analyseurs - Sauvegarde des résultats}
+ \begin{itemize}
+ \item Amélioration de la sérialisation des resultats (xml, json,
+ yaml, \alert{numpy}, \alert{hdf5})
+ \item Ajout de fonctionnalités et \emph{Réusinage} de code en prévision de l'intégration de méthodes d'analyse automatique
+ \item Notion d'analyseur " \emph{parent} "
+ \end{itemize}
+
+ \end{block}
+\end{frame}
+
+\begin{frame}{Analyzer results container}
+\begin{block}{Results types}
+ Standardization of 8 different types of results:
+ \begin{itemize}
+ \item time\_mode : \texttt{global, event, segment, framewise}
+ \item data\_mode : \texttt{value, label}
+ \end{itemize}
+\end{block}
+\begin{block}{Metadata \& Data fields}
+ \begin{itemize}
+ \item Metadata:
+ \begin{itemize}
+ \item \texttt{id\_metadata}
+ \item \texttt{audio\_metadata}
+ \item \texttt{label\_metadata}
+ \item \texttt{frame\_metadata}
+ \item \texttt{parameters}
+ \end{itemize}
+ \item Data: \texttt{data\_object}
+ \end{itemize}
+
+\end{block}
+
+\end{frame}
+
+\begin{frame}[fragile]
+ \begin{block}{TimeSide - Github repository}
+ \begin{center}\scriptsize
+ \colorbox{yellow!50}{\bf \hskip3ex
+ \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+ \end{center}
+
+ \begin{itemize}
+ \item 3 main branches: master (0.5.2), dev, diadems
+ \end{itemize}
+ \end{block}
+ \begin{block}{Installation}
+\url{https://github.com/yomguy/TimeSide\#install}
+ \begin{itemize}
+ \item Installation des dépendances :
+\begin{lstlisting}[language=bash, basicstyle=\tiny]
+$ echo "deb http://debian.parisson.com/debian/ stable main" |
+$ sudo tee -a /etc/apt/sources.list
+$ echo "deb-src http://debian.parisson.com/debian/ stable main" | sudo tee -a /etc/apt/sources.list
+$ sudo apt-get update
+$ sudo apt-get install git
+$ sudo apt-get build-dep python-timeside
+\end{lstlisting}
+
+ \item Installation depuis le dépôt \emph{Github} :
+\begin{lstlisting}[language=bash, basicstyle=\tiny]
+$ git clone https://github.com/yomguy/TimeSide.git
+$ cd TimeSide
+$ git checkout dev
+$ export PYTHONPATH=$PYTHONPATH:`pwd`
+$ python tests/run_all_tests
+\end{lstlisting}
+\end{itemize}
+\end{block}
+\end{frame}
+
+
+\begin{frame}
+\frametitle{Détecteur de parole IRIT (4Hz modulation)}
+\begin{center}
+\includegraphics[width=0.8\linewidth]{img/irit_speech4hz}\\
+\href{sounds/CNRSMH_I_2013_202_001_06.mp3}{CNRSMH\_I\_2013\_202\_001\_06}
+\end{center}
+\end{frame}
+\begin{frame}\frametitle{Aubio Pitch + Aubio Beat}
+ \begin{center}
+\includegraphics[width=1.1\linewidth]{img/aubio_pitch_beat.png}\\
+\href{sounds/CNRSMH_E_1985_001_001_001_04.mp3}{CNRSMH\_E\_1985\_001\_001\_001\_04}
+\end{center}
+\end{frame}
+
+\begin{frame}\frametitle{Telemeta Player Mark}
+ \vspace{-1cm}
+ \begin{center}
+ \includegraphics[width=12cm]{../../Common/img/shots/player_mark.png}
+ \end{center}
+\end{frame}
+
+\begin{frame}
+\frametitle{DIADEMS Project}
+\begin{itemize}
+\item ANR project: \emph{Description, Indexation, Accès aux Documents EthnoMusicologiques et Sonores} \\
+(Description, Indexation, Access to Sound and Ethnomusicological Documents)\\
+\url{http://www.irit.fr/recherches/SAMOVA/DIADEMS}
+\item Partners:
+ \begin{itemize}
+ \item Ethnomusicology:
+ \begin{itemize}
+ \item CREM (Centre de Recherche en EthnoMusicologie),
+ Univ. Nanterre
+ \item MNHM (Museum National d'Histoire Naturelle)
+ \end{itemize}
+ \item Computer science, Music Informationa Retrieval, Speech Processing:
+ \begin{itemize}
+ \item IRIT, Toulouse
+ \item LAM, Paris 6
+ \item LIMSI, Orsay
+ \item LABRI, Bordeaux
+ \end{itemize}
+
+ \end{itemize}
+
+\end{itemize}
+\end{frame}
+\begin{frame}
+\frametitle{Goals}
+%\begin{block}{Thesaurus}
+\begin{itemize}
+\item Improvement of the Telemeta User Interface
+\item Enhance annotation interface and management
+\item Introduce automatic description, indexation, segmentation with music information retrieval, audio signal and speech processing technologies $\rightarrow$ \emph{TimeSide}
+\item Ethnomusicological metadata: \href{Thesaurus.html}{Thesaurus
+ Map}
+\end{itemize}
+
+%\end{block}
+\end{frame}
+\begin{frame}
+\frametitle{The End}
+\begin{center}
+ \LARGE Merci !
+\end{center}
+\end{frame}
+\end{document}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
--- /dev/null
+\documentclass[mathserif]{beamer}
+
+% FOR BEAMER SLIDES
+%\usepackage{palatino}
+%\usepackage{helvet}
+%\usepackage{eulervm}
+\usepackage{mathpazo}
+%\documentclass[sans,mathserif]{beamer}
+%\usepackage{kerkis}
+%\usepackage{kmath}
+\usepackage{beamerthemeCambridgeUS}
+%\usepackage{beamerthemeBoadilla}
+%\usepackage{beamerthemeDarmstadt}
+%\usepackage{beamerthemeGoettingen}
+\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
+\usepackage{colortbl}
+\usepackage{amsmath,amssymb,amsfonts}
+\usepackage{latexsym}
+\usepackage{amsthm}
+\usepackage{newlfont}
+\usepackage{url}
+\urlstyle{footnotesize}
+\usepackage[french]{babel}
+\usepackage[latin1]{inputenc}
+\columnsep 1cm
+\columnsep 1cm
+\definecolor{rouge}{rgb}{0.7,0.1,0.1}
+\newcommand{\chref}[2]{
+ \href{#1}{\color{rouge}\underline{#2}}
+}
+\newcommand{\dchref}[1]{
+ \href{#1}{\color{rouge}\underline{#1}}
+}
+\newcommand{\curl}[1]{
+ \color{rouge}\underline{\url{#1}}
+}
+\title{\textbf{Projet Telemeta}}
+\author{Anthroponet, CREM, MNHN, LAM, Parisson}
+\institute{Guillaume Pellerin (Parisson SARL) \\
+ Joséphine Simonnot (CREM)}
+\date{\today\ - v0.3.4}
+
+\begin{document}
+\frame{\titlepage}
+
+
+\section[Plan]{}
+\frame{\tableofcontents}
+
+\section{Introduction}
+
+\subsection{Le fond d'archives du CREM}
+\frame{\frametitle{Le fond d'archives du CREM}
+Un fond ethnomusicologique unique :
+\begin{itemize}
+ \item 4291 collections (inédit et édité)
+ \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
+ \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
+ \item 3500 heures de sons édités soit 4,5 To environ
+ \item 300 heures environ de video ($\approx$ 4 To)
+\end{itemize}
+\vspace{0.5cm}
+Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
+}
+
+
+\frame{\frametitle{Modèle de données du CREM}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=12cm]{img/data_model2}
+ \end{center}
+}
+
+
+\subsection{Vers la numérisation}
+\frame{\tableofcontents[currentsubsection]}
+
+\frame{\frametitle{L'archivage classique sur supports physiques}
+Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
+
+\begin{columns}[c]
+
+\column{6cm}
+\begin{itemize}
+ \item Buts :
+ \begin{itemize}
+ \item Conformité à l'oeuvre originale
+ \item Reproductibilité
+ \item Accessibilité
+ \end{itemize}
+ \item Problèmes :
+ \begin{itemize}
+ \item Fragilité : rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...
+ \item Nécessité d'appareils de lecture specifiques
+ \item Pérennité
+ \end{itemize}
+\end{itemize}
+\column{6cm}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
+\end{columns}
+
+}
+
+\frame{\frametitle{L'archivage sur disque dur}
+\begin{itemize}
+ \item Avantages :
+ \begin{itemize}
+ \item Information magnétique
+ \item Confinement et compacité
+ \item Vitesse et capacité d'accès (lecture et écriture)
+ \item $\Rightarrow$ Valorisation
+ \end{itemize}
+ \item Inconvénients :
+ \begin{itemize}
+ \item Maintenance (recopie)
+ \end{itemize}
+\end{itemize}
+\begin{center}
+\pgfimage[width=5cm]{img/HDMAXTOR}
+\end{center}
+}
+
+
+\section{Objectifs du projet Telemeta}
+\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Objectifs du projet Telemeta}
+\begin{itemize}
+ \item Pérenniser les archives audionumériques
+ \item Valoriser le patrimoine culturel par la consultation légale
+ \item Optimiser la transmission des méta-données (OAI-PMH)
+ \item Augmenter les capacités de recherche (web sémantique, interopérabilité, croisement de données)
+ \item Définir un systématisme de sauvegarde des oeuvres audiovisuelles
+\end{itemize}
+\vspace{3mm}
+\begin{center}
+$\Rightarrow$ Demande de financement à TGE Adonis
+\end{center}
+\begin{center}
+\begin{columns}[c]
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
+\end{center}\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
+\column{2cm}
+\begin{center}
+\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
+\end{columns}
+\end{center}
+}
+
+
+\section{Technologies}
+\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Telemeta : un projet libre et ouvert}
+\textbf{Les fondamentaux du logiciel libre :}
+\begin{itemize}
+ \item Pérenniser les ressources informatiques
+ \item Dynamiser le développement (partage, communautés internationales)
+ \item Limiter les coûts de déploiement à grande échelle
+\end{itemize}
+\vspace{3mm}
+\textbf{Briques 100\% 0pen Source :}
+\begin{itemize}
+ \item \chref{http://python.org}{Python} : langage \\
+ \item \chref{http://djangoproject.com}{Django} : framework \\
+ \item \chref{http://mysql.com}{MySQL} : base de données relationnelle \\
+ \item \chref{http://linux.com}{Linux} : noyau serveur \\
+ \item \chref{http://scipy.org}{Scipy}, \chref{http://www.ar.media.kyoto-u.ac.jp/members/david/softwares/audiolab/}{Audiolab} : traitement des signaux audio
+ \item \chref{http://www.cecill.info}{CeCILL} : licence libre conforme au droit français
+\end{itemize}
+}
+
+\frame{\frametitle{Les standards et normes utilisés par Telemeta}
+\begin{itemize}
+ \item Web :
+ \begin{itemize}
+ \item \chref{http://www.w3schools.com/html/}{HTML} : langage hypertextuel
+ \item \chref{http://www.w3.org/Style/CSS/}{CSS} : styles
+ \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
+ \end{itemize}
+ \item Audio :
+ \begin{itemize}
+ \item \chref{http://fr.wikipedia.org/wiki/WAVEform_audio_format}{WAV} : archivage audio brut
+ \item \chref{http://fr.wikipedia.org/wiki/MP3}{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
+ \item \chref{http://www.vorbis.com}{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
+ \item \chref{http://fr.wikipedia.org/wiki/FLAC}{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
+ \end{itemize}
+ \item Métadonnées :
+ \begin{itemize}
+ \item \chref{http://en.wikipedia.org/wiki/XML}{XML} (W3C)
+ \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
+ \item \chref{http://mysql.com}{SQL}
+ \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
+ \end{itemize}
+\end{itemize}
+}
+
+\frame{\frametitle{Plateforme communautaire de développement}
+\begin{center}
+\vspace{-0.2cm}
+\url{http://svn.parisson.org/telemeta/}
+ \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
+\end{center}
+}
+
+% \subsection{Architecture}
+% \frame{\frametitle{L'architecture de Telemeta}
+% \begin{center}
+% \vspace{-0.2cm}
+% \pgfimage[width=11cm]{img/architecture_fr}
+% \end{center}
+% }
+
+
+\section{Développement}
+\frame{\tableofcontents[currentsection]}
+
+\subsection{Version 0.3.2}
+
+\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
+ \begin{center}
+ \vspace{-0.3cm}
+ \pgfimage[width=12cm]{img/crem_telemeta-0.3.2}
+ \end{center}
+}
+
+
+% \subsection{Démonstration}
+% \frame{\tableofcontents[currentsubsection]}
+
+
+\subsection{Besoins}
+\frame{\frametitle{Objectifs pour une version 1.0 de production}
+Elements à programmer et/ou consolider pour la version 1.0 de production
+\begin{itemize}
+ \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
+ \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
+ \item \textbf{Sauvegarde} externe (audio + meta-données)
+ \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
+ \item \textbf{Marqueurs} temporels, lecture dynamique avec pièces attachées (texte, images)
+ \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
+ \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
+ \item Fonctions de test
+\end{itemize}
+}
+
+
+\frame{\frametitle{En route pour 0.4 (edition)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
+ \end{center}
+}
+
+
+\frame{\frametitle{En route pour 0.4 (vue item)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9cm]{img/maquette_v0.4_item_view}
+ \end{center}
+}
+
+
+
+\frame{\frametitle{Partenariats}
+Partenaires participants :
+\begin{itemize}
+ \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
+ \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
+ \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
+ \item Museum National d'Histoire Naturelle (\textbf{MNHN})
+ \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
+ \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
+\end{itemize}
+Partenaires potentiels :
+\begin{itemize}
+ \item Bibliothèque Nationale de France (\textbf{BNF})
+ \item Institut National de l'Audiovisuel (\textbf{INA})
+ \item Institut de Recherche et d'Innovation (\textbf{IRI})
+ \item Queen Mary University (\textbf{QMU}, Londres)
+\end{itemize}
+}
+
+
+\section{Conclusion et perspectives}
+\frame{\frametitle{Conclusion et perspectives}
+\begin{itemize}
+ \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
+ \item \textbf{Déploiement} et \textbf{pérennité} optimisés grâce à l'\textbf{Open Source}
+ \item \textbf{Intégration souple} de données ``métiers'' hétérogènes (sciences humaines et sciences informatiques)
+ \item Plateforme de \textbf{développement}
+ \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions
+ \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
+\end{itemize}
+}
+
+\frame{\frametitle{Merci !}
+ \begin{center}
+ \vspace{-0.2cm}
+ \dchref{http://telemeta.org}
+ \dchref{http://parisson.com}
+ \end{center}
+}
+
+
+\end{document}
\ No newline at end of file
--- /dev/null
+\documentclass[mathserif]{beamer}
+
+% FOR BEAMER SLIDES
+%\usepackage{palatino}
+%\usepackage{helvet}
+%\usepackage{eulervm}
+\usepackage{mathpazo}
+%\documentclass[sans,mathserif]{beamer}
+%\usepackage{kerkis}
+%\usepackage{kmath}
+\usepackage{beamerthemeCambridgeUS}
+%\usepackage{beamerthemeBoadilla}
+%\usepackage{beamerthemeDarmstadt}
+%\usepackage{beamerthemeGoettingen}
+\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
+\usepackage{colortbl}
+\usepackage{amsmath,amssymb,amsfonts}
+\usepackage{latexsym}
+\usepackage{amsthm}
+\usepackage{newlfont}
+\usepackage{url}
+\urlstyle{footnotesize}
+\usepackage[french]{babel}
+\usepackage[latin1]{inputenc}
+\columnsep 1cm
+\columnsep 1cm
+\definecolor{rouge}{rgb}{0.7,0.1,0.1}
+\newcommand{\chref}[2]{
+ \href{#1}{\color{rouge}\underline{#2}}
+}
+\newcommand{\dchref}[1]{
+ \href{#1}{\color{rouge}\underline{#1}}
+}
+\newcommand{\curl}[1]{
+ \color{rouge}\underline{\url{#1}}
+}
+\title{\textbf{Projet Telemeta}}
+\author{Anthroponet, CREM, MNHN, LAM, Parisson}
+\institute{Guillaume Pellerin (Parisson SARL) \\
+ Joséphine Simonnot (CREM)}
+\date{\today\ - v0.3.4}
+
+\begin{document}
+\frame{\titlepage}
+
+
+\section[Plan]{}
+\frame{\tableofcontents}
+
+\section{Introduction}
+
+\subsection{Le fond d'archives du CREM}
+\frame{\frametitle{Le fond d'archives du CREM}
+Un fond ethnomusicologique unique :
+\begin{itemize}
+ \item 4291 collections (inédit et édité)
+ \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
+ \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
+ \item 3500 heures de sons édités soit 4,5 To environ
+ \item 300 heures environ de video ($\approx$ 4 To)
+\end{itemize}
+\vspace{0.5cm}
+Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
+}
+
+
+\frame{\frametitle{Modèle de données du CREM}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=12cm]{img/data_model2}
+ \end{center}
+}
+
+
+\subsection{Vers la numérisation}
+\frame{\tableofcontents[currentsubsection]}
+
+\frame{\frametitle{L'archivage classique sur supports physiques}
+Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
+
+\begin{columns}[c]
+
+\column{6cm}
+\begin{itemize}
+ \item Buts :
+ \begin{itemize}
+ \item Conformité à l'oeuvre originale
+ \item Reproductibilité
+ \item Accessibilité
+ \end{itemize}
+ \item Problèmes :
+ \begin{itemize}
+ \item Fragilité : rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...
+ \item Nécessité d'appareils de lecture specifiques
+ \item Pérennité
+ \end{itemize}
+\end{itemize}
+\column{6cm}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
+\end{columns}
+
+}
+
+\frame{\frametitle{L'archivage sur disque dur}
+\begin{itemize}
+ \item Avantages :
+ \begin{itemize}
+ \item Information magnétique
+ \item Confinement et compacité
+ \item Vitesse et capacité d'accès (lecture et écriture)
+ \item $\Rightarrow$ Valorisation
+ \end{itemize}
+ \item Inconvénients :
+ \begin{itemize}
+ \item Maintenance (recopie)
+ \end{itemize}
+\end{itemize}
+\begin{center}
+\pgfimage[width=5cm]{img/HDMAXTOR}
+\end{center}
+}
+
+
+\section{Objectifs du projet Telemeta}
+\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Objectifs du projet Telemeta}
+\begin{itemize}
+ \item Pérenniser les archives audionumériques
+ \item Valoriser le patrimoine culturel par la consultation légale
+ \item Optimiser la transmission des méta-données (OAI-PMH)
+ \item Augmenter les capacités de recherche (web sémantique, interopérabilité, croisement de données)
+ \item Définir un systématisme de sauvegarde des oeuvres audiovisuelles
+\end{itemize}
+\vspace{3mm}
+\begin{center}
+$\Rightarrow$ Demande de financement à TGE Adonis
+\end{center}
+\begin{center}
+\begin{columns}[c]
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
+\end{center}\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
+\column{2cm}
+\begin{center}
+\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
+\end{columns}
+\end{center}
+}
+
+
+\section{Technologies}
+\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Telemeta : un projet libre et ouvert}
+\textbf{Les fondamentaux du logiciel libre :}
+\begin{itemize}
+ \item Pérenniser les ressources informatiques
+ \item Dynamiser le développement (partage, communautés internationales)
+ \item Limiter les coûts de déploiement à grande échelle
+\end{itemize}
+\vspace{3mm}
+\textbf{Briques 100\% 0pen Source :}
+\begin{itemize}
+ \item \chref{http://python.org}{Python} : langage \\
+ \item \chref{http://djangoproject.com}{Django} : framework \\
+ \item \chref{http://mysql.com}{MySQL} : base de données relationnelle \\
+ \item \chref{http://linux.com}{Linux} : noyau serveur \\
+ \item \chref{http://scipy.org}{Scipy}, \chref{http://www.ar.media.kyoto-u.ac.jp/members/david/softwares/audiolab/}{Audiolab} : traitement des signaux audio
+ \item \chref{http://www.cecill.info}{CeCILL} : licence libre conforme au droit français
+\end{itemize}
+}
+
+\frame{\frametitle{Les standards et normes utilisés par Telemeta}
+\begin{itemize}
+ \item Web :
+ \begin{itemize}
+ \item \chref{http://www.w3schools.com/html/}{HTML} : langage hypertextuel
+ \item \chref{http://www.w3.org/Style/CSS/}{CSS} : styles
+ \item \chref{http://fr.wikipedia.org/wiki/Structured_Query_Language}{SQL} : base de données
+ \end{itemize}
+ \item Audio :
+ \begin{itemize}
+ \item \chref{http://fr.wikipedia.org/wiki/WAVEform_audio_format}{WAV} : archivage audio brut
+ \item \chref{http://fr.wikipedia.org/wiki/MP3}{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
+ \item \chref{http://www.vorbis.com}{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
+ \item \chref{http://fr.wikipedia.org/wiki/FLAC}{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
+ \end{itemize}
+ \item Métadonnées :
+ \begin{itemize}
+ \item \chref{http://en.wikipedia.org/wiki/XML}{XML} (W3C)
+ \item \chref{http://dublincore.org/}{DublinCore} (OAI-PMH)
+ \item \chref{http://mysql.com}{SQL}
+ \item \chref{http://www.w3.org/TR/owl-features/}{OWL} : Web Ontology Language
+ \end{itemize}
+\end{itemize}
+}
+
+\frame{\frametitle{Plateforme communautaire de développement}
+\begin{center}
+\vspace{-0.2cm}
+\url{http://svn.parisson.org/telemeta/}
+ \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
+\end{center}
+}
+
+% \subsection{Architecture}
+% \frame{\frametitle{L'architecture de Telemeta}
+% \begin{center}
+% \vspace{-0.2cm}
+% \pgfimage[width=11cm]{img/architecture_fr}
+% \end{center}
+% }
+
+
+\section{Développement}
+\frame{\tableofcontents[currentsection]}
+
+\subsection{Version 0.3.2}
+
+\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
+ \begin{center}
+ \vspace{-0.3cm}
+ \pgfimage[width=12cm]{img/crem_telemeta-0.3.2}
+ \end{center}
+}
+
+
+% \subsection{Démonstration}
+% \frame{\tableofcontents[currentsubsection]}
+
+
+\subsection{Besoins}
+\frame{\frametitle{Objectifs pour une version 1.0 de production}
+Elements à programmer et/ou consolider pour la version 1.0 de production
+\begin{itemize}
+ \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
+ \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
+ \item \textbf{Sauvegarde} externe (audio + meta-données)
+ \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
+ \item \textbf{Marqueurs} temporels, lecture dynamique avec pièces attachées (texte, images)
+ \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
+ \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
+ \item Fonctions de test
+\end{itemize}
+}
+
+
+\frame{\frametitle{En route pour 0.4 (edition)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
+ \end{center}
+}
+
+
+\frame{\frametitle{En route pour 0.4 (vue item)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9cm]{img/maquette_v0.4_item_view}
+ \end{center}
+}
+
+
+
+\frame{\frametitle{Partenariats}
+Partenaires participants :
+\begin{itemize}
+ \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
+ \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
+ \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
+ \item Museum National d'Histoire Naturelle (\textbf{MNHN})
+ \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
+ \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
+\end{itemize}
+Partenaires potentiels :
+\begin{itemize}
+ \item Bibliothèque Nationale de France (\textbf{BNF})
+ \item Institut National de l'Audiovisuel (\textbf{INA})
+ \item Institut de Recherche et d'Innovation (\textbf{IRI})
+ \item Queen Mary University (\textbf{QMU}, Londres)
+\end{itemize}
+}
+
+
+\section{Conclusion et perspectives}
+\frame{\frametitle{Conclusion et perspectives}
+\begin{itemize}
+ \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
+ \item \textbf{Déploiement} et \textbf{pérennité} optimisés grâce à l'\textbf{Open Source}
+ \item \textbf{Intégration souple} de données ``métiers'' hétérogènes (sciences humaines et sciences informatiques)
+ \item Plateforme de \textbf{développement}
+ \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions
+ \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
+\end{itemize}
+}
+
+\frame{\frametitle{Merci !}
+ \begin{center}
+ \vspace{-0.2cm}
+ \dchref{http://telemeta.org}
+ \dchref{http://parisson.com}
+ \end{center}
+}
+
+
+\end{document}
\ No newline at end of file
--- /dev/null
+../../Common/img
\ No newline at end of file
--- /dev/null
+../../Common/pdf_article_profile.sty
\ No newline at end of file
--- /dev/null
+\documentclass[mathserif]{beamer}
+
+% FOR BEAMER SLIDES
+%\usepackage{palatino}
+%\usepackage{helvet}
+%\usepackage{eulervm}
+\usepackage{mathpazo}
+%\documentclass[sans,mathserif]{beamer}
+%\usepackage{kerkis}
+%\usepackage{kmath}
+\usepackage{beamerthemeCambridgeUS}
+%\usepackage{beamerthemeBoadilla}
+%\usepackage{beamerthemeDarmstadt}
+%\usepackage{beamerthemeGoettingen}
+\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
+\usepackage{colortbl}
+\usepackage{amsmath,amssymb,amsfonts}
+\usepackage{latexsym}
+\usepackage{amsthm}
+\usepackage{newlfont}
+\usepackage{url}
+\urlstyle{footnotesize}
+\usepackage[french]{babel}
+\usepackage[latin1]{inputenc}
+\columnsep 1cm
+\title{\textbf{Projet Telemeta}}
+\author{CREM, MMSH, LAM, Anthroponet, Parisson}
+\institute{TGE ADONIS}
+\date{\today\ - v0.3.2}
+
+\begin{document}
+\frame{\titlepage}
+
+
+\section[Plan]{}
+\frame{\tableofcontents}
+
+\section{Introduction}
+
+\subsection{Les systèmes d'archivage}
+
+\frame{\frametitle{L'archivage classique sur supports physiques}
+Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
+
+\begin{columns}[c]
+
+\column{6cm}
+\begin{itemize}
+ \item Buts :
+ \begin{itemize}
+ \item Conformité à l'oeuvre originale
+ \item Reproductibilité
+ \item Accessibilité
+ \end{itemize}
+ \item Problèmes :
+ \begin{itemize}
+ \item Fragilité : rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...
+ \item Nécessité d'appareils de lecture specifiques
+ \item Pérennité
+ \end{itemize}
+\end{itemize}
+\column{6cm}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
+\end{columns}
+
+}
+
+\frame{\frametitle{L'archivage sur disque dur}
+\begin{itemize}
+ \item Avantages :
+ \begin{itemize}
+ \item Information magnétique
+ \item Confinement et compacité
+ \item Vitesse et capacité d'accès (lecture et écriture)
+ \item $\Rightarrow$ Valorisation
+ \end{itemize}
+ \item Inconvénients :
+ \begin{itemize}
+ \item Maintenance (recopie)
+ \end{itemize}
+\end{itemize}
+\begin{center}
+\pgfimage[width=5cm]{img/HDMAXTOR}
+\end{center}
+}
+
+
+\subsection{Exemple : Le fond d'archives du CREM}
+\frame{\frametitle{Le fond d'archives du CREM}
+Un fond ethnomusicologique unique :
+\begin{itemize}
+ \item 4291 collections (inédit et édité)
+ \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
+ \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
+ \item 3500 heures de sons édités soit 4,5 To environ
+ \item 300 heures environ de video ($\approx$ 4 To)
+\end{itemize}
+\vspace{0.5cm}
+Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
+}
+
+\frame{\frametitle{La base de données (logiciel 4D)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=8.5cm]{img/ethnomus4D}
+ \end{center}
+}
+
+
+\subsection{Objectifs du projet Telemeta}
+\frame{\frametitle{Objectifs du projet Telemeta}
+\begin{itemize}
+ \item Pérenniser les archives audionumériques
+ \item Valoriser le patrimoine culturel par la consultation légale
+ \item optimiser la transmission des méta-données
+ \item Augmenter les capacités de recherche (web sémantique, interopérabilité, croisement de données)
+ \item Définir un systématisme de sauvegarde des oeuvres audiovisuelles
+\end{itemize}
+\vspace{3mm}
+\begin{center}
+$\Rightarrow$ Demande de financement de TGE Adonis
+\end{center}
+\begin{center}
+\begin{columns}[c]
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
+\end{center}\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
+\column{2cm}
+\begin{center}
+\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
+\end{columns}
+\end{center}
+}
+
+
+\section{Moyens}
+\frame{\tableofcontents[currentsection]}
+
+\subsection{Technologies}
+\frame{\frametitle{Les technologies utilisées par Telemeta}
+Open Source :
+\begin{itemize}
+ \item Licence CeCILL
+ \item Pérennise les ressources
+ \item Dynamise le développement (partage, communautés internationales)
+ \item Limiter les coûts à grande échelle
+\end{itemize}
+
+Briques :
+\begin{itemize}
+ \item Python : langage\\
+ \url{http://python.org}
+ \item Django : framework \\
+ \url{http://djangoproject.com}
+ \item MySQL : base de données relationnelle\\
+ \url{http://mysql.com}
+ \item Linux, OSX, Windows : système multi-plateforme
+\end{itemize}
+}
+
+\subsection{Standards}
+\frame{\frametitle{Les standards et normes utilisés par Telemeta}
+\begin{itemize}
+ \item Web :
+ \begin{itemize}
+ \item HTML : langage hypertextuel
+ \item CSS : styles
+ \item SQL : base de données
+ \end{itemize}
+ \item Audio :
+ \begin{itemize}
+ \item WAV : archivage audio brut
+ \item MP3, MP4 : compression avec pertes, largement utilisé, encapsulation partielle
+ \item OGG Vorbis : compression avec pertes, open source, encapsulation totale
+ \item FLAC : compression sans pertes, multi-pistes, open source, encapsulation totale
+ \end{itemize}
+ \item Métadonnées :
+ \begin{itemize}
+ \item XML (W3C)
+ \item DublinCore (OAI-PMH)
+ \item exports SQL
+ \item (OWL : Web Ontology Language)
+ \end{itemize}
+\end{itemize}
+}
+
+\subsection{Développement}
+\frame{\frametitle{Plateforme communautaire de développement}
+\begin{center}
+\vspace{-0.2cm}
+\url{http://svn.parisson.org/telemeta/}
+ \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
+\end{center}
+}
+
+\subsection{Architecture}
+\frame{\frametitle{L'architecture de Telemeta}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=11cm]{img/architecture_fr}
+ \end{center}
+}
+
+
+\section{Développements}
+\frame{\tableofcontents[currentsection]}
+
+\subsection{Version 0.3.1}
+
+\frame{\frametitle{Modèle de données du CREM}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=12cm]{img/data_model2}
+ \end{center}
+}
+
+\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=11cm]{img/crem_telemeta_01}
+ \end{center}
+}
+
+
+\subsection{Démonstration}
+\frame{\tableofcontents[currentsubsection]}
+
+
+\subsection{Besoins}
+\frame{\tableofcontents[currentsubsection]}
+\frame{\frametitle{Atteindre une version 1.0 de production}
+Elements à programmer et/ou consolider
+\begin{itemize}
+ \item Intégration du workflow
+ \item Thésaurus thématiques, ontologies de recherche
+ \item Sauvegarde externe
+ \item Compléter la vue DublinCore (moissonneuses)
+ \item Marqueurs temporels, lecture dynamique avec pièces attachées
+ \item Données issues de l'analyse du signal (transitoires, voisins fréquentiels,...)
+ \item Specifications pour les composants
+ \item Fonctions de test
+\end{itemize}
+}
+
+
+\frame{\frametitle{En route pour 0.4 (edition)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
+ \end{center}
+}
+
+
+\frame{\frametitle{Partenariats}
+Partenaires participants :
+\begin{itemize}
+ \item Centre de Recherche en Ethnomusicologie (CREM) du Laboratoire d'Ethnologie et de Sociologie Comparée (LESC), UMR 7186
+ \item Médiathèque Eric-de-Dampierre de la MAE, Nanterre
+ \item Equipe Lutheries, Acoustique et Musique (LAM) de l'Institut Jean le Rond d'Alembert (IJLRA), UMR 7190
+ \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (MMSH)
+\end{itemize}
+Partenaires potentiels :
+\begin{itemize}
+ \item Museum National d'Histoire Naturelle (MNHN)
+ \item Bibliothèque Nationale de France (BNF)
+ \item Musée des Civilisations de l'Europe de la Méditerranée (MuCEM)
+ \item Institut de Recherche et d'Innovation (IRI)
+ \item Queen Mary University (Londres)
+\end{itemize}
+}
+
+
+\section{Conclusion et perspectives}
+\frame{\frametitle{Conclusion et perspectives}
+\begin{itemize}
+ \item Technologie prometteuse pour la sauvegarde et la valorisation du patrimoine
+ \item Système intégrant des données issues des sciences humaines et des sciences informatiques
+ \item Déploiement facilité grâce à l'open source
+ \item Plateforme de développement
+ \item Système de composants facilitant l'intégration de nouvelles fonctions
+ \item Nécessite un financement pour le développement et le déploiement des ressources à un niveau national et international
+\end{itemize}
+}
+
+\frame{\frametitle{Merci !}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9cm]{img/maquette_v0.4_item_view}
+ \end{center}
+}
+
+
+\end{document}
\ No newline at end of file
--- /dev/null
+\documentclass[mathserif]{beamer}
+
+% FOR BEAMER SLIDES
+%\usepackage{palatino}
+%\usepackage{helvet}
+%\usepackage{eulervm}
+\usepackage{mathpazo}
+%\documentclass[sans,mathserif]{beamer}
+%\usepackage{kerkis}
+%\usepackage{kmath}
+\usepackage{beamerthemeCambridgeUS}
+%\usepackage{beamerthemeBoadilla}
+%\usepackage{beamerthemeDarmstadt}
+%\usepackage{beamerthemeGoettingen}
+\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
+\usepackage{colortbl}
+\usepackage{amsmath,amssymb,amsfonts}
+\usepackage{latexsym}
+\usepackage{amsthm}
+\usepackage{newlfont}
+\usepackage{url}
+\urlstyle{footnotesize}
+\usepackage[french]{babel}
+\usepackage[latin1]{inputenc}
+\columnsep 1cm
+\title{\textbf{Projet Telemeta}}
+\author{Anthroponet, CREM, MMSH, LAM, Parisson}
+\institute{TGE ADONIS, Valpré}
+\date{\today\ - v0.3.3}
+
+\begin{document}
+\frame{\titlepage}
+
+
+\section[Plan]{}
+\frame{\tableofcontents}
+
+\section{Introduction}
+
+\subsection{Le fond d'archives du CREM}
+\frame{\frametitle{Le fond d'archives du CREM}
+Un fond ethnomusicologique unique :
+\begin{itemize}
+ \item 4291 collections (inédit et édité)
+ \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
+ \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
+ \item 3500 heures de sons édités soit 4,5 To environ
+ \item 300 heures environ de video ($\approx$ 4 To)
+\end{itemize}
+\vspace{0.5cm}
+Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
+}
+
+
+\frame{\frametitle{Modèle de données du CREM}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=12cm]{img/data_model2}
+ \end{center}
+}
+
+
+\subsection{Vers la numérisation}
+\frame{\tableofcontents[currentsubsection]}
+
+\frame{\frametitle{L'archivage classique sur supports physiques}
+Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
+
+\begin{columns}[c]
+
+\column{6cm}
+\begin{itemize}
+ \item Buts :
+ \begin{itemize}
+ \item Conformité à l'oeuvre originale
+ \item Reproductibilité
+ \item Accessibilité
+ \end{itemize}
+ \item Problèmes :
+ \begin{itemize}
+ \item Fragilité : rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...
+ \item Nécessité d'appareils de lecture specifiques
+ \item Pérennité
+ \end{itemize}
+\end{itemize}
+\column{6cm}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
+\end{columns}
+
+}
+
+\frame{\frametitle{L'archivage sur disque dur}
+\begin{itemize}
+ \item Avantages :
+ \begin{itemize}
+ \item Information magnétique
+ \item Confinement et compacité
+ \item Vitesse et capacité d'accès (lecture et écriture)
+ \item $\Rightarrow$ Valorisation
+ \end{itemize}
+ \item Inconvénients :
+ \begin{itemize}
+ \item Maintenance (recopie)
+ \end{itemize}
+\end{itemize}
+\begin{center}
+\pgfimage[width=5cm]{img/HDMAXTOR}
+\end{center}
+}
+
+
+\section{Objectifs du projet Telemeta}
+\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Objectifs du projet Telemeta}
+\begin{itemize}
+ \item Pérenniser les archives audionumériques
+ \item Valoriser le patrimoine culturel par la consultation légale
+ \item Optimiser la transmission des méta-données
+ \item Augmenter les capacités de recherche (web sémantique, interopérabilité, croisement de données)
+ \item Définir un systématisme de sauvegarde des oeuvres audiovisuelles
+\end{itemize}
+\vspace{3mm}
+\begin{center}
+$\Rightarrow$ Demande de financement à TGE Adonis
+\end{center}
+\begin{center}
+\begin{columns}[c]
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
+\end{center}\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
+\column{2cm}
+\begin{center}
+\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
+\end{columns}
+\end{center}
+}
+
+
+\section{Technologies}
+\frame{\tableofcontents[currentsection]}
+
+\frame{\frametitle{Les fondements du projet Telemeta}
+\textbf{100\% Open Source} :
+\begin{itemize}
+ \item Licence CeCILL
+ \item Pérennise les ressources
+ \item Dynamise le développement (partage, communautés internationales)
+ \item Limite les coûts de déploiement à grande échelle
+\end{itemize}
+
+Briques :
+\begin{itemize}
+ \item \textbf{Python} : langage\\
+ \url{http://python.org}
+ \item \textbf{Django} : framework \\
+ \url{http://djangoproject.com}
+ \item \textbf{MySQL} : base de données relationnelle\\
+ \url{http://mysql.com}
+ \item \textbf{Linux}, OSX, Windows : système multi-plateforme
+\end{itemize}
+}
+
+\frame{\frametitle{Les standards et normes utilisés par Telemeta}
+\begin{itemize}
+ \item Web :
+ \begin{itemize}
+ \item \textbf{HTML} : langage hypertextuel
+ \item \textbf{CSS} : styles
+ \item \textbf{SQL} : base de données
+ \end{itemize}
+ \item Audio :
+ \begin{itemize}
+ \item \textbf{WAV} : archivage audio brut
+ \item \textbf{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
+ \item \textbf{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
+ \item \textbf{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
+ \end{itemize}
+ \item Métadonnées :
+ \begin{itemize}
+ \item \textbf{XML} (W3C)
+ \item \textbf{DublinCore} (OAI-PMH)
+ \item exports \textbf{SQL}
+ \item (\textbf{OWL} : Web Ontology Language)
+ \end{itemize}
+\end{itemize}
+}
+
+\frame{\frametitle{Plateforme communautaire de développement}
+\begin{center}
+\vspace{-0.2cm}
+\url{http://svn.parisson.org/telemeta/}
+ \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
+\end{center}
+}
+
+% \subsection{Architecture}
+% \frame{\frametitle{L'architecture de Telemeta}
+% \begin{center}
+% \vspace{-0.2cm}
+% \pgfimage[width=11cm]{img/architecture_fr}
+% \end{center}
+% }
+
+
+\section{Développement}
+\frame{\tableofcontents[currentsection]}
+
+\subsection{Version 0.3.2}
+
+\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
+ \begin{center}
+ \vspace{-0.3cm}
+ \pgfimage[width=12cm]{img/crem_telemeta-0.3.2}
+ \end{center}
+}
+
+
+% \subsection{Démonstration}
+% \frame{\tableofcontents[currentsubsection]}
+
+
+\subsection{Besoins}
+\frame{\frametitle{Objectifs pour une version 1.0 de production}
+Elements à programmer et/ou consolider pour la version 1.0 de production
+\begin{itemize}
+ \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
+ \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
+ \item \textbf{Sauvegarde} externe (audio + meta-données)
+ \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
+ \item \textbf{Marqueurs} temporels, lecture dynamique avec pièces attachées (texte, images)
+ \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
+ \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
+ \item Fonctions de test
+\end{itemize}
+}
+
+
+\frame{\frametitle{En route pour 0.4 (edition)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
+ \end{center}
+}
+
+
+\frame{\frametitle{Partenariats}
+Partenaires participants :
+\begin{itemize}
+ \item Centre de Recherche en Ethnomusicologie (\textbf{CREM}) du Laboratoire d'Ethnologie et de Sociologie Comparée (\textbf{LESC}), UMR 7186
+ \item Médiathèque Eric-de-Dampierre de la \textbf{MAE}, Nanterre
+ \item Equipe Lutheries, Acoustique et Musique (\textbf{LAM}) de l'Institut Jean le Rond d'Alembert (\textbf{IJLRA}), UMR 7190
+ \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (\textbf{MMSH})
+\end{itemize}
+Partenaires potentiels :
+\begin{itemize}
+ \item Museum National d'Histoire Naturelle (\textbf{MNHN})
+ \item Bibliothèque Nationale de France (\textbf{BNF})
+ \item Musée des Civilisations de l'Europe de la Méditerranée (\textbf{MuCEM})
+ \item Institut de Recherche et d'Innovation (\textbf{IRI})
+ \item Queen Mary University (\textbf{QMU}, Londres)
+\end{itemize}
+}
+
+
+\section{Conclusion et perspectives}
+\frame{\frametitle{Conclusion et perspectives}
+\begin{itemize}
+ \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
+ \item \textbf{Déploiement} et \textbf{pérennité} optimisés grâce à l'\textbf{Open Source}
+ \item \textbf{Intégration souple} de données ``métiers'' hétérogènes (sciences humaines et sciences informatiques)
+ \item Plateforme de \textbf{développement}
+ \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions
+ \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
+\end{itemize}
+}
+
+\frame{\frametitle{Merci !}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9cm]{img/maquette_v0.4_item_view}
+ \end{center}
+}
+
+
+\end{document}
\ No newline at end of file
--- /dev/null
+\documentclass[mathserif]{beamer}
+
+% FOR BEAMER SLIDES
+%\usepackage{palatino}
+%\usepackage{helvet}
+%\usepackage{eulervm}
+\usepackage{mathpazo}
+%\documentclass[sans,mathserif]{beamer}
+%\usepackage{kerkis}
+%\usepackage{kmath}
+\usepackage{beamerthemeCambridgeUS}
+%\usepackage{beamerthemeBoadilla}
+%\usepackage{beamerthemeDarmstadt}
+%\usepackage{beamerthemeGoettingen}
+\usepackage{pgf,pgfarrows,pgfnodes,pgfautomata,pgfheaps,pgfshade}
+\usepackage{colortbl}
+\usepackage{amsmath,amssymb,amsfonts}
+\usepackage{latexsym}
+\usepackage{amsthm}
+\usepackage{newlfont}
+\usepackage{url}
+\urlstyle{footnotesize}
+\usepackage[french]{babel}
+\usepackage[latin1]{inputenc}
+\columnsep 1cm
+\title{\textbf{Projet Telemeta}}
+\author{Anthroponet, CREM, MMSH, LAM, Parisson}
+\institute{TGE ADONIS}
+\date{\today\ - v0.3.3}
+
+\begin{document}
+\frame{\titlepage}
+
+
+\section[Plan]{}
+\frame{\tableofcontents}
+
+\section{Introduction}
+
+\subsection{Les systèmes d'archivage}
+
+\frame{\frametitle{L'archivage classique sur supports physiques}
+Supports typiques : cylindres de cires, bandes magnétiques analogiques, disques vinyles, DAT, CD, etc...
+
+\begin{columns}[c]
+
+\column{6cm}
+\begin{itemize}
+ \item Buts :
+ \begin{itemize}
+ \item Conformité à l'oeuvre originale
+ \item Reproductibilité
+ \item Accessibilité
+ \end{itemize}
+ \item Problèmes :
+ \begin{itemize}
+ \item Fragilité : rayures, fissures, changement de phase du matériau, syndrôme du vinaigre,...
+ \item Nécessité d'appareils de lecture specifiques
+ \item Pérennité
+ \end{itemize}
+\end{itemize}
+\column{6cm}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi2}}
+\framebox{\pgfimage[width=5cm]{img/CD-Moisi}}
+\end{columns}
+
+}
+
+\frame{\frametitle{L'archivage sur disque dur}
+\begin{itemize}
+ \item Avantages :
+ \begin{itemize}
+ \item Information magnétique
+ \item Confinement et compacité
+ \item Vitesse et capacité d'accès (lecture et écriture)
+ \item $\Rightarrow$ Valorisation
+ \end{itemize}
+ \item Inconvénients :
+ \begin{itemize}
+ \item Maintenance (recopie)
+ \end{itemize}
+\end{itemize}
+\begin{center}
+\pgfimage[width=5cm]{img/HDMAXTOR}
+\end{center}
+}
+
+
+\subsection{Exemple : Le fond d'archives du CREM}
+\frame{\frametitle{Le fond d'archives du CREM}
+Un fond ethnomusicologique unique :
+\begin{itemize}
+ \item 4291 collections (inédit et édité)
+ \item Actuellement 22101 fiches documentaires comportant 50 champs en moyenne (60000 environ à terme)
+ \item 3250 heures de sons inédits soit 4 To environ + montages et copies diverses
+ \item 3500 heures de sons édités soit 4,5 To environ
+ \item 300 heures environ de video ($\approx$ 4 To)
+\end{itemize}
+\vspace{0.5cm}
+Besoins en numérisation, en traitement documentaire (reste 65\% du fond à effectuer) et en \textbf{valorisation} ! \\
+}
+
+\frame{\frametitle{La base de données (logiciel 4D)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=8.5cm]{img/ethnomus4D}
+ \end{center}
+}
+
+
+\subsection{Objectifs du projet Telemeta}
+\frame{\frametitle{Objectifs du projet Telemeta}
+\begin{itemize}
+ \item Pérenniser les archives audionumériques
+ \item Valoriser le patrimoine culturel par la consultation légale
+ \item optimiser la transmission des méta-données
+ \item Augmenter les capacités de recherche (web sémantique, interopérabilité, croisement de données)
+ \item Définir un systématisme de sauvegarde des oeuvres audiovisuelles
+\end{itemize}
+\vspace{3mm}
+\begin{center}
+$\Rightarrow$ Demande de financement de TGE Adonis
+\end{center}
+\begin{center}
+\begin{columns}[c]
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2cm]{img/logo_telemeta_sat}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/Logo-CREM-La.jpg}
+\end{center}\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/titreMMSH2}\end{center}
+\column{2cm}
+\begin{center}
+\pgfimage[width=1.5cm]{img/LAMlogonew03}\end{center}
+\column{2.5cm}
+\begin{center}
+\pgfimage[width=2.5cm]{img/parisson_logo_200}\end{center}
+\end{columns}
+\end{center}
+}
+
+
+\section{Moyens}
+\frame{\tableofcontents[currentsection]}
+
+\subsection{Technologies}
+\frame{\frametitle{Les fondements de Telemeta}
+\textbf{100\% Open Source :}
+\begin{itemize}
+ \item Licence CeCILL
+ \item Pérennise les ressources
+ \item Dynamise le développement (partage, communautés internationales)
+ \item Limiter les coûts à grande échelle
+\end{itemize}
+
+Briques :
+\begin{itemize}
+ \item \textbf{Python} : langage\\
+ \url{http://python.org}
+ \item \textbf{Django} : framework \\
+ \url{http://djangoproject.com}
+ \item \textbf{MySQL} : base de données relationnelle\\
+ \url{http://mysql.com}
+ \item \textbf{Linux}, OSX, Windows : système multi-plateforme
+\end{itemize}
+}
+
+\subsection{Standards}
+\frame{\frametitle{Les standards et normes utilisés par Telemeta}
+\begin{itemize}
+ \item Web :
+ \begin{itemize}
+ \item \textbf{HTML} : langage hypertextuel
+ \item \textbf{CSS} : styles
+ \item \textbf{SQL} : base de données
+ \end{itemize}
+ \item Audio :
+ \begin{itemize}
+ \item \textbf{WAV} : archivage audio brut
+ \item \textbf{MP3, MP4} : compression avec pertes, largement utilisé, encapsulation partielle
+ \item \textbf{OGG Vorbis} : compression avec pertes, open source, encapsulation totale
+ \item \textbf{FLAC} : compression sans pertes, multi-pistes, open source, encapsulation totale
+ \end{itemize}
+ \item Métadonnées :
+ \begin{itemize}
+ \item \textbf{XML} (W3C)
+ \item \textbf{DublinCore} (OAI-PMH)
+ \item exports \textbf{SQL}
+ \item (\textbf{OWL} : Web Ontology Language)
+ \end{itemize}
+\end{itemize}
+}
+
+\subsection{Développement}
+\frame{\frametitle{Plateforme communautaire de développement}
+\begin{center}
+\vspace{-0.2cm}
+\url{http://svn.parisson.org/telemeta/}
+ \framebox{\pgfimage[width=10cm]{img/telemeta_trac01}}
+\end{center}
+}
+
+\subsection{Architecture}
+\frame{\frametitle{L'architecture de Telemeta}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=11cm]{img/architecture_fr}
+ \end{center}
+}
+
+
+\section{Développements}
+\frame{\tableofcontents[currentsection]}
+
+\subsection{Version 0.3.1}
+
+\frame{\frametitle{Modèle de données du CREM}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=12cm]{img/data_model2}
+ \end{center}
+}
+
+\frame{\frametitle{La base de données du CREM intégrée à Telemeta}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=11cm]{img/crem_telemeta_01}
+ \end{center}
+}
+
+
+\subsection{Démonstration}
+\frame{\tableofcontents[currentsubsection]}
+
+
+\subsection{Besoins}
+\frame{\tableofcontents[currentsubsection]}
+\frame{\frametitle{Atteindre une version 1.0 de production}
+Elements à programmer et/ou consolider pour la version 1.0 de production
+\begin{itemize}
+ \item Intégration du \textbf{\textit{workflow}} (gestion de publication)
+ \item \textbf{Thésaurus} thématiques, \textbf{ontologies} de recherche
+ \item \textbf{Sauvegarde} externe (audio + meta-données)
+ \item Compléter la vue \textbf{DublinCore} (moissonnage par méta-portails)
+ \item \textbf{Marqueurs} temporels, lecture dynamique avec pièces attachées (texte, images)
+ \item \textbf{Analyse des signaux audio} (niveaux, transitoires, voisins fréquentiels,...)
+ \item \textbf{Specifications} et \textbf{documentation} pour les composants (API)
+ \item Fonctions de test
+\end{itemize}
+}
+
+
+\frame{\frametitle{En route pour 0.4 (edition)}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9.5cm]{img/maquette_v0.4_item_edit}
+ \end{center}
+}
+
+
+\frame{\frametitle{Partenariats}
+Partenaires participants :
+\begin{itemize}
+ \item Centre de Recherche en Ethnomusicologie (CREM) du Laboratoire d'Ethnologie et de Sociologie Comparée (LESC), UMR 7186
+ \item Médiathèque Eric-de-Dampierre de la MAE, Nanterre
+ \item Equipe Lutheries, Acoustique et Musique (LAM) de l'Institut Jean le Rond d'Alembert (IJLRA), UMR 7190
+ \item Phonothèque de la Maison Méditerranéenne des Sciences de l'Homme (MMSH)
+\end{itemize}
+Partenaires potentiels :
+\begin{itemize}
+ \item Museum National d'Histoire Naturelle (MNHN)
+ \item Bibliothèque Nationale de France (BNF)
+ \item Musée des Civilisations de l'Europe de la Méditerranée (MuCEM)
+ \item Institut de Recherche et d'Innovation (IRI)
+ \item Queen Mary University (Londres)
+\end{itemize}
+}
+
+
+\section{Conclusion et perspectives}
+\frame{\frametitle{Conclusion et perspectives}
+\begin{itemize}
+ \item Technologie prometteuse pour la \textbf{sauvegarde et la valorisation} du patrimoine audio
+ \item \textbf{Déploiement} et \textbf{pérennité} optimisés à l'\textbf{Open Source}
+ \item \textbf{Intégration souple} de données ``métiers'' hétérogènes (sciences humaines et sciences informatiques)
+ \item Plateforme de \textbf{développement}
+ \item Système de \textbf{composants} facilitant l'intégration de nouvelles fonctions
+ \item Nécessite un \textbf{financement} pour le développement et le déploiement des ressources à un niveau national et international
+\end{itemize}
+}
+
+\frame{\frametitle{Merci !}
+ \begin{center}
+ \vspace{-0.2cm}
+ \pgfimage[width=9cm]{img/maquette_v0.4_item_view}
+ \end{center}
+}
+
+
+\end{document}
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+../../Common/img
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+../../Common/pdf_article_profile.sty
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projects / telemeta-doc.git / commitdiff
