+++ /dev/null
-%%\r
-%% This is file `aes.cls',\r
-%% generated with the docstrip utility.\r
-%%\r
-%% The original source files were:\r
-%%\r
-%% aes.dtx \r
-%% \r
-%% Copyright (c) 2001--2004, 2007, 2008, 2010--2012 by Adam H. Lewenberg\r
-%% All rights reserved\r
-%% \r
-%% Author: Adam H. Lewenberg\r
-%% \r
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
-\r
-\ifx\AESconname\undefined\r
- \errmessage{This class is not meant to be used directly. Please use\r
- a different class for the argument of \string\documentclass}%\r
-\fi\r
-\NeedsTeXFormat{LaTeX2e}[1996/12/01]\r
-\tracingstats=1\r
-\ProvidesClass{aes}\r
- [2012/08/11 v0.65 AES convention paper style]\r
-\newif\ifAES@draft@mode\global\AES@draft@modefalse\r
-\DeclareOption{draft}{%\r
- \global\AES@draft@modetrue\r
- \PassOptionsToPackage{draft}{graphicx}%\r
- \overfullrule=2pt%\r
-}%\r
-\DeclareOption{hyperref}{%\r
- \relax\r
-}%\r
-\newif\ifaespdfcheck\r
-\aespdfcheckfalse % Default value is no pdf output\r
-\ifx\pdfoutput\undefined\r
- \aespdfcheckfalse % pdflatex not running\r
-\else\r
- \ifnum\pdfoutput=1 % pdflatex running; pdf output?\r
- \aespdfchecktrue % Yes, pdf output\r
- \fi\r
-\fi\r
-\newif\ifAES@boiler@plate\global\AES@boiler@platetrue\r
-\DeclareOption{noboilerplate}{%\r
- \global\AES@boiler@platefalse\r
-}%\r
-\newif\ifAES@peer@reviewed\global\AES@peer@reviewedfalse\r
-\DeclareOption{peer-reviewed}{%\r
- \global\AES@peer@reviewedtrue\r
-}%\r
-\DeclareOption{non-peer-reviewed}{%\r
- \global\AES@peer@reviewedfalse\r
-}%\r
-\newif\ifAES@using@@cm@fonts\global\AES@using@@cm@fontstrue\r
-\DeclareOption{mathptmx}{%\r
- \global\AES@using@@cm@fontsfalse\r
- \AtEndOfPackage{%\r
- \RequirePackage{mathptmx}\r
- \RequirePackage{helvet}\r
- }%\r
-}%\r
-%% \DescribeMacro{mathtime}\r
-\DeclareOption{mathtime}{%\r
- \global\AES@using@@cm@fontsfalse\r
- \AtEndOfPackage{%\r
- \RequirePackage{mathtime}\r
- \renewcommand{\ttdefault}{cmtt}%\r
- }%\r
-}%\r
-%% \DescribeMacro{caption}\r
-\newif\ifAES@use@caption@package\global\AES@use@caption@packagefalse\r
-\DeclareOption{caption}{%\r
- \global\AES@use@caption@packagetrue\r
- \AtEndOfPackage{%\r
- \RequirePackage[labelfont={bf}]{caption}\r
- }%\r
-}%\r
-\ProcessOptions\r
-\newif\ifAES@@Conference\AES@@Conferencefalse\r
-\newif\ifAES@@Convention\AES@@Conventionfalse\r
- \def\temp@@decided{X}%\r
-\def\temp@@decided{}%\r
-\def\temp@@{Conference}%\r
-\ifx\temp@@\AEScontype\r
- \global\AES@@Conferencetrue\r
- \global\AES@@Conventionfalse\r
- \message{...this is a Conference...}%\r
- \def\temp@@decided{X}%\r
-\fi\r
-\def\temp@@{Convention}%\r
-\ifx\temp@@\AEScontype\r
- \global\AES@@Conferencefalse\r
- \global\AES@@Conventiontrue\r
- \message{...this is a Convention...}%\r
- \def\temp@@decided{X}%\r
-\fi\r
-\ifx\temp@@decided\empty\r
- \errmessage{The macro \string\AEScontype\space is currently defined\r
-as '\AEScontype'. However, the only valid values it can be defined to be\r
-are 'Convention' or 'Conference' (case matters). Please fix}\r
-\fi\r
-\let\temp@@decided\undefined\r
-\LoadClass[twocolumn,notitlepage,oneside,10pt]{report}\r
-\ifaespdfcheck\r
- \RequirePackage[pdftex]{graphicx}%\r
- \DeclareGraphicsExtensions{.pdf}%\r
- \pdfcompresslevel=9\relax\r
-\else\r
- \RequirePackage{graphicx}%\r
- \DeclareGraphicsExtensions{.eps}%\r
-\fi\r
-\RequirePackage[normalem]{ulem}%\r
-\textwidth=6.5in\r
-\textheight=49pc\r
-\headsep=0.375in\r
-\headheight=14pt\r
-\footskip=\headsep\advance\footskip by 0.375in\relax\r
-\columnsep=0.25in\r
-\topmargin=0in\r
-\oddsidemargin=-0.0in\r
-\parskip=6pt plus3.0pt minus3.0pt\relax\r
-\parindent=0pt\relax\r
-\voffset=-0.0in\r
-\r
-\def\title#1{\gdef\@title{#1}}\r
-\def\email#1{\gdef\@email{#1}}\r
-\let\authors\author\r
-\def\shorttitle#1{%\r
- \gdef\@shorttitle{#1}%\r
-}%\r
-\let\@shorttitle\undefined\r
-\let\@lastnames\undefined\r
-\def\aff#1{${}^{#1}$}%\r
-\newcommand{\correspondence}[2]{%\r
- \gdef\corr@author{#1}%\r
- \gdef\corr@email{#2}%\r
-}%\r
-\r
-\newcounter{lastnamecount}%\r
-\def\lastnames#1{\gdef\@lastnames{#1}}%\r
-\let\lastname\lastnames%\r
-\let\@lastnames\undefined\r
-\r
-\newcounter{affiliationcount}%\r
-\def\affiliation@in@title{}%\r
-\newcommand{\affiliation}[2][\the\c@affiliationcount]{%\r
- \global\advance\c@affiliationcount by 1\relax\r
- \xdef\affiliation@in@title{%\r
- \affiliation@in@title\r
- \par\r
- ${}^{#1}$#2}%\r
-}%\r
-\def\preprintnumber#1{\gdef\@preprintnumber{#1}}%\r
-\let\@preprintnumber\undefined\r
-\r
-\def\lastpage@putlabel{\addtocounter{page}{-1}%\r
- \immediate\write\@auxout{\string\r
- \newlabel{aesxx:lastpage}{{}{\thepage}}}%\r
- \addtocounter{page}{1}}\r
-\def\BeginAESPaper{%\r
- \ifx\@lastnames\undefined\r
- \errmessage{You must have a \string\lastnames\space command before\r
- starting the document}\r
- \fi\r
- \author@parse@aes % Parse the \lastnames.\r
- \renewenvironment{abstract}{%\r
- \errmessage{The abstract environment can ONLY be used in the\r
- preamble, that is, before the begin document command.}}{}%\r
- \ifx\@shorttitle\undefined\r
- \global\let\@shorttitle\@title\r
- \fi\r
-}%\r
-\global\let\StartAESPaper\BeginAESPaper\r
-\def\EndAESPaper{%\r
- \relax\r
- \clearpage% Important in case of figure-only page at end of document.\r
- \lastpage@putlabel\r
- \ifx\aes@maketitle@called\relax\r
- \else\r
- \errmessage{You did not use the mandatory \string\maketitle\space %\r
- command; your paper CANNOT be accepted without using this\r
- command. Please see the AES LaTeX class manual for more information}%\r
- \fi\r
-}%\r
-\AtBeginDocument{\BeginAESPaper}%\r
-\AtEndDocument{\EndAESPaper}%\r
-\newbox\abstract@@box%\r
-\newbox\abstract@box%\r
-\renewenvironment{abstract}%\r
-{%\r
- \begin{lrbox}{\abstract@@box}\r
- \begin{minipage}{\textwidth}%\r
- \textbf{ABSTRACT}\\\r
- \normalsize\r
- \ignorespaces\r
-}{%\r
- \end{minipage}\r
- \end{lrbox}\r
- \global\setbox\abstract@box=\vtop{\copy\abstract@@box}%\r
- \ignorespaces\r
-}%\r
-\newcommand{\SetAbstract}{%\r
- \noindent\r
- \box\abstract@box%\r
- \smallskip\r
-}%\r
-\r
-\newcounter{authorcount}%\r
-\def\author@parse@aes{\r
- \setcounter{authorcount}{0}%\r
- \for\name:=\@lastnames\do{%\r
- \message{\name}%\r
- \stepcounter{authorcount}%\r
- }%\r
- \ifnum\c@authorcount=1\r
- \xdef\author@in@header{\@lastnames}%\r
- \fi\r
- %\r
- \ifnum\c@authorcount=2\r
- \count255=0\r
- \for\name:=\@lastnames\do{%\r
- \ifnum\count255=0\r
- \xdef\@lastnameone{\name}%\r
- \else\r
- \xdef\@lastnametwo{\ignorespaces\name}%\r
- \fi\r
- \advance\count255 by 1\relax\r
- }%\r
- \xdef\author@in@header{\@lastnameone\ AND \@lastnametwo}%\r
- \fi\r
- %\r
- \ifnum\c@authorcount>2\r
- \count255=0\r
- \for\name:=\@lastnames\do{%\r
- \ifnum\count255=0\r
- \xdef\author@in@header{\name\ et al.}%\r
- \fi\r
- \advance\count255 by 1\relax\r
- }%\r
- \fi\r
-}\r
-\r
-\renewcommand\maketitle{\par\r
- \begingroup\r
- \renewcommand\thefootnote{\@fnsymbol\c@footnote}%\r
- \def\@makefnmark{\rlap{\@textsuperscript{\normalfont\@thefnmark}}}%\r
- \long\def\@makefntext##1{\parindent 1em\noindent\r
- \hb@xt@1.8em{%\r
- \hss\@textsuperscript{\normalfont\@thefnmark}}##1}%\r
- \global\let\@nodocument\relax\r
- \if@twocolumn\r
- \ifnum \col@number=\@ne\r
- \@maketitle\r
- \usebox{\@AES@title@@box}%\r
- \else\r
- \@maketitle\r
- \twocolumn[\vspace{-3pc}\box\@AES@title@@box%\r
- \vskip 2pc plus 1pc minus1pc\relax\r
- ]%\r
- \fi\r
- \else\r
- \newpage\r
- \global\@topnum\z@ % Prevents figures from going at top of page.\r
- \@maketitle\r
- \fi\r
- \ifAES@@Convention\r
- \thispagestyle{empty}%\r
- \else\r
- \thispagestyle{footeronly}%\r
- \fi\r
- \@thanks\r
- \endgroup\r
- \setcounter{footnote}{0}%\r
- \global\let\thanks\relax\r
- \global\let\maketitle\relax\r
- \global\let\@maketitle\relax\r
- \global\let\@thanks\@empty\r
- %\global\let\@author\@empty\r
- \global\let\@date\@empty\r
- %\global\let\@title\@empty\r
- \global\let\title\relax\r
- \global\let\author\relax\r
- \global\let\date\relax\r
- \global\let\and\relax\r
- \global\let\aes@maketitle@called\relax\r
-}\r
-\ifAES@using@@cm@fonts\r
- \DeclareFontShape{OT1}{cmss}{m}{n}\r
- {%\r
- <5-8>cmss8%\r
- <9>cmss9%\r
- <10-10.95>cmss10%\r
- <10.95-14.4>cmss12%\r
- <14.4-100>cmss17%\r
- }{}\r
- \DeclareFontShape{OT1}{cmss}{bx}{n}\r
- {%\r
- <5-100>cmssbx10%\r
- }{}\r
- \DeclareFontShape{OT1}{cmr}{m}{n}%\r
- {<5><6><7><8><9><10><12>gen*cmr%\r
- <10.95>cmr10%\r
- <14.4>cmr12%\r
- <17.28><20.74><22><24.88><40>cmr17}{}\r
-\fi\r
-\def\AESfont@Hone{\fontsize{18}{20pt}\selectfont}\r
-\def\AESfont@Htwo{\fontsize{36}{38pt}\selectfont}\r
-\def\AESfont@Hthree{\fontsize{10}{11pt}\selectfont}\r
-\def\AESfont@papertitle{\fontsize{22}{24pt}\selectfont\sffamily\bfseries}\r
-\def\AESfont@author{\fontsize{10}{12pt}\selectfont}\r
-\def\AESfont@affiliation{\fontsize{9}{11pt}\selectfont\itshape}\r
-\def\AESfont@boilerplate{\fontsize{9}{10pt}\selectfont\itshape}\r
-\def\AESfont@rhead{\fontsize{10}{10pt}\selectfont\sffamily}\r
-\def\AESfont@footer{\fontsize{10}{10pt}\selectfont\sffamily}\r
-\def\set@AESconventionheader{%\r
- \bgroup\r
- \parindent=0pt\r
- \rule{\textwidth}{2pt}%\r
- \vskip 0pc%\r
- \setbox0=\hbox{\includegraphics[width=20mm]{aeslogo}}%\r
- \wd0=0pt\dp0=0pt\ht0=0pt\leavevmode\lower 23mm\hbox{\box0}%\r
- \vglue-32mm\vglue0.00mm\par\r
- \begin{center}\r
- \sffamily\r
- \AESfont@Hone Audio Engineering Society\\\r
- \ifx\@preprintnumber\undefined\r
- \AESfont@Htwo\AEScontype\ Paper\\\r
- \else\r
- \AESfont@Htwo\AEScontype\ Paper \@preprintnumber\\\r
- \fi\r
- \vskip2.5mm\relax\r
- \AESfont@Hthree Presented at the \AESconname\\\r
- \AEScondate\quad \AESconplace\\\r
- \end{center}\r
- \vglue-10mm\vglue0.01mm\par\r
- \ifAES@boiler@plate\r
- \vskip 8.4mm%\r
- \par\r
- \parbox[t]{\textwidth}{%\r
- \AESfont@boilerplate\r
-\noindent\r
- \ifAES@peer@reviewed\r
- This paper was peer-reviewed as a complete manuscript for\r
- presentation at this Convention. Additional papers may be\r
- obtained by sending request and remittance to Audio\r
- Engineering Society, 60 East 42${}^{\mbox{\scriptsize nd}}$\r
- Street, New York, New York\r
- 10165-2520, USA; also see \uline{www.aes.org}. All rights reserved.\r
- Reproduction of this paper, or any portion thereof, is not\r
- permitted without direct permission from the \textup{Journal of the\r
- Audio Engineering Society}.\r
- \else\r
- This Convention paper was selected based on a submitted\r
- abstract and 750-word precis that have been peer reviewed by\r
- at least two qualified anonymous reviewers. The complete\r
- manuscript was not peer reviewed. This convention paper has\r
- been reproduced from the author's advance manuscript without\r
- editing, corrections, or consideration by the Review\r
- Board. The AES takes no responsibility for the\r
- contents. Additional papers may be obtained by sending\r
- request and remittance to Audio Engineering Society, 60 East\r
- 42${}^{\mbox{\scriptsize nd}}$\r
- Street, New York, New York 10165-2520, USA; also see\r
- \uline{www.aes.org}. All rights reserved. Reproduction of this\r
- paper, or any portion thereof, is not permitted without\r
- direct permission from the \textup{Journal of the Audio\r
- Engineering Society}.\r
- \fi\r
- }% end of \parbox\r
- %\r
- \par\r
- \vskip 0.0mm%\r
- \fi\r
- \rule{\textwidth}{2pt}%\r
- \par\r
- \egroup\r
-}\r
-\newsavebox{\@AES@title@@box}%\r
-\def\@maketitle{%\r
- \setbox\@AES@title@@box=\vtop%\r
- {%\r
- \hsize=\textwidth\r
- \vskip 0pc%\r
- \ifAES@@Convention\r
- \set@AESconventionheader\r
- \fi\r
- \begin{flushleft}%\r
- \hsize=\textwidth\r
- \let \footnote \thanks\r
- {\AESfont@papertitle\@title\par}%\r
- \vskip 1.5em%\r
- {\large\r
- \lineskip .5em%\r
- {\AESfont@author\@author\par}%\r
- \par%\r
- {\AESfont@affiliation\affiliation@in@title\par}%\r
- }%\r
- Correspondence should be addressed to \corr@author\space\r
- (\texttt{\corr@email})\par\r
- \vskip 1.0em plus 0.25em minus 0.25em\relax\r
- \end{flushleft}%\r
- \par\r
- \vskip 0.00em plus 0.00em minus0.00em\relax\r
- \SetAbstract\r
- }% end of \setbox\@AES@title@@box\r
-}%\r
-\r
-\setcounter{secnumdepth}{3}%\r
-\renewcommand{\thesection}{\arabic{section}}%\r
-\renewcommand{\section}{\secdef\@aes@section\@aes@starred@section}%\r
-\def\@aes@section[#1]#2{%\r
- \refstepcounter{section}%\r
- \set@aes@section{#1}{#2}{\thesection}%\r
- \ignorespaces\r
-}%\r
-\def\@aes@starred@section#1{%\r
- \set@aes@section{}{#1}{}%\r
- \ignorespaces\r
-}%\r
-\def\set@aes@section#1#2#3{%\r
- \bigskip\par\r
- \bgroup\r
- \parskip=0pt%\r
- \noindent\r
- \ifnum\c@secnumdepth>0\r
- \def\temp@{#3}%\r
- \ifx\temp@\empty\r
-\relax\r
- \else\r
-\textbf{\textsf{#3}}.\quad%\r
- \fi\r
- \fi\r
- \textsf{\textbf{\uppercase{#2}}}%\r
- \nobreak\r
- \par\r
- \nobreak\r
- \noindent\r
- \egroup\r
- \ignorespaces\r
-}\r
-\renewcommand{\subsection}{\secdef\@aes@subsection\@aes@starred@subsection}%\r
-\def\@aes@subsection[#1]#2{%\r
- \refstepcounter{subsection}%\r
- \set@aes@subsection{#1}{#2}{\thesubsection}%\r
- \ignorespaces\r
-}%\r
-\def\@aes@starred@subsection#1{%\r
- \set@aes@subsection{}{#1}{}%\r
- \ignorespaces\r
-}%\r
-\def\set@aes@subsection#1#2#3{%\r
- \medskip\par\r
- \bgroup\r
- \parskip=0pt%\r
- \noindent\r
- \ifnum\c@secnumdepth>1\r
- \def\temp@{#3}%\r
- \ifx\temp@\empty\r
-\relax\r
- \else\r
-\textbf{\textsf{#3}}.\quad%\r
- \fi\r
- \fi\r
- \textbf{\textsf{#2}}%\r
- \nobreak\r
- \par\r
- \nobreak\r
- \noindent\r
- \egroup\r
- \ignorespaces\r
-}\r
-\renewcommand{\subsubsection}%\r
- {\secdef\@aes@subsubsection\@aes@starred@subsubsection}%\r
-\def\@aes@subsubsection[#1]#2{%\r
- \refstepcounter{subsubsection}%\r
- \set@aes@subsubsection{#1}{#2}{\thesubsubsection}%\r
- \ignorespaces\r
-}%\r
-\def\@aes@starred@subsubsection#1{%\r
- \set@aes@subsubsection{}{#1}{}%\r
- \ignorespaces\r
-}%\r
-\def\set@aes@subsubsection#1#2#3{%\r
- \medskip\par\r
- \bgroup\r
- \parskip=0pt%\r
- \noindent\r
- \ifnum\c@secnumdepth>2\r
- \def\temp@{#3}%\r
- \ifx\temp@\empty\r
-\relax\r
- \else\r
-\textbf{\textsf{#3}}.\quad%\r
- \fi\r
- \fi\r
- \textbf{\textsf{#2}}%\r
- \nobreak\r
- \par\r
- \nobreak\r
- \noindent\r
- \egroup\r
- \ignorespaces\r
-}\r
-\newcommand{\stack@aesfooter}[2]{%\r
- \vbox{%\r
- \hsize=\textwidth\r
- \offinterlineskip\r
- \parskip=0pt\parindent=0pt\r
- \rule{\textwidth}{2pt}%\r
- \par\vskip2pt\vfill\r
- \hbox to \textwidth{\hfill#1\hfill}\par\vskip0.5pc\vfill\r
- \hbox to \textwidth{\hfill#2\hfill}%\r
- \par\r
- }%\r
-}\r
-\newcommand{\stack@aesheader}[2]{%\r
- \vbox{%\r
- \hsize=\textwidth\r
- \offinterlineskip\r
- \parskip=0pt\parindent=0pt\r
- \hbox to \textwidth{#1\hfill#2}\par\vskip2pt\vfill\r
- \rule{\textwidth}{2pt}%\r
- \par\r
- }%\r
-}\r
-\def\ps@headings{%\r
-\def\@mkboth{\protect\markboth}%\r
-\def\@oddhead{%\r
- \bgroup\r
- \AESfont@rhead\r
- \stack@aesheader{\author@in@header}{\@shorttitle}%\r
- \egroup\r
-}%\r
-\def\@oddfoot{%\r
- \bgroup\r
- \AESfont@rhead\r
- \stack@aesfooter{\AESconRHname, \AESconRHplace, \AESconRHdate}%\r
- {Page \the\c@page\ of \pageref{aesxx:lastpage}}%\r
- \egroup\r
-}%\r
-\let\@evenhead\@oddhead%\r
-\let\@evenfoot\@oddfoot\r
-}%\r
-\def\ps@footeronly{%\r
-\def\@mkboth{\protect\markboth}%\r
-\def\@oddhead{\hfil}%\r
-\def\@oddfoot{%\r
- \stack@aesfooter{\AESconRHname, \AESconRHplace, \AESconRHdate}{\the\c@page}%\r
- }%\r
-\let\@evenhead\@oddhead%\r
-\let\@evenfoot\@oddfoot%\r
-}%\r
-\pagestyle{headings}\r
-\renewenvironment{thebibliography}[1]\r
- {\r
- %\section{\bibname\r
- % \@mkboth{\MakeUppercase\bibname}{\MakeUppercase\bibname}}%\r
- \medskip\r
- \section{References}%\r
- \list{\@biblabel{\@arabic\c@enumiv}}%\r
- {\settowidth\labelwidth{\@biblabel{#1}}%\r
- \leftmargin\labelwidth\r
- \advance\leftmargin\labelsep\r
- \@openbib@code\r
- \usecounter{enumiv}%\r
- \let\p@enumiv\@empty\r
- \renewcommand\theenumiv{\@arabic\c@enumiv}\r
- %\r
- \topsep=0pt\partopsep=0pt\r
- \@beginparpenalty=10000\relax%\r
- }%\r
- \sloppy\r
- \clubpenalty4000\r
- \@clubpenalty \clubpenalty\r
- \widowpenalty4000%\r
- \sfcode`\.\@m}\r
- {\def\@noitemerr\r
- {\@latex@warning{Empty `thebibliography' environment}}%\r
- \endlist}\r
-\r
-\let\for = \@for\r
-\def\@for#1:=#2\do#3{%\r
- \edef\@fortmp{#2}%\r
- \ifx\@fortmp\empty \else\r
- \expandafter\@forloop#2,\@nil,\@nil\@@#1{#3}%\r
- \fi\r
-}%\r
-\def\@forloop#1,#2,#3\@@#4#5{\def#4{#1}\ifx #4\@nnil \else\r
- #5\def#4{#2}\ifx #4\@nnil \else#5\@iforloop #3\@@#4{#5}\fi\fi\r
-}%\r
-\def\@iforloop#1,#2\@@#3#4{\def#3{#1}\ifx #3\@nnil\r
- \let\@nextwhile=\@fornoop \else\r
- #4\relax\let\@nextwhile=\@iforloop\fi\@nextwhile#2\@@#3{#4}%\r
-}%\r
-\def\figurename{Fig.}\r
-\ifAES@use@caption@package\r
-\else\r
- \renewcommand{\caption}[1][]{%\r
- \ifx\@captype\@undefined\r
- \@latex@error{\noexpand\caption outside float}\@ehd\r
- \expandafter\@gobble\r
- \else\r
- \def\temp@{#1}%\r
- \ifx\temp@\empty\r
- \refstepcounter\@captype\r
- \else\r
- \setcounter\@captype{#1}%\r
- \addtocounter\@captype{-1}%\r
- \refstepcounter\@captype\r
- \fi\r
- \expandafter\@firstofone\r
- \fi\r
- {\@dblarg{\@caption\@captype}}%\r
- }\r
-\fi\r
-\ifAES@use@caption@package\r
-\else\r
-\long\def\@makecaption#1#2{%\r
- \vskip\abovecaptionskip\r
- \sbox\@tempboxa{\textbf{#1:} #2}%\r
- \ifdim \wd\@tempboxa >\hsize\r
- \textbf{#1:} #2\par\r
- \else\r
- \global \@minipagefalse\r
- \hb@xt@\hsize{\hfil\box\@tempboxa\hfil}%\r
- \fi\r
- \vskip\belowcaptionskip}\r
-\fi\r
-\r
-\endinput\r
-%%\r
-%% End of file `aes.cls'.\r
+++ /dev/null
-@Misc{OAI-PMH,
- key = "OAI-PMH",
- howpublished = {\url{http://www.openarchives.org/pmh/}},
- title = "Open Archives Initiative Protocol for Metadata
- Harvesting"
-}
-
-@Misc{DublinCore,
- key = "DublinCore",
- title = "{Dublin Core} Metadata Initiative",
- howpublished = {\url{http://dublincore.org/}}
-}
-
-@Misc{telemetaCREM,
- key = "telemetaCREM",
- title = "Archives sonores du {CNRS} - {Musée de l'Homme}",
- howpublished = {\url{http://archives.crem-cnrs.fr}}
-}
-
-@PhdThesis{BrossierPhD,
- author = {Paul Brossier},
- title = {Automatic annotation of musical audio for
- interactive systems},
- school = {Centre for Digital music, Queen Mary University of
- London, UK},
- year = 2006
-}
-
-@inproceedings{yaafe_ISMIR2010,
- author = {Mathieu, Benoît and Essid, Slim and Fillon, Thomas
- and Prado, Jacques and Richard, Gaël},
- title = {Yaafe, An Easy To Use And Efficient Audio Feature
- Extraction Software},
- booktitle = {Proc. of ISMIR 2010, Utrecht, Netherlands},
- year = 2010,
- pages = {441-446},
- publisher = {International Society for Music Information
- Retrieval},
- howpublished = {\url{http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}}
-}
-
-@Misc{vamp-plugins,
- key = {vamp},
- title = {The {Vamp} audio analysis plugin system},
- howpublished = {\url{http://www.vamp-plugins.org}}
-}
+++ /dev/null
-\documentclass{aes53i}\r
-\hyphenation{Post-Script}\r
-\r
-\r
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-\r
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-\r
-%----------\r
-% Header\r
-%----------\r
-\r
-\r
-% first the title is needed\r
-\title{Telemeta : open web audio platform for sound archives in the use case of ethnomusicology}\r
-\r
-% a short form should be given in case it is too long for the running head\r
-\shorttitle{Telemeta : open web audio platform for sound archives}\r
-\r
-\author{\r
- Thomas Fillon\aff{1,2},\r
- Guillaume Pellerin\aff{1},\r
- Paul Brossier\aff{1},\r
- and Jos{\'e}phine Simonnot\aff{3} \r
-\thanks{This work was partially done inside the DIADEMS project funded by the national french agency ANR (CONTINT)}\r
-}\r
-\r
-\r
-\affiliation[1]{PARISSON, 16 rue Jacques Louvel-Tessier 75010 Paris, France}\r
-\affiliation[2]{LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, 11 rue de Lourmel, 75015 Paris, France}\r
-\affiliation[3]{\r
-CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,\r
-21 Allée de l'Université - 92023 Nanterre}\r
-\r
-\correspondence{Thomas Fillon and Guillaume Pellerin}{thomas.fillon@parisson.com, guillaume.pellerin@parisson.com}\r
-\r
-\lastnames{Fillon, Pellerin, Brossier, Simonnot}\r
-\r
-%\url{josephine.simonnot@mae.u-paris10.fr}}\r
-\r
-\r
-\r
-\begin{abstract}\r
-\emph{Telemeta} is a fully-operational open-source web audio platform dedicated to digital sound archives secure storing, indexing and publishing. It focuses on the enhanced and collaborative user-experience in accessing audio items and their associated metadata and on the possibility for the expert users to further enrich those metadata.\r
-\r
-Telemeta architecture relies on \emph{TimeSide}, an open audio processing framework written in Python which provides decoding, encoding and streaming methods for various formats together with a smart embeddable HTML audio player. TimeSide also includes a set of audio analysis plugins and additionally wraps several audio features extraction libraries to provide automatic annotation, segmentation and musicological analysis.\r
-\r
-The demonstration presents the features of this platform in the context of ethnomusicological research.\r
-\end{abstract}\r
-\r
-\begin{document}\r
-\maketitle\r
-\r
-\section{Introduction}\r
-\r
- % In social sciences like anthropology and linguistics, researchers have to work on multiple types of multimedia documents such as photos, videos, sound recordings or databases. The need to easily access, visualize and annotate such materials can be problematic given their diverse formats, sources and given their chronological nature.\r
- %With this in mind, some laboratories\footnote{The Research Center on Ethnomusicology (CREM), the Musical Acoustics Laboratory (LAM, UMR 7190) and the sound archives of the Mediterranean House of Human Sciences (MMHS)} involved in ethnomusicological research have been working together on that issue.\r
-\r
- In the context of ethnomusicological research, the Research Center on Ethnomusicology \r
-(CREM) and Parisson, a company specialized in the management of audio databases, have been developing an innovative, collaborative and interdisciplinary open-source web-based multimedia platform since 2007. This platform, \emph{Telemeta} is designed to fit the professional requirements from both sound archivists and researchers in ethnomusicology. The first prototype of this platform has been online\footnote{Archives sonores du CNRS, Musée de l'Homme, http://archives.crem-cnrs.fr} since 2008.\r
-\r
- \section{Telemeta}\label{sec:Telemeta}\r
- \subsection{Web audio content management features and architecture}\r
- Telemeta\footnote{http://telemeta.org} is a free and open source\footnote{Telemeta code is available under the CeCILL Free Software License Agreement \texttt{http://cecill.info/licences/Licence\_CeCILL\_V2-en.html}} web audio platform which introduces efficient and secure methods for back-uping, indexing, transcoding, analysing and publishing any digitalized audio file with its metadata. \r
-\r
-% An overview of the Telemeta's web interface is illustrated in Figure~\ref{fig:Telemeta}\r
-% \begin{figure}\r
-% \centering\r
-% \includegraphics[width=0.95\linewidth]{img/telemeta.png}\r
-% \caption[1]{Screenshot excerpt of the \emph{Telemeta} web interface}\r
-% \label{fig:Telemeta}\r
-% \end{figure}\r
-\r
-Telemeta is ideal for professionals who wants to easily organize, backup, archive and publish documented sound collections of audio files, CDs, digitalized vinyls and magnetic tapes over a strong database, in accordance with open web standards. \r
-\emph{Telemeta} architecture is flexible and can easily be adapted to particular database organization of a given sound archives. \r
-\r
-The main features of \emph{Telemeta} are:\r
-\begin{itemize}\r
-\item \emph{Pure HTML} web user interface including high level \emph{search engine}\r
-\item Smart \emph{workflow management} with contextual user lists, profiles and rights\r
- % \item RSS and JSON feed generators\r
- % \item XML serialized backup\r
-\item Strong Structured Query Language (SQL) or Oracle backend\r
-\item Model-View-Controller (MVC) architecture \r
-\end{itemize}\r
-Beside database management, the audio support is mainly provided through an external component, TimeSide, which is described in Section~\ref{sec:Timeside}.\r
-\r
-\subsection{Metadata}\label{sec:metadata}\r
-In addition to the audio data, an efficient and dynamic management of the associated metadata is also required. %Consulting metadata provide both an exhaustive access to valuable information about the source of the data and to the related work of peer researchers. \r
-Dynamically handling metadata in a collaborative manner optimises the continuous process of knowledge gathering and enrichment of the materials in the database. \r
-%One of the major challenge is thus the standardization of audio and metadata formats with the aim of long-term preservation and usage of the different materials.\r
-The compatibility with other systems is facilitated by the integration of the metadata standards protocols \emph{Dublin Core} and \emph{OAI-PMH} (Open Archives Initiative Protocol for Metadata Harvesting) \cite{DublinCore,OAI-PMH}.\r
-\r
-Metadata provide two different kinds of information about the audio item: contextual information and annotations.\r
-\vspace{-0.4cm}\r
-\r
-\paragraph{Contextual Information}\r
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.\r
-\vspace{-0.4cm}\r
-\paragraph{Annotations and segmentation}\r
-Metadata also consist in temporal information such as a list of \emph{time-coded markers} associated with annotations and a list of of \emph{time-segments} associated with labels. The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).\r
-It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis (see Section~\ref{sec:Timeside}).\r
-\r
-\section{TimeSide}\label{sec:Timeside}\r
-One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}\footnote{\url{https://github.com/yomguy/TimeSide}}, that offers audio player web integration together with audio signal processing analysis capabilities. \r
-\r
-% Figure~\ref{fig:TimeSide_Archi} illustrates the overall architecture of \emph{TimeSide}.\r
-\r
-% \begin{figure}[htbp]\r
-% \centering\r
-% \includegraphics[width=0.95\linewidth]{img/timeside_schema.pdf}\r
-% \caption{TimeSide architecture (see \texttt{https://code.google.com/p/timeside/})}\label{fig:TimeSide_Archi}\r
-% \end{figure}\r
-\r
-\r
-\subsection{Audio management}\r
-TimeSide provides the following main features:\r
-\begin{itemize}\r
-\item \emph{Secure archiving, editing and publishing of audio files} over\r
- internet.\r
-\item Smart \emph{audio player} with enhanced visualisation (waveform, spectrogram)\r
-\item \emph{Multi-format support}: reads all available audio and video formats through Gstreamer, transcoding with smart streaming and caching methods% (FLAC, OGG, MP3, WAV and WebM)\r
- % \item \emph{Playlist management} for all users with CSV data export\r
-\item "On the fly" \emph{audio analyzing, transcoding and metadata\r
- embedding} based on an easy plugin architecture\r
-\end{itemize}\r
-\r
-\subsection{Audio features extraction}\r
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as Aubio\footnote{\url{http://aubio.org/}}, Yaafe\footnote{\url{http://yaafe.sourceforge.net}} and Vamp plugins\footnote{ \url{http://www.vamp-plugins.org}} \cite{brossierPhD,yaafe_ISMIR2010,vamp-plugins}.\r
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be stored in a scientific file format (\emph{Numpy}, \emph{HDF5}) and serialized to the web browser through commons markup languages (\emph{xml}, \emph{json}, \emph{yaml}).\r
-Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide automatic annotation, segmentation and similarity analysis.\r
-\r
-\section{Conclusion - Purpose of the demonstration}\vspace{-0.1cm}\r
-The demonstration presents the features offered by \emph{Telemeta} as detailed in Section~\ref{sec:Telemeta} in the context of ethnomusicological sound archiving.%\cite{telemetaCREM} \r
-It focuses on the enhanced and collaborative user-experience when accessing audio items and their associated metadata, and on the possibility for the expert user to further enrich those metadata.\r
-Another goal of this demonstration is to present the integrated audio analysis tools described in Section~\ref{sec:Timeside}.\r
-\vspace{-0.2cm}\r
-\section*{Acknowledgments} \r
-{\small The authors would like to thank all the people that have been involved in \emph{Telemeta} specification and development or have provide useful input and feedback. \r
-The project has been partially funded by the French National Centre for Scientific Research (CNRS), the French Ministry of Culture and Communication, the TGE Adonis Consortium, and the Centre of Research in Ethnomusicology (CREM).}\r
-\r
-\r
-\bibliographystyle{plain}\r
-\bibliography{aes53_Telemeta}\r
-\r
-\r
-\end{document}\r
+++ /dev/null
-
-Title
------
-"Telemeta : open web audio platform for sound archives in the use case of ethnomusicology"
-
-
-Authors
--------
-Thomas Fillon, Guillaume Pellerin, Paul Brossier and Joséphine Simonnot
-
-
-Abstract
---------
-
-Telemeta is a fully-operational open-source web audio platform dedicated to digital sound archives secure storing, indexing and publishing. It focuses on the enhance and collaborative user-experience in accessing audio items and their associated metadata and on the possibility for the expert users to further enrich those metadata.
-
-Telemeta architecture relies on TimeSide, an open audio processing framework written in Python which provides a smart embeddable HTML audio player together with decoding, encoding and streaming methods for various formats. TimeSide also includes a set of audio analysis plugins and additionally wraps several audio features extraction libraries to provide automatic annotation, segmentation and musicological analysis.
-
-The demonstration presents the features of this platform in the context of ethnomusicological research.
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-\title[TELEMETA, open web audio platform for
-sound archives]{TELEMETA : open web audio platform for
-sound archives\\in the use case of
-ethnomusicology}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
-
-
-\institute[Parisson]{\small
- \inst{1}%
- Parisson, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
- 11 rue de Lourmel, 75015 Paris, France\\
- \inst{3}%
- CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
-21 Allée de l'Université - 92023 Nanterre, France\\
-%Thanks
-\vskip1ex
- {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
-}
-
-\date[03/09/2013]{03 septembre 2013}
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-\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
-% ==================================
-% --------- Résumé -----------------
-% ==================================
- \begin{block}{Abstract}\small
-
- \begin{minipage}{0.74\linewidth}
- \begin{itemize}
- \item \emph{Telemeta} is an \alert{open-source audio web Content
- Management System} (CMS) dedicated to \alert{digital sound
- archives} secure storing, indexing and publishing.
- \item The demonstration presents the features of this platform
- in the context of \alert{\emph{ethnomusicological} research}.
- \item It focuses on the enhance and collaborative
- user-experience in accessing audio items and their associated
- metadata and on the possibility for the expert user to further
- enrich those metadata.
- \item \emph{Telemeta} also provides integrated \alert{audio signal
- processing tools} for automatic analysis of sound items.
- \end{itemize}
- \end{minipage}
- \begin{minipage}{0.24\linewidth}
- \begin{center}
- \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
-
- \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
- \vskip1ex
- \colorbox{yellow!50}
- { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
- \end{center}
- \end{minipage}
- \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
- \end{block}
-
-% ==================================
-% --------- Corps -----------------
-% ==================================
- \begin{columns}[t]
-\footnotesize
-% ==================================
-% --------- Colonne gauche ---------
-% ==================================
- \begin{column}[T]{.49\linewidth}
- \begin{block}{Introduction}
- \textbf{Needs}\\
- \begin{itemize}
- \item In social sciences like anthropology and linguistics,
- researchers have to work on multiple types of multimedia
- documents such as photos, videos, sound recordings or
- databases.
- \item The need to easily access, visualize and annotate
- such materials can be problematic given their diverse formats,
- sources and given their chronological nature.
- \end{itemize}
-
-\textbf{The \emph{Telemeta} project}\\
-\begin{itemize}
-\item The CREM laboratory and Parisson have been developing an innovative,
- collaborative and interdisciplinary open-source web-based multimedia
- platform since 2007.
-\item Goal : fit the professional requirements from both sound archivists and
- researchers in ethnomusicology.
-\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
- l'Homme}:
-\end{itemize}
-\begin{center}
- \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
-\end{center}
-
- \end{block}
-
-\begin{block}{Web audio content management features and architecture}
- \begin{itemize}
- \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
- Free Software License Agreement}) web audio content management
- system which introduces efficient and secure methods for
- \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
- digitalized audio file with its metadata.
- \item \emph{Telemeta} is ideal for
- professional collaborators who wants to easily organize, backup, archive and
- publish documented sound collections of audio files, CDs,
- digitalized vinyls and magnetic tapes over a strong database in
- accordance with \alert{open web standards}.
- \item \emph{Telemeta} architecture
- is \alert{flexible} and can easily be adapted to particular database
- organization of a given sound archives.
- \end{itemize}
-
-\begin{figure}[htbp]
- \centering
- \includegraphics[width=0.47\paperwidth]{img/player_mark.png}
- \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
-\end{figure}
-
-
-
-The main features of \emph{Telemeta} are:
-\vspace{-0.1cm}
-\begin{itemize}
-\item \alert{Pure HTML} web user interface including high level \alert{search engine}
-\item \alert{Smart workflow management} with contextual user lists, profiles and rights
- % \item RSS and JSON feed generators
- % \item XML serialized backup
-\item Model-View-Controller (\alert{MVC}) architecture
-\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
-
-\end{itemize}
-Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
-
-\end{block}
-\begin{block}{Metadata}
- \begin{itemize}
- \item In addition to the audio data, an efficient and \alert{dynamic
- management} of the associated metadata is also required.
- \item Dynamically handling metadata in a \alert{collaborative} manner optimises
- the continuous process of knowledge gathering and enrichment of
- the materials in the database.
- \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
- and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
- Harvesting) \cite{DublinCore,OAI-PMH}.
- \end{itemize}
-
-\textbf{Contextual Information}\\
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
-
-\textbf{Annotations and segmentation}\\
-Metadata also consist in temporal information such as:
-\begin{itemize}
-\item a list of \alert{time-coded markers} associated with annotations
-\item a list of of \alert{time-segments} associated with labels.
-\end{itemize}
-The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
-It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
-
-\end{block}
- \end{column}
-
-% ==================================
-% ------- Colonne droite -----------
-% ==================================
-\begin{column}[T]{.49\linewidth}
- \begin{block}{TimeSide : open web audio processing framework}
-One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
-
-\begin{center}
- \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
-\end{center}
-
- \begin{figure}[htbp]
- \centering
- \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
- \caption{TimeSide architecture}
-\end{figure}
-
-\textbf{Goals}\\
-
-\begin{itemize}
-\item \alert{Do} asynchronous and fast audio processing with Python.
-\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
-\item \alert{Analyze} audio content with some external audio feature extraction libraries.
-\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
-\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
-\item \alert{Transcode} audio data in various media formats and stream them through web apps.
-\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
-\end{itemize}
-
-\textbf{Audio features extraction}\\
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
-
- \begin{itemize}
- \item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
- \cite{brossierPhD}
- \item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
- \cite{yaafe_ISMIR2010}
- \item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
- \cite{vamp-plugins}
- \end{itemize}
-
-
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
-Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
-\end{block}
-\begin{block}{Code Example (Python)}
-\vskip1ex
- \begin{minipage}{0.6\linewidth}
- \begin{lstlisting}
-
-import timeside
-
-# Define some processors:
-decoder = timeside.decoder.FileDecoder('sweep.wav')
-analyzer = timeside.analyzer.Level()
-grapher = timeside.grapher.Spectrogram()
-encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
-
-# Then, the magic pipeline:
-(decoder | analyzer | grapher | encoder).run()
-
-# Get the results:
-grapher.render(output='image.png')
-for key in analyzer.results.keys():
- print '%s in %s : %s'% (analyzer.results[key].name,
- analyzer.results[key].unit,
- analyzer.results[key].data)
-
-\end{lstlisting}
-\end{minipage}
-\hskip2ex
-\begin{minipage}{0.32\linewidth}
- \begin{center}
- \textbf{Results}
- \begin{figure}
- \centering
- \includegraphics{img/spectrogram.png}
- \caption{Spectrogram (sweep signal)}
- \end{figure}
- \end{center}
-\vskip5ex
-\begin{lstlisting}
-
- Level Analyzer Max:[-6.021]
- Level Analyzer RMS:[-9.856]
-
-\end{lstlisting}
-
-
-\end{minipage}
-
- \end{block}
-\begin{block}{Références}\tiny
-\bibliographystyle{plain}
-%\label{sec:ref}
-\vspace{-1cm}
-\begin{multicols}{2}[]
-\bibliography{../aes53_Telemeta}
-\end{multicols}
- \end{block}
- \end{column}
-\end{columns}
-\end{frame}
-\end{document}
-%%% Local Variables:
-%%% mode: latex
-%%% TeX-master: t
-%%% End:
+++ /dev/null
-\documentclass[final, hyperref, table]{beamer} \mode<presentation>
-
-
-% \usepackage[english]{babel} % "babel.sty"
-% \usepackage{french} % "french.sty"
-% \usepackage{franglais} % "franglais.sty" (a defaut)
-\usepackage{times} % ajout times le 30 mai 2003
-
-%% --------------------------------------------------------------
-%% CODAGE DE POLICES ? Si votre moteur Latex est francise, il est
-%% conseille d'utiliser le codage de police T1 pour faciliter la
-%% césure, si vous disposez de ces polices (DC/EC)
-\usepackage[utf8]{inputenc} \usepackage[T1]{fontenc}
-
-\usepackage{amsmath,amsfonts}
-\usepackage{xcolor}
-
-\usetheme{Boadilla}
-% \usetheme{JuanLesPins}
-\setbeamercovered{transparent}
-
-% gets rid of bottom navigation bars
-\setbeamertemplate{footline}[page number]{}
-
-% gets rid of navigation symbols
-\setbeamertemplate{navigation symbols}{}
-
-% \usecolortheme{beaver} telemeta red
-\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
-\usecolortheme[named=telemetaRed]{structure}
-\setbeamercolor{structure}{fg=telemetaRed, bg=white}
-% Display a grid to help align images
-% \beamertemplategridbackground[1cm]
-
-% We will get the normal bibliography style (number or text instead of
-% icon) by including the following code
-\setbeamertemplate{bibliography item}[text]
-\setbeamerfont{block title}{size=\footnotesize}
-
-\title[TELEMETA, audio web CMS for Ethnomusicological
-archives]{Telemeta\\Open web audio platform for sound archives in the
- use case of ethnomusicology}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon
- \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1},
- Jos{\'e}phine Simonnot\inst{3}}
-
-
-\begin{document}
-\setlength{\leftmargini}{10pt} \thispagestyle{empty}
-\begin{frame}\tiny
- \frametitle{\includegraphics[width=0.3\linewidth]{logo_telemeta_alpha_black.png}
- \hspace{.4\linewidth} \includegraphics[width=.3\linewidth]{../poster/img/parisson_logo_FINALE_com.pdf}}
- \framesubtitle{{\underline{DEMO SESSION}}: \textbf{Telemeta, Open web audio platform for sound archives\\
- \hspace{2.7cm}in the use case of ethnomusicology}}
-
- \vspace{-0.2cm}
- \begin{columns}
-
- % ----------------- Colonne de gauche -----------------
- \column[t]{5.3cm}
-
- \begin{block}{The project {\tiny(started in 2007)}}
- \begin{itemize}
- \item The CREM laboratory and Parisson are developing an
- innovative, collaborative and interdisciplinary
- \alert{open-source web based multimedia platform} dedicated to
- \alert{sound archivists} and \alert{researchers in
- ethnomusicology}.
- \item The platform is fully operational since 2011 :
- \colorbox{yellow!50} {\bf \url{http://archives.crem-cnrs.fr}}
- \end{itemize}
- \end{block}
- \vspace{-0.2cm}
- \begin{block}{The framework}
- TimeSide is an \alert{open web audio processing framework} written in
- Python which is used to build the engine of Telemeta.
- % \textbf{Goals}\\
- \begin{itemize}
- \item Easy plugin architecture (full \alert{Python})
- \item Asynchronous and fast audio processing
- \item \alert{Feature extraction} (Aubio, Yaafe, Vamp plugins)
- \item Smart, fancy and dynamical \alert{HTML5 web audio player}
- \end{itemize}
- \vspace{-0.5cm}
- \begin{center}
- \colorbox{yellow!50}{\bf
- \url{https://github.com/yomguy/TimeSide/}}
- \end{center}
-
- \end{block}
-
-
- % ----------------- Colonne de droite -----------------
- \column[t]{6cm}
- \begin{block}{The platform (features)}
- \begin{itemize}
- \setlength{\itemsep}{1.5pt}
- \item \alert{Pure HTML5} web user interface including dynamical forms
- and smart workflows
- \item \alert{On the fly} audio analyzing, transcoding and \alert{metadata}
- embedding
- \item Social editing with \alert{semantic ontologies}, smart workflows,
- realtime tools, human or automatic \alert{annotations and
- segmentations}
- \item User management with individual desk, playlists, profiles
- and access rights
- \item High level geo-located search engine
- \item DublinCore, OAI-PMH, RSS, XML and JSON \alert{data providers}
- \item Multi-language support (now english and french)
- \end{itemize}
- \vspace{-0.6cm}
- \begin{center}
- \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
- \end{center}
- \end{block}
- \vspace{-0.2cm}
- \begin{block}{Late-breaking Demos/poster session \#2
- \texttt{\textbf{D2-4}}}
- \begin{itemize}
- \item Live demonstration of the \emph{Telemeta} web platform
- with the CNRS \alert{ethnomusicological sound archives}
- \item Live demonstration of \emph{Timeside}, the audio
- processing framework (Python)
- \end{itemize}
- \end{block}
-
- \end{columns}
-\end{frame}
-
-\end{document}
-
+++ /dev/null
-@Misc{OAI-PMH,
- key = "OAI-PMH",
- url = "http://www.openarchives.org/pmh/",
- title = "Open Archives Initiative Protocol for Metadata
- Harvesting"
-}
-
-
-@Misc{DublinCore,
- key = "DublinCore",
- title = "{Dublin Core} Metadata Initiative",
- url = "http://dublincore.org/"
-}
-
-
-
-@Misc{telemetaCREM,
- key = "telemetaCREM",
- title = "Archives sonores du {CNRS} - {Musée de l'Homme}",
- url = "http://archives.crem-cnrs.fr"}
-
-
-@PhdThesis{BrossierPhD,
- author = {Paul Brossier},
- title = {Automatic annotation of musical audio for
- interactive systems},
- school = {Centre for Digital music, Queen Mary University of
- London, UK},
- year = 2006
-}
-
-
-@inproceedings{yaafe_ISMIR2010,
- author = {Mathieu, Benoît and Essid, Slim and Fillon, Thomas
- and Prado, Jacques and Richard, Gaël},
- title = {Yaafe, An Easy To Use And Efficient Audio Feature
- Extraction Software},
- booktitle = {Proc. of ISMIR 2010, Utrecht, Netherlands},
- year = 2010,
- pages = {441-446},
- publisher = {International Society for Music Information
- Retrieval},
- url =
- {http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}
-}
-
-@Misc{vamp-plugins,
- key = {vamp},
- title = {The {Vamp} audio analysis plugin system},
- url = {http://www.vamp-plugins.org}
-}
-
+++ /dev/null
-\r
-%%%%%%%%%%%%%%%%%%%%%%% file typeinst.tex %%%%%%%%%%%%%%%%%%%%%%%%%\r
-%\r
-% This is the LaTeX source for the instructions to authors using\r
-% the LaTeX document class 'llncs.cls' for contributions to\r
-% the Lecture Notes in Computer Sciences series.\r
-% http://www.springer.com/lncs Springer Heidelberg 2006/05/04\r
-%\r
-% It may be used as a template for your own input - copy it\r
-% to a new file with a new name and use it as the basis\r
-% for your article.\r
-%\r
-% NB: the document class 'llncs' has its own and detailed documentation, see\r
-% ftp://ftp.springer.de/data/pubftp/pub/tex/latex/llncs/latex2e/llncsdoc.pdf\r
-%\r
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
-\r
-\r
-\documentclass[runningheads,a4paper]{llncs}\r
-\r
-\usepackage{amssymb}\r
-\setcounter{tocdepth}{3}\r
-\usepackage{graphicx}\r
-\usepackage{xcolor}\r
-\usepackage{hyperref}\r
-\usepackage[utf8]{inputenc}\r
-\usepackage[T1]{fontenc}\r
-\r
-\newcommand{\keywords}[1]{\par\addvspace\baselineskip\r
-\noindent\keywordname\enspace\ignorespaces#1}\r
-\r
-\pagestyle{headings}\r
-\r
-\begin{document}\r
-\r
-\mainmatter % start of an individual contribution\r
-\r
-% first the title is needed\r
-\title{TELEMETA, audio web Content Management System for ethnomusicological sound archives}\r
-\r
-% a short form should be given in case it is too long for the running head\r
-\titlerunning{TELEMETA, audio web CMS for ethnomusicological sound archives}\r
-\r
-% the name(s) of the author(s) follow(s) next\r
-%\r
-% NB: Chinese authors should write their first names(s) in front of\r
-% their surnames. This ensures that the names appear correctly in\r
-% the running heads and the author index.\r
-%\r
-\author{Thomas Fillon\inst{1,2} \and Guillaume Pellerin\inst{1} \and Paul Brossier\inst{1}\r
- \and Jos{\'e}phine Simonnot\inst{3} \r
-\thanks{This work was partially done inside the DIADEMS project funded by the national french agency ANR (CONTINT)}\r
-}\r
-%\r
-\authorrunning{Thomas Fillon \and Guillaume Pellerin \and Paul Brossier \and Jos{\'e}phine Simonnot}\r
-% (feature abused for this document to repeat the title also on left hand pages)\r
-\r
-% the affiliations are given next; don't give your e-mail address\r
-% unless you accept that it will be published\r
-\institute{\r
-% 1 - PARISSON\r
-\href{http://www.parisson.com}{PARISSON}, 16 rue Jacques Louvel-Tessier 75010 Paris, France\r
-\url{{thomas.fillon,guillaume.pellerin}@parisson.com}\r
-% 2 - LAM / UPMC\r
-\and \r
-LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,\\ \r
- 11 rue de Lourmel, 75015 Paris, France\r
-% 3 - CREM\r
-\and\r
-CREM, LESC, UMR CNRS 7186\\ MAE, Université Paris Ouest Nanterre La Défense,\r
-21 Allée de l'Université - 92023 Nanterre\\\r
-\url{josephine.simonnot@mae.u-paris10.fr}}\r
-\r
-%\toctitle{Lecture Notes in Computer Science}\r
-%\tocauthor{Authors' Instructions}\r
-\maketitle\r
-\r
-% Reset Footnote counter after author definition\r
-\setcounter{footnote}{0}\r
-\r
-\r
-\begin{abstract}\r
-\emph{Telemeta} is an open-source audio web Content Management System (CMS) dedicated to digital sound archives secure storing, indexing and publishing. The demonstration presents the features of this platform in the context of \emph{ethnomusicological} research. It focuses on the enhance and collaborative user-experience in accessing audio items and their associated metadata and on the possibility for the expert user to further enrich those metadata. \emph{Telemeta} also provides integrated audio signal processing tools for automatic analysis of sound items.\r
-\keywords{Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}\r
-\end{abstract}\r
-\r
-\r
-\section{Introduction}\r
-\r
-In social sciences like anthropology and linguistics, researchers have to work on multiple types of multimedia documents such as photos, videos, sound recordings or databases. The need to easily access, visualize and annotate such materials can be problematic given their diverse formats, sources and given their chronological nature.\r
-With this in mind, some laboratories\footnote{The Research Center on Ethnomusicology (CREM), the Musical Acoustics Laboratory (LAM, UMR 7190) and the sound archives of the Mediterranean House of Human Sciences (MMHS)} involved in ethnomusicological research have been working together on that issue.\r
-\r
-The CREM laboratory and Parisson, a company specialized in the management of audio databases, have been developing an innovative, collaborative and interdisciplinary open-source web-based multimedia platform since 2007. This platform, \emph{Telemeta} is designed to fit the professional requirements from both sound archivists and researchers in ethnomusicology. The first prototype of this platform has been online\footnote{Archives sonores du CNRS, Musée de l'Homme, \url{http://archives.crem-cnrs.fr}} since 2008.\r
-\r
-\section{Telemeta}\label{sec:Telemeta}\vspace{-0.2cm}\r
-\subsection{Web audio content management features and architecture}\r
-Telemeta\footnote{\url{http://telemeta.org}} is a free and open source\footnote{Telemeta code is available under the \href{http://cecill.info/licences/Licence_CeCILL_V2-en.html}{CeCILL Free Software License Agreement}} web audio content management system which introduces efficient and secure methods for back-uping, indexing, transcoding, analysing and publishing any digitalized audio file with its metadata. \r
-\r
-An overview of the Telemeta's web interface is illustrated in Figure~\ref{fig:Telemeta}\r
-\begin{figure}[htbp]\r
- \centering\r
- \includegraphics[width=10cm]{img/telemeta.png}\r
- \caption{Screenshot excerpt of the \emph{Telemeta} web interface}\label{fig:Telemeta}\r
-\end{figure}\r
-\r
-Telemeta is ideal for professionals who wants to easily organize, backup, archive and publish documented sound collections of audio files, CDs, digitalized vinyls and magnetic tapes over a strong database, in accordance with open web standards. \r
-\emph{Telemeta} architecture is flexible and can easily be adapted to particular database organization of a given sound archives. \r
-\r
-The main features of \emph{Telemeta} are:\r
-\vspace{-0.1cm}\r
-\begin{itemize}\r
-\item \emph{Pure HTML} web user interface including high level \emph{search engine}\r
-\item Smart \emph{workflow management} with contextual user lists, profiles and rights\r
- % \item RSS and JSON feed generators\r
- % \item XML serialized backup\r
-\item Strong Structured Query Language (SQL) or Oracle backend\r
-\item Model-View-Controller (MVC) architecture \r
-\end{itemize}\r
-Beside database management, the audio support is mainly provided through an external component, TimeSide, which is described in Section~\ref{sec:Timeside}.\r
-\r
-\subsection{Metadata}\label{sec:metadata}\r
-In addition to the audio data, an efficient and dynamic management of the associated metadata is also required. %Consulting metadata provide both an exhaustive access to valuable information about the source of the data and to the related work of peer researchers. \r
-Dynamically handling metadata in a collaborative manner optimises the continuous process of knowledge gathering and enrichment of the materials in the database. \r
-%One of the major challenge is thus the standardization of audio and metadata formats with the aim of long-term preservation and usage of the different materials.\r
-The compatibility with other systems is facilitated by the integration of the metadata standards protocols \emph{Dublin Core} and \emph{OAI-PMH} (Open Archives Initiative Protocol for Metadata Harvesting) \cite{DublinCore,OAI-PMH}.\r
-\vspace{-0.2cm}\r
-%Metadata provide two different kinds of information about the audio item: contextual information and annotations.\r
-\paragraph{Contextual Information}\r
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format. \vspace{-0.2cm}\r
-\paragraph{Annotations and segmentation}\r
-Metadata also consist in temporal information such as a list of \emph{time-coded markers} associated with annotations and a list of of \emph{time-segments} associated with labels. The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).\r
-It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis (see Section~\ref{sec:Timeside}).\r
-\r
-\r
-\section{TimeSide}\label{sec:Timeside}\vspace{-0.2cm}\r
-One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with audio signal processing analysis capabilities. Figure~\ref{fig:TimeSide_Archi} illustrates the overall architecture of \emph{TimeSide}.\r
-\r
-\begin{figure}[htbp]\r
- \centering\r
- \includegraphics[width=10.5cm]{img/timeside_schema.pdf}\r
- \caption{TimeSide architecture (see \url{https://code.google.com/p/timeside/})}\label{fig:TimeSide_Archi}\r
-\end{figure}\r
-\r
-\vspace{-0.4cm}\r
-\subsection{Audio management}\r
-TimeSide provides the following main features:\r
-\begin{itemize}\r
-\item \emph{Secure archiving, editing and publishing of audio files} over\r
- internet.\r
-\item Smart \emph{audio player} with enhanced visualisation (waveform, spectrogram)\r
-\item \emph{Multi-format support}: reads all available audio and video formats through Gstreamer, transcoding with smart streaming and caching methods% (FLAC, OGG, MP3, WAV and WebM)\r
- % \item \emph{Playlist management} for all users with CSV data export\r
-\item "On the fly" \emph{audio analyzing, transcoding and metadata\r
- embedding} based on an easy plugin architecture\r
-\end{itemize}\r
-\vspace{-0.4cm}\r
-\subsection{Audio features extraction}\r
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as \href{http://aubio.org}{Aubio}, \href{http://yaafe.sourceforge.net}{Yaafe} and \href{http://www.vamp-plugins.org}{Vamp plugins} \cite{brossierPhD,yaafe_ISMIR2010,vamp-plugins}.\r
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.\r
-Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide automatic annotation, segmentation and similarity analysis.\r
-\vspace{-0.2cm}\r
-\section{Conclusion - Purpose of the demonstration}\vspace{-0.1cm}\r
-The demonstration presents the features offered by \emph{Telemeta} as detailed in Section~\ref{sec:Telemeta} in the context of ethnomusicological sound archiving \cite{telemetaCREM}. It focuses on the enhance and collaborative user-experience when accessing audio items and their associated metadata, and on the possibility for the expert user to further enrich those metadata.\r
-Another goal of this demonstration is to present the integrated audio analysis tools described in Section~\ref{sec:Timeside}.\r
-\r
-\vspace{-0.3cm}\r
-\section*{Acknowledgments} \vspace{-0.2cm}\r
-The authors would like to thank all the people that have been involved in \emph{Telemeta} specification and development or have provide useful input and feedback. \r
-The project has been partially funded by the French National Centre for Scientific Research (CNRS), the French Ministry of Culture and Communication, the TGE Adonis Consortium, and the Centre of Research in Ethnomusicology (CREM).\r
-\r
-\vspace{-0.3cm}\r
-\bibliographystyle{splncs03}\r
-\bibliography{cmmr_2013}\r
-\r
-\r
-\end{document}\r
+++ /dev/null
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-\DeclareOption{oribibl}{\let\oribibl=Y}\r
-\let\if@custvec\iftrue\r
-\DeclareOption{orivec}{\let\if@custvec\iffalse}\r
-\let\if@envcntsame\iffalse\r
-\DeclareOption{envcountsame}{\let\if@envcntsame\iftrue}\r
-\let\if@envcntsect\iffalse\r
-\DeclareOption{envcountsect}{\let\if@envcntsect\iftrue}\r
-\let\if@runhead\iffalse\r
-\DeclareOption{runningheads}{\let\if@runhead\iftrue}\r
-\r
-\let\if@openright\iftrue\r
-\let\if@openbib\iffalse\r
-\DeclareOption{openbib}{\let\if@openbib\iftrue}\r
-\r
-% languages\r
-\let\switcht@@therlang\relax\r
-\def\ds@deutsch{\def\switcht@@therlang{\switcht@deutsch}}\r
-\def\ds@francais{\def\switcht@@therlang{\switcht@francais}}\r
-\r
-\DeclareOption*{\PassOptionsToClass{\CurrentOption}{article}}\r
-\r
-\ProcessOptions\r
-\r
-\LoadClass[twoside]{article}\r
-\RequirePackage{multicol} % needed for the list of participants, index\r
-\RequirePackage{aliascnt}\r
-\r
-\setlength{\textwidth}{12.2cm}\r
-\setlength{\textheight}{19.3cm}\r
-\renewcommand\@pnumwidth{2em}\r
-\renewcommand\@tocrmarg{3.5em}\r
-%\r
-\def\@dottedtocline#1#2#3#4#5{%\r
- \ifnum #1>\c@tocdepth \else\r
- \vskip \z@ \@plus.2\p@\r
- {\leftskip #2\relax \rightskip \@tocrmarg \advance\rightskip by 0pt plus 2cm\r
- \parfillskip -\rightskip \pretolerance=10000\r
- \parindent #2\relax\@afterindenttrue\r
- \interlinepenalty\@M\r
- \leavevmode\r
- \@tempdima #3\relax\r
- \advance\leftskip \@tempdima \null\nobreak\hskip -\leftskip\r
- {#4}\nobreak\r
- \leaders\hbox{$\m@th\r
- \mkern \@dotsep mu\hbox{.}\mkern \@dotsep\r
- mu$}\hfill\r
- \nobreak\r
- \hb@xt@\@pnumwidth{\hfil\normalfont \normalcolor #5}%\r
- \par}%\r
- \fi}\r
-%\r
-\def\switcht@albion{%\r
-\def\abstractname{Abstract.}\r
-\def\ackname{Acknowledgement.}\r
-\def\andname{and}\r
-\def\lastandname{\unskip, and}\r
-\def\appendixname{Appendix}\r
-\def\chaptername{Chapter}\r
-\def\claimname{Claim}\r
-\def\conjecturename{Conjecture}\r
-\def\contentsname{Table of Contents}\r
-\def\corollaryname{Corollary}\r
-\def\definitionname{Definition}\r
-\def\examplename{Example}\r
-\def\exercisename{Exercise}\r
-\def\figurename{Fig.}\r
-\def\keywordname{{\bf Keywords:}}\r
-\def\indexname{Index}\r
-\def\lemmaname{Lemma}\r
-\def\contriblistname{List of Contributors}\r
-\def\listfigurename{List of Figures}\r
-\def\listtablename{List of Tables}\r
-\def\mailname{{\it Correspondence to\/}:}\r
-\def\noteaddname{Note added in proof}\r
-\def\notename{Note}\r
-\def\partname{Part}\r
-\def\problemname{Problem}\r
-\def\proofname{Proof}\r
-\def\propertyname{Property}\r
-\def\propositionname{Proposition}\r
-\def\questionname{Question}\r
-\def\remarkname{Remark}\r
-\def\seename{see}\r
-\def\solutionname{Solution}\r
-\def\subclassname{{\it Subject Classifications\/}:}\r
-\def\tablename{Table}\r
-\def\theoremname{Theorem}}\r
-\switcht@albion\r
-% Names of theorem like environments are already defined\r
-% but must be translated if another language is chosen\r
-%\r
-% French section\r
-\def\switcht@francais{%\typeout{On parle francais.}%\r
- \def\abstractname{R\'esum\'e.}%\r
- \def\ackname{Remerciements.}%\r
- \def\andname{et}%\r
- \def\lastandname{ et}%\r
- \def\appendixname{Appendice}\r
- \def\chaptername{Chapitre}%\r
- \def\claimname{Pr\'etention}%\r
- \def\conjecturename{Hypoth\`ese}%\r
- \def\contentsname{Table des mati\`eres}%\r
- \def\corollaryname{Corollaire}%\r
- \def\definitionname{D\'efinition}%\r
- \def\examplename{Exemple}%\r
- \def\exercisename{Exercice}%\r
- \def\figurename{Fig.}%\r
- \def\keywordname{{\bf Mots-cl\'e:}}\r
- \def\indexname{Index}\r
- \def\lemmaname{Lemme}%\r
- \def\contriblistname{Liste des contributeurs}\r
- \def\listfigurename{Liste des figures}%\r
- \def\listtablename{Liste des tables}%\r
- \def\mailname{{\it Correspondence to\/}:}\r
- \def\noteaddname{Note ajout\'ee \`a l'\'epreuve}%\r
- \def\notename{Remarque}%\r
- \def\partname{Partie}%\r
- \def\problemname{Probl\`eme}%\r
- \def\proofname{Preuve}%\r
- \def\propertyname{Caract\'eristique}%\r
-%\def\propositionname{Proposition}%\r
- \def\questionname{Question}%\r
- \def\remarkname{Remarque}%\r
- \def\seename{voir}\r
- \def\solutionname{Solution}%\r
- \def\subclassname{{\it Subject Classifications\/}:}\r
- \def\tablename{Tableau}%\r
- \def\theoremname{Th\'eor\`eme}%\r
-}\r
-%\r
-% German section\r
-\def\switcht@deutsch{%\typeout{Man spricht deutsch.}%\r
- \def\abstractname{Zusammenfassung.}%\r
- \def\ackname{Danksagung.}%\r
- \def\andname{und}%\r
- \def\lastandname{ und}%\r
- \def\appendixname{Anhang}%\r
- \def\chaptername{Kapitel}%\r
- \def\claimname{Behauptung}%\r
- \def\conjecturename{Hypothese}%\r
- \def\contentsname{Inhaltsverzeichnis}%\r
- \def\corollaryname{Korollar}%\r
-%\def\definitionname{Definition}%\r
- \def\examplename{Beispiel}%\r
- \def\exercisename{\"Ubung}%\r
- \def\figurename{Abb.}%\r
- \def\keywordname{{\bf Schl\"usselw\"orter:}}\r
- \def\indexname{Index}\r
-%\def\lemmaname{Lemma}%\r
- \def\contriblistname{Mitarbeiter}\r
- \def\listfigurename{Abbildungsverzeichnis}%\r
- \def\listtablename{Tabellenverzeichnis}%\r
- \def\mailname{{\it Correspondence to\/}:}\r
- \def\noteaddname{Nachtrag}%\r
- \def\notename{Anmerkung}%\r
- \def\partname{Teil}%\r
-%\def\problemname{Problem}%\r
- \def\proofname{Beweis}%\r
- \def\propertyname{Eigenschaft}%\r
-%\def\propositionname{Proposition}%\r
- \def\questionname{Frage}%\r
- \def\remarkname{Anmerkung}%\r
- \def\seename{siehe}\r
- \def\solutionname{L\"osung}%\r
- \def\subclassname{{\it Subject Classifications\/}:}\r
- \def\tablename{Tabelle}%\r
-%\def\theoremname{Theorem}%\r
-}\r
-\r
-% Ragged bottom for the actual page\r
-\def\thisbottomragged{\def\@textbottom{\vskip\z@ plus.0001fil\r
-\global\let\@textbottom\relax}}\r
-\r
-\renewcommand\small{%\r
- \@setfontsize\small\@ixpt{11}%\r
- \abovedisplayskip 8.5\p@ \@plus3\p@ \@minus4\p@\r
- \abovedisplayshortskip \z@ \@plus2\p@\r
- \belowdisplayshortskip 4\p@ \@plus2\p@ \@minus2\p@\r
- \def\@listi{\leftmargin\leftmargini\r
- \parsep 0\p@ \@plus1\p@ \@minus\p@\r
- \topsep 8\p@ \@plus2\p@ \@minus4\p@\r
- \itemsep0\p@}%\r
- \belowdisplayskip \abovedisplayskip\r
-}\r
-\r
-\frenchspacing\r
-\widowpenalty=10000\r
-\clubpenalty=10000\r
-\r
-\setlength\oddsidemargin {63\p@}\r
-\setlength\evensidemargin {63\p@}\r
-\setlength\marginparwidth {90\p@}\r
-\r
-\setlength\headsep {16\p@}\r
-\r
-\setlength\footnotesep{7.7\p@}\r
-\setlength\textfloatsep{8mm\@plus 2\p@ \@minus 4\p@}\r
-\setlength\intextsep {8mm\@plus 2\p@ \@minus 2\p@}\r
-\r
-\setcounter{secnumdepth}{2}\r
-\r
-\newcounter {chapter}\r
-\renewcommand\thechapter {\@arabic\c@chapter}\r
-\r
-\newif\if@mainmatter \@mainmattertrue\r
-\newcommand\frontmatter{\cleardoublepage\r
- \@mainmatterfalse\pagenumbering{Roman}}\r
-\newcommand\mainmatter{\cleardoublepage\r
- \@mainmattertrue\pagenumbering{arabic}}\r
-\newcommand\backmatter{\if@openright\cleardoublepage\else\clearpage\fi\r
- \@mainmatterfalse}\r
-\r
-\renewcommand\part{\cleardoublepage\r
- \thispagestyle{empty}%\r
- \if@twocolumn\r
- \onecolumn\r
- \@tempswatrue\r
- \else\r
- \@tempswafalse\r
- \fi\r
- \null\vfil\r
- \secdef\@part\@spart}\r
-\r
-\def\@part[#1]#2{%\r
- \ifnum \c@secnumdepth >-2\relax\r
- \refstepcounter{part}%\r
- \addcontentsline{toc}{part}{\thepart\hspace{1em}#1}%\r
- \else\r
- \addcontentsline{toc}{part}{#1}%\r
- \fi\r
- \markboth{}{}%\r
- {\centering\r
- \interlinepenalty \@M\r
- \normalfont\r
- \ifnum \c@secnumdepth >-2\relax\r
- \huge\bfseries \partname~\thepart\r
- \par\r
- \vskip 20\p@\r
- \fi\r
- \Huge \bfseries #2\par}%\r
- \@endpart}\r
-\def\@spart#1{%\r
- {\centering\r
- \interlinepenalty \@M\r
- \normalfont\r
- \Huge \bfseries #1\par}%\r
- \@endpart}\r
-\def\@endpart{\vfil\newpage\r
- \if@twoside\r
- \null\r
- \thispagestyle{empty}%\r
- \newpage\r
- \fi\r
- \if@tempswa\r
- \twocolumn\r
- \fi}\r
-\r
-\newcommand\chapter{\clearpage\r
- \thispagestyle{empty}%\r
- \global\@topnum\z@\r
- \@afterindentfalse\r
- \secdef\@chapter\@schapter}\r
-\def\@chapter[#1]#2{\ifnum \c@secnumdepth >\m@ne\r
- \if@mainmatter\r
- \refstepcounter{chapter}%\r
- \typeout{\@chapapp\space\thechapter.}%\r
- \addcontentsline{toc}{chapter}%\r
- {\protect\numberline{\thechapter}#1}%\r
- \else\r
- \addcontentsline{toc}{chapter}{#1}%\r
- \fi\r
- \else\r
- \addcontentsline{toc}{chapter}{#1}%\r
- \fi\r
- \chaptermark{#1}%\r
- \addtocontents{lof}{\protect\addvspace{10\p@}}%\r
- \addtocontents{lot}{\protect\addvspace{10\p@}}%\r
- \if@twocolumn\r
- \@topnewpage[\@makechapterhead{#2}]%\r
- \else\r
- \@makechapterhead{#2}%\r
- \@afterheading\r
- \fi}\r
-\def\@makechapterhead#1{%\r
-% \vspace*{50\p@}%\r
- {\centering\r
- \ifnum \c@secnumdepth >\m@ne\r
- \if@mainmatter\r
- \large\bfseries \@chapapp{} \thechapter\r
- \par\nobreak\r
- \vskip 20\p@\r
- \fi\r
- \fi\r
- \interlinepenalty\@M\r
- \Large \bfseries #1\par\nobreak\r
- \vskip 40\p@\r
- }}\r
-\def\@schapter#1{\if@twocolumn\r
- \@topnewpage[\@makeschapterhead{#1}]%\r
- \else\r
- \@makeschapterhead{#1}%\r
- \@afterheading\r
- \fi}\r
-\def\@makeschapterhead#1{%\r
-% \vspace*{50\p@}%\r
- {\centering\r
- \normalfont\r
- \interlinepenalty\@M\r
- \Large \bfseries #1\par\nobreak\r
- \vskip 40\p@\r
- }}\r
-\r
-\renewcommand\section{\@startsection{section}{1}{\z@}%\r
- {-18\p@ \@plus -4\p@ \@minus -4\p@}%\r
- {12\p@ \@plus 4\p@ \@minus 4\p@}%\r
- {\normalfont\large\bfseries\boldmath\r
- \rightskip=\z@ \@plus 8em\pretolerance=10000 }}\r
-\renewcommand\subsection{\@startsection{subsection}{2}{\z@}%\r
- {-18\p@ \@plus -4\p@ \@minus -4\p@}%\r
- {8\p@ \@plus 4\p@ \@minus 4\p@}%\r
- {\normalfont\normalsize\bfseries\boldmath\r
- \rightskip=\z@ \@plus 8em\pretolerance=10000 }}\r
-\renewcommand\subsubsection{\@startsection{subsubsection}{3}{\z@}%\r
- {-18\p@ \@plus -4\p@ \@minus -4\p@}%\r
- {-0.5em \@plus -0.22em \@minus -0.1em}%\r
- {\normalfont\normalsize\bfseries\boldmath}}\r
-\renewcommand\paragraph{\@startsection{paragraph}{4}{\z@}%\r
- {-12\p@ \@plus -4\p@ \@minus -4\p@}%\r
- {-0.5em \@plus -0.22em \@minus -0.1em}%\r
- {\normalfont\normalsize\itshape}}\r
-\renewcommand\subparagraph[1]{\typeout{LLNCS warning: You should not use\r
- \string\subparagraph\space with this class}\vskip0.5cm\r
-You should not use \verb|\subparagraph| with this class.\vskip0.5cm}\r
-\r
-\DeclareMathSymbol{\Gamma}{\mathalpha}{letters}{"00}\r
-\DeclareMathSymbol{\Delta}{\mathalpha}{letters}{"01}\r
-\DeclareMathSymbol{\Theta}{\mathalpha}{letters}{"02}\r
-\DeclareMathSymbol{\Lambda}{\mathalpha}{letters}{"03}\r
-\DeclareMathSymbol{\Xi}{\mathalpha}{letters}{"04}\r
-\DeclareMathSymbol{\Pi}{\mathalpha}{letters}{"05}\r
-\DeclareMathSymbol{\Sigma}{\mathalpha}{letters}{"06}\r
-\DeclareMathSymbol{\Upsilon}{\mathalpha}{letters}{"07}\r
-\DeclareMathSymbol{\Phi}{\mathalpha}{letters}{"08}\r
-\DeclareMathSymbol{\Psi}{\mathalpha}{letters}{"09}\r
-\DeclareMathSymbol{\Omega}{\mathalpha}{letters}{"0A}\r
-\r
-\let\footnotesize\small\r
-\r
-\if@custvec\r
-\def\vec#1{\mathchoice{\mbox{\boldmath$\displaystyle#1$}}\r
-{\mbox{\boldmath$\textstyle#1$}}\r
-{\mbox{\boldmath$\scriptstyle#1$}}\r
-{\mbox{\boldmath$\scriptscriptstyle#1$}}}\r
-\fi\r
-\r
-\def\squareforqed{\hbox{\rlap{$\sqcap$}$\sqcup$}}\r
-\def\qed{\ifmmode\squareforqed\else{\unskip\nobreak\hfil\r
-\penalty50\hskip1em\null\nobreak\hfil\squareforqed\r
-\parfillskip=0pt\finalhyphendemerits=0\endgraf}\fi}\r
-\r
-\def\getsto{\mathrel{\mathchoice {\vcenter{\offinterlineskip\r
-\halign{\hfil\r
-$\displaystyle##$\hfil\cr\gets\cr\to\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\textstyle##$\hfil\cr\gets\r
-\cr\to\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\scriptstyle##$\hfil\cr\gets\r
-\cr\to\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\scriptscriptstyle##$\hfil\cr\r
-\gets\cr\to\cr}}}}}\r
-\def\lid{\mathrel{\mathchoice {\vcenter{\offinterlineskip\halign{\hfil\r
-$\displaystyle##$\hfil\cr<\cr\noalign{\vskip1.2pt}=\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\textstyle##$\hfil\cr<\cr\r
-\noalign{\vskip1.2pt}=\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\scriptstyle##$\hfil\cr<\cr\r
-\noalign{\vskip1pt}=\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\scriptscriptstyle##$\hfil\cr\r
-<\cr\r
-\noalign{\vskip0.9pt}=\cr}}}}}\r
-\def\gid{\mathrel{\mathchoice {\vcenter{\offinterlineskip\halign{\hfil\r
-$\displaystyle##$\hfil\cr>\cr\noalign{\vskip1.2pt}=\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\textstyle##$\hfil\cr>\cr\r
-\noalign{\vskip1.2pt}=\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\scriptstyle##$\hfil\cr>\cr\r
-\noalign{\vskip1pt}=\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\scriptscriptstyle##$\hfil\cr\r
->\cr\r
-\noalign{\vskip0.9pt}=\cr}}}}}\r
-\def\grole{\mathrel{\mathchoice {\vcenter{\offinterlineskip\r
-\halign{\hfil\r
-$\displaystyle##$\hfil\cr>\cr\noalign{\vskip-1pt}<\cr}}}\r
-{\vcenter{\offinterlineskip\halign{\hfil$\textstyle##$\hfil\cr\r
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-{\vcenter{\offinterlineskip\halign{\hfil$\scriptstyle##$\hfil\cr\r
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-{\vcenter{\offinterlineskip\halign{\hfil$\scriptscriptstyle##$\hfil\cr\r
->\cr\noalign{\vskip-0.3pt}<\cr}}}}}\r
-\def\bbbr{{\rm I\!R}} %reelle Zahlen\r
-\def\bbbm{{\rm I\!M}}\r
-\def\bbbn{{\rm I\!N}} %natuerliche Zahlen\r
-\def\bbbf{{\rm I\!F}}\r
-\def\bbbh{{\rm I\!H}}\r
-\def\bbbk{{\rm I\!K}}\r
-\def\bbbp{{\rm I\!P}}\r
-\def\bbbone{{\mathchoice {\rm 1\mskip-4mu l} {\rm 1\mskip-4mu l}\r
-{\rm 1\mskip-4.5mu l} {\rm 1\mskip-5mu l}}}\r
-\def\bbbc{{\mathchoice {\setbox0=\hbox{$\displaystyle\rm C$}\hbox{\hbox\r
-to0pt{\kern0.4\wd0\vrule height0.9\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\textstyle\rm C$}\hbox{\hbox\r
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-{\setbox0=\hbox{$\scriptstyle\rm C$}\hbox{\hbox\r
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-{\setbox0=\hbox{$\scriptscriptstyle\rm C$}\hbox{\hbox\r
-to0pt{\kern0.4\wd0\vrule height0.9\ht0\hss}\box0}}}}\r
-\def\bbbq{{\mathchoice {\setbox0=\hbox{$\displaystyle\rm\r
-Q$}\hbox{\raise\r
-0.15\ht0\hbox to0pt{\kern0.4\wd0\vrule height0.8\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\textstyle\rm Q$}\hbox{\raise\r
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-{\setbox0=\hbox{$\scriptstyle\rm Q$}\hbox{\raise\r
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-{\setbox0=\hbox{$\scriptscriptstyle\rm Q$}\hbox{\raise\r
-0.15\ht0\hbox to0pt{\kern0.4\wd0\vrule height0.7\ht0\hss}\box0}}}}\r
-\def\bbbt{{\mathchoice {\setbox0=\hbox{$\displaystyle\rm\r
-T$}\hbox{\hbox to0pt{\kern0.3\wd0\vrule height0.9\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\textstyle\rm T$}\hbox{\hbox\r
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-{\setbox0=\hbox{$\scriptstyle\rm T$}\hbox{\hbox\r
-to0pt{\kern0.3\wd0\vrule height0.9\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\scriptscriptstyle\rm T$}\hbox{\hbox\r
-to0pt{\kern0.3\wd0\vrule height0.9\ht0\hss}\box0}}}}\r
-\def\bbbs{{\mathchoice\r
-{\setbox0=\hbox{$\displaystyle \rm S$}\hbox{\raise0.5\ht0\hbox\r
-to0pt{\kern0.35\wd0\vrule height0.45\ht0\hss}\hbox\r
-to0pt{\kern0.55\wd0\vrule height0.5\ht0\hss}\box0}}\r
-{\setbox0=\hbox{$\textstyle \rm S$}\hbox{\raise0.5\ht0\hbox\r
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-{\setbox0=\hbox{$\scriptstyle \rm S$}\hbox{\raise0.5\ht0\hbox\r
-to0pt{\kern0.35\wd0\vrule height0.45\ht0\hss}\raise0.05\ht0\hbox\r
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-{\setbox0=\hbox{$\scriptscriptstyle\rm S$}\hbox{\raise0.5\ht0\hbox\r
-to0pt{\kern0.4\wd0\vrule height0.45\ht0\hss}\raise0.05\ht0\hbox\r
-to0pt{\kern0.55\wd0\vrule height0.45\ht0\hss}\box0}}}}\r
-\def\bbbz{{\mathchoice {\hbox{$\mathsf\textstyle Z\kern-0.4em Z$}}\r
-{\hbox{$\mathsf\textstyle Z\kern-0.4em Z$}}\r
-{\hbox{$\mathsf\scriptstyle Z\kern-0.3em Z$}}\r
-{\hbox{$\mathsf\scriptscriptstyle Z\kern-0.2em Z$}}}}\r
-\r
-\let\ts\,\r
-\r
-\setlength\leftmargini {17\p@}\r
-\setlength\leftmargin {\leftmargini}\r
-\setlength\leftmarginii {\leftmargini}\r
-\setlength\leftmarginiii {\leftmargini}\r
-\setlength\leftmarginiv {\leftmargini}\r
-\setlength \labelsep {.5em}\r
-\setlength \labelwidth{\leftmargini}\r
-\addtolength\labelwidth{-\labelsep}\r
-\r
-\def\@listI{\leftmargin\leftmargini\r
- \parsep 0\p@ \@plus1\p@ \@minus\p@\r
- \topsep 8\p@ \@plus2\p@ \@minus4\p@\r
- \itemsep0\p@}\r
-\let\@listi\@listI\r
-\@listi\r
-\def\@listii {\leftmargin\leftmarginii\r
- \labelwidth\leftmarginii\r
- \advance\labelwidth-\labelsep\r
- \topsep 0\p@ \@plus2\p@ \@minus\p@}\r
-\def\@listiii{\leftmargin\leftmarginiii\r
- \labelwidth\leftmarginiii\r
- \advance\labelwidth-\labelsep\r
- \topsep 0\p@ \@plus\p@\@minus\p@\r
- \parsep \z@\r
- \partopsep \p@ \@plus\z@ \@minus\p@}\r
-\r
-\renewcommand\labelitemi{\normalfont\bfseries --}\r
-\renewcommand\labelitemii{$\m@th\bullet$}\r
-\r
-\setlength\arraycolsep{1.4\p@}\r
-\setlength\tabcolsep{1.4\p@}\r
-\r
-\def\tableofcontents{\chapter*{\contentsname\@mkboth{{\contentsname}}%\r
- {{\contentsname}}}\r
- \def\authcount##1{\setcounter{auco}{##1}\setcounter{@auth}{1}}\r
- \def\lastand{\ifnum\value{auco}=2\relax\r
- \unskip{} \andname\\r
- \else\r
- \unskip \lastandname\\r
- \fi}%\r
- \def\and{\stepcounter{@auth}\relax\r
- \ifnum\value{@auth}=\value{auco}%\r
- \lastand\r
- \else\r
- \unskip,\r
- \fi}%\r
- \@starttoc{toc}\if@restonecol\twocolumn\fi}\r
-\r
-\def\l@part#1#2{\addpenalty{\@secpenalty}%\r
- \addvspace{2em plus\p@}% % space above part line\r
- \begingroup\r
- \parindent \z@\r
- \rightskip \z@ plus 5em\r
- \hrule\vskip5pt\r
- \large % same size as for a contribution heading\r
- \bfseries\boldmath % set line in boldface\r
- \leavevmode % TeX command to enter horizontal mode.\r
- #1\par\r
- \vskip5pt\r
- \hrule\r
- \vskip1pt\r
- \nobreak % Never break after part entry\r
- \endgroup}\r
-\r
-\def\@dotsep{2}\r
-\r
-\let\phantomsection=\relax\r
-\r
-\def\hyperhrefextend{\ifx\hyper@anchor\@undefined\else\r
-{}\fi}\r
-\r
-\def\addnumcontentsmark#1#2#3{%\r
-\addtocontents{#1}{\protect\contentsline{#2}{\protect\numberline\r
- {\thechapter}#3}{\thepage}\hyperhrefextend}}%\r
-\def\addcontentsmark#1#2#3{%\r
-\addtocontents{#1}{\protect\contentsline{#2}{#3}{\thepage}\hyperhrefextend}}%\r
-\def\addcontentsmarkwop#1#2#3{%\r
-\addtocontents{#1}{\protect\contentsline{#2}{#3}{0}\hyperhrefextend}}%\r
-\r
-\def\@adcmk[#1]{\ifcase #1 \or\r
-\def\@gtempa{\addnumcontentsmark}%\r
- \or \def\@gtempa{\addcontentsmark}%\r
- \or \def\@gtempa{\addcontentsmarkwop}%\r
- \fi\@gtempa{toc}{chapter}%\r
-}\r
-\def\addtocmark{%\r
-\phantomsection\r
-\@ifnextchar[{\@adcmk}{\@adcmk[3]}%\r
-}\r
-\r
-\def\l@chapter#1#2{\addpenalty{-\@highpenalty}\r
- \vskip 1.0em plus 1pt \@tempdima 1.5em \begingroup\r
- \parindent \z@ \rightskip \@tocrmarg\r
- \advance\rightskip by 0pt plus 2cm\r
- \parfillskip -\rightskip \pretolerance=10000\r
- \leavevmode \advance\leftskip\@tempdima \hskip -\leftskip\r
- {\large\bfseries\boldmath#1}\ifx0#2\hfil\null\r
- \else\r
- \nobreak\r
- \leaders\hbox{$\m@th \mkern \@dotsep mu.\mkern\r
- \@dotsep mu$}\hfill\r
- \nobreak\hbox to\@pnumwidth{\hss #2}%\r
- \fi\par\r
- \penalty\@highpenalty \endgroup}\r
-\r
-\def\l@title#1#2{\addpenalty{-\@highpenalty}\r
- \addvspace{8pt plus 1pt}\r
- \@tempdima \z@\r
- \begingroup\r
- \parindent \z@ \rightskip \@tocrmarg\r
- \advance\rightskip by 0pt plus 2cm\r
- \parfillskip -\rightskip \pretolerance=10000\r
- \leavevmode \advance\leftskip\@tempdima \hskip -\leftskip\r
- #1\nobreak\r
- \leaders\hbox{$\m@th \mkern \@dotsep mu.\mkern\r
- \@dotsep mu$}\hfill\r
- \nobreak\hbox to\@pnumwidth{\hss #2}\par\r
- \penalty\@highpenalty \endgroup}\r
-\r
-\def\l@author#1#2{\addpenalty{\@highpenalty}\r
- \@tempdima=15\p@ %\z@\r
- \begingroup\r
- \parindent \z@ \rightskip \@tocrmarg\r
- \advance\rightskip by 0pt plus 2cm\r
- \pretolerance=10000\r
- \leavevmode \advance\leftskip\@tempdima %\hskip -\leftskip\r
- \textit{#1}\par\r
- \penalty\@highpenalty \endgroup}\r
-\r
-\setcounter{tocdepth}{0}\r
-\newdimen\tocchpnum\r
-\newdimen\tocsecnum\r
-\newdimen\tocsectotal\r
-\newdimen\tocsubsecnum\r
-\newdimen\tocsubsectotal\r
-\newdimen\tocsubsubsecnum\r
-\newdimen\tocsubsubsectotal\r
-\newdimen\tocparanum\r
-\newdimen\tocparatotal\r
-\newdimen\tocsubparanum\r
-\tocchpnum=\z@ % no chapter numbers\r
-\tocsecnum=15\p@ % section 88. plus 2.222pt\r
-\tocsubsecnum=23\p@ % subsection 88.8 plus 2.222pt\r
-\tocsubsubsecnum=27\p@ % subsubsection 88.8.8 plus 1.444pt\r
-\tocparanum=35\p@ % paragraph 88.8.8.8 plus 1.666pt\r
-\tocsubparanum=43\p@ % subparagraph 88.8.8.8.8 plus 1.888pt\r
-\def\calctocindent{%\r
-\tocsectotal=\tocchpnum\r
-\advance\tocsectotal by\tocsecnum\r
-\tocsubsectotal=\tocsectotal\r
-\advance\tocsubsectotal by\tocsubsecnum\r
-\tocsubsubsectotal=\tocsubsectotal\r
-\advance\tocsubsubsectotal by\tocsubsubsecnum\r
-\tocparatotal=\tocsubsubsectotal\r
-\advance\tocparatotal by\tocparanum}\r
-\calctocindent\r
-\r
-\def\l@section{\@dottedtocline{1}{\tocchpnum}{\tocsecnum}}\r
-\def\l@subsection{\@dottedtocline{2}{\tocsectotal}{\tocsubsecnum}}\r
-\def\l@subsubsection{\@dottedtocline{3}{\tocsubsectotal}{\tocsubsubsecnum}}\r
-\def\l@paragraph{\@dottedtocline{4}{\tocsubsubsectotal}{\tocparanum}}\r
-\def\l@subparagraph{\@dottedtocline{5}{\tocparatotal}{\tocsubparanum}}\r
-\r
-\def\listoffigures{\@restonecolfalse\if@twocolumn\@restonecoltrue\onecolumn\r
- \fi\section*{\listfigurename\@mkboth{{\listfigurename}}{{\listfigurename}}}\r
- \@starttoc{lof}\if@restonecol\twocolumn\fi}\r
-\def\l@figure{\@dottedtocline{1}{0em}{1.5em}}\r
-\r
-\def\listoftables{\@restonecolfalse\if@twocolumn\@restonecoltrue\onecolumn\r
- \fi\section*{\listtablename\@mkboth{{\listtablename}}{{\listtablename}}}\r
- \@starttoc{lot}\if@restonecol\twocolumn\fi}\r
-\let\l@table\l@figure\r
-\r
-\renewcommand\listoffigures{%\r
- \section*{\listfigurename\r
- \@mkboth{\listfigurename}{\listfigurename}}%\r
- \@starttoc{lof}%\r
- }\r
-\r
-\renewcommand\listoftables{%\r
- \section*{\listtablename\r
- \@mkboth{\listtablename}{\listtablename}}%\r
- \@starttoc{lot}%\r
- }\r
-\r
-\ifx\oribibl\undefined\r
-\ifx\citeauthoryear\undefined\r
-\renewenvironment{thebibliography}[1]\r
- {\section*{\refname}\r
- \def\@biblabel##1{##1.}\r
- \small\r
- \list{\@biblabel{\@arabic\c@enumiv}}%\r
- {\settowidth\labelwidth{\@biblabel{#1}}%\r
- \leftmargin\labelwidth\r
- \advance\leftmargin\labelsep\r
- \if@openbib\r
- \advance\leftmargin\bibindent\r
- \itemindent -\bibindent\r
- \listparindent \itemindent\r
- \parsep \z@\r
- \fi\r
- \usecounter{enumiv}%\r
- \let\p@enumiv\@empty\r
- \renewcommand\theenumiv{\@arabic\c@enumiv}}%\r
- \if@openbib\r
- \renewcommand\newblock{\par}%\r
- \else\r
- \renewcommand\newblock{\hskip .11em \@plus.33em \@minus.07em}%\r
- \fi\r
- \sloppy\clubpenalty4000\widowpenalty4000%\r
- \sfcode`\.=\@m}\r
- {\def\@noitemerr\r
- {\@latex@warning{Empty `thebibliography' environment}}%\r
- \endlist}\r
-\def\@lbibitem[#1]#2{\item[{[#1]}\hfill]\if@filesw\r
- {\let\protect\noexpand\immediate\r
- \write\@auxout{\string\bibcite{#2}{#1}}}\fi\ignorespaces}\r
-\newcount\@tempcntc\r
-\def\@citex[#1]#2{\if@filesw\immediate\write\@auxout{\string\citation{#2}}\fi\r
- \@tempcnta\z@\@tempcntb\m@ne\def\@citea{}\@cite{\@for\@citeb:=#2\do\r
- {\@ifundefined\r
- {b@\@citeb}{\@citeo\@tempcntb\m@ne\@citea\def\@citea{,}{\bfseries\r
- ?}\@warning\r
- {Citation `\@citeb' on page \thepage \space undefined}}%\r
- {\setbox\z@\hbox{\global\@tempcntc0\csname b@\@citeb\endcsname\relax}%\r
- \ifnum\@tempcntc=\z@ \@citeo\@tempcntb\m@ne\r
- \@citea\def\@citea{,}\hbox{\csname b@\@citeb\endcsname}%\r
- \else\r
- \advance\@tempcntb\@ne\r
- \ifnum\@tempcntb=\@tempcntc\r
- \else\advance\@tempcntb\m@ne\@citeo\r
- \@tempcnta\@tempcntc\@tempcntb\@tempcntc\fi\fi}}\@citeo}{#1}}\r
-\def\@citeo{\ifnum\@tempcnta>\@tempcntb\else\r
- \@citea\def\@citea{,\,\hskip\z@skip}%\r
- \ifnum\@tempcnta=\@tempcntb\the\@tempcnta\else\r
- {\advance\@tempcnta\@ne\ifnum\@tempcnta=\@tempcntb \else\r
- \def\@citea{--}\fi\r
- \advance\@tempcnta\m@ne\the\@tempcnta\@citea\the\@tempcntb}\fi\fi}\r
-\else\r
-\renewenvironment{thebibliography}[1]\r
- {\section*{\refname}\r
- \small\r
- \list{}%\r
- {\settowidth\labelwidth{}%\r
- \leftmargin\parindent\r
- \itemindent=-\parindent\r
- \labelsep=\z@\r
- \if@openbib\r
- \advance\leftmargin\bibindent\r
- \itemindent -\bibindent\r
- \listparindent \itemindent\r
- \parsep \z@\r
- \fi\r
- \usecounter{enumiv}%\r
- \let\p@enumiv\@empty\r
- \renewcommand\theenumiv{}}%\r
- \if@openbib\r
- \renewcommand\newblock{\par}%\r
- \else\r
- \renewcommand\newblock{\hskip .11em \@plus.33em \@minus.07em}%\r
- \fi\r
- \sloppy\clubpenalty4000\widowpenalty4000%\r
- \sfcode`\.=\@m}\r
- {\def\@noitemerr\r
- {\@latex@warning{Empty `thebibliography' environment}}%\r
- \endlist}\r
- \def\@cite#1{#1}%\r
- \def\@lbibitem[#1]#2{\item[]\if@filesw\r
- {\def\protect##1{\string ##1\space}\immediate\r
- \write\@auxout{\string\bibcite{#2}{#1}}}\fi\ignorespaces}\r
- \fi\r
-\else\r
-\@cons\@openbib@code{\noexpand\small}\r
-\fi\r
-\r
-\def\idxquad{\hskip 10\p@}% space that divides entry from number\r
-\r
-\def\@idxitem{\par\hangindent 10\p@}\r
-\r
-\def\subitem{\par\setbox0=\hbox{--\enspace}% second order\r
- \noindent\hangindent\wd0\box0}% index entry\r
-\r
-\def\subsubitem{\par\setbox0=\hbox{--\,--\enspace}% third\r
- \noindent\hangindent\wd0\box0}% order index entry\r
-\r
-\def\indexspace{\par \vskip 10\p@ plus5\p@ minus3\p@\relax}\r
-\r
-\renewenvironment{theindex}\r
- {\@mkboth{\indexname}{\indexname}%\r
- \thispagestyle{empty}\parindent\z@\r
- \parskip\z@ \@plus .3\p@\relax\r
- \let\item\par\r
- \def\,{\relax\ifmmode\mskip\thinmuskip\r
- \else\hskip0.2em\ignorespaces\fi}%\r
- \normalfont\small\r
- \begin{multicols}{2}[\@makeschapterhead{\indexname}]%\r
- }\r
- {\end{multicols}}\r
-\r
-\renewcommand\footnoterule{%\r
- \kern-3\p@\r
- \hrule\@width 2truecm\r
- \kern2.6\p@}\r
- \newdimen\fnindent\r
- \fnindent1em\r
-\long\def\@makefntext#1{%\r
- \parindent \fnindent%\r
- \leftskip \fnindent%\r
- \noindent\r
- \llap{\hb@xt@1em{\hss\@makefnmark\ }}\ignorespaces#1}\r
-\r
-\long\def\@makecaption#1#2{%\r
- \small\r
- \vskip\abovecaptionskip\r
- \sbox\@tempboxa{{\bfseries #1.} #2}%\r
- \ifdim \wd\@tempboxa >\hsize\r
- {\bfseries #1.} #2\par\r
- \else\r
- \global \@minipagefalse\r
- \hb@xt@\hsize{\hfil\box\@tempboxa\hfil}%\r
- \fi\r
- \vskip\belowcaptionskip}\r
-\r
-\def\fps@figure{htbp}\r
-\def\fnum@figure{\figurename\thinspace\thefigure}\r
-\def \@floatboxreset {%\r
- \reset@font\r
- \small\r
- \@setnobreak\r
- \@setminipage\r
-}\r
-\def\fps@table{htbp}\r
-\def\fnum@table{\tablename~\thetable}\r
-\renewenvironment{table}\r
- {\setlength\abovecaptionskip{0\p@}%\r
- \setlength\belowcaptionskip{10\p@}%\r
- \@float{table}}\r
- {\end@float}\r
-\renewenvironment{table*}\r
- {\setlength\abovecaptionskip{0\p@}%\r
- \setlength\belowcaptionskip{10\p@}%\r
- \@dblfloat{table}}\r
- {\end@dblfloat}\r
-\r
-\long\def\@caption#1[#2]#3{\par\addcontentsline{\csname\r
- ext@#1\endcsname}{#1}{\protect\numberline{\csname\r
- the#1\endcsname}{\ignorespaces #2}}\begingroup\r
- \@parboxrestore\r
- \@makecaption{\csname fnum@#1\endcsname}{\ignorespaces #3}\par\r
- \endgroup}\r
-\r
-% LaTeX does not provide a command to enter the authors institute\r
-% addresses. The \institute command is defined here.\r
-\r
-\newcounter{@inst}\r
-\newcounter{@auth}\r
-\newcounter{auco}\r
-\newdimen\instindent\r
-\newbox\authrun\r
-\newtoks\authorrunning\r
-\newtoks\tocauthor\r
-\newbox\titrun\r
-\newtoks\titlerunning\r
-\newtoks\toctitle\r
-\r
-\def\clearheadinfo{\gdef\@author{No Author Given}%\r
- \gdef\@title{No Title Given}%\r
- \gdef\@subtitle{}%\r
- \gdef\@institute{No Institute Given}%\r
- \gdef\@thanks{}%\r
- \global\titlerunning={}\global\authorrunning={}%\r
- \global\toctitle={}\global\tocauthor={}}\r
-\r
-\def\institute#1{\gdef\@institute{#1}}\r
-\r
-\def\institutename{\par\r
- \begingroup\r
- \parskip=\z@\r
- \parindent=\z@\r
- \setcounter{@inst}{1}%\r
- \def\and{\par\stepcounter{@inst}%\r
- \noindent$^{\the@inst}$\enspace\ignorespaces}%\r
- \setbox0=\vbox{\def\thanks##1{}\@institute}%\r
- \ifnum\c@@inst=1\relax\r
- \gdef\fnnstart{0}%\r
- \else\r
- \xdef\fnnstart{\c@@inst}%\r
- \setcounter{@inst}{1}%\r
- \noindent$^{\the@inst}$\enspace\r
- \fi\r
- \ignorespaces\r
- \@institute\par\r
- \endgroup}\r
-\r
-\def\@fnsymbol#1{\ensuremath{\ifcase#1\or\star\or{\star\star}\or\r
- {\star\star\star}\or \dagger\or \ddagger\or\r
- \mathchar "278\or \mathchar "27B\or \|\or **\or \dagger\dagger\r
- \or \ddagger\ddagger \else\@ctrerr\fi}}\r
-\r
-\def\inst#1{\unskip$^{#1}$}\r
-\def\fnmsep{\unskip$^,$}\r
-\def\email#1{{\tt#1}}\r
-\AtBeginDocument{\@ifundefined{url}{\def\url#1{#1}}{}%\r
-\@ifpackageloaded{babel}{%\r
-\@ifundefined{extrasenglish}{}{\addto\extrasenglish{\switcht@albion}}%\r
-\@ifundefined{extrasfrenchb}{}{\addto\extrasfrenchb{\switcht@francais}}%\r
-\@ifundefined{extrasgerman}{}{\addto\extrasgerman{\switcht@deutsch}}%\r
-}{\switcht@@therlang}%\r
-\providecommand{\keywords}[1]{\par\addvspace\baselineskip\r
-\noindent\keywordname\enspace\ignorespaces#1}%\r
-}\r
-\def\homedir{\~{ }}\r
-\r
-\def\subtitle#1{\gdef\@subtitle{#1}}\r
-\clearheadinfo\r
-%\r
-%%% to avoid hyperref warnings\r
-\providecommand*{\toclevel@author}{999}\r
-%%% to make title-entry parent of section-entries\r
-\providecommand*{\toclevel@title}{0}\r
-%\r
-\renewcommand\maketitle{\newpage\r
-\phantomsection\r
- \refstepcounter{chapter}%\r
- \stepcounter{section}%\r
- \setcounter{section}{0}%\r
- \setcounter{subsection}{0}%\r
- \setcounter{figure}{0}\r
- \setcounter{table}{0}\r
- \setcounter{equation}{0}\r
- \setcounter{footnote}{0}%\r
- \begingroup\r
- \parindent=\z@\r
- \renewcommand\thefootnote{\@fnsymbol\c@footnote}%\r
- \if@twocolumn\r
- \ifnum \col@number=\@ne\r
- \@maketitle\r
- \else\r
- \twocolumn[\@maketitle]%\r
- \fi\r
- \else\r
- \newpage\r
- \global\@topnum\z@ % Prevents figures from going at top of page.\r
- \@maketitle\r
- \fi\r
- \thispagestyle{empty}\@thanks\r
-%\r
- \def\\{\unskip\ \ignorespaces}\def\inst##1{\unskip{}}%\r
- \def\thanks##1{\unskip{}}\def\fnmsep{\unskip}%\r
- \instindent=\hsize\r
- \advance\instindent by-\headlineindent\r
- \if!\the\toctitle!\addcontentsline{toc}{title}{\@title}\else\r
- \addcontentsline{toc}{title}{\the\toctitle}\fi\r
- \if@runhead\r
- \if!\the\titlerunning!\else\r
- \edef\@title{\the\titlerunning}%\r
- \fi\r
- \global\setbox\titrun=\hbox{\small\rm\unboldmath\ignorespaces\@title}%\r
- \ifdim\wd\titrun>\instindent\r
- \typeout{Title too long for running head. Please supply}%\r
- \typeout{a shorter form with \string\titlerunning\space prior to\r
- \string\maketitle}%\r
- \global\setbox\titrun=\hbox{\small\rm\r
- Title Suppressed Due to Excessive Length}%\r
- \fi\r
- \xdef\@title{\copy\titrun}%\r
- \fi\r
-%\r
- \if!\the\tocauthor!\relax\r
- {\def\and{\noexpand\protect\noexpand\and}%\r
- \protected@xdef\toc@uthor{\@author}}%\r
- \else\r
- \def\\{\noexpand\protect\noexpand\newline}%\r
- \protected@xdef\scratch{\the\tocauthor}%\r
- \protected@xdef\toc@uthor{\scratch}%\r
- \fi\r
- \addtocontents{toc}{\noexpand\protect\noexpand\authcount{\the\c@auco}}%\r
- \addcontentsline{toc}{author}{\toc@uthor}%\r
- \if@runhead\r
- \if!\the\authorrunning!\r
- \value{@inst}=\value{@auth}%\r
- \setcounter{@auth}{1}%\r
- \else\r
- \edef\@author{\the\authorrunning}%\r
- \fi\r
- \global\setbox\authrun=\hbox{\small\unboldmath\@author\unskip}%\r
- \ifdim\wd\authrun>\instindent\r
- \typeout{Names of authors too long for running head. Please supply}%\r
- \typeout{a shorter form with \string\authorrunning\space prior to\r
- \string\maketitle}%\r
- \global\setbox\authrun=\hbox{\small\rm\r
- Authors Suppressed Due to Excessive Length}%\r
- \fi\r
- \xdef\@author{\copy\authrun}%\r
- \markboth{\@author}{\@title}%\r
- \fi\r
- \endgroup\r
- \setcounter{footnote}{\fnnstart}%\r
- \clearheadinfo}\r
-%\r
-\def\@maketitle{\newpage\r
- \markboth{}{}%\r
- \def\lastand{\ifnum\value{@inst}=2\relax\r
- \unskip{} \andname\\r
- \else\r
- \unskip \lastandname\\r
- \fi}%\r
- \def\and{\stepcounter{@auth}\relax\r
- \ifnum\value{@auth}=\value{@inst}%\r
- \lastand\r
- \else\r
- \unskip,\r
- \fi}%\r
- \begin{center}%\r
- \let\newline\\\r
- {\Large \bfseries\boldmath\r
- \pretolerance=10000\r
- \@title \par}\vskip .8cm\r
-\if!\@subtitle!\else {\large \bfseries\boldmath\r
- \vskip -.65cm\r
- \pretolerance=10000\r
- \@subtitle \par}\vskip .8cm\fi\r
- \setbox0=\vbox{\setcounter{@auth}{1}\def\and{\stepcounter{@auth}}%\r
- \def\thanks##1{}\@author}%\r
- \global\value{@inst}=\value{@auth}%\r
- \global\value{auco}=\value{@auth}%\r
- \setcounter{@auth}{1}%\r
-{\lineskip .5em\r
-\noindent\ignorespaces\r
-\@author\vskip.35cm}\r
- {\small\institutename}\r
- \end{center}%\r
- }\r
-\r
-% definition of the "\spnewtheorem" command.\r
-%\r
-% Usage:\r
-%\r
-% \spnewtheorem{env_nam}{caption}[within]{cap_font}{body_font}\r
-% or \spnewtheorem{env_nam}[numbered_like]{caption}{cap_font}{body_font}\r
-% or \spnewtheorem*{env_nam}{caption}{cap_font}{body_font}\r
-%\r
-% New is "cap_font" and "body_font". It stands for\r
-% fontdefinition of the caption and the text itself.\r
-%\r
-% "\spnewtheorem*" gives a theorem without number.\r
-%\r
-% A defined spnewthoerem environment is used as described\r
-% by Lamport.\r
-%\r
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
-\r
-\def\@thmcountersep{}\r
-\def\@thmcounterend{.}\r
-\r
-\def\spnewtheorem{\@ifstar{\@sthm}{\@Sthm}}\r
-\r
-% definition of \spnewtheorem with number\r
-\r
-\def\@spnthm#1#2{%\r
- \@ifnextchar[{\@spxnthm{#1}{#2}}{\@spynthm{#1}{#2}}}\r
-\def\@Sthm#1{\@ifnextchar[{\@spothm{#1}}{\@spnthm{#1}}}\r
-\r
-\def\@spxnthm#1#2[#3]#4#5{\expandafter\@ifdefinable\csname #1\endcsname\r
- {\@definecounter{#1}\@addtoreset{#1}{#3}%\r
- \expandafter\xdef\csname the#1\endcsname{\expandafter\noexpand\r
- \csname the#3\endcsname \noexpand\@thmcountersep \@thmcounter{#1}}%\r
- \expandafter\xdef\csname #1name\endcsname{#2}%\r
- \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#4}{#5}}%\r
- \global\@namedef{end#1}{\@endtheorem}}}\r
-\r
-\def\@spynthm#1#2#3#4{\expandafter\@ifdefinable\csname #1\endcsname\r
- {\@definecounter{#1}%\r
- \expandafter\xdef\csname the#1\endcsname{\@thmcounter{#1}}%\r
- \expandafter\xdef\csname #1name\endcsname{#2}%\r
- \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#3}{#4}}%\r
- \global\@namedef{end#1}{\@endtheorem}}}\r
-\r
-\def\@spothm#1[#2]#3#4#5{%\r
- \@ifundefined{c@#2}{\@latexerr{No theorem environment `#2' defined}\@eha}%\r
- {\expandafter\@ifdefinable\csname #1\endcsname\r
- {\newaliascnt{#1}{#2}%\r
- \expandafter\xdef\csname #1name\endcsname{#3}%\r
- \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#4}{#5}}%\r
- \global\@namedef{end#1}{\@endtheorem}}}}\r
-\r
-\def\@spthm#1#2#3#4{\topsep 7\p@ \@plus2\p@ \@minus4\p@\r
-\refstepcounter{#1}%\r
-\@ifnextchar[{\@spythm{#1}{#2}{#3}{#4}}{\@spxthm{#1}{#2}{#3}{#4}}}\r
-\r
-\def\@spxthm#1#2#3#4{\@spbegintheorem{#2}{\csname the#1\endcsname}{#3}{#4}%\r
- \ignorespaces}\r
-\r
-\def\@spythm#1#2#3#4[#5]{\@spopargbegintheorem{#2}{\csname\r
- the#1\endcsname}{#5}{#3}{#4}\ignorespaces}\r
-\r
-\def\@spbegintheorem#1#2#3#4{\trivlist\r
- \item[\hskip\labelsep{#3#1\ #2\@thmcounterend}]#4}\r
-\r
-\def\@spopargbegintheorem#1#2#3#4#5{\trivlist\r
- \item[\hskip\labelsep{#4#1\ #2}]{#4(#3)\@thmcounterend\ }#5}\r
-\r
-% definition of \spnewtheorem* without number\r
-\r
-\def\@sthm#1#2{\@Ynthm{#1}{#2}}\r
-\r
-\def\@Ynthm#1#2#3#4{\expandafter\@ifdefinable\csname #1\endcsname\r
- {\global\@namedef{#1}{\@Thm{\csname #1name\endcsname}{#3}{#4}}%\r
- \expandafter\xdef\csname #1name\endcsname{#2}%\r
- \global\@namedef{end#1}{\@endtheorem}}}\r
-\r
-\def\@Thm#1#2#3{\topsep 7\p@ \@plus2\p@ \@minus4\p@\r
-\@ifnextchar[{\@Ythm{#1}{#2}{#3}}{\@Xthm{#1}{#2}{#3}}}\r
-\r
-\def\@Xthm#1#2#3{\@Begintheorem{#1}{#2}{#3}\ignorespaces}\r
-\r
-\def\@Ythm#1#2#3[#4]{\@Opargbegintheorem{#1}\r
- {#4}{#2}{#3}\ignorespaces}\r
-\r
-\def\@Begintheorem#1#2#3{#3\trivlist\r
- \item[\hskip\labelsep{#2#1\@thmcounterend}]}\r
-\r
-\def\@Opargbegintheorem#1#2#3#4{#4\trivlist\r
- \item[\hskip\labelsep{#3#1}]{#3(#2)\@thmcounterend\ }}\r
-\r
-\if@envcntsect\r
- \def\@thmcountersep{.}\r
- \spnewtheorem{theorem}{Theorem}[section]{\bfseries}{\itshape}\r
-\else\r
- \spnewtheorem{theorem}{Theorem}{\bfseries}{\itshape}\r
- \if@envcntreset\r
- \@addtoreset{theorem}{section}\r
- \else\r
- \@addtoreset{theorem}{chapter}\r
- \fi\r
-\fi\r
-\r
-%definition of divers theorem environments\r
-\spnewtheorem*{claim}{Claim}{\itshape}{\rmfamily}\r
-\spnewtheorem*{proof}{Proof}{\itshape}{\rmfamily}\r
-\if@envcntsame % alle Umgebungen wie Theorem.\r
- \def\spn@wtheorem#1#2#3#4{\@spothm{#1}[theorem]{#2}{#3}{#4}}\r
-\else % alle Umgebungen mit eigenem Zaehler\r
- \if@envcntsect % mit section numeriert\r
- \def\spn@wtheorem#1#2#3#4{\@spxnthm{#1}{#2}[section]{#3}{#4}}\r
- \else % nicht mit section numeriert\r
- \if@envcntreset\r
- \def\spn@wtheorem#1#2#3#4{\@spynthm{#1}{#2}{#3}{#4}\r
- \@addtoreset{#1}{section}}\r
- \else\r
- \def\spn@wtheorem#1#2#3#4{\@spynthm{#1}{#2}{#3}{#4}\r
- \@addtoreset{#1}{chapter}}%\r
- \fi\r
- \fi\r
-\fi\r
-\spn@wtheorem{case}{Case}{\itshape}{\rmfamily}\r
-\spn@wtheorem{conjecture}{Conjecture}{\itshape}{\rmfamily}\r
-\spn@wtheorem{corollary}{Corollary}{\bfseries}{\itshape}\r
-\spn@wtheorem{definition}{Definition}{\bfseries}{\itshape}\r
-\spn@wtheorem{example}{Example}{\itshape}{\rmfamily}\r
-\spn@wtheorem{exercise}{Exercise}{\itshape}{\rmfamily}\r
-\spn@wtheorem{lemma}{Lemma}{\bfseries}{\itshape}\r
-\spn@wtheorem{note}{Note}{\itshape}{\rmfamily}\r
-\spn@wtheorem{problem}{Problem}{\itshape}{\rmfamily}\r
-\spn@wtheorem{property}{Property}{\itshape}{\rmfamily}\r
-\spn@wtheorem{proposition}{Proposition}{\bfseries}{\itshape}\r
-\spn@wtheorem{question}{Question}{\itshape}{\rmfamily}\r
-\spn@wtheorem{solution}{Solution}{\itshape}{\rmfamily}\r
-\spn@wtheorem{remark}{Remark}{\itshape}{\rmfamily}\r
-\r
-\def\@takefromreset#1#2{%\r
- \def\@tempa{#1}%\r
- \let\@tempd\@elt\r
- \def\@elt##1{%\r
- \def\@tempb{##1}%\r
- \ifx\@tempa\@tempb\else\r
- \@addtoreset{##1}{#2}%\r
- \fi}%\r
- \expandafter\expandafter\let\expandafter\@tempc\csname cl@#2\endcsname\r
- \expandafter\def\csname cl@#2\endcsname{}%\r
- \@tempc\r
- \let\@elt\@tempd}\r
-\r
-\def\theopargself{\def\@spopargbegintheorem##1##2##3##4##5{\trivlist\r
- \item[\hskip\labelsep{##4##1\ ##2}]{##4##3\@thmcounterend\ }##5}\r
- \def\@Opargbegintheorem##1##2##3##4{##4\trivlist\r
- \item[\hskip\labelsep{##3##1}]{##3##2\@thmcounterend\ }}\r
- }\r
-\r
-\renewenvironment{abstract}{%\r
- \list{}{\advance\topsep by0.35cm\relax\small\r
- \leftmargin=1cm\r
- \labelwidth=\z@\r
- \listparindent=\z@\r
- \itemindent\listparindent\r
- \rightmargin\leftmargin}\item[\hskip\labelsep\r
- \bfseries\abstractname]}\r
- {\endlist}\r
-\r
-\newdimen\headlineindent % dimension for space between\r
-\headlineindent=1.166cm % number and text of headings.\r
-\r
-\def\ps@headings{\let\@mkboth\@gobbletwo\r
- \let\@oddfoot\@empty\let\@evenfoot\@empty\r
- \def\@evenhead{\normalfont\small\rlap{\thepage}\hspace{\headlineindent}%\r
- \leftmark\hfil}\r
- \def\@oddhead{\normalfont\small\hfil\rightmark\hspace{\headlineindent}%\r
- \llap{\thepage}}\r
- \def\chaptermark##1{}%\r
- \def\sectionmark##1{}%\r
- \def\subsectionmark##1{}}\r
-\r
-\def\ps@titlepage{\let\@mkboth\@gobbletwo\r
- \let\@oddfoot\@empty\let\@evenfoot\@empty\r
- \def\@evenhead{\normalfont\small\rlap{\thepage}\hspace{\headlineindent}%\r
- \hfil}\r
- \def\@oddhead{\normalfont\small\hfil\hspace{\headlineindent}%\r
- \llap{\thepage}}\r
- \def\chaptermark##1{}%\r
- \def\sectionmark##1{}%\r
- \def\subsectionmark##1{}}\r
-\r
-\if@runhead\ps@headings\else\r
-\ps@empty\fi\r
-\r
-\setlength\arraycolsep{1.4\p@}\r
-\setlength\tabcolsep{1.4\p@}\r
-\r
-\endinput\r
-%end of file llncs.cls\r
+++ /dev/null
-% this style was created by Philippe Dreuw and Thomas Deselaers
-\ProvidesPackage{beamerthemeTF}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\RequirePackage{colorsTF}
-\selectcolormodel{cmyk}
-\mode<presentation>
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\definecolor{veryLightBlue}{rgb}{0.95,0.9,0.95} %
-\definecolor{lightBlue}{rgb}{0.8,0.8,1} % dark blue
-\definecolor{darkBlue}{rgb}{0,0,0.7} % dark blue
-\definecolor{textBG}{rgb}{0.95,0.95,1} % dark blue
-
-
-\setbeamercolor{headline}{fg=black,bg=white}
-\setbeamercolor{footline}{fg=black, bg=white}
-\setbeamerfont{footline}{size=\large,series=\sf}
-\setbeamercolor{separation line}{bg=black}
-\setbeamercolor{title in headline}{fg=black, bg=}
-\setbeamercolor{author in headline}{fg=black, bg=}
-\setbeamercolor{institute in headline}{fg=black, bg=}
-
-\setbeamercolor{framesubtitle}{fg=ta3orange, bg=veryLightBlue}
-\setbeamercolor{author in head/foot}{fg=black, bg=white}
-\setbeamercolor{title in head/foot}{fg=black, bg=white}
-
-\setbeamercolor*{normal text}{fg=black, bg=veryLightBlue}
-
-\setbeamercolor*{block body}{bg=white,fg=black}
-\setbeamercolor*{block title}{bg=telemetaRed,fg=white}
-\setbeamerfont{block title}{size=\large,series=\bf}
-\setbeamercolor{upper separation line head}{fg=red}
-
-\setbeamercolor*{example body}{fg=ta3aluminium,bg=white}
-\setbeamercolor*{example text}{fg=ta3aluminium,bg=white}
-\setbeamercolor*{example title}{bg=taorange,fg=ta2gray}
-
-\setbeamercolor{alerted text}{fg=red, bg=white}
-\setbeamercolor*{alerted body}{fg=ta3aluminium,bg=white}
-
-%\setbeamercolor{example text}{fg=taorange}
-\setbeamercolor{structure}{fg=ta3skyblue}
-
-\setbeamertemplate{itemize items}[triangle]
-\setbeamertemplate{navigation symbols}{} % no navigation on a poster
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\setbeamertemplate{block begin}{
- \vskip.75ex
- \begin{beamercolorbox}[rounded=true,shadow=true,leftskip=1cm,colsep*=.75ex]{block title}%
- \usebeamerfont*{block title}\insertblocktitle
- \end{beamercolorbox}%
- {\ifbeamercolorempty[bg]{block body}{}{\nointerlineskip\vskip-0.5pt}}%
- \usebeamerfont{block body}%
- \begin{beamercolorbox}[rounded=true,shadow=true,colsep*=.75ex,sep=.75ex,vmode]{block body}%
- \ifbeamercolorempty[bg]{block body}{\vskip-.25ex}{\vskip-.75ex}\vbox{}%
- }
- \setbeamertemplate{block end}{
- \end{beamercolorbox}
-}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\setbeamertemplate{headline}{
- \leavevmode
- \begin{beamercolorbox}[wd=\paperwidth]{headline}
- \begin{columns}[T]
- \begin{column}{.02\paperwidth}
- \end{column}
- \begin{column}{.07\paperwidth}
- \begin{center}
- \includegraphics[width=1.2\linewidth]{img/logo_CREM.png}\\
- % \hspace{1cm}
- \includegraphics[width=1.2\linewidth]{img/logo_LESC.png}
- \end{center}
- \vskip1ex
- \end{column}
- \begin{column}{.675\paperwidth}
- \vskip4ex \raggedleft
-
- \usebeamercolor{title in
- headline}{\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
- \usebeamercolor{author in
- headline}{\color{fg}\large{\insertauthor}\\[1ex]}
- \usebeamercolor{institute in
- headline}{\color{fg}\large{\insertinstitute}\\[1ex]}
- \end{column}
- \begin{column}{.25\paperwidth}
- \vskip1cm
- \begin{center}
- \includegraphics[width=.65\linewidth]{img/parisson_logo_FINALE_com.pdf}\\
- \vspace{2.5cm}
- \includegraphics[width=.6\linewidth]{img/upmc.png}
- \end{center}
- \vskip1.5cm
- \end{column}
- \begin{column}{.03\paperwidth}
- \end{column}
- \end{columns}
- \end{beamercolorbox}
- \begin{beamercolorbox}[wd=\paperwidth]{lower separation line head}
- \rule{0pt}{2pt}
- \end{beamercolorbox}
-}
-
-% \setbeamertemplate{headline}{
-% \leavevmode
-% \begin{beamercolorbox}[sep=0.5cm,wd=.8\paperwidth]{headline}
-% \usebeamercolor{title in headline}{\raggedleft\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
-% \usebeamercolor{author in headline}{\raggedleft\color{fg}\large{\insertauthor}\\[1ex]}
-% \usebeamercolor{institute in headline}{\raggedleft\color{fg}\large{\insertinstitute}\\[1ex]}
-% \end{beamercolorbox}%
-% \begin{beamercolorbox}[wd=.2\paperwidth]{logo in headline}
-% \centering
-% \LARGE{LOGO}
-% \end{beamercolorbox}
-
-
-%}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\setbeamertemplate{footline}{}
-
-% \begin{beamercolorbox}[wd=\paperwidth]{Footer}
-% \begin{center}
- % \includegraphics[width=0.5\paperwidth]{img/CMMR2013banner.png}
-% \end{center}
-
-% \end{beamercolorbox}
-
-% \begin{beamercolorbox}[wd=\paperwidth]{upper separation line foot}
-% \rule{0pt}{2pt}
-% \end{beamercolorbox}
-% \vskip1ex
-% \leavevmode%
-% \begin{beamercolorbox}[ht=5ex,leftskip=1cm,rightskip=1cm]{author in head/foot}%
-% %\includegraphics[width=5.5cm]{img/CMMR2013footer.png} \hskip2cm%
-% {\large \textbf{10th International Symposium on Computer Music Multidisciplinary Research (CMMR) Sound, Music and Motion , \hspace{1cm} Marseilles , \hspace{1cm} 15-18 October 2013}}
-
-% \vskip1ex
-% \end{beamercolorbox}
-
-% \vskip0pt%
-% \begin{beamercolorbox}[wd=\paperwidth]{lower separation line foot}
-% \rule{0pt}{2pt}\begin{picture}(0,0) \put(0,0){\includegraphics[width=\paperwidth]{img/CMMR2013footer_alpha.png}}\end{picture}
-% \end{beamercolorbox}
-%}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Display a grid to help align images ... and it looks nice with this color scheme
-%\beamertemplategridbackground[1cm]
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\mode<all>
-
+++ /dev/null
-% this style was created by Philippe Dreuw and Thomas Deselaers
-\ProvidesPackage{beamerthemeTF}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\RequirePackage{colorsTF}
-\selectcolormodel{cmyk}
-\mode<presentation>
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\definecolor{veryLightBlue}{rgb}{0.95,0.9,0.95} %
-\definecolor{lightBlue}{rgb}{0.8,0.8,1} % dark blue
-\definecolor{darkBlue}{rgb}{0,0,0.7} % dark blue
-\definecolor{textBG}{rgb}{0.95,0.95,1} % dark blue
-
-
-\setbeamercolor{headline}{fg=black,bg=white}
-\setbeamercolor{footline}{fg=black, bg=white}
-\setbeamerfont{footline}{size=\large,series=\sf}
-\setbeamercolor{separation line}{bg=black}
-\setbeamercolor{title in headline}{fg=black, bg=}
-\setbeamercolor{author in headline}{fg=black, bg=}
-\setbeamercolor{institute in headline}{fg=black, bg=}
-
-\setbeamercolor{framesubtitle}{fg=ta3orange, bg=veryLightBlue}
-\setbeamercolor{author in head/foot}{fg=black, bg=white}
-\setbeamercolor{title in head/foot}{fg=black, bg=white}
-
-\setbeamercolor*{normal text}{fg=black, bg=veryLightBlue}
-
-\setbeamercolor*{block body}{bg=white,fg=black}
-\setbeamercolor*{block title}{bg=telemetaRed,fg=white}
-\setbeamerfont{block title}{size=\large,series=\bf}
-\setbeamercolor{upper separation line head}{fg=red}
-
-\setbeamercolor*{example body}{fg=ta3aluminium,bg=white}
-\setbeamercolor*{example text}{fg=ta3aluminium,bg=white}
-\setbeamercolor*{example title}{bg=taorange,fg=ta2gray}
-
-\setbeamercolor{alerted text}{fg=red, bg=white}
-\setbeamercolor*{alerted body}{fg=ta3aluminium,bg=white}
-
-%\setbeamercolor{example text}{fg=taorange}
-\setbeamercolor{structure}{fg=ta3skyblue}
-
-\setbeamertemplate{itemize items}[triangle]
-\setbeamertemplate{navigation symbols}{} % no navigation on a poster
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\setbeamertemplate{block begin}{
- \vskip.75ex
- \begin{beamercolorbox}[rounded=true,shadow=true,leftskip=1cm,colsep*=.75ex]{block title}%
- \usebeamerfont*{block title}\insertblocktitle
- \end{beamercolorbox}%
- {\ifbeamercolorempty[bg]{block body}{}{\nointerlineskip\vskip-0.5pt}}%
- \usebeamerfont{block body}%
- \begin{beamercolorbox}[rounded=true,shadow=true,colsep*=.75ex,sep=.75ex,vmode]{block body}%
- \ifbeamercolorempty[bg]{block body}{\vskip-.25ex}{\vskip-.75ex}\vbox{}%
- }
- \setbeamertemplate{block end}{
- \end{beamercolorbox}
-}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\setbeamertemplate{headline}{
- \leavevmode
- \begin{beamercolorbox}[wd=\paperwidth]{headline}
- \begin{columns}[T]
- \begin{column}{.02\paperwidth}
- \end{column}
- \begin{column}{.07\paperwidth}
- \begin{center}
- \includegraphics[width=1.2\linewidth]{img/logo_CREM.png}\\
- % \hspace{1cm}
- \includegraphics[width=1.2\linewidth]{img/logo_LESC.png}
- \end{center}
- \vskip1ex
- \end{column}
- \begin{column}{.675\paperwidth}
- \vskip4ex \raggedleft
-
- \usebeamercolor{title in
- headline}{\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
- \usebeamercolor{author in
- headline}{\color{fg}\large{\insertauthor}\\[1ex]}
- \usebeamercolor{institute in
- headline}{\color{fg}\large{\insertinstitute}\\[1ex]}
- \end{column}
- \begin{column}{.25\paperwidth}
- \vskip1cm
- \begin{center}
- \includegraphics[width=.65\linewidth]{img/parisson_logo_FINALE_com.pdf}\\
- \vspace{2.5cm}
- \includegraphics[width=.6\linewidth]{img/upmc.png}
- \end{center}
- \vskip1.5cm
- \end{column}
- \begin{column}{.03\paperwidth}
- \end{column}
- \end{columns}
- \end{beamercolorbox}
- \begin{beamercolorbox}[wd=\paperwidth]{lower separation line head}
- \rule{0pt}{2pt}
- \end{beamercolorbox}
-}
-
-% \setbeamertemplate{headline}{
-% \leavevmode
-% \begin{beamercolorbox}[sep=0.5cm,wd=.8\paperwidth]{headline}
-% \usebeamercolor{title in headline}{\raggedleft\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
-% \usebeamercolor{author in headline}{\raggedleft\color{fg}\large{\insertauthor}\\[1ex]}
-% \usebeamercolor{institute in headline}{\raggedleft\color{fg}\large{\insertinstitute}\\[1ex]}
-% \end{beamercolorbox}%
-% \begin{beamercolorbox}[wd=.2\paperwidth]{logo in headline}
-% \centering
-% \LARGE{LOGO}
-% \end{beamercolorbox}
-
-
-%}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\setbeamertemplate{footline}{
-
- \begin{beamercolorbox}[wd=\paperwidth]{CMMR 2013 footer}
- \begin{center}
- \includegraphics[width=0.5\paperwidth]{img/CMMR2013banner.png}
- \end{center}
-
- \end{beamercolorbox}
-
-% \begin{beamercolorbox}[wd=\paperwidth]{upper separation line foot}
-% \rule{0pt}{2pt}
-% \end{beamercolorbox}
-% \vskip1ex
-% \leavevmode%
-% \begin{beamercolorbox}[ht=5ex,leftskip=1cm,rightskip=1cm]{author in head/foot}%
-% %\includegraphics[width=5.5cm]{img/CMMR2013footer.png} \hskip2cm%
-% {\large \textbf{10th International Symposium on Computer Music Multidisciplinary Research (CMMR) Sound, Music and Motion , \hspace{1cm} Marseilles , \hspace{1cm} 15-18 October 2013}}
-
-% \vskip1ex
-% \end{beamercolorbox}
-
-% \vskip0pt%
-% \begin{beamercolorbox}[wd=\paperwidth]{lower separation line foot}
-% \rule{0pt}{2pt}\begin{picture}(0,0) \put(0,0){\includegraphics[width=\paperwidth]{img/CMMR2013footer_alpha.png}}\end{picture}
-% \end{beamercolorbox}
-}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Display a grid to help align images ... and it looks nice with this color scheme
-%\beamertemplategridbackground[1cm]
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\mode<all>
-
+++ /dev/null
-% this style was created by Philippe Dreuw and Thomas Deselaers
-\ProvidesPackage{beamerthemeTF}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\RequirePackage{colorsTF}
-\selectcolormodel{cmyk}
-\mode<presentation>
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\definecolor{veryLightBlue}{rgb}{0.95,0.9,0.95} %
-\definecolor{lightBlue}{rgb}{0.8,0.8,1} % dark blue
-\definecolor{darkBlue}{rgb}{0,0,0.7} % dark blue
-\definecolor{textBG}{rgb}{0.95,0.95,1} % dark blue
-
-
-\setbeamercolor{headline}{fg=black,bg=white}
-\setbeamercolor{footline}{fg=black, bg=white}
-\setbeamerfont{footline}{size=\large,series=\sf}
-\setbeamercolor{separation line}{bg=black}
-\setbeamercolor{title in headline}{fg=black, bg=}
-\setbeamercolor{author in headline}{fg=black, bg=}
-\setbeamercolor{institute in headline}{fg=black, bg=}
-
-\setbeamercolor{framesubtitle}{fg=ta3orange, bg=veryLightBlue}
-\setbeamercolor{author in head/foot}{fg=black, bg=white}
-\setbeamercolor{title in head/foot}{fg=black, bg=white}
-
-\setbeamercolor*{normal text}{fg=black, bg=veryLightBlue}
-
-\setbeamercolor*{block body}{bg=white,fg=black}
-\setbeamercolor*{block title}{bg=telemetaRed,fg=white}
-\setbeamerfont{block title}{size=\small,series=\bf}
-\setbeamercolor{upper separation line head}{fg=red}
-
-\setbeamercolor*{example body}{fg=ta3aluminium,bg=white}
-\setbeamercolor*{example text}{fg=ta3aluminium,bg=white}
-\setbeamercolor*{example title}{bg=taorange,fg=ta2gray}
-
-\setbeamercolor{alerted text}{fg=red, bg=white}
-\setbeamercolor*{alerted body}{fg=ta3aluminium,bg=white}
-
-%\setbeamercolor{example text}{fg=taorange}
-\setbeamercolor{structure}{fg=ta3skyblue}
-
-\setbeamertemplate{itemize items}[triangle]
-\setbeamertemplate{navigation symbols}{} % no navigation on a poster
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\setbeamertemplate{block begin}{
- \vskip.5ex
- \begin{beamercolorbox}[rounded=true,shadow=true,leftskip=1cm,colsep*=.75ex]{block title}%
- \usebeamerfont*{block title}\insertblocktitle
- \end{beamercolorbox}%
- {\ifbeamercolorempty[bg]{block body}{}{\nointerlineskip\vskip-0.5pt}}%
- \usebeamerfont{block body}%
- \begin{beamercolorbox}[rounded=true,shadow=true,colsep*=.75ex,sep=.75ex,vmode]{block body}%
- \ifbeamercolorempty[bg]{block body}{\vskip-.25ex}{\vskip-.75ex}\vbox{}%
- }
- \setbeamertemplate{block end}{
- \end{beamercolorbox}
-}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\setbeamertemplate{headline}{
- \leavevmode
- \begin{beamercolorbox}[wd=\paperwidth]{headline}
- \begin{columns}[T]
- \begin{column}{.02\paperwidth}
- \end{column}
- \begin{column}{.20\paperwidth}
- \begin{center}
- \includegraphics[width=0.35\linewidth]{img/logo_CREM.png}
- \hskip3cm
- \raisebox{2cm}{\includegraphics[width=0.45\linewidth]{img/logo_LESC.png}}
- \end{center}
- %\vskip1ex
- \end{column}
- \begin{column}{.55\paperwidth}
- \vskip4ex \raggedleft
- \usebeamercolor{title in headline}{\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
- \usebeamercolor{author in headline}{\color{fg}\large{\insertauthor}\\[1ex]}
- \usebeamercolor{institute in headline}{\color{fg}\large{\insertinstitute}\\[1ex]}
- \end{column}
- \begin{column}{.20\paperwidth}
- \vskip1cm
- \begin{center}
- \includegraphics[width=.8\linewidth]{img/parisson_logo_FINALE_com.pdf}\\
- \vspace{1.5cm}
- \includegraphics[width=.6\linewidth]{img/upmc.png}
- \end{center}
- %\vskip1.5cm
- \end{column}
- \begin{column}{.02\paperwidth}
- \end{column}
- \end{columns}
- \end{beamercolorbox}
- \begin{beamercolorbox}[wd=\paperwidth]{lower separation line head}
- \rule{0pt}{2pt}
- \end{beamercolorbox}
-}
-
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\setbeamertemplate{footline}{}
-
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Display a grid to help align images ... and it looks nice with this color scheme
-%\beamertemplategridbackground[1cm]
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\mode<all>
-
+++ /dev/null
-% Defines the tango palette for use with LaTeX.
-%
-% Copyright 2006 by Patrick Pletscher <pat _at_ pletscher.org>
-%
-% This program can be redistributed and/or modified under the terms
-% of the GNU Public License, version 2.
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-\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
-
-
-\institute[Parisson]{\small
- \inst{1}%
- Parisson, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
- 11 rue de Lourmel, 75015 Paris, France\\
- \inst{3}%
- CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
-21 Allée de l'Université - 92023 Nanterre, France\\
-%Thanks
-\vskip1ex
- {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
-}
-
-\date[03/09/2013]{03 septembre 2013}
-%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
-\begin{document}
-%\maketitle
-\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
-% ==================================
-% --------- Résumé -----------------
-% ==================================
- \begin{block}{Abstract}\small
-
- \begin{minipage}{0.74\linewidth}
- \begin{itemize}
- \item \emph{Telemeta} is an \alert{open-source audio web Content
- Management System} (CMS) dedicated to \alert{digital sound
- archives} secure storing, indexing and publishing.
- \item The demonstration presents the features of this platform
- in the context of \alert{\emph{ethnomusicological} research}.
- \item It focuses on the enhance and collaborative
- user-experience in accessing audio items and their associated
- metadata and on the possibility for the expert user to further
- enrich those metadata.
- \item \emph{Telemeta} also provides integrated \alert{audio signal
- processing tools} for automatic analysis of sound items.
- \end{itemize}
- \end{minipage}
- \begin{minipage}{0.24\linewidth}
- \begin{center}
- \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
-
- \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
- \vskip1ex
- \colorbox{yellow!50}
- { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
- \end{center}
- \end{minipage}
- \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
- \end{block}
-
-% ==================================
-% --------- Corps -----------------
-% ==================================
- \begin{columns}[t]
-\footnotesize
-% ==================================
-% --------- Colonne gauche ---------
-% ==================================
- \begin{column}[T]{.49\linewidth}
- \begin{block}{Introduction}
- \textbf{Needs}\\
- \begin{itemize}
- \item In social sciences like anthropology and linguistics,
- researchers have to work on multiple types of multimedia
- documents such as photos, videos, sound recordings or
- databases.
- \item The need to easily access, visualize and annotate
- such materials can be problematic given their diverse formats,
- sources and given their chronological nature.
- \end{itemize}
-
-\textbf{The \emph{Telemeta} project}\\
-\begin{itemize}
-\item The CREM laboratory and Parisson have been developing an innovative,
- collaborative and interdisciplinary open-source web-based multimedia
- platform since 2007.
-\item Goal : fit the professional requirements from both sound archivists and
- researchers in ethnomusicology.
-\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
- l'Homme}:
-\end{itemize}
-\begin{center}
- \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
-\end{center}
-
- \end{block}
-
-\begin{block}{Web audio content management features and architecture}
- \begin{itemize}
- \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
- Free Software License Agreement}) web audio content management
- system which introduces efficient and secure methods for
- \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
- digitalized audio file with its metadata.
- \item \emph{Telemeta} is ideal for
- professional collaborators who wants to easily organize, backup, archive and
- publish documented sound collections of audio files, CDs,
- digitalized vinyls and magnetic tapes over a strong database in
- accordance with \alert{open web standards}.
- \item \emph{Telemeta} architecture
- is \alert{flexible} and can easily be adapted to particular database
- organization of a given sound archives.
- \end{itemize}
-
-\begin{figure}[htbp]
- \centering
- \includegraphics[width=0.47\paperwidth]{img/player_mark.png}
- \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
-\end{figure}
-
-
-
-The main features of \emph{Telemeta} are:
-\vspace{-0.1cm}
-\begin{itemize}
-\item \alert{Pure HTML} web user interface including high level \alert{search engine}
-\item \alert{Smart workflow management} with contextual user lists, profiles and rights
- % \item RSS and JSON feed generators
- % \item XML serialized backup
-\item Model-View-Controller (\alert{MVC}) architecture
-\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
-
-\end{itemize}
-Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
-
-\end{block}
-\begin{block}{Metadata}
- \begin{itemize}
- \item In addition to the audio data, an efficient and \alert{dynamic
- management} of the associated metadata is also required.
- \item Dynamically handling metadata in a \alert{collaborative} manner optimises
- the continuous process of knowledge gathering and enrichment of
- the materials in the database.
- \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
- and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
- Harvesting) \cite{DublinCore,OAI-PMH}.
- \end{itemize}
-
-\textbf{Contextual Information}\\
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
-
-\textbf{Annotations and segmentation}\\
-Metadata also consist in temporal information such as:
-\begin{itemize}
-\item a list of \alert{time-coded markers} associated with annotations
-\item a list of of \alert{time-segments} associated with labels.
-\end{itemize}
-The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
-It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
-
-\end{block}
- \end{column}
-
-% ==================================
-% ------- Colonne droite -----------
-% ==================================
-\begin{column}[T]{.49\linewidth}
- \begin{block}{TimeSide : open web audio processing framework}
-One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
-
-\begin{center}
- \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
-\end{center}
-
- \begin{figure}[htbp]
- \centering
- \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
- \caption{TimeSide architecture}
-\end{figure}
-
-\textbf{Goals}\\
-
-\begin{itemize}
-\item \alert{Do} asynchronous and fast audio processing with Python.
-\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
-\item \alert{Analyze} audio content with some external audio feature extraction libraries.
-\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
-\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
-\item \alert{Transcode} audio data in various media formats and stream them through web apps.
-\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
-\end{itemize}
-
-\textbf{Audio features extraction}\\
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
-
- \begin{itemize}
- \item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
- \cite{brossierPhD}
- \item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
- \cite{yaafe_ISMIR2010}
- \item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
- \cite{vamp-plugins}
- \end{itemize}
-
-
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
-Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
-\end{block}
-\begin{block}{Code Example (Python)}
-\vskip1ex
- \begin{minipage}{0.6\linewidth}
- \begin{lstlisting}
-
-import timeside
-
-# Define some processors:
-decoder = timeside.decoder.FileDecoder('sweep.wav')
-analyzer = timeside.analyzer.Level()
-grapher = timeside.grapher.Spectrogram()
-encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
-
-# Then, the magic pipeline:
-(decoder | analyzer | grapher | encoder).run()
-
-# Get the results:
-grapher.render(output='image.png')
-for key in analyzer.results.keys():
- print '%s in %s : %s'% (analyzer.results[key].name,
- analyzer.results[key].unit,
- analyzer.results[key].data)
-
-\end{lstlisting}
-\end{minipage}
-\hskip2ex
-\begin{minipage}{0.32\linewidth}
- \begin{center}
- \textbf{Results}
- \begin{figure}
- \centering
- \includegraphics{img/spectrogram.png}
- \caption{Spectrogram (sweep signal)}
- \end{figure}
- \end{center}
-\vskip5ex
-\begin{lstlisting}
-
- Level Analyzer Max:[-6.021]
- Level Analyzer RMS:[-9.856]
-
-\end{lstlisting}
-
-
-\end{minipage}
-
- \end{block}
-\begin{block}{Références}\tiny
-\bibliographystyle{../splncs03}
-%\label{sec:ref}
-\vspace{-1cm}
-\begin{multicols}{2}[]
-\bibliography{../cmmr_2013}
-\end{multicols}
- \end{block}
- \end{column}
-\end{columns}
-\end{frame}
-\end{document}
-%%% Local Variables:
-%%% mode: latex
-%%% TeX-master: t
-%%% End:
+++ /dev/null
-\documentclass[final, hyperref, table]{beamer}
-\mode<presentation>
-{
-\usetheme{TF}
- }
-
- \usepackage[english,francais]{babel} % "babel.sty"
-% \usepackage{french} % "french.sty"
-% \usepackage{franglais} % "franglais.sty" (a defaut)
- \usepackage{times} % ajout times le 30 mai 2003
-
-%% --------------------------------------------------------------
-%% CODAGE DE POLICES ?
-%% Si votre moteur Latex est francise, il est conseille
-%% d'utiliser le codage de police T1 pour faciliter la césure,
-%% si vous disposez de ces polices (DC/EC)
-\usepackage[utf8]{inputenc}
-\usepackage[T1]{fontenc}
-
-
-%% ==============================================================
-%\usepackage{graphicx}
-\usepackage{amsmath,amsfonts}
-%\usepackage[table]{xcolor}
-\usepackage{subfigure}
-\usepackage{fancybox}
-%\usepackage{hyperref}
-\usepackage{multicol}
-\usepackage{wrapfig}
-\usepackage{listings}
-\usepackage{xcolor}
-\usepackage[orientation=portrait,size=a0,scale=1.4]{beamerposter}
-
-% Display a grid to help align images
-%\beamertemplategridbackground[1cm]
-
-%We will get the normal bibliography style (number or text instead of icon) by including the following code
-\setbeamertemplate{bibliography item}[text]
-\setbeamerfont{caption}{size=\footnotesize}
-% listings settings
-\definecolor{lstComments}{rgb}{0,0.6,0}
-\definecolor{lstBkgrd}{rgb}{1,1,0.8}
-\lstset{%
- language=Python, % the language of the code
- frame=single, % adds a frame around the code
- commentstyle=\color{lstComments},% comment style
- backgroundcolor=\color{lstBkgrd}, % choose the background color
- basicstyle=\scriptsize, % the size of the fonts that are used for the code
- keywordstyle=\color{blue}, % keyword style
- showstringspaces=false, % underline spaces within strings only
-}
-\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
-
-
-\institute[Parisson]{\small
- \inst{1}%
- Parisson, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
- 11 rue de Lourmel, 75015 Paris, France\\
- \inst{3}%
- CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
-21 Allée de l'Université - 92023 Nanterre, France\\
-%Thanks
-\vskip1ex
- {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
-}
-
-\date[03/09/2013]{03 septembre 2013}
-%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
-\begin{document}
-%\maketitle
-\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
-% ==================================
-% --------- Résumé -----------------
-% ==================================
- \begin{block}{Abstract}\small
-
- \begin{minipage}{0.74\linewidth}
- \begin{itemize}
- \item \emph{Telemeta} is an \alert{open-source audio web Content
- Management System} (CMS) dedicated to \alert{digital sound
- archives} secure storing, indexing and publishing.
- \item The demonstration presents the features of this platform
- in the context of \alert{\emph{ethnomusicological} research}.
- \item It focuses on the enhance and collaborative
- user-experience in accessing audio items and their associated
- metadata and on the possibility for the expert user to further
- enrich those metadata.
- \item \emph{Telemeta} also provides integrated \alert{audio signal
- processing tools} for automatic analysis of sound items.
- \end{itemize}
- \end{minipage}
- \begin{minipage}{0.24\linewidth}
- \begin{center}
- \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
-
- \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
- \vskip1ex
- \colorbox{yellow!50}
- { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
- \end{center}
- \end{minipage}
- \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
- \end{block}
-
-% ==================================
-% --------- Corps -----------------
-% ==================================
- \begin{columns}[t]
-\footnotesize
-% ==================================
-% --------- Colonne gauche ---------
-% ==================================
- \begin{column}[T]{.49\linewidth}
- \begin{block}{Introduction}
- \textbf{Needs}\\
- \begin{itemize}
- \item In social sciences like anthropology and linguistics,
- researchers have to work on multiple types of multimedia
- documents such as photos, videos, sound recordings or
- databases.
- \item The need to easily access, visualize and annotate
- such materials can be problematic given their diverse formats,
- sources and given their chronological nature.
- \end{itemize}
-
-\textbf{The \emph{Telemeta} project}\\
-\begin{itemize}
-\item The CREM laboratory and Parisson have been developing an innovative,
- collaborative and interdisciplinary open-source web-based multimedia
- platform since 2007.
-\item Goal : fit the professional requirements from both sound archivists and
- researchers in ethnomusicology.
-\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
- l'Homme}:
-\end{itemize}
-\begin{center}
- \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
-\end{center}
-
- \end{block}
-
-\begin{block}{Web audio content management features and architecture}
- \begin{itemize}
- \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
- Free Software License Agreement}) web audio content management
- system which introduces efficient and secure methods for
- back-uping, indexing, transcoding, analysing and publishing any
- digitalized audio file with its metadata.
- \item \emph{Telemeta} is ideal for
- professionals who wants to easily organize, backup, archive and
- publish documented sound collections of audio files, CDs,
- digitalized vinyls and magnetic tapes over a strong database, in
- accordance with open web standards.
- \item \emph{Telemeta} architecture
- is flexible and can easily be adapted to particular database
- organization of a given sound archives.
- \end{itemize}
-
-\begin{figure}[htbp]
- \centering
- \includegraphics[width=0.4\paperwidth]{../img/telemeta.png}
- \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
-\end{figure}
-
-
-
-The main features of \emph{Telemeta} are:
-\vspace{-0.1cm}
-\begin{itemize}
-\item \emph{Pure HTML} web user interface including high level \emph{search engine}
-\item Smart \emph{workflow management} with contextual user lists, profiles and rights
- % \item RSS and JSON feed generators
- % \item XML serialized backup
-\item Strong Structured Query Language (SQL) or Oracle backend
-\item Model-View-Controller (MVC) architecture
-\end{itemize}
-Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
-
-\end{block}
-\begin{block}{Metadata}
- \begin{itemize}
- \item In addition to the audio data, an efficient and dynamic
- management of the associated metadata is also required.
- \item Dynamically handling metadata in a collaborative manner optimises
- the continuous process of knowledge gathering and enrichment of
- the materials in the database.
- \item Compatibility : integration of the metadata standards protocols \emph{Dublin Core}
- and \emph{OAI-PMH} (Open Archives Initiative Protocol for Metadata
- Harvesting) \cite{DublinCore,OAI-PMH}.
- \end{itemize}
-
-\textbf{Contextual Information}\\
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
-
-\textbf{Annotations and segmentation}\\
-Metadata also consist in temporal information such as:
-\begin{itemize}
-\item a list of \emph{time-coded markers} associated with annotations
-\item a list of of \emph{time-segments} associated with labels.
-\end{itemize}
-The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
-It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
-
-\end{block}
- \end{column}
-
-% ==================================
-% ------- Colonne droite -----------
-% ==================================
-\begin{column}[T]{.49\linewidth}
- \begin{block}{TimeSide : open web audio processing framework}
-One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
-
-\begin{center}
- \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
-\end{center}
-
- \begin{figure}[htbp]
- \centering
- \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
- \caption{TimeSide architecture}
-\end{figure}
-
-\textbf{Goals}\\
-
-\begin{itemize}
-\item \alert{Do} asynchronous and fast audio processing with Python.
-\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
-\item \alert{Analyze} audio content with some external audio feature extraction libraries.
-\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
-\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
-\item \alert{Transcode} audio data in various media formats and stream them through web apps.
-\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
-\end{itemize}
-
-\textbf{Audio features extraction}\\
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
-
- \begin{itemize}
- \item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
- \cite{brossierPhD}
- \item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
- \cite{yaafe_ISMIR2010}
- \item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
- \cite{vamp-plugins}
- \end{itemize}
-
-
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
-Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide automatic annotation, segmentation and similarity analysis.
-\end{block}
-\begin{block}{Code Example (Python)}
-\vskip1ex
- \begin{minipage}{0.6\linewidth}
- \begin{lstlisting}
-
-import timeside
-
-# Define some processors:
-decoder = timeside.decoder.FileDecoder('sweep.wav')
-analyzer = timeside.analyzer.Level()
-grapher = timeside.grapher.Spectrogram()
-encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
-
-# Then, the magic pipeline:
-(decoder | analyzer | grapher | encoder).run()
-
-# Get the results:
-grapher.render(output='image.png')
-for key in analyzer.results.keys():
- print '%s in %s : %s'% (analyzer.results[key].name,
- analyzer.results[key].unit,
- analyzer.results[key].data)
-
-\end{lstlisting}
-\end{minipage}
-\hskip2ex
-\begin{minipage}{0.32\linewidth}
- \begin{center}
- \textbf{Results}
- \begin{figure}
- \centering
- \includegraphics{img/spectrogram.png}
- \caption{Spectrogram (sweep signal)}
- \end{figure}
- \end{center}
-\vskip5ex
-\begin{lstlisting}
-
- Level Analyzer Max:[-6.021]
- Level Analyzer RMS:[-9.856]
-
-\end{lstlisting}
-
-
-\end{minipage}
-
- \end{block}
-\begin{block}{Références}\tiny
-\bibliographystyle{../splncs03}
-%\label{sec:ref}
-\vspace{-1cm}
-\begin{multicols}{2}[]
-\bibliography{../cmmr_2013}
-\end{multicols}
- \end{block}
- \end{column}
-\end{columns}
-\end{frame}
-\end{document}
-%%% Local Variables:
-%%% mode: latex
-%%% TeX-master: t
-%%% End:
+++ /dev/null
-\documentclass[final, hyperref, table]{beamer}
-\mode<presentation>
-{
-\usetheme{TF}
- }
-
- \usepackage[english,francais]{babel} % "babel.sty"
-% \usepackage{french} % "french.sty"
-% \usepackage{franglais} % "franglais.sty" (a defaut)
- \usepackage{times} % ajout times le 30 mai 2003
-
-%% --------------------------------------------------------------
-%% CODAGE DE POLICES ?
-%% Si votre moteur Latex est francise, il est conseille
-%% d'utiliser le codage de police T1 pour faciliter la césure,
-%% si vous disposez de ces polices (DC/EC)
-\usepackage[utf8]{inputenc}
-\usepackage[T1]{fontenc}
-
-
-%% ==============================================================
-%\usepackage{graphicx}
-\usepackage{amsmath,amsfonts}
-%\usepackage[table]{xcolor}
-\usepackage{subfigure}
-\usepackage{fancybox}
-%\usepackage{hyperref}
-\usepackage{multicol}
-\usepackage{wrapfig}
-\usepackage{listings}
-\usepackage{xcolor}
-\usepackage[orientation=portrait,size=a0,scale=1.4]{beamerposter}
-
-% Display a grid to help align images
-%\beamertemplategridbackground[1cm]
-
-%We will get the normal bibliography style (number or text instead of icon) by including the following code
-\setbeamertemplate{bibliography item}[text]
-\setbeamerfont{caption}{size=\footnotesize}
-% listings settings
-\definecolor{lstComments}{rgb}{0,0.6,0}
-\definecolor{lstBkgrd}{rgb}{1,1,0.8}
-\lstset{%
- language=Python, % the language of the code
- frame=single, % adds a frame around the code
- commentstyle=\color{lstComments},% comment style
- backgroundcolor=\color{lstBkgrd}, % choose the background color
- basicstyle=\scriptsize, % the size of the fonts that are used for the code
- keywordstyle=\color{blue}, % keyword style
- showstringspaces=false, % underline spaces within strings only
-}
-\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
-
-
-\institute[Parisson]{\small
- \inst{1}%
- Parisson, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
- 11 rue de Lourmel, 75015 Paris, France\\
- \inst{3}%
- CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
-21 Allée de l'Université - 92023 Nanterre, France\\
-%Thanks
-\vskip1ex
- {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
-}
-
-\date[03/09/2013]{03 septembre 2013}
-%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
-\begin{document}
-%\maketitle
-\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
-% ==================================
-% --------- Résumé -----------------
-% ==================================
- \begin{block}{Abstract}\small
-
- \begin{minipage}{0.74\linewidth}
- \begin{itemize}
- \item \emph{Telemeta} is an \alert{open-source audio web Content
- Management System} (CMS) dedicated to \alert{digital sound
- archives} secure storing, indexing and publishing.
- \item The demonstration presents the features of this platform
- in the context of \alert{\emph{ethnomusicological} research}.
- \item It focuses on the enhance and collaborative
- user-experience in accessing audio items and their associated
- metadata and on the possibility for the expert user to further
- enrich those metadata.
- \item \emph{Telemeta} also provides integrated \alert{audio signal
- processing tools} for automatic analysis of sound items.
- \end{itemize}
- \end{minipage}
- \begin{minipage}{0.24\linewidth}
- \begin{center}
- \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
-
- \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
- \vskip1ex
- \colorbox{yellow!50}
- { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
- \end{center}
- \end{minipage}
- \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
- \end{block}
-
-% ==================================
-% --------- Corps -----------------
-% ==================================
- \begin{columns}[t]
-\footnotesize
-% ==================================
-% --------- Colonne gauche ---------
-% ==================================
- \begin{column}[T]{.49\linewidth}
- \begin{block}{Introduction}
- \textbf{Needs}\\
- \begin{itemize}
- \item In social sciences like anthropology and linguistics,
- researchers have to work on multiple types of multimedia
- documents such as photos, videos, sound recordings or
- databases.
- \item The need to easily access, visualize and annotate
- such materials can be problematic given their diverse formats,
- sources and given their chronological nature.
- \end{itemize}
-
-\textbf{The \emph{Telemeta} project}\\
-\begin{itemize}
-\item The CREM laboratory and Parisson have been developing an innovative,
- collaborative and interdisciplinary open-source web-based multimedia
- platform since 2007.
-\item Goal : fit the professional requirements from both sound archivists and
- researchers in ethnomusicology.
-\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
- l'Homme}:
-\end{itemize}
-\begin{center}
- \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
-\end{center}
-
- \end{block}
-
-\begin{block}{Web audio content management features and architecture}
- \begin{itemize}
- \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
- Free Software License Agreement}) web audio content management
- system which introduces efficient and secure methods for
- \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
- digitalized audio file with its metadata.
- \item \emph{Telemeta} is ideal for
- professional collaborators who wants to easily organize, backup, archive and
- publish documented sound collections of audio files, CDs,
- digitalized vinyls and magnetic tapes over a strong database in
- accordance with \alert{open web standards}.
- \item \emph{Telemeta} architecture
- is \alert{flexible} and can easily be adapted to particular database
- organization of a given sound archives.
- \end{itemize}
-
-\begin{figure}[htbp]
- \centering
- \includegraphics[width=0.4\paperwidth]{../img/telemeta.png}
- \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
-\end{figure}
-
-
-
-The main features of \emph{Telemeta} are:
-\vspace{-0.1cm}
-\begin{itemize}
-\item \alert{Pure HTML} web user interface including high level \alert{search engine}
-\item \alert{Smart workflow management} with contextual user lists, profiles and rights
- % \item RSS and JSON feed generators
- % \item XML serialized backup
-\item Model-View-Controller (\alert{MVC}) architecture
-\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
-
-\end{itemize}
-Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
-
-\end{block}
-\begin{block}{Metadata}
- \begin{itemize}
- \item In addition to the audio data, an efficient and \alert{dynamic
- management} of the associated metadata is also required.
- \item Dynamically handling metadata in a \alert{collaborative} manner optimises
- the continuous process of knowledge gathering and enrichment of
- the materials in the database.
- \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
- and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
- Harvesting) \cite{DublinCore,OAI-PMH}.
- \end{itemize}
-
-\textbf{Contextual Information}\\
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
-
-\textbf{Annotations and segmentation}\\
-Metadata also consist in temporal information such as:
-\begin{itemize}
-\item a list of \alert{time-coded markers} associated with annotations
-\item a list of of \alert{time-segments} associated with labels.
-\end{itemize}
-The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
-It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
-
-\end{block}
- \end{column}
-
-% ==================================
-% ------- Colonne droite -----------
-% ==================================
-\begin{column}[T]{.49\linewidth}
- \begin{block}{TimeSide : open web audio processing framework}
-One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
-
-\begin{center}
- \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
-\end{center}
-
- \begin{figure}[htbp]
- \centering
- \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
- \caption{TimeSide architecture}
-\end{figure}
-
-\textbf{Goals}\\
-
-\begin{itemize}
-\item \alert{Do} asynchronous and fast audio processing with Python.
-\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
-\item \alert{Analyze} audio content with some external audio feature extraction libraries.
-\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
-\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
-\item \alert{Transcode} audio data in various media formats and stream them through web apps.
-\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
-\end{itemize}
-
-\textbf{Audio features extraction}\\
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
-
- \begin{itemize}
- \item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
- \cite{brossierPhD}
- \item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
- \cite{yaafe_ISMIR2010}
- \item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
- \cite{vamp-plugins}
- \end{itemize}
-
-
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
-Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
-\end{block}
-\begin{block}{Code Example (Python)}
-\vskip1ex
- \begin{minipage}{0.6\linewidth}
- \begin{lstlisting}
-
-import timeside
-
-# Define some processors:
-decoder = timeside.decoder.FileDecoder('sweep.wav')
-analyzer = timeside.analyzer.Level()
-grapher = timeside.grapher.Spectrogram()
-encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
-
-# Then, the magic pipeline:
-(decoder | analyzer | grapher | encoder).run()
-
-# Get the results:
-grapher.render(output='image.png')
-for key in analyzer.results.keys():
- print '%s in %s : %s'% (analyzer.results[key].name,
- analyzer.results[key].unit,
- analyzer.results[key].data)
-
-\end{lstlisting}
-\end{minipage}
-\hskip2ex
-\begin{minipage}{0.32\linewidth}
- \begin{center}
- \textbf{Results}
- \begin{figure}
- \centering
- \includegraphics{img/spectrogram.png}
- \caption{Spectrogram (sweep signal)}
- \end{figure}
- \end{center}
-\vskip5ex
-\begin{lstlisting}
-
- Level Analyzer Max:[-6.021]
- Level Analyzer RMS:[-9.856]
-
-\end{lstlisting}
-
-
-\end{minipage}
-
- \end{block}
-\begin{block}{Références}\tiny
-\bibliographystyle{../splncs03}
-%\label{sec:ref}
-\vspace{-1cm}
-\begin{multicols}{2}[]
-\bibliography{../cmmr_2013}
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- Ph.D. thesis, Centre for Digital music, Queen Mary University of London, UK
- (2006)
-
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-{Dublin Core} metadata initiative, \url{http://dublincore.org/}
-
-\bibitem{yaafe_ISMIR2010}
-Mathieu, B., Essid, S., Fillon, T., Prado, J., Richard, G.: Yaafe, an easy to
- use and efficient audio feature extraction software. In: Proc. of ISMIR 2010,
- Utrecht, Netherlands. pp. 441--446. International Society for Music
- Information Retrieval (2010),
- \url{http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}
-
-\bibitem{OAI-PMH}
-Open archives initiative protocol for metadata harvesting,
- \url{http://www.openarchives.org/pmh/}
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-\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
-
-\institute[Parisson]{\small
- \inst{1}%
- Parisson, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
- 11 rue de Lourmel, 75015 Paris, France\\
- \inst{3}%
- CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
-21 Allée de l'Université - 92023 Nanterre, France\\
-%Thanks
-\vskip1ex
- {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project funded by the French National Research Agency ANR (CONTINT)}}}
-}
-
-\begin{document}
-%\maketitle
-\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
-% ==================================
-% --------- Résumé -----------------
-% ==================================
- \begin{block}{Abstract}\small
- \begin{minipage}[T]{0.74\linewidth}
- \begin{itemize}
- \item \emph{Telemeta} is an \alert{open-source audio web Content
- Management System} (CMS) dedicated to \alert{digital sound
- archives} secure storing, indexing and publishing.
- \item The demonstration presents the features of this platform
- in the context of \alert{\emph{ethnomusicological} research}.
- \item It focuses on the enhance and collaborative
- user-experience in accessing audio items and their associated
- metadata and on the possibility for the expert user to further
- enrich those metadata.
- \item \emph{Telemeta} also provides integrated \alert{audio signal
- processing tools} for automatic analysis of sound items.
- \end{itemize}
-\vskip1ex
- \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
- \end{minipage}
- \begin{minipage}[T]{0.24\linewidth}
- \begin{center}
- \vspace{-0.7cm}
- \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
- \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
- \vskip1ex
- \colorbox{yellow!50}
- { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
- \end{center}
-\vspace{-1cm}
-\end{minipage}
- \end{block}
- \vspace{-1cm}
-% ==================================
-% --------- Corps -----------------
-% ==================================
- \begin{columns}[t]
-\footnotesize
-% ==================================
-% --------- Colonne gauche ---------
-% ==================================
- \begin{column}[T]{.33\linewidth}
- \begin{block}{Introduction}
-\vspace{-0.5cm}
- \textbf{Needs}\\
- \begin{itemize}
- \item In social sciences like anthropology and linguistics,
- researchers have to work on multiple types of multimedia
- documents such as photos, videos, sound recordings or
- databases.
- \item The need to easily access, visualize and annotate
- such materials can be problematic given their diverse formats,
- sources and given their chronological nature.
- \end{itemize}
-
-\textbf{The \emph{Telemeta} project}\\
-\begin{itemize}
-\item The CREM laboratory and Parisson have been developing an innovative,
- collaborative and interdisciplinary open-source web-based multimedia
- platform since 2007.
-\item Goal : fit the professional requirements from both sound archivists and
- researchers in ethnomusicology.
-\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
- l'Homme}:
-\end{itemize}
-\begin{center}
- \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
-\end{center}
-\vspace{-1cm}
-\end{block}
-
-\begin{block}{Web audio content management features and architecture}
-\vspace{-0.5cm}
-\begin{itemize}
- \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
- Free Software License Agreement}) web audio content management
- system which introduces efficient and secure methods for
- \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
- digitalized audio file with its metadata.
- \item \emph{Telemeta} is ideal for
- professional collaborators who wants to easily organize, backup, archive and
- publish documented sound collections of audio files, CDs,
- digitalized vinyls and magnetic tapes over a strong database in
- accordance with \alert{open web standards}.
- \item \emph{Telemeta} architecture
- is \alert{flexible} and can easily be adapted to particular database
- organization of a given sound archives.
- \end{itemize}
-
-The main features of \emph{Telemeta} are:
-\vspace{-0.1cm}
-\begin{itemize}
-\item \alert{Pure HTML} web user interface including high level \alert{search engine}
-\item \alert{Smart workflow management} with contextual user lists, profiles and rights
-\item Model-View-Controller (\alert{MVC}) architecture
-\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
-\end{itemize}
-Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
-
-\end{block}
-\begin{block}{Metadata}
-\vspace{-0.5cm}
- \begin{itemize}
- \item In addition to the audio data, an efficient and \alert{dynamic
- management} of the associated metadata is also required.
- \item Dynamically handling metadata in a \alert{collaborative} manner optimises
- the continuous process of knowledge gathering and enrichment of
- the materials in the database.
- \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
- and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
- Harvesting) \cite{DublinCore,OAI-PMH}.
- \end{itemize}
-
-\textbf{Contextual Information}\\
-In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
-
-\textbf{Annotations and segmentation}\\
-Metadata also consist in temporal information such as:
-\begin{itemize}
-\item a list of \alert{time-coded markers} associated with annotations
-\item a list of of \alert{time-segments} associated with labels.
-\end{itemize}
-The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
-It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
-\end{block}
-\end{column}
-
-% ==================================
-% ------- Colonne centre -----------
-% ==================================
-\begin{column}[T]{.33\linewidth}
- \begin{block}{Telemeta web interface}
- \begin{figure}[htbp]
- \centering
- \includegraphics[width=0.32\paperwidth]{img/player_mark.png}
- % \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
- \end{figure}
- \end{block}
- \begin{block}{TimeSide : open web audio processing framework}
-One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
-
-\begin{center}
- \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
-\end{center}
-
-\textbf{Goals}\\
-
-\begin{itemize}
-\item \alert{Do} asynchronous and fast audio processing with Python.
-\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
-\item \alert{Analyze} audio content with some external audio feature extraction libraries.
-\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
-\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
-\item \alert{Transcode} audio data in various media formats and stream them through web apps.
-\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
-\end{itemize}
-
-\textbf{Audio features extraction}\\
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
-
- \begin{itemize}
- \item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
- \cite{brossierPhD}
- \item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
- \cite{yaafe_ISMIR2010}
- \item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
- \cite{vamp-plugins}
- \end{itemize}
-
-Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
-Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
-\end{block}
-\end{column}
-
-% ==================================
-% ------- Colonne droite -----------
-% ==================================
-\begin{column}[t]{.33\linewidth}
-\begin{block}{TimeSide Architecture}
- \begin{figure}[htbp]
- \centering
- \includegraphics[width=0.31\paperwidth]{../img/timeside_schema.pdf}
- %\caption{TimeSide architecture}
- \end{figure}
-\end{block}
-
-\begin{block}{Code Example (Python)}
-\vskip1ex
- \begin{minipage}{0.6\linewidth}
- \begin{lstlisting}
-
-import timeside
-
-# Define some processors:
-decoder = timeside.decoder.FileDecoder('sweep.wav')
-analyzer = timeside.analyzer.Level()
-grapher = timeside.grapher.Spectrogram()
-encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
-
-# Then, the magic pipeline:
-(decoder | analyzer | grapher | encoder).run()
-
-# Get the results:
-grapher.render(output='image.png')
-for key in analyzer.results.keys():
- print '%s in %s : %s'% (analyzer.results[key].name,
- analyzer.results[key].unit,
- analyzer.results[key].data)
-
-\end{lstlisting}
-\end{minipage}
-\hskip2ex
-\begin{minipage}{0.32\linewidth}
- \begin{center}
- \textbf{Results}
- \begin{figure}
- \centering
- \includegraphics{img/spectrogram.png}
- \caption{Spectrogram (sweep signal)}
- \end{figure}
- \end{center}
-\vskip5ex
-\begin{lstlisting}
-
- Level Analyzer Max:[-6.021]
- Level Analyzer RMS:[-9.856]
-
-\end{lstlisting}
-
-\end{minipage}
-
- \end{block}
-\begin{block}{Références}\tiny
-\bibliographystyle{../splncs03}
-%\label{sec:ref}
-\vspace{-1cm}
-\begin{multicols}{2}[]
-\bibliography{../cmmr_2013}
-\end{multicols}
-\end{block}
-
-\end{column}
-\end{columns}
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-\title[TELEMETA, audio web CMS for Ethnomusicological archives]{TELEMETA\\ Audio web Content Management System \\for ethnomusicological sound archives}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
-
-
-\institute[Parisson]{\tiny
- \inst{1}%
- Parisson, Paris, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
- \inst{3}%
- CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense, Nanterre, France\\
-%Thanks
-\vskip1ex
- {\tiny \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
- \begin{center}
-\hfill
- \raisebox{-4ex}{\includegraphics[width=0.1\linewidth]{../poster/img/logo_CREM.png}} \hfill
- \includegraphics[width=0.15\linewidth]{../poster/img/logo_LESC.png}\hfill
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-}
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-\begin{frame}
- \maketitle
-\end{frame}
-
-\begin{frame}\tiny
-\frametitle{Telemeta}
-% ==================================
-% --------- Résumé -----------------
-% ==================================
-\begin{block}{The project}
- \begin{itemize}
- \item The CREM laboratory and Parisson have been developing an innovative,
- collaborative and interdisciplinary open-source web-based multimedia
- platform since 2007.
- \item Goal : fit the professional requirements from both sound archivists and
- researchers in ethnomusicology.
- \item Official platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
- l'Homme}:
- \end{itemize}
-\vspace{-0.6cm}
- \begin{center}
- \colorbox{yellow!50} { \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
- \end{center}
-\end{block}
-\begin{block}{The platform}
- \begin{itemize}
- \item \emph{Telemeta} is an \alert{open-source audio web Content
- Management System} (CMS) dedicated to \alert{digital sound
- archives} secure storing, indexing and publishing with database management through (\alert{SQL}) or Oracle backend.
- \item The demonstration presents the features of this platform
- in the context of \alert{\emph{ethnomusicological} research}.
- \item It focuses on the enhance and \alert{collaborative}
- user-experience in accessing audio items and their associated \alert{metadata} and on the possibility for the expert user to further enrich those metadata.\\
- Metadata consist in both \alert{Contextual Ethnomusicological Information} and
- \alert{Annotations and segmentations} (by human or automatic).
- \item \emph{Telemeta} also provides integrated \alert{audio signal
- processing tools} for automatic analysis of sound items through an external component, \emph{TimeSide}.
- \end{itemize}
-\vspace{-0.5cm}
- \begin{center}
- \includegraphics[width=0.3\textwidth]{../poster/img/logo_telemeta_1-1.pdf}\\
- \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
- \end{center}
- \end{block}
-\end{frame}
-\begin{frame}\tiny
- \frametitle{TimeSide}
- \begin{block}{TimeSide : open web audio processing framework}
-One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
-\vspace{-0.25cm}
-\begin{center}
- \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
-\end{center}
-\vspace{-0.5cm}
-\textbf{Goals}\\
-\begin{itemize}
-\item \alert{Do} asynchronous and fast audio processing with Python.
-\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
-\item \alert{Analyze} audio content with some external audio feature extraction libraries.
-\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
-\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
-\item \alert{Transcode} audio data in various media formats and stream them through web apps.
-\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
-\end{itemize}
-\end{block}
-
- \begin{block}{Audio features extraction}
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
-\vspace{-0.1cm}
-\begin{itemize}
-\item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
-\vspace{-0.1cm}
-\item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
-\vspace{-0.1cm}
-\item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
-\end{itemize}
-Given the extracted features, every sound item in a given collection can be automatically analyzed. The results of this analysis can be displayed as a support to ethnomusicological studies.
-Further works lead by the DIADEMS project will incorporate advanced Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
- \end{block}
-\end{frame}
-\begin{frame}
- \frametitle{Demonstration}
-
- \begin{itemize}
- \item \textbf{Demo Session \#1}
- \item \alert{Wednesday} October 16th, 14:30 - 16:00
- \item In the Hall
- \end{itemize}
- \begin{center}
- \includegraphics[width=.3\linewidth]{../poster/img/parisson_logo_FINALE_com.pdf}
- \end{center}
-
- \begin{itemize}
- \item Live demonstration of the \emph{Telemeta} web platform with the CNRS ethnomusicological sound archives
- \item Live demonstration \emph{Timeside} audio processing framework (Python)
- \end{itemize}
-\end{frame}
-\end{document}
-%%% Local Variables:
-%%% mode: latex
-%%% TeX-master: t
-%%% End:
+++ /dev/null
-\documentclass[final, hyperref, table]{beamer}
-\mode<presentation>
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-
- %\usepackage[english]{babel} % "babel.sty"
-% \usepackage{french} % "french.sty"
-% \usepackage{franglais} % "franglais.sty" (a defaut)
- \usepackage{times} % ajout times le 30 mai 2003
-
-%% --------------------------------------------------------------
-%% CODAGE DE POLICES ?
-%% Si votre moteur Latex est francise, il est conseille
-%% d'utiliser le codage de police T1 pour faciliter la césure,
-%% si vous disposez de ces polices (DC/EC)
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-\usepackage[T1]{fontenc}
-
-
-%% ==============================================================
-%\usepackage{graphicx}
-\usepackage{amsmath,amsfonts}
-%\usepackage[table]{xcolor}
-\usepackage{subfigure}
-\usepackage{fancybox}
-%\usepackage{hyperref}
-\usepackage{multicol}
-\usepackage{wrapfig}
-\usepackage{listings}
-\usepackage{xcolor}
-
-\usetheme{Warsaw}
-%\usetheme{JuanLesPins}
-\setbeamercovered{transparent}
-
-
-% telemeta red
-\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
-\usecolortheme[rgb={0.41568, 0.01176, 0.02745}]{structure}
-
-% Display a grid to help align images
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-
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-% listings settings
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-\title[TELEMETA, audio web CMS for Ethnomusicological archives]{TELEMETA\\ Audio web Content Management System \\for ethnomusicological sound archives}
-
-\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
-
-
-\institute[Parisson]{\tiny
- \inst{1}%
- Parisson, Paris, France\\
- \inst{2}%
- LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
- \inst{3}%
- CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense, Nanterre, France\\
-%Thanks
-\vskip1ex
- {\tiny \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
- \begin{center}
-\hfill
- \raisebox{-4ex}{\includegraphics[width=0.1\linewidth]{img/logo_CREM.png}} \hfill
- \includegraphics[width=0.15\linewidth]{img/logo_LESC.png}\hfill
- \includegraphics[width=.3\linewidth]{img/parisson_logo_FINALE_com.pdf}\hfill
- \includegraphics[width=.18\linewidth]{img/upmc.png}\hfill
- \end{center}
-
-}
-
-
-\begin{document}
-\begin{frame}
- \maketitle
-\end{frame}
-
-\begin{frame}\tiny
-\frametitle{Telemeta}
-% ==================================
-% --------- Résumé -----------------
-% ==================================
-\begin{block}{The \emph{Telemeta} project}
- \begin{itemize}
- \item The CREM laboratory and Parisson have been developing an innovative,
- collaborative and interdisciplinary open-source web-based multimedia
- platform since 2007.
- \item Goal : fit the professional requirements from both sound archivists and
- researchers in ethnomusicology.
- \item Official platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
- l'Homme}:
- \end{itemize}
-\vspace{-0.6cm}
- \begin{center}
- \colorbox{yellow!50} { \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
- \end{center}
-\end{block}
-\begin{block}{\emph{Telemeta} platform overview}
- \begin{itemize}
- \item \emph{Telemeta} is an \alert{open-source audio web Content
- Management System} (CMS) dedicated to \alert{digital sound
- archives} secure storing, indexing and publishing with database management through (\alert{SQL}) or Oracle backend.
- \item The demonstration presents the features of this platform
- in the context of \alert{\emph{ethnomusicological} research}.
- \item It focuses on the enhance and \alert{collaborative}
- user-experience in accessing audio items and their associated \alert{metadata} and on the possibility for the expert user to further enrich those metadata.\\
- Metadata consist in both \alert{Contextual Ethnomusicological Information} and
- \alert{Annotations and segmentations} (by human or automatic).
- \item \emph{Telemeta} also provides integrated \alert{audio signal
- processing tools} for automatic analysis of sound items through an external component, \emph{TimeSide}.
- \end{itemize}
-\vspace{-0.5cm}
- \begin{center}
- \includegraphics[width=0.3\textwidth]{img/logo_telemeta_1-1.pdf}\\
- \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
- \end{center}
- \end{block}
-\end{frame}
-\begin{frame}\tiny
- \frametitle{TimeSide}
- \begin{block}{TimeSide : open web audio processing framework}
-One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
-\vspace{-0.25cm}
-\begin{center}
- \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
-\end{center}
-\vspace{-0.5cm}
-\textbf{Goals}\\
-\begin{itemize}
-\item \alert{Do} asynchronous and fast audio processing with Python.
-\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
-\item \alert{Analyze} audio content with some external audio feature extraction libraries.
-\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
-\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
-\item \alert{Transcode} audio data in various media formats and stream them through web apps.
-\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
-\end{itemize}
-\end{block}
-
- \begin{block}{Audio features extraction}
-TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
-\vspace{-0.1cm}
-\begin{itemize}
-\item \textbf{Aubio:
- \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
-\vspace{-0.1cm}
-\item \textbf{Yaafe:
- \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
-\vspace{-0.1cm}
-\item \textbf{Vamp plugins:
- \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
-\end{itemize}
-Given the extracted features, every sound item in a given collection can be automatically analyzed. The results of this analysis can be displayed as a support to ethnomusicological studies.
-Further works lead by the DIADEMS project will incorporate advanced Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
- \end{block}
-\end{frame}
-\begin{frame}
- \frametitle{Demonstration}
-
- \begin{itemize}
- \item \textbf{Demo Session \#1}
- \item \alert{Wednesday} October 16th, 14:30 - 16:00
- \item In the Hall
- \end{itemize}
- \begin{center}
- \includegraphics[width=.3\linewidth]{img/parisson_logo_FINALE_com.pdf}
- \end{center}
-
- \begin{itemize}
- \item Live demonstration of the \emph{Telemeta} web platform with the CNRS ethnomusicological sound archives
- \item Live demonstration \emph{Timeside} audio processing framework (Python)
- \end{itemize}
-\end{frame}
-\end{document}
-%%% Local Variables:
-%%% mode: latex
-%%% TeX-master: t
-%%% End:
+++ /dev/null
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- {\r
- " " * bbl.etal *\r
- }\r
- { " " * t * }\r
- if$\r
- }\r
- if$\r
- }\r
- 't\r
- if$\r
- nameptr #1 + 'nameptr :=\r
- namesleft #1 - 'namesleft :=\r
- }\r
- while$\r
- } if$\r
-}\r
-FUNCTION {format.names.ed}\r
-{\r
- 'bibinfo :=\r
- duplicate$ empty$ 'skip$ {\r
- 's :=\r
- "" 't :=\r
- #1 'nameptr :=\r
- s num.names$ 'numnames :=\r
- numnames 'namesleft :=\r
- { namesleft #0 > }\r
- { s nameptr\r
- "{f{.}.~}{vv~}{ll}{ jj}"\r
- format.name$\r
- bibinfo bibinfo.check\r
- 't :=\r
- nameptr #1 >\r
- {\r
- namesleft #1 >\r
- { ", " * t * }\r
- {\r
- s nameptr "{ll}" format.name$ duplicate$ "others" =\r
- { 't := }\r
- { pop$ }\r
- if$\r
- "," *\r
- t "others" =\r
- {\r
-\r
- " " * bbl.etal *\r
- }\r
- { " " * t * }\r
- if$\r
- }\r
- if$\r
- }\r
- 't\r
- if$\r
- nameptr #1 + 'nameptr :=\r
- namesleft #1 - 'namesleft :=\r
- }\r
- while$\r
- } if$\r
-}\r
-FUNCTION {format.authors}\r
-{ author "author" format.names\r
-}\r
-FUNCTION {get.bbl.editor}\r
-{ editor num.names$ #1 > 'bbl.editors 'bbl.editor if$ }\r
-\r
-FUNCTION {format.editors}\r
-{ editor "editor" format.names duplicate$ empty$ 'skip$\r
- {\r
- " " *\r
- get.bbl.editor\r
-% capitalize\r
- "(" swap$ * ")" *\r
- *\r
- }\r
- if$\r
-}\r
-FUNCTION {format.note}\r
-{\r
- note empty$\r
- { "" }\r
- { note #1 #1 substring$\r
- duplicate$ "{" =\r
- 'skip$\r
- { output.state mid.sentence =\r
- { "l" }\r
- { "u" }\r
- if$\r
- change.case$\r
- }\r
- if$\r
- note #2 global.max$ substring$ * "note" bibinfo.check\r
- }\r
- if$\r
-}\r
-\r
-FUNCTION {format.title}\r
-{ title\r
- duplicate$ empty$ 'skip$\r
- { "t" change.case$ }\r
- if$\r
- "title" bibinfo.check\r
-}\r
-FUNCTION {output.bibitem}\r
-{ newline$\r
- "\bibitem{" write$\r
- cite$ write$\r
- "}" write$\r
- newline$\r
- ""\r
- before.all 'output.state :=\r
-}\r
-\r
-FUNCTION {n.dashify}\r
-{\r
- 't :=\r
- ""\r
- { t empty$ not }\r
- { t #1 #1 substring$ "-" =\r
- { t #1 #2 substring$ "--" = not\r
- { "--" *\r
- t #2 global.max$ substring$ 't :=\r
- }\r
- { { t #1 #1 substring$ "-" = }\r
- { "-" *\r
- t #2 global.max$ substring$ 't :=\r
- }\r
- while$\r
- }\r
- if$\r
- }\r
- { t #1 #1 substring$ *\r
- t #2 global.max$ substring$ 't :=\r
- }\r
- if$\r
- }\r
- while$\r
-}\r
-\r
-FUNCTION {word.in}\r
-{ bbl.in capitalize\r
- ":" *\r
- " " * }\r
-\r
-FUNCTION {format.date}\r
-{\r
- month "month" bibinfo.check\r
- duplicate$ empty$\r
- year "year" bibinfo.check duplicate$ empty$\r
- { swap$ 'skip$\r
- { "there's a month but no year in " cite$ * warning$ }\r
- if$\r
- *\r
- }\r
- { swap$ 'skip$\r
- {\r
- swap$\r
- " " * swap$\r
- }\r
- if$\r
- *\r
- remove.dots\r
- }\r
- if$\r
- duplicate$ empty$\r
- 'skip$\r
- {\r
- before.all 'output.state :=\r
- " (" swap$ * ")" *\r
- }\r
- if$\r
-}\r
-FUNCTION {format.btitle}\r
-{ title "title" bibinfo.check\r
- duplicate$ empty$ 'skip$\r
- {\r
- }\r
- if$\r
-}\r
-FUNCTION {either.or.check}\r
-{ empty$\r
- 'pop$\r
- { "can't use both " swap$ * " fields in " * cite$ * warning$ }\r
- if$\r
-}\r
-FUNCTION {format.bvolume}\r
-{ volume empty$\r
- { "" }\r
- { bbl.volume volume tie.or.space.prefix\r
- "volume" bibinfo.check * *\r
- series "series" bibinfo.check\r
- duplicate$ empty$ 'pop$\r
- { emphasize ", " * swap$ * }\r
- if$\r
- "volume and number" number either.or.check\r
- }\r
- if$\r
-}\r
-FUNCTION {format.number.series}\r
-{ volume empty$\r
- { number empty$\r
- { series field.or.null }\r
- { output.state mid.sentence =\r
- { bbl.number }\r
- { bbl.number capitalize }\r
- if$\r
- number tie.or.space.prefix "number" bibinfo.check * *\r
- series empty$\r
- { "there's a number but no series in " cite$ * warning$ }\r
- { bbl.in space.word *\r
- series "series" bibinfo.check *\r
- }\r
- if$\r
- }\r
- if$\r
- }\r
- { "" }\r
- if$\r
-}\r
-\r
-FUNCTION {format.edition}\r
-{ edition duplicate$ empty$ 'skip$\r
- {\r
- output.state mid.sentence =\r
- { "l" }\r
- { "t" }\r
- if$ change.case$\r
- "edition" bibinfo.check\r
- " " * bbl.edition *\r
- }\r
- if$\r
-}\r
-INTEGERS { multiresult }\r
-FUNCTION {multi.page.check}\r
-{ 't :=\r
- #0 'multiresult :=\r
- { multiresult not\r
- t empty$ not\r
- and\r
- }\r
- { t #1 #1 substring$\r
- duplicate$ "-" =\r
- swap$ duplicate$ "," =\r
- swap$ "+" =\r
- or or\r
- { #1 'multiresult := }\r
- { t #2 global.max$ substring$ 't := }\r
- if$\r
- }\r
- while$\r
- multiresult\r
-}\r
-FUNCTION {format.pages}\r
-{ pages duplicate$ empty$ 'skip$\r
- { duplicate$ multi.page.check\r
- {\r
- bbl.pages swap$\r
- n.dashify\r
- }\r
- {\r
- bbl.page swap$\r
- }\r
- if$\r
- tie.or.space.prefix\r
- "pages" bibinfo.check\r
- * *\r
- }\r
- if$\r
-}\r
-FUNCTION {format.journal.pages}\r
-{ pages duplicate$ empty$ 'pop$\r
- { swap$ duplicate$ empty$\r
- { pop$ pop$ format.pages }\r
- {\r
- ", " *\r
- swap$\r
- n.dashify\r
- pages multi.page.check\r
- 'titto.bbl.pages\r
- 'titto.bbl.page\r
- if$\r
- swap$ tie.or.space.prefix\r
- "pages" bibinfo.check\r
- * *\r
- *\r
- }\r
- if$\r
- }\r
- if$\r
-}\r
-FUNCTION {format.journal.eid}\r
-{ eid "eid" bibinfo.check\r
- duplicate$ empty$ 'pop$\r
- { swap$ duplicate$ empty$ 'skip$\r
- {\r
- ", " *\r
- }\r
- if$\r
- swap$ *\r
- }\r
- if$\r
-}\r
-FUNCTION {format.vol.num.pages} % this function is used only for journal entries\r
-{ volume field.or.null\r
- duplicate$ empty$ 'skip$\r
- {\r
-% bbl.volume swap$ tie.or.space.prefix\r
- titto.bbl.volume swap$ titto.space.prefix\r
-% rationale for the change above: for journals you don't want "vol." label\r
-% hence it does not make sense to attach the journal number to the label when\r
-% it is short\r
- "volume" bibinfo.check\r
- * *\r
- }\r
- if$\r
- number "number" bibinfo.check duplicate$ empty$ 'skip$\r
- {\r
- swap$ duplicate$ empty$\r
- { "there's a number but no volume in " cite$ * warning$ }\r
- 'skip$\r
- if$\r
- swap$\r
- "(" swap$ * ")" *\r
- }\r
- if$ *\r
- eid empty$\r
- { format.journal.pages }\r
- { format.journal.eid }\r
- if$\r
-}\r
-\r
-FUNCTION {format.chapter.pages}\r
-{ chapter empty$\r
- 'format.pages\r
- { type empty$\r
- { bbl.chapter }\r
- { type "l" change.case$\r
- "type" bibinfo.check\r
- }\r
- if$\r
- chapter tie.or.space.prefix\r
- "chapter" bibinfo.check\r
- * *\r
- pages empty$\r
- 'skip$\r
- { ", " * format.pages * }\r
- if$\r
- }\r
- if$\r
-}\r
-\r
-FUNCTION {format.booktitle}\r
-{\r
- booktitle "booktitle" bibinfo.check\r
-}\r
-FUNCTION {format.in.ed.booktitle}\r
-{ format.booktitle duplicate$ empty$ 'skip$\r
- {\r
-% editor "editor" format.names.ed duplicate$ empty$ 'pop$ % changed by titto\r
- editor "editor" format.names duplicate$ empty$ 'pop$\r
- {\r
- " " *\r
- get.bbl.editor\r
-% capitalize\r
- "(" swap$ * ") " *\r
- * swap$\r
- * }\r
- if$\r
- word.in swap$ *\r
- }\r
- if$\r
-}\r
-FUNCTION {empty.misc.check}\r
-{ author empty$ title empty$ howpublished empty$\r
- month empty$ year empty$ note empty$\r
- and and and and and\r
- key empty$ not and\r
- { "all relevant fields are empty in " cite$ * warning$ }\r
- 'skip$\r
- if$\r
-}\r
-FUNCTION {format.thesis.type}\r
-{ type duplicate$ empty$\r
- 'pop$\r
- { swap$ pop$\r
- "t" change.case$ "type" bibinfo.check\r
- }\r
- if$\r
-}\r
-FUNCTION {format.tr.number}\r
-{ number "number" bibinfo.check\r
- type duplicate$ empty$\r
- { pop$ bbl.techrep }\r
- 'skip$\r
- if$\r
- "type" bibinfo.check\r
- swap$ duplicate$ empty$\r
- { pop$ "t" change.case$ }\r
- { tie.or.space.prefix * * }\r
- if$\r
-}\r
-FUNCTION {format.article.crossref}\r
-{\r
- key duplicate$ empty$\r
- { pop$\r
- journal duplicate$ empty$\r
- { "need key or journal for " cite$ * " to crossref " * crossref * warning$ }\r
- { "journal" bibinfo.check emphasize word.in swap$ * }\r
- if$\r
- }\r
- { word.in swap$ * " " *}\r
- if$\r
- " \cite{" * crossref * "}" *\r
-}\r
-FUNCTION {format.crossref.editor}\r
-{ editor #1 "{vv~}{ll}" format.name$\r
- "editor" bibinfo.check\r
- editor num.names$ duplicate$\r
- #2 >\r
- { pop$\r
- "editor" bibinfo.check\r
- " " * bbl.etal\r
- *\r
- }\r
- { #2 <\r
- 'skip$\r
- { editor #2 "{ff }{vv }{ll}{ jj}" format.name$ "others" =\r
- {\r
- "editor" bibinfo.check\r
- " " * bbl.etal\r
- *\r
- }\r
- {\r
- bbl.and space.word\r
- * editor #2 "{vv~}{ll}" format.name$\r
- "editor" bibinfo.check\r
- *\r
- }\r
- if$\r
- }\r
- if$\r
- }\r
- if$\r
-}\r
-FUNCTION {format.book.crossref}\r
-{ volume duplicate$ empty$\r
- { "empty volume in " cite$ * "'s crossref of " * crossref * warning$\r
- pop$ word.in\r
- }\r
- { bbl.volume\r
- capitalize\r
- swap$ tie.or.space.prefix "volume" bibinfo.check * * bbl.of space.word *\r
- }\r
- if$\r
- editor empty$\r
- editor field.or.null author field.or.null =\r
- or\r
- { key empty$\r
- { series empty$\r
- { "need editor, key, or series for " cite$ * " to crossref " *\r
- crossref * warning$\r
- "" *\r
- }\r
- { series emphasize * }\r
- if$\r
- }\r
- { key * }\r
- if$\r
- }\r
- { format.crossref.editor * }\r
- if$\r
- " \cite{" * crossref * "}" *\r
-}\r
-FUNCTION {format.incoll.inproc.crossref}\r
-{\r
- editor empty$\r
- editor field.or.null author field.or.null =\r
- or\r
- { key empty$\r
- { format.booktitle duplicate$ empty$\r
- { "need editor, key, or booktitle for " cite$ * " to crossref " *\r
- crossref * warning$\r
- }\r
- { word.in swap$ * }\r
- if$\r
- }\r
- { word.in key * " " *}\r
- if$\r
- }\r
- { word.in format.crossref.editor * " " *}\r
- if$\r
- " \cite{" * crossref * "}" *\r
-}\r
-FUNCTION {format.org.or.pub}\r
-{ 't :=\r
- ""\r
- address empty$ t empty$ and\r
- 'skip$\r
- {\r
- t empty$\r
- { address "address" bibinfo.check *\r
- }\r
- { t *\r
- address empty$\r
- 'skip$\r
- { ", " * address "address" bibinfo.check * }\r
- if$\r
- }\r
- if$\r
- }\r
- if$\r
-}\r
-FUNCTION {format.publisher.address}\r
-{ publisher "publisher" bibinfo.warn format.org.or.pub\r
-}\r
-\r
-FUNCTION {format.organization.address}\r
-{ organization "organization" bibinfo.check format.org.or.pub\r
-}\r
-\r
-FUNCTION {article}\r
-{ output.bibitem\r
- format.authors "author" output.check\r
- add.colon\r
- new.block\r
- format.title "title" output.check\r
- new.block\r
- crossref missing$\r
- {\r
- journal\r
- "journal" bibinfo.check\r
- "journal" output.check\r
- add.blank\r
- format.vol.num.pages output\r
- format.date "year" output.check\r
- }\r
- { format.article.crossref output.nonnull\r
- format.pages output\r
- }\r
- if$\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-FUNCTION {book}\r
-{ output.bibitem\r
- author empty$\r
- { format.editors "author and editor" output.check\r
- add.colon\r
- }\r
- { format.authors output.nonnull\r
- add.colon\r
- crossref missing$\r
- { "author and editor" editor either.or.check }\r
- 'skip$\r
- if$\r
- }\r
- if$\r
- new.block\r
- format.btitle "title" output.check\r
- crossref missing$\r
- { format.bvolume output\r
- new.block\r
- new.sentence\r
- format.number.series output\r
- format.publisher.address output\r
- }\r
- {\r
- new.block\r
- format.book.crossref output.nonnull\r
- }\r
- if$\r
- format.edition output\r
- format.date "year" output.check\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-FUNCTION {booklet}\r
-{ output.bibitem\r
- format.authors output\r
- add.colon\r
- new.block\r
- format.title "title" output.check\r
- new.block\r
- howpublished "howpublished" bibinfo.check output\r
- address "address" bibinfo.check output\r
- format.date output\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-\r
-FUNCTION {inbook}\r
-{ output.bibitem\r
- author empty$\r
- { format.editors "author and editor" output.check\r
- add.colon\r
- }\r
- { format.authors output.nonnull\r
- add.colon\r
- crossref missing$\r
- { "author and editor" editor either.or.check }\r
- 'skip$\r
- if$\r
- }\r
- if$\r
- new.block\r
- format.btitle "title" output.check\r
- crossref missing$\r
- {\r
- format.bvolume output\r
- format.chapter.pages "chapter and pages" output.check\r
- new.block\r
- new.sentence\r
- format.number.series output\r
- format.publisher.address output\r
- }\r
- {\r
- format.chapter.pages "chapter and pages" output.check\r
- new.block\r
- format.book.crossref output.nonnull\r
- }\r
- if$\r
- format.edition output\r
- format.date "year" output.check\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-\r
-FUNCTION {incollection}\r
-{ output.bibitem\r
- format.authors "author" output.check\r
- add.colon\r
- new.block\r
- format.title "title" output.check\r
- new.block\r
- crossref missing$\r
- { format.in.ed.booktitle "booktitle" output.check\r
- format.bvolume output\r
- format.chapter.pages output\r
- new.sentence\r
- format.number.series output\r
- format.publisher.address output\r
- format.edition output\r
- format.date "year" output.check\r
- }\r
- { format.incoll.inproc.crossref output.nonnull\r
- format.chapter.pages output\r
- }\r
- if$\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-FUNCTION {inproceedings}\r
-{ output.bibitem\r
- format.authors "author" output.check\r
- add.colon\r
- new.block\r
- format.title "title" output.check\r
- new.block\r
- crossref missing$\r
- { format.in.ed.booktitle "booktitle" output.check\r
- new.sentence % added by titto\r
- format.bvolume output\r
- format.pages output\r
- new.sentence\r
- format.number.series output\r
- publisher empty$\r
- { format.organization.address output }\r
- { organization "organization" bibinfo.check output\r
- format.publisher.address output\r
- }\r
- if$\r
- format.date "year" output.check\r
- }\r
- { format.incoll.inproc.crossref output.nonnull\r
- format.pages output\r
- }\r
- if$\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-FUNCTION {conference} { inproceedings }\r
-FUNCTION {manual}\r
-{ output.bibitem\r
- author empty$\r
- { organization "organization" bibinfo.check\r
- duplicate$ empty$ 'pop$\r
- { output\r
- address "address" bibinfo.check output\r
- }\r
- if$\r
- }\r
- { format.authors output.nonnull }\r
- if$\r
- add.colon\r
- new.block\r
- format.btitle "title" output.check\r
- author empty$\r
- { organization empty$\r
- {\r
- address new.block.checka\r
- address "address" bibinfo.check output\r
- }\r
- 'skip$\r
- if$\r
- }\r
- {\r
- organization address new.block.checkb\r
- organization "organization" bibinfo.check output\r
- address "address" bibinfo.check output\r
- }\r
- if$\r
- format.edition output\r
- format.date output\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-\r
-FUNCTION {mastersthesis}\r
-{ output.bibitem\r
- format.authors "author" output.check\r
- add.colon\r
- new.block\r
- format.btitle\r
- "title" output.check\r
- new.block\r
- bbl.mthesis format.thesis.type output.nonnull\r
- school "school" bibinfo.warn output\r
- address "address" bibinfo.check output\r
- format.date "year" output.check\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-\r
-FUNCTION {misc}\r
-{ output.bibitem\r
- format.authors output\r
- add.colon\r
- title howpublished new.block.checkb\r
- format.title output\r
- howpublished new.block.checka\r
- howpublished "howpublished" bibinfo.check output\r
- format.date output\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
- empty.misc.check\r
-}\r
-FUNCTION {phdthesis}\r
-{ output.bibitem\r
- format.authors "author" output.check\r
- add.colon\r
- new.block\r
- format.btitle\r
- "title" output.check\r
- new.block\r
- bbl.phdthesis format.thesis.type output.nonnull\r
- school "school" bibinfo.warn output\r
- address "address" bibinfo.check output\r
- format.date "year" output.check\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-\r
-FUNCTION {proceedings}\r
-{ output.bibitem\r
- editor empty$\r
- { organization "organization" bibinfo.check output\r
- }\r
- { format.editors output.nonnull }\r
- if$\r
- add.colon\r
- new.block\r
- format.btitle "title" output.check\r
- format.bvolume output\r
- editor empty$\r
- { publisher empty$\r
- { format.number.series output }\r
- {\r
- new.sentence\r
- format.number.series output\r
- format.publisher.address output\r
- }\r
- if$\r
- }\r
- { publisher empty$\r
- {\r
- new.sentence\r
- format.number.series output\r
- format.organization.address output }\r
- {\r
- new.sentence\r
- format.number.series output\r
- organization "organization" bibinfo.check output\r
- format.publisher.address output\r
- }\r
- if$\r
- }\r
- if$\r
- format.date "year" output.check\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-\r
-FUNCTION {techreport}\r
-{ output.bibitem\r
- format.authors "author" output.check\r
- add.colon\r
- new.block\r
- format.title\r
- "title" output.check\r
- new.block\r
- format.tr.number output.nonnull\r
- institution "institution" bibinfo.warn output\r
- address "address" bibinfo.check output\r
- format.date "year" output.check\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note output\r
- fin.entry\r
-}\r
-\r
-FUNCTION {unpublished}\r
-{ output.bibitem\r
- format.authors "author" output.check\r
- add.colon\r
- new.block\r
- format.title "title" output.check\r
- format.date output\r
-% new.block\r
- format.url output\r
-% new.block\r
- format.note "note" output.check\r
- fin.entry\r
-}\r
-\r
-FUNCTION {default.type} { misc }\r
-READ\r
-FUNCTION {sortify}\r
-{ purify$\r
- "l" change.case$\r
-}\r
-INTEGERS { len }\r
-FUNCTION {chop.word}\r
-{ 's :=\r
- 'len :=\r
- s #1 len substring$ =\r
- { s len #1 + global.max$ substring$ }\r
- 's\r
- if$\r
-}\r
-FUNCTION {sort.format.names}\r
-{ 's :=\r
- #1 'nameptr :=\r
- ""\r
- s num.names$ 'numnames :=\r
- numnames 'namesleft :=\r
- { namesleft #0 > }\r
- { s nameptr\r
- "{ll{ }}{ ff{ }}{ jj{ }}"\r
- format.name$ 't :=\r
- nameptr #1 >\r
- {\r
- " " *\r
- namesleft #1 = t "others" = and\r
- { "zzzzz" * }\r
- { t sortify * }\r
- if$\r
- }\r
- { t sortify * }\r
- if$\r
- nameptr #1 + 'nameptr :=\r
- namesleft #1 - 'namesleft :=\r
- }\r
- while$\r
-}\r
-\r
-FUNCTION {sort.format.title}\r
-{ 't :=\r
- "A " #2\r
- "An " #3\r
- "The " #4 t chop.word\r
- chop.word\r
- chop.word\r
- sortify\r
- #1 global.max$ substring$\r
-}\r
-FUNCTION {author.sort}\r
-{ author empty$\r
- { key empty$\r
- { "to sort, need author or key in " cite$ * warning$\r
- ""\r
- }\r
- { key sortify }\r
- if$\r
- }\r
- { author sort.format.names }\r
- if$\r
-}\r
-FUNCTION {author.editor.sort}\r
-{ author empty$\r
- { editor empty$\r
- { key empty$\r
- { "to sort, need author, editor, or key in " cite$ * warning$\r
- ""\r
- }\r
- { key sortify }\r
- if$\r
- }\r
- { editor sort.format.names }\r
- if$\r
- }\r
- { author sort.format.names }\r
- if$\r
-}\r
-FUNCTION {author.organization.sort}\r
-{ author empty$\r
- { organization empty$\r
- { key empty$\r
- { "to sort, need author, organization, or key in " cite$ * warning$\r
- ""\r
- }\r
- { key sortify }\r
- if$\r
- }\r
- { "The " #4 organization chop.word sortify }\r
- if$\r
- }\r
- { author sort.format.names }\r
- if$\r
-}\r
-FUNCTION {editor.organization.sort}\r
-{ editor empty$\r
- { organization empty$\r
- { key empty$\r
- { "to sort, need editor, organization, or key in " cite$ * warning$\r
- ""\r
- }\r
- { key sortify }\r
- if$\r
- }\r
- { "The " #4 organization chop.word sortify }\r
- if$\r
- }\r
- { editor sort.format.names }\r
- if$\r
-}\r
-FUNCTION {presort}\r
-{ type$ "book" =\r
- type$ "inbook" =\r
- or\r
- 'author.editor.sort\r
- { type$ "proceedings" =\r
- 'editor.organization.sort\r
- { type$ "manual" =\r
- 'author.organization.sort\r
- 'author.sort\r
- if$\r
- }\r
- if$\r
- }\r
- if$\r
- " "\r
- *\r
- year field.or.null sortify\r
- *\r
- " "\r
- *\r
- title field.or.null\r
- sort.format.title\r
- *\r
- #1 entry.max$ substring$\r
- 'sort.key$ :=\r
-}\r
-ITERATE {presort}\r
-SORT\r
-STRINGS { longest.label }\r
-INTEGERS { number.label longest.label.width }\r
-FUNCTION {initialize.longest.label}\r
-{ "" 'longest.label :=\r
- #1 'number.label :=\r
- #0 'longest.label.width :=\r
-}\r
-FUNCTION {longest.label.pass}\r
-{ number.label int.to.str$ 'label :=\r
- number.label #1 + 'number.label :=\r
- label width$ longest.label.width >\r
- { label 'longest.label :=\r
- label width$ 'longest.label.width :=\r
- }\r
- 'skip$\r
- if$\r
-}\r
-EXECUTE {initialize.longest.label}\r
-ITERATE {longest.label.pass}\r
-FUNCTION {begin.bib}\r
-{ preamble$ empty$\r
- 'skip$\r
- { preamble$ write$ newline$ }\r
- if$\r
- "\begin{thebibliography}{" longest.label * "}" *\r
- write$ newline$\r
- "\providecommand{\url}[1]{\texttt{#1}}"\r
- write$ newline$\r
- "\providecommand{\urlprefix}{URL }"\r
- write$ newline$\r
-}\r
-EXECUTE {begin.bib}\r
-EXECUTE {init.state.consts}\r
-ITERATE {call.type$}\r
-FUNCTION {end.bib}\r
-{ newline$\r
- "\end{thebibliography}" write$ newline$\r
-}\r
-EXECUTE {end.bib}\r
-%% End of customized bst file\r
-%%\r
-%% End of file `titto.bst'.\r
-\r
-\r
--- /dev/null
+%%\r
+%% This is file `aes.cls',\r
+%% generated with the docstrip utility.\r
+%%\r
+%% The original source files were:\r
+%%\r
+%% aes.dtx \r
+%% \r
+%% Copyright (c) 2001--2004, 2007, 2008, 2010--2012 by Adam H. Lewenberg\r
+%% All rights reserved\r
+%% \r
+%% Author: Adam H. Lewenberg\r
+%% \r
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
+\r
+\ifx\AESconname\undefined\r
+ \errmessage{This class is not meant to be used directly. Please use\r
+ a different class for the argument of \string\documentclass}%\r
+\fi\r
+\NeedsTeXFormat{LaTeX2e}[1996/12/01]\r
+\tracingstats=1\r
+\ProvidesClass{aes}\r
+ [2012/08/11 v0.65 AES convention paper style]\r
+\newif\ifAES@draft@mode\global\AES@draft@modefalse\r
+\DeclareOption{draft}{%\r
+ \global\AES@draft@modetrue\r
+ \PassOptionsToPackage{draft}{graphicx}%\r
+ \overfullrule=2pt%\r
+}%\r
+\DeclareOption{hyperref}{%\r
+ \relax\r
+}%\r
+\newif\ifaespdfcheck\r
+\aespdfcheckfalse % Default value is no pdf output\r
+\ifx\pdfoutput\undefined\r
+ \aespdfcheckfalse % pdflatex not running\r
+\else\r
+ \ifnum\pdfoutput=1 % pdflatex running; pdf output?\r
+ \aespdfchecktrue % Yes, pdf output\r
+ \fi\r
+\fi\r
+\newif\ifAES@boiler@plate\global\AES@boiler@platetrue\r
+\DeclareOption{noboilerplate}{%\r
+ \global\AES@boiler@platefalse\r
+}%\r
+\newif\ifAES@peer@reviewed\global\AES@peer@reviewedfalse\r
+\DeclareOption{peer-reviewed}{%\r
+ \global\AES@peer@reviewedtrue\r
+}%\r
+\DeclareOption{non-peer-reviewed}{%\r
+ \global\AES@peer@reviewedfalse\r
+}%\r
+\newif\ifAES@using@@cm@fonts\global\AES@using@@cm@fontstrue\r
+\DeclareOption{mathptmx}{%\r
+ \global\AES@using@@cm@fontsfalse\r
+ \AtEndOfPackage{%\r
+ \RequirePackage{mathptmx}\r
+ \RequirePackage{helvet}\r
+ }%\r
+}%\r
+%% \DescribeMacro{mathtime}\r
+\DeclareOption{mathtime}{%\r
+ \global\AES@using@@cm@fontsfalse\r
+ \AtEndOfPackage{%\r
+ \RequirePackage{mathtime}\r
+ \renewcommand{\ttdefault}{cmtt}%\r
+ }%\r
+}%\r
+%% \DescribeMacro{caption}\r
+\newif\ifAES@use@caption@package\global\AES@use@caption@packagefalse\r
+\DeclareOption{caption}{%\r
+ \global\AES@use@caption@packagetrue\r
+ \AtEndOfPackage{%\r
+ \RequirePackage[labelfont={bf}]{caption}\r
+ }%\r
+}%\r
+\ProcessOptions\r
+\newif\ifAES@@Conference\AES@@Conferencefalse\r
+\newif\ifAES@@Convention\AES@@Conventionfalse\r
+ \def\temp@@decided{X}%\r
+\def\temp@@decided{}%\r
+\def\temp@@{Conference}%\r
+\ifx\temp@@\AEScontype\r
+ \global\AES@@Conferencetrue\r
+ \global\AES@@Conventionfalse\r
+ \message{...this is a Conference...}%\r
+ \def\temp@@decided{X}%\r
+\fi\r
+\def\temp@@{Convention}%\r
+\ifx\temp@@\AEScontype\r
+ \global\AES@@Conferencefalse\r
+ \global\AES@@Conventiontrue\r
+ \message{...this is a Convention...}%\r
+ \def\temp@@decided{X}%\r
+\fi\r
+\ifx\temp@@decided\empty\r
+ \errmessage{The macro \string\AEScontype\space is currently defined\r
+as '\AEScontype'. However, the only valid values it can be defined to be\r
+are 'Convention' or 'Conference' (case matters). Please fix}\r
+\fi\r
+\let\temp@@decided\undefined\r
+\LoadClass[twocolumn,notitlepage,oneside,10pt]{report}\r
+\ifaespdfcheck\r
+ \RequirePackage[pdftex]{graphicx}%\r
+ \DeclareGraphicsExtensions{.pdf}%\r
+ \pdfcompresslevel=9\relax\r
+\else\r
+ \RequirePackage{graphicx}%\r
+ \DeclareGraphicsExtensions{.eps}%\r
+\fi\r
+\RequirePackage[normalem]{ulem}%\r
+\textwidth=6.5in\r
+\textheight=49pc\r
+\headsep=0.375in\r
+\headheight=14pt\r
+\footskip=\headsep\advance\footskip by 0.375in\relax\r
+\columnsep=0.25in\r
+\topmargin=0in\r
+\oddsidemargin=-0.0in\r
+\parskip=6pt plus3.0pt minus3.0pt\relax\r
+\parindent=0pt\relax\r
+\voffset=-0.0in\r
+\r
+\def\title#1{\gdef\@title{#1}}\r
+\def\email#1{\gdef\@email{#1}}\r
+\let\authors\author\r
+\def\shorttitle#1{%\r
+ \gdef\@shorttitle{#1}%\r
+}%\r
+\let\@shorttitle\undefined\r
+\let\@lastnames\undefined\r
+\def\aff#1{${}^{#1}$}%\r
+\newcommand{\correspondence}[2]{%\r
+ \gdef\corr@author{#1}%\r
+ \gdef\corr@email{#2}%\r
+}%\r
+\r
+\newcounter{lastnamecount}%\r
+\def\lastnames#1{\gdef\@lastnames{#1}}%\r
+\let\lastname\lastnames%\r
+\let\@lastnames\undefined\r
+\r
+\newcounter{affiliationcount}%\r
+\def\affiliation@in@title{}%\r
+\newcommand{\affiliation}[2][\the\c@affiliationcount]{%\r
+ \global\advance\c@affiliationcount by 1\relax\r
+ \xdef\affiliation@in@title{%\r
+ \affiliation@in@title\r
+ \par\r
+ ${}^{#1}$#2}%\r
+}%\r
+\def\preprintnumber#1{\gdef\@preprintnumber{#1}}%\r
+\let\@preprintnumber\undefined\r
+\r
+\def\lastpage@putlabel{\addtocounter{page}{-1}%\r
+ \immediate\write\@auxout{\string\r
+ \newlabel{aesxx:lastpage}{{}{\thepage}}}%\r
+ \addtocounter{page}{1}}\r
+\def\BeginAESPaper{%\r
+ \ifx\@lastnames\undefined\r
+ \errmessage{You must have a \string\lastnames\space command before\r
+ starting the document}\r
+ \fi\r
+ \author@parse@aes % Parse the \lastnames.\r
+ \renewenvironment{abstract}{%\r
+ \errmessage{The abstract environment can ONLY be used in the\r
+ preamble, that is, before the begin document command.}}{}%\r
+ \ifx\@shorttitle\undefined\r
+ \global\let\@shorttitle\@title\r
+ \fi\r
+}%\r
+\global\let\StartAESPaper\BeginAESPaper\r
+\def\EndAESPaper{%\r
+ \relax\r
+ \clearpage% Important in case of figure-only page at end of document.\r
+ \lastpage@putlabel\r
+ \ifx\aes@maketitle@called\relax\r
+ \else\r
+ \errmessage{You did not use the mandatory \string\maketitle\space %\r
+ command; your paper CANNOT be accepted without using this\r
+ command. Please see the AES LaTeX class manual for more information}%\r
+ \fi\r
+}%\r
+\AtBeginDocument{\BeginAESPaper}%\r
+\AtEndDocument{\EndAESPaper}%\r
+\newbox\abstract@@box%\r
+\newbox\abstract@box%\r
+\renewenvironment{abstract}%\r
+{%\r
+ \begin{lrbox}{\abstract@@box}\r
+ \begin{minipage}{\textwidth}%\r
+ \textbf{ABSTRACT}\\\r
+ \normalsize\r
+ \ignorespaces\r
+}{%\r
+ \end{minipage}\r
+ \end{lrbox}\r
+ \global\setbox\abstract@box=\vtop{\copy\abstract@@box}%\r
+ \ignorespaces\r
+}%\r
+\newcommand{\SetAbstract}{%\r
+ \noindent\r
+ \box\abstract@box%\r
+ \smallskip\r
+}%\r
+\r
+\newcounter{authorcount}%\r
+\def\author@parse@aes{\r
+ \setcounter{authorcount}{0}%\r
+ \for\name:=\@lastnames\do{%\r
+ \message{\name}%\r
+ \stepcounter{authorcount}%\r
+ }%\r
+ \ifnum\c@authorcount=1\r
+ \xdef\author@in@header{\@lastnames}%\r
+ \fi\r
+ %\r
+ \ifnum\c@authorcount=2\r
+ \count255=0\r
+ \for\name:=\@lastnames\do{%\r
+ \ifnum\count255=0\r
+ \xdef\@lastnameone{\name}%\r
+ \else\r
+ \xdef\@lastnametwo{\ignorespaces\name}%\r
+ \fi\r
+ \advance\count255 by 1\relax\r
+ }%\r
+ \xdef\author@in@header{\@lastnameone\ AND \@lastnametwo}%\r
+ \fi\r
+ %\r
+ \ifnum\c@authorcount>2\r
+ \count255=0\r
+ \for\name:=\@lastnames\do{%\r
+ \ifnum\count255=0\r
+ \xdef\author@in@header{\name\ et al.}%\r
+ \fi\r
+ \advance\count255 by 1\relax\r
+ }%\r
+ \fi\r
+}\r
+\r
+\renewcommand\maketitle{\par\r
+ \begingroup\r
+ \renewcommand\thefootnote{\@fnsymbol\c@footnote}%\r
+ \def\@makefnmark{\rlap{\@textsuperscript{\normalfont\@thefnmark}}}%\r
+ \long\def\@makefntext##1{\parindent 1em\noindent\r
+ \hb@xt@1.8em{%\r
+ \hss\@textsuperscript{\normalfont\@thefnmark}}##1}%\r
+ \global\let\@nodocument\relax\r
+ \if@twocolumn\r
+ \ifnum \col@number=\@ne\r
+ \@maketitle\r
+ \usebox{\@AES@title@@box}%\r
+ \else\r
+ \@maketitle\r
+ \twocolumn[\vspace{-3pc}\box\@AES@title@@box%\r
+ \vskip 2pc plus 1pc minus1pc\relax\r
+ ]%\r
+ \fi\r
+ \else\r
+ \newpage\r
+ \global\@topnum\z@ % Prevents figures from going at top of page.\r
+ \@maketitle\r
+ \fi\r
+ \ifAES@@Convention\r
+ \thispagestyle{empty}%\r
+ \else\r
+ \thispagestyle{footeronly}%\r
+ \fi\r
+ \@thanks\r
+ \endgroup\r
+ \setcounter{footnote}{0}%\r
+ \global\let\thanks\relax\r
+ \global\let\maketitle\relax\r
+ \global\let\@maketitle\relax\r
+ \global\let\@thanks\@empty\r
+ %\global\let\@author\@empty\r
+ \global\let\@date\@empty\r
+ %\global\let\@title\@empty\r
+ \global\let\title\relax\r
+ \global\let\author\relax\r
+ \global\let\date\relax\r
+ \global\let\and\relax\r
+ \global\let\aes@maketitle@called\relax\r
+}\r
+\ifAES@using@@cm@fonts\r
+ \DeclareFontShape{OT1}{cmss}{m}{n}\r
+ {%\r
+ <5-8>cmss8%\r
+ <9>cmss9%\r
+ <10-10.95>cmss10%\r
+ <10.95-14.4>cmss12%\r
+ <14.4-100>cmss17%\r
+ }{}\r
+ \DeclareFontShape{OT1}{cmss}{bx}{n}\r
+ {%\r
+ <5-100>cmssbx10%\r
+ }{}\r
+ \DeclareFontShape{OT1}{cmr}{m}{n}%\r
+ {<5><6><7><8><9><10><12>gen*cmr%\r
+ <10.95>cmr10%\r
+ <14.4>cmr12%\r
+ <17.28><20.74><22><24.88><40>cmr17}{}\r
+\fi\r
+\def\AESfont@Hone{\fontsize{18}{20pt}\selectfont}\r
+\def\AESfont@Htwo{\fontsize{36}{38pt}\selectfont}\r
+\def\AESfont@Hthree{\fontsize{10}{11pt}\selectfont}\r
+\def\AESfont@papertitle{\fontsize{22}{24pt}\selectfont\sffamily\bfseries}\r
+\def\AESfont@author{\fontsize{10}{12pt}\selectfont}\r
+\def\AESfont@affiliation{\fontsize{9}{11pt}\selectfont\itshape}\r
+\def\AESfont@boilerplate{\fontsize{9}{10pt}\selectfont\itshape}\r
+\def\AESfont@rhead{\fontsize{10}{10pt}\selectfont\sffamily}\r
+\def\AESfont@footer{\fontsize{10}{10pt}\selectfont\sffamily}\r
+\def\set@AESconventionheader{%\r
+ \bgroup\r
+ \parindent=0pt\r
+ \rule{\textwidth}{2pt}%\r
+ \vskip 0pc%\r
+ \setbox0=\hbox{\includegraphics[width=20mm]{aeslogo}}%\r
+ \wd0=0pt\dp0=0pt\ht0=0pt\leavevmode\lower 23mm\hbox{\box0}%\r
+ \vglue-32mm\vglue0.00mm\par\r
+ \begin{center}\r
+ \sffamily\r
+ \AESfont@Hone Audio Engineering Society\\\r
+ \ifx\@preprintnumber\undefined\r
+ \AESfont@Htwo\AEScontype\ Paper\\\r
+ \else\r
+ \AESfont@Htwo\AEScontype\ Paper \@preprintnumber\\\r
+ \fi\r
+ \vskip2.5mm\relax\r
+ \AESfont@Hthree Presented at the \AESconname\\\r
+ \AEScondate\quad \AESconplace\\\r
+ \end{center}\r
+ \vglue-10mm\vglue0.01mm\par\r
+ \ifAES@boiler@plate\r
+ \vskip 8.4mm%\r
+ \par\r
+ \parbox[t]{\textwidth}{%\r
+ \AESfont@boilerplate\r
+\noindent\r
+ \ifAES@peer@reviewed\r
+ This paper was peer-reviewed as a complete manuscript for\r
+ presentation at this Convention. Additional papers may be\r
+ obtained by sending request and remittance to Audio\r
+ Engineering Society, 60 East 42${}^{\mbox{\scriptsize nd}}$\r
+ Street, New York, New York\r
+ 10165-2520, USA; also see \uline{www.aes.org}. All rights reserved.\r
+ Reproduction of this paper, or any portion thereof, is not\r
+ permitted without direct permission from the \textup{Journal of the\r
+ Audio Engineering Society}.\r
+ \else\r
+ This Convention paper was selected based on a submitted\r
+ abstract and 750-word precis that have been peer reviewed by\r
+ at least two qualified anonymous reviewers. The complete\r
+ manuscript was not peer reviewed. This convention paper has\r
+ been reproduced from the author's advance manuscript without\r
+ editing, corrections, or consideration by the Review\r
+ Board. The AES takes no responsibility for the\r
+ contents. Additional papers may be obtained by sending\r
+ request and remittance to Audio Engineering Society, 60 East\r
+ 42${}^{\mbox{\scriptsize nd}}$\r
+ Street, New York, New York 10165-2520, USA; also see\r
+ \uline{www.aes.org}. All rights reserved. Reproduction of this\r
+ paper, or any portion thereof, is not permitted without\r
+ direct permission from the \textup{Journal of the Audio\r
+ Engineering Society}.\r
+ \fi\r
+ }% end of \parbox\r
+ %\r
+ \par\r
+ \vskip 0.0mm%\r
+ \fi\r
+ \rule{\textwidth}{2pt}%\r
+ \par\r
+ \egroup\r
+}\r
+\newsavebox{\@AES@title@@box}%\r
+\def\@maketitle{%\r
+ \setbox\@AES@title@@box=\vtop%\r
+ {%\r
+ \hsize=\textwidth\r
+ \vskip 0pc%\r
+ \ifAES@@Convention\r
+ \set@AESconventionheader\r
+ \fi\r
+ \begin{flushleft}%\r
+ \hsize=\textwidth\r
+ \let \footnote \thanks\r
+ {\AESfont@papertitle\@title\par}%\r
+ \vskip 1.5em%\r
+ {\large\r
+ \lineskip .5em%\r
+ {\AESfont@author\@author\par}%\r
+ \par%\r
+ {\AESfont@affiliation\affiliation@in@title\par}%\r
+ }%\r
+ Correspondence should be addressed to \corr@author\space\r
+ (\texttt{\corr@email})\par\r
+ \vskip 1.0em plus 0.25em minus 0.25em\relax\r
+ \end{flushleft}%\r
+ \par\r
+ \vskip 0.00em plus 0.00em minus0.00em\relax\r
+ \SetAbstract\r
+ }% end of \setbox\@AES@title@@box\r
+}%\r
+\r
+\setcounter{secnumdepth}{3}%\r
+\renewcommand{\thesection}{\arabic{section}}%\r
+\renewcommand{\section}{\secdef\@aes@section\@aes@starred@section}%\r
+\def\@aes@section[#1]#2{%\r
+ \refstepcounter{section}%\r
+ \set@aes@section{#1}{#2}{\thesection}%\r
+ \ignorespaces\r
+}%\r
+\def\@aes@starred@section#1{%\r
+ \set@aes@section{}{#1}{}%\r
+ \ignorespaces\r
+}%\r
+\def\set@aes@section#1#2#3{%\r
+ \bigskip\par\r
+ \bgroup\r
+ \parskip=0pt%\r
+ \noindent\r
+ \ifnum\c@secnumdepth>0\r
+ \def\temp@{#3}%\r
+ \ifx\temp@\empty\r
+\relax\r
+ \else\r
+\textbf{\textsf{#3}}.\quad%\r
+ \fi\r
+ \fi\r
+ \textsf{\textbf{\uppercase{#2}}}%\r
+ \nobreak\r
+ \par\r
+ \nobreak\r
+ \noindent\r
+ \egroup\r
+ \ignorespaces\r
+}\r
+\renewcommand{\subsection}{\secdef\@aes@subsection\@aes@starred@subsection}%\r
+\def\@aes@subsection[#1]#2{%\r
+ \refstepcounter{subsection}%\r
+ \set@aes@subsection{#1}{#2}{\thesubsection}%\r
+ \ignorespaces\r
+}%\r
+\def\@aes@starred@subsection#1{%\r
+ \set@aes@subsection{}{#1}{}%\r
+ \ignorespaces\r
+}%\r
+\def\set@aes@subsection#1#2#3{%\r
+ \medskip\par\r
+ \bgroup\r
+ \parskip=0pt%\r
+ \noindent\r
+ \ifnum\c@secnumdepth>1\r
+ \def\temp@{#3}%\r
+ \ifx\temp@\empty\r
+\relax\r
+ \else\r
+\textbf{\textsf{#3}}.\quad%\r
+ \fi\r
+ \fi\r
+ \textbf{\textsf{#2}}%\r
+ \nobreak\r
+ \par\r
+ \nobreak\r
+ \noindent\r
+ \egroup\r
+ \ignorespaces\r
+}\r
+\renewcommand{\subsubsection}%\r
+ {\secdef\@aes@subsubsection\@aes@starred@subsubsection}%\r
+\def\@aes@subsubsection[#1]#2{%\r
+ \refstepcounter{subsubsection}%\r
+ \set@aes@subsubsection{#1}{#2}{\thesubsubsection}%\r
+ \ignorespaces\r
+}%\r
+\def\@aes@starred@subsubsection#1{%\r
+ \set@aes@subsubsection{}{#1}{}%\r
+ \ignorespaces\r
+}%\r
+\def\set@aes@subsubsection#1#2#3{%\r
+ \medskip\par\r
+ \bgroup\r
+ \parskip=0pt%\r
+ \noindent\r
+ \ifnum\c@secnumdepth>2\r
+ \def\temp@{#3}%\r
+ \ifx\temp@\empty\r
+\relax\r
+ \else\r
+\textbf{\textsf{#3}}.\quad%\r
+ \fi\r
+ \fi\r
+ \textbf{\textsf{#2}}%\r
+ \nobreak\r
+ \par\r
+ \nobreak\r
+ \noindent\r
+ \egroup\r
+ \ignorespaces\r
+}\r
+\newcommand{\stack@aesfooter}[2]{%\r
+ \vbox{%\r
+ \hsize=\textwidth\r
+ \offinterlineskip\r
+ \parskip=0pt\parindent=0pt\r
+ \rule{\textwidth}{2pt}%\r
+ \par\vskip2pt\vfill\r
+ \hbox to \textwidth{\hfill#1\hfill}\par\vskip0.5pc\vfill\r
+ \hbox to \textwidth{\hfill#2\hfill}%\r
+ \par\r
+ }%\r
+}\r
+\newcommand{\stack@aesheader}[2]{%\r
+ \vbox{%\r
+ \hsize=\textwidth\r
+ \offinterlineskip\r
+ \parskip=0pt\parindent=0pt\r
+ \hbox to \textwidth{#1\hfill#2}\par\vskip2pt\vfill\r
+ \rule{\textwidth}{2pt}%\r
+ \par\r
+ }%\r
+}\r
+\def\ps@headings{%\r
+\def\@mkboth{\protect\markboth}%\r
+\def\@oddhead{%\r
+ \bgroup\r
+ \AESfont@rhead\r
+ \stack@aesheader{\author@in@header}{\@shorttitle}%\r
+ \egroup\r
+}%\r
+\def\@oddfoot{%\r
+ \bgroup\r
+ \AESfont@rhead\r
+ \stack@aesfooter{\AESconRHname, \AESconRHplace, \AESconRHdate}%\r
+ {Page \the\c@page\ of \pageref{aesxx:lastpage}}%\r
+ \egroup\r
+}%\r
+\let\@evenhead\@oddhead%\r
+\let\@evenfoot\@oddfoot\r
+}%\r
+\def\ps@footeronly{%\r
+\def\@mkboth{\protect\markboth}%\r
+\def\@oddhead{\hfil}%\r
+\def\@oddfoot{%\r
+ \stack@aesfooter{\AESconRHname, \AESconRHplace, \AESconRHdate}{\the\c@page}%\r
+ }%\r
+\let\@evenhead\@oddhead%\r
+\let\@evenfoot\@oddfoot%\r
+}%\r
+\pagestyle{headings}\r
+\renewenvironment{thebibliography}[1]\r
+ {\r
+ %\section{\bibname\r
+ % \@mkboth{\MakeUppercase\bibname}{\MakeUppercase\bibname}}%\r
+ \medskip\r
+ \section{References}%\r
+ \list{\@biblabel{\@arabic\c@enumiv}}%\r
+ {\settowidth\labelwidth{\@biblabel{#1}}%\r
+ \leftmargin\labelwidth\r
+ \advance\leftmargin\labelsep\r
+ \@openbib@code\r
+ \usecounter{enumiv}%\r
+ \let\p@enumiv\@empty\r
+ \renewcommand\theenumiv{\@arabic\c@enumiv}\r
+ %\r
+ \topsep=0pt\partopsep=0pt\r
+ \@beginparpenalty=10000\relax%\r
+ }%\r
+ \sloppy\r
+ \clubpenalty4000\r
+ \@clubpenalty \clubpenalty\r
+ \widowpenalty4000%\r
+ \sfcode`\.\@m}\r
+ {\def\@noitemerr\r
+ {\@latex@warning{Empty `thebibliography' environment}}%\r
+ \endlist}\r
+\r
+\let\for = \@for\r
+\def\@for#1:=#2\do#3{%\r
+ \edef\@fortmp{#2}%\r
+ \ifx\@fortmp\empty \else\r
+ \expandafter\@forloop#2,\@nil,\@nil\@@#1{#3}%\r
+ \fi\r
+}%\r
+\def\@forloop#1,#2,#3\@@#4#5{\def#4{#1}\ifx #4\@nnil \else\r
+ #5\def#4{#2}\ifx #4\@nnil \else#5\@iforloop #3\@@#4{#5}\fi\fi\r
+}%\r
+\def\@iforloop#1,#2\@@#3#4{\def#3{#1}\ifx #3\@nnil\r
+ \let\@nextwhile=\@fornoop \else\r
+ #4\relax\let\@nextwhile=\@iforloop\fi\@nextwhile#2\@@#3{#4}%\r
+}%\r
+\def\figurename{Fig.}\r
+\ifAES@use@caption@package\r
+\else\r
+ \renewcommand{\caption}[1][]{%\r
+ \ifx\@captype\@undefined\r
+ \@latex@error{\noexpand\caption outside float}\@ehd\r
+ \expandafter\@gobble\r
+ \else\r
+ \def\temp@{#1}%\r
+ \ifx\temp@\empty\r
+ \refstepcounter\@captype\r
+ \else\r
+ \setcounter\@captype{#1}%\r
+ \addtocounter\@captype{-1}%\r
+ \refstepcounter\@captype\r
+ \fi\r
+ \expandafter\@firstofone\r
+ \fi\r
+ {\@dblarg{\@caption\@captype}}%\r
+ }\r
+\fi\r
+\ifAES@use@caption@package\r
+\else\r
+\long\def\@makecaption#1#2{%\r
+ \vskip\abovecaptionskip\r
+ \sbox\@tempboxa{\textbf{#1:} #2}%\r
+ \ifdim \wd\@tempboxa >\hsize\r
+ \textbf{#1:} #2\par\r
+ \else\r
+ \global \@minipagefalse\r
+ \hb@xt@\hsize{\hfil\box\@tempboxa\hfil}%\r
+ \fi\r
+ \vskip\belowcaptionskip}\r
+\fi\r
+\r
+\endinput\r
+%%\r
+%% End of file `aes.cls'.\r
--- /dev/null
+@Misc{OAI-PMH,
+ key = "OAI-PMH",
+ howpublished = {\url{http://www.openarchives.org/pmh/}},
+ title = "Open Archives Initiative Protocol for Metadata
+ Harvesting"
+}
+
+@Misc{DublinCore,
+ key = "DublinCore",
+ title = "{Dublin Core} Metadata Initiative",
+ howpublished = {\url{http://dublincore.org/}}
+}
+
+@Misc{telemetaCREM,
+ key = "telemetaCREM",
+ title = "Archives sonores du {CNRS} - {Musée de l'Homme}",
+ howpublished = {\url{http://archives.crem-cnrs.fr}}
+}
+
+@PhdThesis{BrossierPhD,
+ author = {Paul Brossier},
+ title = {Automatic annotation of musical audio for
+ interactive systems},
+ school = {Centre for Digital music, Queen Mary University of
+ London, UK},
+ year = 2006
+}
+
+@inproceedings{yaafe_ISMIR2010,
+ author = {Mathieu, Benoît and Essid, Slim and Fillon, Thomas
+ and Prado, Jacques and Richard, Gaël},
+ title = {Yaafe, An Easy To Use And Efficient Audio Feature
+ Extraction Software},
+ booktitle = {Proc. of ISMIR 2010, Utrecht, Netherlands},
+ year = 2010,
+ pages = {441-446},
+ publisher = {International Society for Music Information
+ Retrieval},
+ howpublished = {\url{http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}}
+}
+
+@Misc{vamp-plugins,
+ key = {vamp},
+ title = {The {Vamp} audio analysis plugin system},
+ howpublished = {\url{http://www.vamp-plugins.org}}
+}
--- /dev/null
+\documentclass{aes53i}\r
+\hyphenation{Post-Script}\r
+\r
+\r
+\usepackage{graphicx}\r
+\usepackage{amssymb}\r
+\r
+\usepackage{xcolor}\r
+%\usepackage{hyperref} % Apparemment pas compatible avec le style AES !!\r
+\usepackage{url}\r
+\usepackage[utf8]{inputenc}\r
+\usepackage[T1]{fontenc}\r
+\r
+\usepackage{enumitem}\r
+\setlist{nosep}\r
+\r
+\setlength{\parskip}{0pt}\r
+\r
+%----------\r
+% Header\r
+%----------\r
+\r
+\r
+% first the title is needed\r
+\title{Telemeta : open web audio platform for sound archives in the use case of ethnomusicology}\r
+\r
+% a short form should be given in case it is too long for the running head\r
+\shorttitle{Telemeta : open web audio platform for sound archives}\r
+\r
+\author{\r
+ Thomas Fillon\aff{1,2},\r
+ Guillaume Pellerin\aff{1},\r
+ Paul Brossier\aff{1},\r
+ and Jos{\'e}phine Simonnot\aff{3} \r
+\thanks{This work was partially done inside the DIADEMS project funded by the national french agency ANR (CONTINT)}\r
+}\r
+\r
+\r
+\affiliation[1]{PARISSON, 16 rue Jacques Louvel-Tessier 75010 Paris, France}\r
+\affiliation[2]{LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, 11 rue de Lourmel, 75015 Paris, France}\r
+\affiliation[3]{\r
+CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,\r
+21 Allée de l'Université - 92023 Nanterre}\r
+\r
+\correspondence{Thomas Fillon and Guillaume Pellerin}{thomas.fillon@parisson.com, guillaume.pellerin@parisson.com}\r
+\r
+\lastnames{Fillon, Pellerin, Brossier, Simonnot}\r
+\r
+%\url{josephine.simonnot@mae.u-paris10.fr}}\r
+\r
+\r
+\r
+\begin{abstract}\r
+\emph{Telemeta} is a fully-operational open-source web audio platform dedicated to digital sound archives secure storing, indexing and publishing. It focuses on the enhanced and collaborative user-experience in accessing audio items and their associated metadata and on the possibility for the expert users to further enrich those metadata.\r
+\r
+Telemeta architecture relies on \emph{TimeSide}, an open audio processing framework written in Python which provides decoding, encoding and streaming methods for various formats together with a smart embeddable HTML audio player. TimeSide also includes a set of audio analysis plugins and additionally wraps several audio features extraction libraries to provide automatic annotation, segmentation and musicological analysis.\r
+\r
+The demonstration presents the features of this platform in the context of ethnomusicological research.\r
+\end{abstract}\r
+\r
+\begin{document}\r
+\maketitle\r
+\r
+\section{Introduction}\r
+\r
+ % In social sciences like anthropology and linguistics, researchers have to work on multiple types of multimedia documents such as photos, videos, sound recordings or databases. The need to easily access, visualize and annotate such materials can be problematic given their diverse formats, sources and given their chronological nature.\r
+ %With this in mind, some laboratories\footnote{The Research Center on Ethnomusicology (CREM), the Musical Acoustics Laboratory (LAM, UMR 7190) and the sound archives of the Mediterranean House of Human Sciences (MMHS)} involved in ethnomusicological research have been working together on that issue.\r
+\r
+ In the context of ethnomusicological research, the Research Center on Ethnomusicology \r
+(CREM) and Parisson, a company specialized in the management of audio databases, have been developing an innovative, collaborative and interdisciplinary open-source web-based multimedia platform since 2007. This platform, \emph{Telemeta} is designed to fit the professional requirements from both sound archivists and researchers in ethnomusicology. The first prototype of this platform has been online\footnote{Archives sonores du CNRS, Musée de l'Homme, http://archives.crem-cnrs.fr} since 2008.\r
+\r
+ \section{Telemeta}\label{sec:Telemeta}\r
+ \subsection{Web audio content management features and architecture}\r
+ Telemeta\footnote{http://telemeta.org} is a free and open source\footnote{Telemeta code is available under the CeCILL Free Software License Agreement \texttt{http://cecill.info/licences/Licence\_CeCILL\_V2-en.html}} web audio platform which introduces efficient and secure methods for back-uping, indexing, transcoding, analysing and publishing any digitalized audio file with its metadata. \r
+\r
+% An overview of the Telemeta's web interface is illustrated in Figure~\ref{fig:Telemeta}\r
+% \begin{figure}\r
+% \centering\r
+% \includegraphics[width=0.95\linewidth]{img/telemeta.png}\r
+% \caption[1]{Screenshot excerpt of the \emph{Telemeta} web interface}\r
+% \label{fig:Telemeta}\r
+% \end{figure}\r
+\r
+Telemeta is ideal for professionals who wants to easily organize, backup, archive and publish documented sound collections of audio files, CDs, digitalized vinyls and magnetic tapes over a strong database, in accordance with open web standards. \r
+\emph{Telemeta} architecture is flexible and can easily be adapted to particular database organization of a given sound archives. \r
+\r
+The main features of \emph{Telemeta} are:\r
+\begin{itemize}\r
+\item \emph{Pure HTML} web user interface including high level \emph{search engine}\r
+\item Smart \emph{workflow management} with contextual user lists, profiles and rights\r
+ % \item RSS and JSON feed generators\r
+ % \item XML serialized backup\r
+\item Strong Structured Query Language (SQL) or Oracle backend\r
+\item Model-View-Controller (MVC) architecture \r
+\end{itemize}\r
+Beside database management, the audio support is mainly provided through an external component, TimeSide, which is described in Section~\ref{sec:Timeside}.\r
+\r
+\subsection{Metadata}\label{sec:metadata}\r
+In addition to the audio data, an efficient and dynamic management of the associated metadata is also required. %Consulting metadata provide both an exhaustive access to valuable information about the source of the data and to the related work of peer researchers. \r
+Dynamically handling metadata in a collaborative manner optimises the continuous process of knowledge gathering and enrichment of the materials in the database. \r
+%One of the major challenge is thus the standardization of audio and metadata formats with the aim of long-term preservation and usage of the different materials.\r
+The compatibility with other systems is facilitated by the integration of the metadata standards protocols \emph{Dublin Core} and \emph{OAI-PMH} (Open Archives Initiative Protocol for Metadata Harvesting) \cite{DublinCore,OAI-PMH}.\r
+\r
+Metadata provide two different kinds of information about the audio item: contextual information and annotations.\r
+\vspace{-0.4cm}\r
+\r
+\paragraph{Contextual Information}\r
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.\r
+\vspace{-0.4cm}\r
+\paragraph{Annotations and segmentation}\r
+Metadata also consist in temporal information such as a list of \emph{time-coded markers} associated with annotations and a list of of \emph{time-segments} associated with labels. The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).\r
+It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis (see Section~\ref{sec:Timeside}).\r
+\r
+\section{TimeSide}\label{sec:Timeside}\r
+One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}\footnote{\url{https://github.com/yomguy/TimeSide}}, that offers audio player web integration together with audio signal processing analysis capabilities. \r
+\r
+% Figure~\ref{fig:TimeSide_Archi} illustrates the overall architecture of \emph{TimeSide}.\r
+\r
+% \begin{figure}[htbp]\r
+% \centering\r
+% \includegraphics[width=0.95\linewidth]{img/timeside_schema.pdf}\r
+% \caption{TimeSide architecture (see \texttt{https://code.google.com/p/timeside/})}\label{fig:TimeSide_Archi}\r
+% \end{figure}\r
+\r
+\r
+\subsection{Audio management}\r
+TimeSide provides the following main features:\r
+\begin{itemize}\r
+\item \emph{Secure archiving, editing and publishing of audio files} over\r
+ internet.\r
+\item Smart \emph{audio player} with enhanced visualisation (waveform, spectrogram)\r
+\item \emph{Multi-format support}: reads all available audio and video formats through Gstreamer, transcoding with smart streaming and caching methods% (FLAC, OGG, MP3, WAV and WebM)\r
+ % \item \emph{Playlist management} for all users with CSV data export\r
+\item "On the fly" \emph{audio analyzing, transcoding and metadata\r
+ embedding} based on an easy plugin architecture\r
+\end{itemize}\r
+\r
+\subsection{Audio features extraction}\r
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as Aubio\footnote{\url{http://aubio.org/}}, Yaafe\footnote{\url{http://yaafe.sourceforge.net}} and Vamp plugins\footnote{ \url{http://www.vamp-plugins.org}} \cite{brossierPhD,yaafe_ISMIR2010,vamp-plugins}.\r
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be stored in a scientific file format (\emph{Numpy}, \emph{HDF5}) and serialized to the web browser through commons markup languages (\emph{xml}, \emph{json}, \emph{yaml}).\r
+Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide automatic annotation, segmentation and similarity analysis.\r
+\r
+\section{Conclusion - Purpose of the demonstration}\vspace{-0.1cm}\r
+The demonstration presents the features offered by \emph{Telemeta} as detailed in Section~\ref{sec:Telemeta} in the context of ethnomusicological sound archiving.%\cite{telemetaCREM} \r
+It focuses on the enhanced and collaborative user-experience when accessing audio items and their associated metadata, and on the possibility for the expert user to further enrich those metadata.\r
+Another goal of this demonstration is to present the integrated audio analysis tools described in Section~\ref{sec:Timeside}.\r
+\vspace{-0.2cm}\r
+\section*{Acknowledgments} \r
+{\small The authors would like to thank all the people that have been involved in \emph{Telemeta} specification and development or have provide useful input and feedback. \r
+The project has been partially funded by the French National Centre for Scientific Research (CNRS), the French Ministry of Culture and Communication, the TGE Adonis Consortium, and the Centre of Research in Ethnomusicology (CREM).}\r
+\r
+\r
+\bibliographystyle{plain}\r
+\bibliography{aes53_Telemeta}\r
+\r
+\r
+\end{document}\r
--- /dev/null
+
+Title
+-----
+"Telemeta : open web audio platform for sound archives in the use case of ethnomusicology"
+
+
+Authors
+-------
+Thomas Fillon, Guillaume Pellerin, Paul Brossier and Joséphine Simonnot
+
+
+Abstract
+--------
+
+Telemeta is a fully-operational open-source web audio platform dedicated to digital sound archives secure storing, indexing and publishing. It focuses on the enhance and collaborative user-experience in accessing audio items and their associated metadata and on the possibility for the expert users to further enrich those metadata.
+
+Telemeta architecture relies on TimeSide, an open audio processing framework written in Python which provides a smart embeddable HTML audio player together with decoding, encoding and streaming methods for various formats. TimeSide also includes a set of audio analysis plugins and additionally wraps several audio features extraction libraries to provide automatic annotation, segmentation and musicological analysis.
+
+The demonstration presents the features of this platform in the context of ethnomusicological research.
--- /dev/null
+% This is aes53i.cls for the AES 53rd International Conference\r
+% A skeleton class to load the main class aes.cls\r
+\ProvidesClass{aes53i}\r
+ [2002/02/04 v0.01 AES 53rd International Conference paper class]\r
+% AES 53rd International Conference, London, UK, January 27--29, 2014\r
+\DeclareOption*{\PassOptionsToClass{\CurrentOption}{aes}}\r
+\ProcessOptions\r
+\def\AEScontype{Conference}%\r
+\def\AESconname{53rd International \AEScontype}%\r
+\def\AEScondate{2014 January 27--29}%\r
+\def\AESconplace{London, UK}%\r
+\def\AESconRHname{AES 53${}^{\mbox{\scriptsize RD}}$ INTERNATIONAL CONFERENCE}%\r
+\def\AESconRHdate{2014 January 27--29}%\r
+\def\AESconRHplace{London, UK}%\r
+\LoadClass[mathptmx]{aes}[2006/04/02]\r
+\endinput\r
+\r
--- /dev/null
+% this style was created by Philippe Dreuw and Thomas Deselaers
+\ProvidesPackage{beamerthemeTF}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\RequirePackage{colorsTF}
+\selectcolormodel{cmyk}
+\mode<presentation>
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\definecolor{veryLightBlue}{rgb}{0.95,0.9,0.95} %
+\definecolor{lightBlue}{rgb}{0.8,0.8,1} % dark blue
+\definecolor{darkBlue}{rgb}{0,0,0.7} % dark blue
+\definecolor{textBG}{rgb}{0.95,0.95,1} % dark blue
+
+
+\setbeamercolor{headline}{fg=black,bg=white}
+\setbeamercolor{footline}{fg=black, bg=white}
+\setbeamerfont{footline}{size=\large,series=\sf}
+\setbeamercolor{separation line}{bg=black}
+\setbeamercolor{title in headline}{fg=black, bg=}
+\setbeamercolor{author in headline}{fg=black, bg=}
+\setbeamercolor{institute in headline}{fg=black, bg=}
+
+\setbeamercolor{framesubtitle}{fg=ta3orange, bg=veryLightBlue}
+\setbeamercolor{author in head/foot}{fg=black, bg=white}
+\setbeamercolor{title in head/foot}{fg=black, bg=white}
+
+\setbeamercolor*{normal text}{fg=black, bg=veryLightBlue}
+
+\setbeamercolor*{block body}{bg=white,fg=black}
+\setbeamercolor*{block title}{bg=telemetaRed,fg=white}
+\setbeamerfont{block title}{size=\large,series=\bf}
+\setbeamercolor{upper separation line head}{fg=red}
+
+\setbeamercolor*{example body}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example text}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example title}{bg=taorange,fg=ta2gray}
+
+\setbeamercolor{alerted text}{fg=red, bg=white}
+\setbeamercolor*{alerted body}{fg=ta3aluminium,bg=white}
+
+%\setbeamercolor{example text}{fg=taorange}
+\setbeamercolor{structure}{fg=ta3skyblue}
+
+\setbeamertemplate{itemize items}[triangle]
+\setbeamertemplate{navigation symbols}{} % no navigation on a poster
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\setbeamertemplate{block begin}{
+ \vskip.75ex
+ \begin{beamercolorbox}[rounded=true,shadow=true,leftskip=1cm,colsep*=.75ex]{block title}%
+ \usebeamerfont*{block title}\insertblocktitle
+ \end{beamercolorbox}%
+ {\ifbeamercolorempty[bg]{block body}{}{\nointerlineskip\vskip-0.5pt}}%
+ \usebeamerfont{block body}%
+ \begin{beamercolorbox}[rounded=true,shadow=true,colsep*=.75ex,sep=.75ex,vmode]{block body}%
+ \ifbeamercolorempty[bg]{block body}{\vskip-.25ex}{\vskip-.75ex}\vbox{}%
+ }
+ \setbeamertemplate{block end}{
+ \end{beamercolorbox}
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\setbeamertemplate{headline}{
+ \leavevmode
+ \begin{beamercolorbox}[wd=\paperwidth]{headline}
+ \begin{columns}[T]
+ \begin{column}{.02\paperwidth}
+ \end{column}
+ \begin{column}{.08\paperwidth}
+ \begin{center}
+ \includegraphics[width=\linewidth]{img/logo_CREM.png}\\
+ % \hspace{1cm}
+ \includegraphics[width=\linewidth]{img/logo_LESC.png}
+ \end{center}
+ \vskip1ex
+ \end{column}
+ \begin{column}{.7\paperwidth}
+ \vskip4ex \raggedleft
+
+ \usebeamercolor{title in
+ headline}{\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
+ \usebeamercolor{author in
+ headline}{\color{fg}\large{\insertauthor}\\[1ex]}
+ \usebeamercolor{institute in
+ headline}{\color{fg}\large{\insertinstitute}\\[1ex]}
+ \end{column}
+\begin{column}{.02\paperwidth}
+ \end{column}
+ \begin{column}{.14\paperwidth}
+ \vskip1cm
+ \begin{center}
+ \includegraphics[width=\linewidth]{img/parisson_logo_FINALE_com.pdf}\\
+ \vspace{2.5cm}
+ \includegraphics[width=\linewidth]{img/upmc.png}
+ \end{center}
+ \vskip1.5cm
+ \end{column}
+ \begin{column}{.02\paperwidth}
+ \end{column}
+ \end{columns}
+ \end{beamercolorbox}
+ \begin{beamercolorbox}[wd=\paperwidth]{lower separation line head}
+ \rule{0pt}{2pt}
+ \end{beamercolorbox}
+}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\setbeamertemplate{footline}{}
+
+% \begin{beamercolorbox}[wd=\paperwidth]{Footer}
+% \begin{center}
+ % \includegraphics[width=0.5\paperwidth]{img/CMMR2013banner.png}
+% \end{center}
+
+% \end{beamercolorbox}
+
+% \begin{beamercolorbox}[wd=\paperwidth]{upper separation line foot}
+% \rule{0pt}{2pt}
+% \end{beamercolorbox}
+% \vskip1ex
+% \leavevmode%
+% \begin{beamercolorbox}[ht=5ex,leftskip=1cm,rightskip=1cm]{author in head/foot}%
+% %\includegraphics[width=5.5cm]{img/CMMR2013footer.png} \hskip2cm%
+% {\large \textbf{10th International Symposium on Computer Music Multidisciplinary Research (CMMR) Sound, Music and Motion , \hspace{1cm} Marseilles , \hspace{1cm} 15-18 October 2013}}
+
+% \vskip1ex
+% \end{beamercolorbox}
+
+% \vskip0pt%
+% \begin{beamercolorbox}[wd=\paperwidth]{lower separation line foot}
+% \rule{0pt}{2pt}\begin{picture}(0,0) \put(0,0){\includegraphics[width=\paperwidth]{img/CMMR2013footer_alpha.png}}\end{picture}
+% \end{beamercolorbox}
+%}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Display a grid to help align images ... and it looks nice with this color scheme
+%\beamertemplategridbackground[1cm]
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\mode<all>
+
--- /dev/null
+\documentclass[final, hyperref, table]{beamer}
+\mode<presentation>
+{
+\usetheme{TF}
+ }
+
+ \usepackage[english,francais]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+ \usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ?
+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+%\usepackage{hyperref}
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+\usepackage[orientation=portrait,size=a0,scale=1.4]{beamerposter}
+
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{1,1,0.8}
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+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\scriptsize, % the size of the fonts that are used for the code
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+\title[TELEMETA, open web audio platform for
+sound archives]{TELEMETA : open web audio platform for
+sound archives\\in the use case of
+ethnomusicology}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
+
+
+\institute[Parisson]{\small
+ \inst{1}%
+ Parisson, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
+ 11 rue de Lourmel, 75015 Paris, France\\
+ \inst{3}%
+ CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
+21 Allée de l'Université - 92023 Nanterre, France\\
+%Thanks
+\vskip1ex
+ {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
+}
+
+\date[03/09/2013]{03 septembre 2013}
+%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
+\begin{document}
+%\maketitle
+\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+ \begin{block}{Abstract}\small
+
+ \begin{minipage}{0.74\linewidth}
+ \begin{itemize}
+ \item \emph{Telemeta} is an \alert{open-source audio web Content
+ Management System} (CMS) dedicated to \alert{digital sound
+ archives} secure storing, indexing and publishing.
+ \item The demonstration presents the features of this platform
+ in the context of \alert{\emph{ethnomusicological} research}.
+ \item It focuses on the enhance and collaborative
+ user-experience in accessing audio items and their associated
+ metadata and on the possibility for the expert user to further
+ enrich those metadata.
+ \item \emph{Telemeta} also provides integrated \alert{audio signal
+ processing tools} for automatic analysis of sound items.
+ \end{itemize}
+ \end{minipage}
+ \begin{minipage}{0.24\linewidth}
+ \begin{center}
+ \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
+
+ \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
+ \vskip1ex
+ \colorbox{yellow!50}
+ { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
+ \end{center}
+ \end{minipage}
+ \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
+ \end{block}
+
+% ==================================
+% --------- Corps -----------------
+% ==================================
+ \begin{columns}[t]
+\footnotesize
+% ==================================
+% --------- Colonne gauche ---------
+% ==================================
+ \begin{column}[T]{.49\linewidth}
+ \begin{block}{Introduction}
+ \textbf{Needs}\\
+ \begin{itemize}
+ \item In social sciences like anthropology and linguistics,
+ researchers have to work on multiple types of multimedia
+ documents such as photos, videos, sound recordings or
+ databases.
+ \item The need to easily access, visualize and annotate
+ such materials can be problematic given their diverse formats,
+ sources and given their chronological nature.
+ \end{itemize}
+
+\textbf{The \emph{Telemeta} project}\\
+\begin{itemize}
+\item The CREM laboratory and Parisson have been developing an innovative,
+ collaborative and interdisciplinary open-source web-based multimedia
+ platform since 2007.
+\item Goal : fit the professional requirements from both sound archivists and
+ researchers in ethnomusicology.
+\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
+ l'Homme}:
+\end{itemize}
+\begin{center}
+ \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
+\end{center}
+
+ \end{block}
+
+\begin{block}{Web audio content management features and architecture}
+ \begin{itemize}
+ \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
+ Free Software License Agreement}) web audio content management
+ system which introduces efficient and secure methods for
+ \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
+ digitalized audio file with its metadata.
+ \item \emph{Telemeta} is ideal for
+ professional collaborators who wants to easily organize, backup, archive and
+ publish documented sound collections of audio files, CDs,
+ digitalized vinyls and magnetic tapes over a strong database in
+ accordance with \alert{open web standards}.
+ \item \emph{Telemeta} architecture
+ is \alert{flexible} and can easily be adapted to particular database
+ organization of a given sound archives.
+ \end{itemize}
+
+\begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.47\paperwidth]{img/player_mark.png}
+ \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
+\end{figure}
+
+
+
+The main features of \emph{Telemeta} are:
+\vspace{-0.1cm}
+\begin{itemize}
+\item \alert{Pure HTML} web user interface including high level \alert{search engine}
+\item \alert{Smart workflow management} with contextual user lists, profiles and rights
+ % \item RSS and JSON feed generators
+ % \item XML serialized backup
+\item Model-View-Controller (\alert{MVC}) architecture
+\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
+
+\end{itemize}
+Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
+
+\end{block}
+\begin{block}{Metadata}
+ \begin{itemize}
+ \item In addition to the audio data, an efficient and \alert{dynamic
+ management} of the associated metadata is also required.
+ \item Dynamically handling metadata in a \alert{collaborative} manner optimises
+ the continuous process of knowledge gathering and enrichment of
+ the materials in the database.
+ \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
+ and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
+ Harvesting) \cite{DublinCore,OAI-PMH}.
+ \end{itemize}
+
+\textbf{Contextual Information}\\
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
+
+\textbf{Annotations and segmentation}\\
+Metadata also consist in temporal information such as:
+\begin{itemize}
+\item a list of \alert{time-coded markers} associated with annotations
+\item a list of of \alert{time-segments} associated with labels.
+\end{itemize}
+The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
+It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
+
+\end{block}
+ \end{column}
+
+% ==================================
+% ------- Colonne droite -----------
+% ==================================
+\begin{column}[T]{.49\linewidth}
+ \begin{block}{TimeSide : open web audio processing framework}
+One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
+
+\begin{center}
+ \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+\end{center}
+
+ \begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
+ \caption{TimeSide architecture}
+\end{figure}
+
+\textbf{Goals}\\
+
+\begin{itemize}
+\item \alert{Do} asynchronous and fast audio processing with Python.
+\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
+\item \alert{Analyze} audio content with some external audio feature extraction libraries.
+\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
+\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
+\item \alert{Transcode} audio data in various media formats and stream them through web apps.
+\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
+\end{itemize}
+
+\textbf{Audio features extraction}\\
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
+
+ \begin{itemize}
+ \item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+ \cite{brossierPhD}
+ \item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+ \cite{yaafe_ISMIR2010}
+ \item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+ \cite{vamp-plugins}
+ \end{itemize}
+
+
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
+Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
+\end{block}
+\begin{block}{Code Example (Python)}
+\vskip1ex
+ \begin{minipage}{0.6\linewidth}
+ \begin{lstlisting}
+
+import timeside
+
+# Define some processors:
+decoder = timeside.decoder.FileDecoder('sweep.wav')
+analyzer = timeside.analyzer.Level()
+grapher = timeside.grapher.Spectrogram()
+encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
+
+# Then, the magic pipeline:
+(decoder | analyzer | grapher | encoder).run()
+
+# Get the results:
+grapher.render(output='image.png')
+for key in analyzer.results.keys():
+ print '%s in %s : %s'% (analyzer.results[key].name,
+ analyzer.results[key].unit,
+ analyzer.results[key].data)
+
+\end{lstlisting}
+\end{minipage}
+\hskip2ex
+\begin{minipage}{0.32\linewidth}
+ \begin{center}
+ \textbf{Results}
+ \begin{figure}
+ \centering
+ \includegraphics{img/spectrogram.png}
+ \caption{Spectrogram (sweep signal)}
+ \end{figure}
+ \end{center}
+\vskip5ex
+\begin{lstlisting}
+
+ Level Analyzer Max:[-6.021]
+ Level Analyzer RMS:[-9.856]
+
+\end{lstlisting}
+
+
+\end{minipage}
+
+ \end{block}
+\begin{block}{Références}\tiny
+\bibliographystyle{plain}
+%\label{sec:ref}
+\vspace{-1cm}
+\begin{multicols}{2}[]
+\bibliography{../aes53_Telemeta}
+\end{multicols}
+ \end{block}
+ \end{column}
+\end{columns}
+\end{frame}
+\end{document}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
--- /dev/null
+\documentclass[final, hyperref, table]{beamer} \mode<presentation>
+
+
+% \usepackage[english]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+\usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ? Si votre moteur Latex est francise, il est
+%% conseille d'utiliser le codage de police T1 pour faciliter la
+%% césure, si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc} \usepackage[T1]{fontenc}
+
+\usepackage{amsmath,amsfonts}
+\usepackage{xcolor}
+
+\usetheme{Boadilla}
+% \usetheme{JuanLesPins}
+\setbeamercovered{transparent}
+
+% gets rid of bottom navigation bars
+\setbeamertemplate{footline}[page number]{}
+
+% gets rid of navigation symbols
+\setbeamertemplate{navigation symbols}{}
+
+% \usecolortheme{beaver} telemeta red
+\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
+\usecolortheme[named=telemetaRed]{structure}
+\setbeamercolor{structure}{fg=telemetaRed, bg=white}
+% Display a grid to help align images
+% \beamertemplategridbackground[1cm]
+
+% We will get the normal bibliography style (number or text instead of
+% icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{block title}{size=\footnotesize}
+
+\title[TELEMETA, audio web CMS for Ethnomusicological
+archives]{Telemeta\\Open web audio platform for sound archives in the
+ use case of ethnomusicology}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon
+ \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1},
+ Jos{\'e}phine Simonnot\inst{3}}
+
+
+\begin{document}
+\setlength{\leftmargini}{10pt} \thispagestyle{empty}
+\begin{frame}\tiny
+ \frametitle{\includegraphics[width=0.3\linewidth]{logo_telemeta_alpha_black.png}
+ \hspace{.4\linewidth} \includegraphics[width=.3\linewidth]{../poster/img/parisson_logo_FINALE_com.pdf}}
+ \framesubtitle{{\underline{DEMO SESSION}}: \textbf{Telemeta, Open web audio platform for sound archives\\
+ \hspace{2.7cm}in the use case of ethnomusicology}}
+
+ \vspace{-0.2cm}
+ \begin{columns}
+
+ % ----------------- Colonne de gauche -----------------
+ \column[t]{5.3cm}
+
+ \begin{block}{The project {\tiny(started in 2007)}}
+ \begin{itemize}
+ \item The CREM laboratory and Parisson are developing an
+ innovative, collaborative and interdisciplinary
+ \alert{open-source web based multimedia platform} dedicated to
+ \alert{sound archivists} and \alert{researchers in
+ ethnomusicology}.
+ \item The platform is fully operational since 2011 :
+ \colorbox{yellow!50} {\bf \url{http://archives.crem-cnrs.fr}}
+ \end{itemize}
+ \end{block}
+ \vspace{-0.2cm}
+ \begin{block}{The framework}
+ TimeSide is an \alert{open web audio processing framework} written in
+ Python which is used to build the engine of Telemeta.
+ % \textbf{Goals}\\
+ \begin{itemize}
+ \item Easy plugin architecture (full \alert{Python})
+ \item Asynchronous and fast audio processing
+ \item \alert{Feature extraction} (Aubio, Yaafe, Vamp plugins)
+ \item Smart, fancy and dynamical \alert{HTML5 web audio player}
+ \end{itemize}
+ \vspace{-0.5cm}
+ \begin{center}
+ \colorbox{yellow!50}{\bf
+ \url{https://github.com/yomguy/TimeSide/}}
+ \end{center}
+
+ \end{block}
+
+
+ % ----------------- Colonne de droite -----------------
+ \column[t]{6cm}
+ \begin{block}{The platform (features)}
+ \begin{itemize}
+ \setlength{\itemsep}{1.5pt}
+ \item \alert{Pure HTML5} web user interface including dynamical forms
+ and smart workflows
+ \item \alert{On the fly} audio analyzing, transcoding and \alert{metadata}
+ embedding
+ \item Social editing with \alert{semantic ontologies}, smart workflows,
+ realtime tools, human or automatic \alert{annotations and
+ segmentations}
+ \item User management with individual desk, playlists, profiles
+ and access rights
+ \item High level geo-located search engine
+ \item DublinCore, OAI-PMH, RSS, XML and JSON \alert{data providers}
+ \item Multi-language support (now english and french)
+ \end{itemize}
+ \vspace{-0.6cm}
+ \begin{center}
+ \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
+ \end{center}
+ \end{block}
+ \vspace{-0.2cm}
+ \begin{block}{Late-breaking Demos/poster session \#2
+ \texttt{\textbf{D2-4}}}
+ \begin{itemize}
+ \item Live demonstration of the \emph{Telemeta} web platform
+ with the CNRS \alert{ethnomusicological sound archives}
+ \item Live demonstration of \emph{Timeside}, the audio
+ processing framework (Python)
+ \end{itemize}
+ \end{block}
+
+ \end{columns}
+\end{frame}
+
+\end{document}
+
--- /dev/null
+@Misc{OAI-PMH,
+ key = "OAI-PMH",
+ url = "http://www.openarchives.org/pmh/",
+ title = "Open Archives Initiative Protocol for Metadata
+ Harvesting"
+}
+
+
+@Misc{DublinCore,
+ key = "DublinCore",
+ title = "{Dublin Core} Metadata Initiative",
+ url = "http://dublincore.org/"
+}
+
+
+
+@Misc{telemetaCREM,
+ key = "telemetaCREM",
+ title = "Archives sonores du {CNRS} - {Musée de l'Homme}",
+ url = "http://archives.crem-cnrs.fr"}
+
+
+@PhdThesis{BrossierPhD,
+ author = {Paul Brossier},
+ title = {Automatic annotation of musical audio for
+ interactive systems},
+ school = {Centre for Digital music, Queen Mary University of
+ London, UK},
+ year = 2006
+}
+
+
+@inproceedings{yaafe_ISMIR2010,
+ author = {Mathieu, Benoît and Essid, Slim and Fillon, Thomas
+ and Prado, Jacques and Richard, Gaël},
+ title = {Yaafe, An Easy To Use And Efficient Audio Feature
+ Extraction Software},
+ booktitle = {Proc. of ISMIR 2010, Utrecht, Netherlands},
+ year = 2010,
+ pages = {441-446},
+ publisher = {International Society for Music Information
+ Retrieval},
+ url =
+ {http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}
+}
+
+@Misc{vamp-plugins,
+ key = {vamp},
+ title = {The {Vamp} audio analysis plugin system},
+ url = {http://www.vamp-plugins.org}
+}
+
--- /dev/null
+\r
+%%%%%%%%%%%%%%%%%%%%%%% file typeinst.tex %%%%%%%%%%%%%%%%%%%%%%%%%\r
+%\r
+% This is the LaTeX source for the instructions to authors using\r
+% the LaTeX document class 'llncs.cls' for contributions to\r
+% the Lecture Notes in Computer Sciences series.\r
+% http://www.springer.com/lncs Springer Heidelberg 2006/05/04\r
+%\r
+% It may be used as a template for your own input - copy it\r
+% to a new file with a new name and use it as the basis\r
+% for your article.\r
+%\r
+% NB: the document class 'llncs' has its own and detailed documentation, see\r
+% ftp://ftp.springer.de/data/pubftp/pub/tex/latex/llncs/latex2e/llncsdoc.pdf\r
+%\r
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
+\r
+\r
+\documentclass[runningheads,a4paper]{llncs}\r
+\r
+\usepackage{amssymb}\r
+\setcounter{tocdepth}{3}\r
+\usepackage{graphicx}\r
+\usepackage{xcolor}\r
+\usepackage{hyperref}\r
+\usepackage[utf8]{inputenc}\r
+\usepackage[T1]{fontenc}\r
+\r
+\newcommand{\keywords}[1]{\par\addvspace\baselineskip\r
+\noindent\keywordname\enspace\ignorespaces#1}\r
+\r
+\pagestyle{headings}\r
+\r
+\begin{document}\r
+\r
+\mainmatter % start of an individual contribution\r
+\r
+% first the title is needed\r
+\title{TELEMETA, audio web Content Management System for ethnomusicological sound archives}\r
+\r
+% a short form should be given in case it is too long for the running head\r
+\titlerunning{TELEMETA, audio web CMS for ethnomusicological sound archives}\r
+\r
+% the name(s) of the author(s) follow(s) next\r
+%\r
+% NB: Chinese authors should write their first names(s) in front of\r
+% their surnames. This ensures that the names appear correctly in\r
+% the running heads and the author index.\r
+%\r
+\author{Thomas Fillon\inst{1,2} \and Guillaume Pellerin\inst{1} \and Paul Brossier\inst{1}\r
+ \and Jos{\'e}phine Simonnot\inst{3} \r
+\thanks{This work was partially done inside the DIADEMS project funded by the national french agency ANR (CONTINT)}\r
+}\r
+%\r
+\authorrunning{Thomas Fillon \and Guillaume Pellerin \and Paul Brossier \and Jos{\'e}phine Simonnot}\r
+% (feature abused for this document to repeat the title also on left hand pages)\r
+\r
+% the affiliations are given next; don't give your e-mail address\r
+% unless you accept that it will be published\r
+\institute{\r
+% 1 - PARISSON\r
+\href{http://www.parisson.com}{PARISSON}, 16 rue Jacques Louvel-Tessier 75010 Paris, France\r
+\url{{thomas.fillon,guillaume.pellerin}@parisson.com}\r
+% 2 - LAM / UPMC\r
+\and \r
+LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,\\ \r
+ 11 rue de Lourmel, 75015 Paris, France\r
+% 3 - CREM\r
+\and\r
+CREM, LESC, UMR CNRS 7186\\ MAE, Université Paris Ouest Nanterre La Défense,\r
+21 Allée de l'Université - 92023 Nanterre\\\r
+\url{josephine.simonnot@mae.u-paris10.fr}}\r
+\r
+%\toctitle{Lecture Notes in Computer Science}\r
+%\tocauthor{Authors' Instructions}\r
+\maketitle\r
+\r
+% Reset Footnote counter after author definition\r
+\setcounter{footnote}{0}\r
+\r
+\r
+\begin{abstract}\r
+\emph{Telemeta} is an open-source audio web Content Management System (CMS) dedicated to digital sound archives secure storing, indexing and publishing. The demonstration presents the features of this platform in the context of \emph{ethnomusicological} research. It focuses on the enhance and collaborative user-experience in accessing audio items and their associated metadata and on the possibility for the expert user to further enrich those metadata. \emph{Telemeta} also provides integrated audio signal processing tools for automatic analysis of sound items.\r
+\keywords{Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}\r
+\end{abstract}\r
+\r
+\r
+\section{Introduction}\r
+\r
+In social sciences like anthropology and linguistics, researchers have to work on multiple types of multimedia documents such as photos, videos, sound recordings or databases. The need to easily access, visualize and annotate such materials can be problematic given their diverse formats, sources and given their chronological nature.\r
+With this in mind, some laboratories\footnote{The Research Center on Ethnomusicology (CREM), the Musical Acoustics Laboratory (LAM, UMR 7190) and the sound archives of the Mediterranean House of Human Sciences (MMHS)} involved in ethnomusicological research have been working together on that issue.\r
+\r
+The CREM laboratory and Parisson, a company specialized in the management of audio databases, have been developing an innovative, collaborative and interdisciplinary open-source web-based multimedia platform since 2007. This platform, \emph{Telemeta} is designed to fit the professional requirements from both sound archivists and researchers in ethnomusicology. The first prototype of this platform has been online\footnote{Archives sonores du CNRS, Musée de l'Homme, \url{http://archives.crem-cnrs.fr}} since 2008.\r
+\r
+\section{Telemeta}\label{sec:Telemeta}\vspace{-0.2cm}\r
+\subsection{Web audio content management features and architecture}\r
+Telemeta\footnote{\url{http://telemeta.org}} is a free and open source\footnote{Telemeta code is available under the \href{http://cecill.info/licences/Licence_CeCILL_V2-en.html}{CeCILL Free Software License Agreement}} web audio content management system which introduces efficient and secure methods for back-uping, indexing, transcoding, analysing and publishing any digitalized audio file with its metadata. \r
+\r
+An overview of the Telemeta's web interface is illustrated in Figure~\ref{fig:Telemeta}\r
+\begin{figure}[htbp]\r
+ \centering\r
+ \includegraphics[width=10cm]{img/telemeta.png}\r
+ \caption{Screenshot excerpt of the \emph{Telemeta} web interface}\label{fig:Telemeta}\r
+\end{figure}\r
+\r
+Telemeta is ideal for professionals who wants to easily organize, backup, archive and publish documented sound collections of audio files, CDs, digitalized vinyls and magnetic tapes over a strong database, in accordance with open web standards. \r
+\emph{Telemeta} architecture is flexible and can easily be adapted to particular database organization of a given sound archives. \r
+\r
+The main features of \emph{Telemeta} are:\r
+\vspace{-0.1cm}\r
+\begin{itemize}\r
+\item \emph{Pure HTML} web user interface including high level \emph{search engine}\r
+\item Smart \emph{workflow management} with contextual user lists, profiles and rights\r
+ % \item RSS and JSON feed generators\r
+ % \item XML serialized backup\r
+\item Strong Structured Query Language (SQL) or Oracle backend\r
+\item Model-View-Controller (MVC) architecture \r
+\end{itemize}\r
+Beside database management, the audio support is mainly provided through an external component, TimeSide, which is described in Section~\ref{sec:Timeside}.\r
+\r
+\subsection{Metadata}\label{sec:metadata}\r
+In addition to the audio data, an efficient and dynamic management of the associated metadata is also required. %Consulting metadata provide both an exhaustive access to valuable information about the source of the data and to the related work of peer researchers. \r
+Dynamically handling metadata in a collaborative manner optimises the continuous process of knowledge gathering and enrichment of the materials in the database. \r
+%One of the major challenge is thus the standardization of audio and metadata formats with the aim of long-term preservation and usage of the different materials.\r
+The compatibility with other systems is facilitated by the integration of the metadata standards protocols \emph{Dublin Core} and \emph{OAI-PMH} (Open Archives Initiative Protocol for Metadata Harvesting) \cite{DublinCore,OAI-PMH}.\r
+\vspace{-0.2cm}\r
+%Metadata provide two different kinds of information about the audio item: contextual information and annotations.\r
+\paragraph{Contextual Information}\r
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format. \vspace{-0.2cm}\r
+\paragraph{Annotations and segmentation}\r
+Metadata also consist in temporal information such as a list of \emph{time-coded markers} associated with annotations and a list of of \emph{time-segments} associated with labels. The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).\r
+It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis (see Section~\ref{sec:Timeside}).\r
+\r
+\r
+\section{TimeSide}\label{sec:Timeside}\vspace{-0.2cm}\r
+One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with audio signal processing analysis capabilities. Figure~\ref{fig:TimeSide_Archi} illustrates the overall architecture of \emph{TimeSide}.\r
+\r
+\begin{figure}[htbp]\r
+ \centering\r
+ \includegraphics[width=10.5cm]{img/timeside_schema.pdf}\r
+ \caption{TimeSide architecture (see \url{https://code.google.com/p/timeside/})}\label{fig:TimeSide_Archi}\r
+\end{figure}\r
+\r
+\vspace{-0.4cm}\r
+\subsection{Audio management}\r
+TimeSide provides the following main features:\r
+\begin{itemize}\r
+\item \emph{Secure archiving, editing and publishing of audio files} over\r
+ internet.\r
+\item Smart \emph{audio player} with enhanced visualisation (waveform, spectrogram)\r
+\item \emph{Multi-format support}: reads all available audio and video formats through Gstreamer, transcoding with smart streaming and caching methods% (FLAC, OGG, MP3, WAV and WebM)\r
+ % \item \emph{Playlist management} for all users with CSV data export\r
+\item "On the fly" \emph{audio analyzing, transcoding and metadata\r
+ embedding} based on an easy plugin architecture\r
+\end{itemize}\r
+\vspace{-0.4cm}\r
+\subsection{Audio features extraction}\r
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as \href{http://aubio.org}{Aubio}, \href{http://yaafe.sourceforge.net}{Yaafe} and \href{http://www.vamp-plugins.org}{Vamp plugins} \cite{brossierPhD,yaafe_ISMIR2010,vamp-plugins}.\r
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.\r
+Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide automatic annotation, segmentation and similarity analysis.\r
+\vspace{-0.2cm}\r
+\section{Conclusion - Purpose of the demonstration}\vspace{-0.1cm}\r
+The demonstration presents the features offered by \emph{Telemeta} as detailed in Section~\ref{sec:Telemeta} in the context of ethnomusicological sound archiving \cite{telemetaCREM}. It focuses on the enhance and collaborative user-experience when accessing audio items and their associated metadata, and on the possibility for the expert user to further enrich those metadata.\r
+Another goal of this demonstration is to present the integrated audio analysis tools described in Section~\ref{sec:Timeside}.\r
+\r
+\vspace{-0.3cm}\r
+\section*{Acknowledgments} \vspace{-0.2cm}\r
+The authors would like to thank all the people that have been involved in \emph{Telemeta} specification and development or have provide useful input and feedback. \r
+The project has been partially funded by the French National Centre for Scientific Research (CNRS), the French Ministry of Culture and Communication, the TGE Adonis Consortium, and the Centre of Research in Ethnomusicology (CREM).\r
+\r
+\vspace{-0.3cm}\r
+\bibliographystyle{splncs03}\r
+\bibliography{cmmr_2013}\r
+\r
+\r
+\end{document}\r
--- /dev/null
+% LLNCS DOCUMENT CLASS -- version 2.17 (12-Jul-2010)\r
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+\let\if@openbib\iffalse\r
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+\r
+% languages\r
+\let\switcht@@therlang\relax\r
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+\def\ds@francais{\def\switcht@@therlang{\switcht@francais}}\r
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+0.15\ht0\hbox to0pt{\kern0.4\wd0\vrule height0.7\ht0\hss}\box0}}\r
+{\setbox0=\hbox{$\scriptscriptstyle\rm Q$}\hbox{\raise\r
+0.15\ht0\hbox to0pt{\kern0.4\wd0\vrule height0.7\ht0\hss}\box0}}}}\r
+\def\bbbt{{\mathchoice {\setbox0=\hbox{$\displaystyle\rm\r
+T$}\hbox{\hbox to0pt{\kern0.3\wd0\vrule height0.9\ht0\hss}\box0}}\r
+{\setbox0=\hbox{$\textstyle\rm T$}\hbox{\hbox\r
+to0pt{\kern0.3\wd0\vrule height0.9\ht0\hss}\box0}}\r
+{\setbox0=\hbox{$\scriptstyle\rm T$}\hbox{\hbox\r
+to0pt{\kern0.3\wd0\vrule height0.9\ht0\hss}\box0}}\r
+{\setbox0=\hbox{$\scriptscriptstyle\rm T$}\hbox{\hbox\r
+to0pt{\kern0.3\wd0\vrule height0.9\ht0\hss}\box0}}}}\r
+\def\bbbs{{\mathchoice\r
+{\setbox0=\hbox{$\displaystyle \rm S$}\hbox{\raise0.5\ht0\hbox\r
+to0pt{\kern0.35\wd0\vrule height0.45\ht0\hss}\hbox\r
+to0pt{\kern0.55\wd0\vrule height0.5\ht0\hss}\box0}}\r
+{\setbox0=\hbox{$\textstyle \rm S$}\hbox{\raise0.5\ht0\hbox\r
+to0pt{\kern0.35\wd0\vrule height0.45\ht0\hss}\hbox\r
+to0pt{\kern0.55\wd0\vrule height0.5\ht0\hss}\box0}}\r
+{\setbox0=\hbox{$\scriptstyle \rm S$}\hbox{\raise0.5\ht0\hbox\r
+to0pt{\kern0.35\wd0\vrule height0.45\ht0\hss}\raise0.05\ht0\hbox\r
+to0pt{\kern0.5\wd0\vrule height0.45\ht0\hss}\box0}}\r
+{\setbox0=\hbox{$\scriptscriptstyle\rm S$}\hbox{\raise0.5\ht0\hbox\r
+to0pt{\kern0.4\wd0\vrule height0.45\ht0\hss}\raise0.05\ht0\hbox\r
+to0pt{\kern0.55\wd0\vrule height0.45\ht0\hss}\box0}}}}\r
+\def\bbbz{{\mathchoice {\hbox{$\mathsf\textstyle Z\kern-0.4em Z$}}\r
+{\hbox{$\mathsf\textstyle Z\kern-0.4em Z$}}\r
+{\hbox{$\mathsf\scriptstyle Z\kern-0.3em Z$}}\r
+{\hbox{$\mathsf\scriptscriptstyle Z\kern-0.2em Z$}}}}\r
+\r
+\let\ts\,\r
+\r
+\setlength\leftmargini {17\p@}\r
+\setlength\leftmargin {\leftmargini}\r
+\setlength\leftmarginii {\leftmargini}\r
+\setlength\leftmarginiii {\leftmargini}\r
+\setlength\leftmarginiv {\leftmargini}\r
+\setlength \labelsep {.5em}\r
+\setlength \labelwidth{\leftmargini}\r
+\addtolength\labelwidth{-\labelsep}\r
+\r
+\def\@listI{\leftmargin\leftmargini\r
+ \parsep 0\p@ \@plus1\p@ \@minus\p@\r
+ \topsep 8\p@ \@plus2\p@ \@minus4\p@\r
+ \itemsep0\p@}\r
+\let\@listi\@listI\r
+\@listi\r
+\def\@listii {\leftmargin\leftmarginii\r
+ \labelwidth\leftmarginii\r
+ \advance\labelwidth-\labelsep\r
+ \topsep 0\p@ \@plus2\p@ \@minus\p@}\r
+\def\@listiii{\leftmargin\leftmarginiii\r
+ \labelwidth\leftmarginiii\r
+ \advance\labelwidth-\labelsep\r
+ \topsep 0\p@ \@plus\p@\@minus\p@\r
+ \parsep \z@\r
+ \partopsep \p@ \@plus\z@ \@minus\p@}\r
+\r
+\renewcommand\labelitemi{\normalfont\bfseries --}\r
+\renewcommand\labelitemii{$\m@th\bullet$}\r
+\r
+\setlength\arraycolsep{1.4\p@}\r
+\setlength\tabcolsep{1.4\p@}\r
+\r
+\def\tableofcontents{\chapter*{\contentsname\@mkboth{{\contentsname}}%\r
+ {{\contentsname}}}\r
+ \def\authcount##1{\setcounter{auco}{##1}\setcounter{@auth}{1}}\r
+ \def\lastand{\ifnum\value{auco}=2\relax\r
+ \unskip{} \andname\\r
+ \else\r
+ \unskip \lastandname\\r
+ \fi}%\r
+ \def\and{\stepcounter{@auth}\relax\r
+ \ifnum\value{@auth}=\value{auco}%\r
+ \lastand\r
+ \else\r
+ \unskip,\r
+ \fi}%\r
+ \@starttoc{toc}\if@restonecol\twocolumn\fi}\r
+\r
+\def\l@part#1#2{\addpenalty{\@secpenalty}%\r
+ \addvspace{2em plus\p@}% % space above part line\r
+ \begingroup\r
+ \parindent \z@\r
+ \rightskip \z@ plus 5em\r
+ \hrule\vskip5pt\r
+ \large % same size as for a contribution heading\r
+ \bfseries\boldmath % set line in boldface\r
+ \leavevmode % TeX command to enter horizontal mode.\r
+ #1\par\r
+ \vskip5pt\r
+ \hrule\r
+ \vskip1pt\r
+ \nobreak % Never break after part entry\r
+ \endgroup}\r
+\r
+\def\@dotsep{2}\r
+\r
+\let\phantomsection=\relax\r
+\r
+\def\hyperhrefextend{\ifx\hyper@anchor\@undefined\else\r
+{}\fi}\r
+\r
+\def\addnumcontentsmark#1#2#3{%\r
+\addtocontents{#1}{\protect\contentsline{#2}{\protect\numberline\r
+ {\thechapter}#3}{\thepage}\hyperhrefextend}}%\r
+\def\addcontentsmark#1#2#3{%\r
+\addtocontents{#1}{\protect\contentsline{#2}{#3}{\thepage}\hyperhrefextend}}%\r
+\def\addcontentsmarkwop#1#2#3{%\r
+\addtocontents{#1}{\protect\contentsline{#2}{#3}{0}\hyperhrefextend}}%\r
+\r
+\def\@adcmk[#1]{\ifcase #1 \or\r
+\def\@gtempa{\addnumcontentsmark}%\r
+ \or \def\@gtempa{\addcontentsmark}%\r
+ \or \def\@gtempa{\addcontentsmarkwop}%\r
+ \fi\@gtempa{toc}{chapter}%\r
+}\r
+\def\addtocmark{%\r
+\phantomsection\r
+\@ifnextchar[{\@adcmk}{\@adcmk[3]}%\r
+}\r
+\r
+\def\l@chapter#1#2{\addpenalty{-\@highpenalty}\r
+ \vskip 1.0em plus 1pt \@tempdima 1.5em \begingroup\r
+ \parindent \z@ \rightskip \@tocrmarg\r
+ \advance\rightskip by 0pt plus 2cm\r
+ \parfillskip -\rightskip \pretolerance=10000\r
+ \leavevmode \advance\leftskip\@tempdima \hskip -\leftskip\r
+ {\large\bfseries\boldmath#1}\ifx0#2\hfil\null\r
+ \else\r
+ \nobreak\r
+ \leaders\hbox{$\m@th \mkern \@dotsep mu.\mkern\r
+ \@dotsep mu$}\hfill\r
+ \nobreak\hbox to\@pnumwidth{\hss #2}%\r
+ \fi\par\r
+ \penalty\@highpenalty \endgroup}\r
+\r
+\def\l@title#1#2{\addpenalty{-\@highpenalty}\r
+ \addvspace{8pt plus 1pt}\r
+ \@tempdima \z@\r
+ \begingroup\r
+ \parindent \z@ \rightskip \@tocrmarg\r
+ \advance\rightskip by 0pt plus 2cm\r
+ \parfillskip -\rightskip \pretolerance=10000\r
+ \leavevmode \advance\leftskip\@tempdima \hskip -\leftskip\r
+ #1\nobreak\r
+ \leaders\hbox{$\m@th \mkern \@dotsep mu.\mkern\r
+ \@dotsep mu$}\hfill\r
+ \nobreak\hbox to\@pnumwidth{\hss #2}\par\r
+ \penalty\@highpenalty \endgroup}\r
+\r
+\def\l@author#1#2{\addpenalty{\@highpenalty}\r
+ \@tempdima=15\p@ %\z@\r
+ \begingroup\r
+ \parindent \z@ \rightskip \@tocrmarg\r
+ \advance\rightskip by 0pt plus 2cm\r
+ \pretolerance=10000\r
+ \leavevmode \advance\leftskip\@tempdima %\hskip -\leftskip\r
+ \textit{#1}\par\r
+ \penalty\@highpenalty \endgroup}\r
+\r
+\setcounter{tocdepth}{0}\r
+\newdimen\tocchpnum\r
+\newdimen\tocsecnum\r
+\newdimen\tocsectotal\r
+\newdimen\tocsubsecnum\r
+\newdimen\tocsubsectotal\r
+\newdimen\tocsubsubsecnum\r
+\newdimen\tocsubsubsectotal\r
+\newdimen\tocparanum\r
+\newdimen\tocparatotal\r
+\newdimen\tocsubparanum\r
+\tocchpnum=\z@ % no chapter numbers\r
+\tocsecnum=15\p@ % section 88. plus 2.222pt\r
+\tocsubsecnum=23\p@ % subsection 88.8 plus 2.222pt\r
+\tocsubsubsecnum=27\p@ % subsubsection 88.8.8 plus 1.444pt\r
+\tocparanum=35\p@ % paragraph 88.8.8.8 plus 1.666pt\r
+\tocsubparanum=43\p@ % subparagraph 88.8.8.8.8 plus 1.888pt\r
+\def\calctocindent{%\r
+\tocsectotal=\tocchpnum\r
+\advance\tocsectotal by\tocsecnum\r
+\tocsubsectotal=\tocsectotal\r
+\advance\tocsubsectotal by\tocsubsecnum\r
+\tocsubsubsectotal=\tocsubsectotal\r
+\advance\tocsubsubsectotal by\tocsubsubsecnum\r
+\tocparatotal=\tocsubsubsectotal\r
+\advance\tocparatotal by\tocparanum}\r
+\calctocindent\r
+\r
+\def\l@section{\@dottedtocline{1}{\tocchpnum}{\tocsecnum}}\r
+\def\l@subsection{\@dottedtocline{2}{\tocsectotal}{\tocsubsecnum}}\r
+\def\l@subsubsection{\@dottedtocline{3}{\tocsubsectotal}{\tocsubsubsecnum}}\r
+\def\l@paragraph{\@dottedtocline{4}{\tocsubsubsectotal}{\tocparanum}}\r
+\def\l@subparagraph{\@dottedtocline{5}{\tocparatotal}{\tocsubparanum}}\r
+\r
+\def\listoffigures{\@restonecolfalse\if@twocolumn\@restonecoltrue\onecolumn\r
+ \fi\section*{\listfigurename\@mkboth{{\listfigurename}}{{\listfigurename}}}\r
+ \@starttoc{lof}\if@restonecol\twocolumn\fi}\r
+\def\l@figure{\@dottedtocline{1}{0em}{1.5em}}\r
+\r
+\def\listoftables{\@restonecolfalse\if@twocolumn\@restonecoltrue\onecolumn\r
+ \fi\section*{\listtablename\@mkboth{{\listtablename}}{{\listtablename}}}\r
+ \@starttoc{lot}\if@restonecol\twocolumn\fi}\r
+\let\l@table\l@figure\r
+\r
+\renewcommand\listoffigures{%\r
+ \section*{\listfigurename\r
+ \@mkboth{\listfigurename}{\listfigurename}}%\r
+ \@starttoc{lof}%\r
+ }\r
+\r
+\renewcommand\listoftables{%\r
+ \section*{\listtablename\r
+ \@mkboth{\listtablename}{\listtablename}}%\r
+ \@starttoc{lot}%\r
+ }\r
+\r
+\ifx\oribibl\undefined\r
+\ifx\citeauthoryear\undefined\r
+\renewenvironment{thebibliography}[1]\r
+ {\section*{\refname}\r
+ \def\@biblabel##1{##1.}\r
+ \small\r
+ \list{\@biblabel{\@arabic\c@enumiv}}%\r
+ {\settowidth\labelwidth{\@biblabel{#1}}%\r
+ \leftmargin\labelwidth\r
+ \advance\leftmargin\labelsep\r
+ \if@openbib\r
+ \advance\leftmargin\bibindent\r
+ \itemindent -\bibindent\r
+ \listparindent \itemindent\r
+ \parsep \z@\r
+ \fi\r
+ \usecounter{enumiv}%\r
+ \let\p@enumiv\@empty\r
+ \renewcommand\theenumiv{\@arabic\c@enumiv}}%\r
+ \if@openbib\r
+ \renewcommand\newblock{\par}%\r
+ \else\r
+ \renewcommand\newblock{\hskip .11em \@plus.33em \@minus.07em}%\r
+ \fi\r
+ \sloppy\clubpenalty4000\widowpenalty4000%\r
+ \sfcode`\.=\@m}\r
+ {\def\@noitemerr\r
+ {\@latex@warning{Empty `thebibliography' environment}}%\r
+ \endlist}\r
+\def\@lbibitem[#1]#2{\item[{[#1]}\hfill]\if@filesw\r
+ {\let\protect\noexpand\immediate\r
+ \write\@auxout{\string\bibcite{#2}{#1}}}\fi\ignorespaces}\r
+\newcount\@tempcntc\r
+\def\@citex[#1]#2{\if@filesw\immediate\write\@auxout{\string\citation{#2}}\fi\r
+ \@tempcnta\z@\@tempcntb\m@ne\def\@citea{}\@cite{\@for\@citeb:=#2\do\r
+ {\@ifundefined\r
+ {b@\@citeb}{\@citeo\@tempcntb\m@ne\@citea\def\@citea{,}{\bfseries\r
+ ?}\@warning\r
+ {Citation `\@citeb' on page \thepage \space undefined}}%\r
+ {\setbox\z@\hbox{\global\@tempcntc0\csname b@\@citeb\endcsname\relax}%\r
+ \ifnum\@tempcntc=\z@ \@citeo\@tempcntb\m@ne\r
+ \@citea\def\@citea{,}\hbox{\csname b@\@citeb\endcsname}%\r
+ \else\r
+ \advance\@tempcntb\@ne\r
+ \ifnum\@tempcntb=\@tempcntc\r
+ \else\advance\@tempcntb\m@ne\@citeo\r
+ \@tempcnta\@tempcntc\@tempcntb\@tempcntc\fi\fi}}\@citeo}{#1}}\r
+\def\@citeo{\ifnum\@tempcnta>\@tempcntb\else\r
+ \@citea\def\@citea{,\,\hskip\z@skip}%\r
+ \ifnum\@tempcnta=\@tempcntb\the\@tempcnta\else\r
+ {\advance\@tempcnta\@ne\ifnum\@tempcnta=\@tempcntb \else\r
+ \def\@citea{--}\fi\r
+ \advance\@tempcnta\m@ne\the\@tempcnta\@citea\the\@tempcntb}\fi\fi}\r
+\else\r
+\renewenvironment{thebibliography}[1]\r
+ {\section*{\refname}\r
+ \small\r
+ \list{}%\r
+ {\settowidth\labelwidth{}%\r
+ \leftmargin\parindent\r
+ \itemindent=-\parindent\r
+ \labelsep=\z@\r
+ \if@openbib\r
+ \advance\leftmargin\bibindent\r
+ \itemindent -\bibindent\r
+ \listparindent \itemindent\r
+ \parsep \z@\r
+ \fi\r
+ \usecounter{enumiv}%\r
+ \let\p@enumiv\@empty\r
+ \renewcommand\theenumiv{}}%\r
+ \if@openbib\r
+ \renewcommand\newblock{\par}%\r
+ \else\r
+ \renewcommand\newblock{\hskip .11em \@plus.33em \@minus.07em}%\r
+ \fi\r
+ \sloppy\clubpenalty4000\widowpenalty4000%\r
+ \sfcode`\.=\@m}\r
+ {\def\@noitemerr\r
+ {\@latex@warning{Empty `thebibliography' environment}}%\r
+ \endlist}\r
+ \def\@cite#1{#1}%\r
+ \def\@lbibitem[#1]#2{\item[]\if@filesw\r
+ {\def\protect##1{\string ##1\space}\immediate\r
+ \write\@auxout{\string\bibcite{#2}{#1}}}\fi\ignorespaces}\r
+ \fi\r
+\else\r
+\@cons\@openbib@code{\noexpand\small}\r
+\fi\r
+\r
+\def\idxquad{\hskip 10\p@}% space that divides entry from number\r
+\r
+\def\@idxitem{\par\hangindent 10\p@}\r
+\r
+\def\subitem{\par\setbox0=\hbox{--\enspace}% second order\r
+ \noindent\hangindent\wd0\box0}% index entry\r
+\r
+\def\subsubitem{\par\setbox0=\hbox{--\,--\enspace}% third\r
+ \noindent\hangindent\wd0\box0}% order index entry\r
+\r
+\def\indexspace{\par \vskip 10\p@ plus5\p@ minus3\p@\relax}\r
+\r
+\renewenvironment{theindex}\r
+ {\@mkboth{\indexname}{\indexname}%\r
+ \thispagestyle{empty}\parindent\z@\r
+ \parskip\z@ \@plus .3\p@\relax\r
+ \let\item\par\r
+ \def\,{\relax\ifmmode\mskip\thinmuskip\r
+ \else\hskip0.2em\ignorespaces\fi}%\r
+ \normalfont\small\r
+ \begin{multicols}{2}[\@makeschapterhead{\indexname}]%\r
+ }\r
+ {\end{multicols}}\r
+\r
+\renewcommand\footnoterule{%\r
+ \kern-3\p@\r
+ \hrule\@width 2truecm\r
+ \kern2.6\p@}\r
+ \newdimen\fnindent\r
+ \fnindent1em\r
+\long\def\@makefntext#1{%\r
+ \parindent \fnindent%\r
+ \leftskip \fnindent%\r
+ \noindent\r
+ \llap{\hb@xt@1em{\hss\@makefnmark\ }}\ignorespaces#1}\r
+\r
+\long\def\@makecaption#1#2{%\r
+ \small\r
+ \vskip\abovecaptionskip\r
+ \sbox\@tempboxa{{\bfseries #1.} #2}%\r
+ \ifdim \wd\@tempboxa >\hsize\r
+ {\bfseries #1.} #2\par\r
+ \else\r
+ \global \@minipagefalse\r
+ \hb@xt@\hsize{\hfil\box\@tempboxa\hfil}%\r
+ \fi\r
+ \vskip\belowcaptionskip}\r
+\r
+\def\fps@figure{htbp}\r
+\def\fnum@figure{\figurename\thinspace\thefigure}\r
+\def \@floatboxreset {%\r
+ \reset@font\r
+ \small\r
+ \@setnobreak\r
+ \@setminipage\r
+}\r
+\def\fps@table{htbp}\r
+\def\fnum@table{\tablename~\thetable}\r
+\renewenvironment{table}\r
+ {\setlength\abovecaptionskip{0\p@}%\r
+ \setlength\belowcaptionskip{10\p@}%\r
+ \@float{table}}\r
+ {\end@float}\r
+\renewenvironment{table*}\r
+ {\setlength\abovecaptionskip{0\p@}%\r
+ \setlength\belowcaptionskip{10\p@}%\r
+ \@dblfloat{table}}\r
+ {\end@dblfloat}\r
+\r
+\long\def\@caption#1[#2]#3{\par\addcontentsline{\csname\r
+ ext@#1\endcsname}{#1}{\protect\numberline{\csname\r
+ the#1\endcsname}{\ignorespaces #2}}\begingroup\r
+ \@parboxrestore\r
+ \@makecaption{\csname fnum@#1\endcsname}{\ignorespaces #3}\par\r
+ \endgroup}\r
+\r
+% LaTeX does not provide a command to enter the authors institute\r
+% addresses. The \institute command is defined here.\r
+\r
+\newcounter{@inst}\r
+\newcounter{@auth}\r
+\newcounter{auco}\r
+\newdimen\instindent\r
+\newbox\authrun\r
+\newtoks\authorrunning\r
+\newtoks\tocauthor\r
+\newbox\titrun\r
+\newtoks\titlerunning\r
+\newtoks\toctitle\r
+\r
+\def\clearheadinfo{\gdef\@author{No Author Given}%\r
+ \gdef\@title{No Title Given}%\r
+ \gdef\@subtitle{}%\r
+ \gdef\@institute{No Institute Given}%\r
+ \gdef\@thanks{}%\r
+ \global\titlerunning={}\global\authorrunning={}%\r
+ \global\toctitle={}\global\tocauthor={}}\r
+\r
+\def\institute#1{\gdef\@institute{#1}}\r
+\r
+\def\institutename{\par\r
+ \begingroup\r
+ \parskip=\z@\r
+ \parindent=\z@\r
+ \setcounter{@inst}{1}%\r
+ \def\and{\par\stepcounter{@inst}%\r
+ \noindent$^{\the@inst}$\enspace\ignorespaces}%\r
+ \setbox0=\vbox{\def\thanks##1{}\@institute}%\r
+ \ifnum\c@@inst=1\relax\r
+ \gdef\fnnstart{0}%\r
+ \else\r
+ \xdef\fnnstart{\c@@inst}%\r
+ \setcounter{@inst}{1}%\r
+ \noindent$^{\the@inst}$\enspace\r
+ \fi\r
+ \ignorespaces\r
+ \@institute\par\r
+ \endgroup}\r
+\r
+\def\@fnsymbol#1{\ensuremath{\ifcase#1\or\star\or{\star\star}\or\r
+ {\star\star\star}\or \dagger\or \ddagger\or\r
+ \mathchar "278\or \mathchar "27B\or \|\or **\or \dagger\dagger\r
+ \or \ddagger\ddagger \else\@ctrerr\fi}}\r
+\r
+\def\inst#1{\unskip$^{#1}$}\r
+\def\fnmsep{\unskip$^,$}\r
+\def\email#1{{\tt#1}}\r
+\AtBeginDocument{\@ifundefined{url}{\def\url#1{#1}}{}%\r
+\@ifpackageloaded{babel}{%\r
+\@ifundefined{extrasenglish}{}{\addto\extrasenglish{\switcht@albion}}%\r
+\@ifundefined{extrasfrenchb}{}{\addto\extrasfrenchb{\switcht@francais}}%\r
+\@ifundefined{extrasgerman}{}{\addto\extrasgerman{\switcht@deutsch}}%\r
+}{\switcht@@therlang}%\r
+\providecommand{\keywords}[1]{\par\addvspace\baselineskip\r
+\noindent\keywordname\enspace\ignorespaces#1}%\r
+}\r
+\def\homedir{\~{ }}\r
+\r
+\def\subtitle#1{\gdef\@subtitle{#1}}\r
+\clearheadinfo\r
+%\r
+%%% to avoid hyperref warnings\r
+\providecommand*{\toclevel@author}{999}\r
+%%% to make title-entry parent of section-entries\r
+\providecommand*{\toclevel@title}{0}\r
+%\r
+\renewcommand\maketitle{\newpage\r
+\phantomsection\r
+ \refstepcounter{chapter}%\r
+ \stepcounter{section}%\r
+ \setcounter{section}{0}%\r
+ \setcounter{subsection}{0}%\r
+ \setcounter{figure}{0}\r
+ \setcounter{table}{0}\r
+ \setcounter{equation}{0}\r
+ \setcounter{footnote}{0}%\r
+ \begingroup\r
+ \parindent=\z@\r
+ \renewcommand\thefootnote{\@fnsymbol\c@footnote}%\r
+ \if@twocolumn\r
+ \ifnum \col@number=\@ne\r
+ \@maketitle\r
+ \else\r
+ \twocolumn[\@maketitle]%\r
+ \fi\r
+ \else\r
+ \newpage\r
+ \global\@topnum\z@ % Prevents figures from going at top of page.\r
+ \@maketitle\r
+ \fi\r
+ \thispagestyle{empty}\@thanks\r
+%\r
+ \def\\{\unskip\ \ignorespaces}\def\inst##1{\unskip{}}%\r
+ \def\thanks##1{\unskip{}}\def\fnmsep{\unskip}%\r
+ \instindent=\hsize\r
+ \advance\instindent by-\headlineindent\r
+ \if!\the\toctitle!\addcontentsline{toc}{title}{\@title}\else\r
+ \addcontentsline{toc}{title}{\the\toctitle}\fi\r
+ \if@runhead\r
+ \if!\the\titlerunning!\else\r
+ \edef\@title{\the\titlerunning}%\r
+ \fi\r
+ \global\setbox\titrun=\hbox{\small\rm\unboldmath\ignorespaces\@title}%\r
+ \ifdim\wd\titrun>\instindent\r
+ \typeout{Title too long for running head. Please supply}%\r
+ \typeout{a shorter form with \string\titlerunning\space prior to\r
+ \string\maketitle}%\r
+ \global\setbox\titrun=\hbox{\small\rm\r
+ Title Suppressed Due to Excessive Length}%\r
+ \fi\r
+ \xdef\@title{\copy\titrun}%\r
+ \fi\r
+%\r
+ \if!\the\tocauthor!\relax\r
+ {\def\and{\noexpand\protect\noexpand\and}%\r
+ \protected@xdef\toc@uthor{\@author}}%\r
+ \else\r
+ \def\\{\noexpand\protect\noexpand\newline}%\r
+ \protected@xdef\scratch{\the\tocauthor}%\r
+ \protected@xdef\toc@uthor{\scratch}%\r
+ \fi\r
+ \addtocontents{toc}{\noexpand\protect\noexpand\authcount{\the\c@auco}}%\r
+ \addcontentsline{toc}{author}{\toc@uthor}%\r
+ \if@runhead\r
+ \if!\the\authorrunning!\r
+ \value{@inst}=\value{@auth}%\r
+ \setcounter{@auth}{1}%\r
+ \else\r
+ \edef\@author{\the\authorrunning}%\r
+ \fi\r
+ \global\setbox\authrun=\hbox{\small\unboldmath\@author\unskip}%\r
+ \ifdim\wd\authrun>\instindent\r
+ \typeout{Names of authors too long for running head. Please supply}%\r
+ \typeout{a shorter form with \string\authorrunning\space prior to\r
+ \string\maketitle}%\r
+ \global\setbox\authrun=\hbox{\small\rm\r
+ Authors Suppressed Due to Excessive Length}%\r
+ \fi\r
+ \xdef\@author{\copy\authrun}%\r
+ \markboth{\@author}{\@title}%\r
+ \fi\r
+ \endgroup\r
+ \setcounter{footnote}{\fnnstart}%\r
+ \clearheadinfo}\r
+%\r
+\def\@maketitle{\newpage\r
+ \markboth{}{}%\r
+ \def\lastand{\ifnum\value{@inst}=2\relax\r
+ \unskip{} \andname\\r
+ \else\r
+ \unskip \lastandname\\r
+ \fi}%\r
+ \def\and{\stepcounter{@auth}\relax\r
+ \ifnum\value{@auth}=\value{@inst}%\r
+ \lastand\r
+ \else\r
+ \unskip,\r
+ \fi}%\r
+ \begin{center}%\r
+ \let\newline\\\r
+ {\Large \bfseries\boldmath\r
+ \pretolerance=10000\r
+ \@title \par}\vskip .8cm\r
+\if!\@subtitle!\else {\large \bfseries\boldmath\r
+ \vskip -.65cm\r
+ \pretolerance=10000\r
+ \@subtitle \par}\vskip .8cm\fi\r
+ \setbox0=\vbox{\setcounter{@auth}{1}\def\and{\stepcounter{@auth}}%\r
+ \def\thanks##1{}\@author}%\r
+ \global\value{@inst}=\value{@auth}%\r
+ \global\value{auco}=\value{@auth}%\r
+ \setcounter{@auth}{1}%\r
+{\lineskip .5em\r
+\noindent\ignorespaces\r
+\@author\vskip.35cm}\r
+ {\small\institutename}\r
+ \end{center}%\r
+ }\r
+\r
+% definition of the "\spnewtheorem" command.\r
+%\r
+% Usage:\r
+%\r
+% \spnewtheorem{env_nam}{caption}[within]{cap_font}{body_font}\r
+% or \spnewtheorem{env_nam}[numbered_like]{caption}{cap_font}{body_font}\r
+% or \spnewtheorem*{env_nam}{caption}{cap_font}{body_font}\r
+%\r
+% New is "cap_font" and "body_font". It stands for\r
+% fontdefinition of the caption and the text itself.\r
+%\r
+% "\spnewtheorem*" gives a theorem without number.\r
+%\r
+% A defined spnewthoerem environment is used as described\r
+% by Lamport.\r
+%\r
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%\r
+\r
+\def\@thmcountersep{}\r
+\def\@thmcounterend{.}\r
+\r
+\def\spnewtheorem{\@ifstar{\@sthm}{\@Sthm}}\r
+\r
+% definition of \spnewtheorem with number\r
+\r
+\def\@spnthm#1#2{%\r
+ \@ifnextchar[{\@spxnthm{#1}{#2}}{\@spynthm{#1}{#2}}}\r
+\def\@Sthm#1{\@ifnextchar[{\@spothm{#1}}{\@spnthm{#1}}}\r
+\r
+\def\@spxnthm#1#2[#3]#4#5{\expandafter\@ifdefinable\csname #1\endcsname\r
+ {\@definecounter{#1}\@addtoreset{#1}{#3}%\r
+ \expandafter\xdef\csname the#1\endcsname{\expandafter\noexpand\r
+ \csname the#3\endcsname \noexpand\@thmcountersep \@thmcounter{#1}}%\r
+ \expandafter\xdef\csname #1name\endcsname{#2}%\r
+ \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#4}{#5}}%\r
+ \global\@namedef{end#1}{\@endtheorem}}}\r
+\r
+\def\@spynthm#1#2#3#4{\expandafter\@ifdefinable\csname #1\endcsname\r
+ {\@definecounter{#1}%\r
+ \expandafter\xdef\csname the#1\endcsname{\@thmcounter{#1}}%\r
+ \expandafter\xdef\csname #1name\endcsname{#2}%\r
+ \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#3}{#4}}%\r
+ \global\@namedef{end#1}{\@endtheorem}}}\r
+\r
+\def\@spothm#1[#2]#3#4#5{%\r
+ \@ifundefined{c@#2}{\@latexerr{No theorem environment `#2' defined}\@eha}%\r
+ {\expandafter\@ifdefinable\csname #1\endcsname\r
+ {\newaliascnt{#1}{#2}%\r
+ \expandafter\xdef\csname #1name\endcsname{#3}%\r
+ \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#4}{#5}}%\r
+ \global\@namedef{end#1}{\@endtheorem}}}}\r
+\r
+\def\@spthm#1#2#3#4{\topsep 7\p@ \@plus2\p@ \@minus4\p@\r
+\refstepcounter{#1}%\r
+\@ifnextchar[{\@spythm{#1}{#2}{#3}{#4}}{\@spxthm{#1}{#2}{#3}{#4}}}\r
+\r
+\def\@spxthm#1#2#3#4{\@spbegintheorem{#2}{\csname the#1\endcsname}{#3}{#4}%\r
+ \ignorespaces}\r
+\r
+\def\@spythm#1#2#3#4[#5]{\@spopargbegintheorem{#2}{\csname\r
+ the#1\endcsname}{#5}{#3}{#4}\ignorespaces}\r
+\r
+\def\@spbegintheorem#1#2#3#4{\trivlist\r
+ \item[\hskip\labelsep{#3#1\ #2\@thmcounterend}]#4}\r
+\r
+\def\@spopargbegintheorem#1#2#3#4#5{\trivlist\r
+ \item[\hskip\labelsep{#4#1\ #2}]{#4(#3)\@thmcounterend\ }#5}\r
+\r
+% definition of \spnewtheorem* without number\r
+\r
+\def\@sthm#1#2{\@Ynthm{#1}{#2}}\r
+\r
+\def\@Ynthm#1#2#3#4{\expandafter\@ifdefinable\csname #1\endcsname\r
+ {\global\@namedef{#1}{\@Thm{\csname #1name\endcsname}{#3}{#4}}%\r
+ \expandafter\xdef\csname #1name\endcsname{#2}%\r
+ \global\@namedef{end#1}{\@endtheorem}}}\r
+\r
+\def\@Thm#1#2#3{\topsep 7\p@ \@plus2\p@ \@minus4\p@\r
+\@ifnextchar[{\@Ythm{#1}{#2}{#3}}{\@Xthm{#1}{#2}{#3}}}\r
+\r
+\def\@Xthm#1#2#3{\@Begintheorem{#1}{#2}{#3}\ignorespaces}\r
+\r
+\def\@Ythm#1#2#3[#4]{\@Opargbegintheorem{#1}\r
+ {#4}{#2}{#3}\ignorespaces}\r
+\r
+\def\@Begintheorem#1#2#3{#3\trivlist\r
+ \item[\hskip\labelsep{#2#1\@thmcounterend}]}\r
+\r
+\def\@Opargbegintheorem#1#2#3#4{#4\trivlist\r
+ \item[\hskip\labelsep{#3#1}]{#3(#2)\@thmcounterend\ }}\r
+\r
+\if@envcntsect\r
+ \def\@thmcountersep{.}\r
+ \spnewtheorem{theorem}{Theorem}[section]{\bfseries}{\itshape}\r
+\else\r
+ \spnewtheorem{theorem}{Theorem}{\bfseries}{\itshape}\r
+ \if@envcntreset\r
+ \@addtoreset{theorem}{section}\r
+ \else\r
+ \@addtoreset{theorem}{chapter}\r
+ \fi\r
+\fi\r
+\r
+%definition of divers theorem environments\r
+\spnewtheorem*{claim}{Claim}{\itshape}{\rmfamily}\r
+\spnewtheorem*{proof}{Proof}{\itshape}{\rmfamily}\r
+\if@envcntsame % alle Umgebungen wie Theorem.\r
+ \def\spn@wtheorem#1#2#3#4{\@spothm{#1}[theorem]{#2}{#3}{#4}}\r
+\else % alle Umgebungen mit eigenem Zaehler\r
+ \if@envcntsect % mit section numeriert\r
+ \def\spn@wtheorem#1#2#3#4{\@spxnthm{#1}{#2}[section]{#3}{#4}}\r
+ \else % nicht mit section numeriert\r
+ \if@envcntreset\r
+ \def\spn@wtheorem#1#2#3#4{\@spynthm{#1}{#2}{#3}{#4}\r
+ \@addtoreset{#1}{section}}\r
+ \else\r
+ \def\spn@wtheorem#1#2#3#4{\@spynthm{#1}{#2}{#3}{#4}\r
+ \@addtoreset{#1}{chapter}}%\r
+ \fi\r
+ \fi\r
+\fi\r
+\spn@wtheorem{case}{Case}{\itshape}{\rmfamily}\r
+\spn@wtheorem{conjecture}{Conjecture}{\itshape}{\rmfamily}\r
+\spn@wtheorem{corollary}{Corollary}{\bfseries}{\itshape}\r
+\spn@wtheorem{definition}{Definition}{\bfseries}{\itshape}\r
+\spn@wtheorem{example}{Example}{\itshape}{\rmfamily}\r
+\spn@wtheorem{exercise}{Exercise}{\itshape}{\rmfamily}\r
+\spn@wtheorem{lemma}{Lemma}{\bfseries}{\itshape}\r
+\spn@wtheorem{note}{Note}{\itshape}{\rmfamily}\r
+\spn@wtheorem{problem}{Problem}{\itshape}{\rmfamily}\r
+\spn@wtheorem{property}{Property}{\itshape}{\rmfamily}\r
+\spn@wtheorem{proposition}{Proposition}{\bfseries}{\itshape}\r
+\spn@wtheorem{question}{Question}{\itshape}{\rmfamily}\r
+\spn@wtheorem{solution}{Solution}{\itshape}{\rmfamily}\r
+\spn@wtheorem{remark}{Remark}{\itshape}{\rmfamily}\r
+\r
+\def\@takefromreset#1#2{%\r
+ \def\@tempa{#1}%\r
+ \let\@tempd\@elt\r
+ \def\@elt##1{%\r
+ \def\@tempb{##1}%\r
+ \ifx\@tempa\@tempb\else\r
+ \@addtoreset{##1}{#2}%\r
+ \fi}%\r
+ \expandafter\expandafter\let\expandafter\@tempc\csname cl@#2\endcsname\r
+ \expandafter\def\csname cl@#2\endcsname{}%\r
+ \@tempc\r
+ \let\@elt\@tempd}\r
+\r
+\def\theopargself{\def\@spopargbegintheorem##1##2##3##4##5{\trivlist\r
+ \item[\hskip\labelsep{##4##1\ ##2}]{##4##3\@thmcounterend\ }##5}\r
+ \def\@Opargbegintheorem##1##2##3##4{##4\trivlist\r
+ \item[\hskip\labelsep{##3##1}]{##3##2\@thmcounterend\ }}\r
+ }\r
+\r
+\renewenvironment{abstract}{%\r
+ \list{}{\advance\topsep by0.35cm\relax\small\r
+ \leftmargin=1cm\r
+ \labelwidth=\z@\r
+ \listparindent=\z@\r
+ \itemindent\listparindent\r
+ \rightmargin\leftmargin}\item[\hskip\labelsep\r
+ \bfseries\abstractname]}\r
+ {\endlist}\r
+\r
+\newdimen\headlineindent % dimension for space between\r
+\headlineindent=1.166cm % number and text of headings.\r
+\r
+\def\ps@headings{\let\@mkboth\@gobbletwo\r
+ \let\@oddfoot\@empty\let\@evenfoot\@empty\r
+ \def\@evenhead{\normalfont\small\rlap{\thepage}\hspace{\headlineindent}%\r
+ \leftmark\hfil}\r
+ \def\@oddhead{\normalfont\small\hfil\rightmark\hspace{\headlineindent}%\r
+ \llap{\thepage}}\r
+ \def\chaptermark##1{}%\r
+ \def\sectionmark##1{}%\r
+ \def\subsectionmark##1{}}\r
+\r
+\def\ps@titlepage{\let\@mkboth\@gobbletwo\r
+ \let\@oddfoot\@empty\let\@evenfoot\@empty\r
+ \def\@evenhead{\normalfont\small\rlap{\thepage}\hspace{\headlineindent}%\r
+ \hfil}\r
+ \def\@oddhead{\normalfont\small\hfil\hspace{\headlineindent}%\r
+ \llap{\thepage}}\r
+ \def\chaptermark##1{}%\r
+ \def\sectionmark##1{}%\r
+ \def\subsectionmark##1{}}\r
+\r
+\if@runhead\ps@headings\else\r
+\ps@empty\fi\r
+\r
+\setlength\arraycolsep{1.4\p@}\r
+\setlength\tabcolsep{1.4\p@}\r
+\r
+\endinput\r
+%end of file llncs.cls\r
--- /dev/null
+% this style was created by Philippe Dreuw and Thomas Deselaers
+\ProvidesPackage{beamerthemeTF}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\RequirePackage{colorsTF}
+\selectcolormodel{cmyk}
+\mode<presentation>
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\definecolor{veryLightBlue}{rgb}{0.95,0.9,0.95} %
+\definecolor{lightBlue}{rgb}{0.8,0.8,1} % dark blue
+\definecolor{darkBlue}{rgb}{0,0,0.7} % dark blue
+\definecolor{textBG}{rgb}{0.95,0.95,1} % dark blue
+
+
+\setbeamercolor{headline}{fg=black,bg=white}
+\setbeamercolor{footline}{fg=black, bg=white}
+\setbeamerfont{footline}{size=\large,series=\sf}
+\setbeamercolor{separation line}{bg=black}
+\setbeamercolor{title in headline}{fg=black, bg=}
+\setbeamercolor{author in headline}{fg=black, bg=}
+\setbeamercolor{institute in headline}{fg=black, bg=}
+
+\setbeamercolor{framesubtitle}{fg=ta3orange, bg=veryLightBlue}
+\setbeamercolor{author in head/foot}{fg=black, bg=white}
+\setbeamercolor{title in head/foot}{fg=black, bg=white}
+
+\setbeamercolor*{normal text}{fg=black, bg=veryLightBlue}
+
+\setbeamercolor*{block body}{bg=white,fg=black}
+\setbeamercolor*{block title}{bg=telemetaRed,fg=white}
+\setbeamerfont{block title}{size=\large,series=\bf}
+\setbeamercolor{upper separation line head}{fg=red}
+
+\setbeamercolor*{example body}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example text}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example title}{bg=taorange,fg=ta2gray}
+
+\setbeamercolor{alerted text}{fg=red, bg=white}
+\setbeamercolor*{alerted body}{fg=ta3aluminium,bg=white}
+
+%\setbeamercolor{example text}{fg=taorange}
+\setbeamercolor{structure}{fg=ta3skyblue}
+
+\setbeamertemplate{itemize items}[triangle]
+\setbeamertemplate{navigation symbols}{} % no navigation on a poster
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\setbeamertemplate{block begin}{
+ \vskip.75ex
+ \begin{beamercolorbox}[rounded=true,shadow=true,leftskip=1cm,colsep*=.75ex]{block title}%
+ \usebeamerfont*{block title}\insertblocktitle
+ \end{beamercolorbox}%
+ {\ifbeamercolorempty[bg]{block body}{}{\nointerlineskip\vskip-0.5pt}}%
+ \usebeamerfont{block body}%
+ \begin{beamercolorbox}[rounded=true,shadow=true,colsep*=.75ex,sep=.75ex,vmode]{block body}%
+ \ifbeamercolorempty[bg]{block body}{\vskip-.25ex}{\vskip-.75ex}\vbox{}%
+ }
+ \setbeamertemplate{block end}{
+ \end{beamercolorbox}
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\setbeamertemplate{headline}{
+ \leavevmode
+ \begin{beamercolorbox}[wd=\paperwidth]{headline}
+ \begin{columns}[T]
+ \begin{column}{.02\paperwidth}
+ \end{column}
+ \begin{column}{.07\paperwidth}
+ \begin{center}
+ \includegraphics[width=1.2\linewidth]{img/logo_CREM.png}\\
+ % \hspace{1cm}
+ \includegraphics[width=1.2\linewidth]{img/logo_LESC.png}
+ \end{center}
+ \vskip1ex
+ \end{column}
+ \begin{column}{.675\paperwidth}
+ \vskip4ex \raggedleft
+
+ \usebeamercolor{title in
+ headline}{\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
+ \usebeamercolor{author in
+ headline}{\color{fg}\large{\insertauthor}\\[1ex]}
+ \usebeamercolor{institute in
+ headline}{\color{fg}\large{\insertinstitute}\\[1ex]}
+ \end{column}
+ \begin{column}{.25\paperwidth}
+ \vskip1cm
+ \begin{center}
+ \includegraphics[width=.65\linewidth]{img/parisson_logo_FINALE_com.pdf}\\
+ \vspace{2.5cm}
+ \includegraphics[width=.6\linewidth]{img/upmc.png}
+ \end{center}
+ \vskip1.5cm
+ \end{column}
+ \begin{column}{.03\paperwidth}
+ \end{column}
+ \end{columns}
+ \end{beamercolorbox}
+ \begin{beamercolorbox}[wd=\paperwidth]{lower separation line head}
+ \rule{0pt}{2pt}
+ \end{beamercolorbox}
+}
+
+% \setbeamertemplate{headline}{
+% \leavevmode
+% \begin{beamercolorbox}[sep=0.5cm,wd=.8\paperwidth]{headline}
+% \usebeamercolor{title in headline}{\raggedleft\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
+% \usebeamercolor{author in headline}{\raggedleft\color{fg}\large{\insertauthor}\\[1ex]}
+% \usebeamercolor{institute in headline}{\raggedleft\color{fg}\large{\insertinstitute}\\[1ex]}
+% \end{beamercolorbox}%
+% \begin{beamercolorbox}[wd=.2\paperwidth]{logo in headline}
+% \centering
+% \LARGE{LOGO}
+% \end{beamercolorbox}
+
+
+%}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\setbeamertemplate{footline}{}
+
+% \begin{beamercolorbox}[wd=\paperwidth]{Footer}
+% \begin{center}
+ % \includegraphics[width=0.5\paperwidth]{img/CMMR2013banner.png}
+% \end{center}
+
+% \end{beamercolorbox}
+
+% \begin{beamercolorbox}[wd=\paperwidth]{upper separation line foot}
+% \rule{0pt}{2pt}
+% \end{beamercolorbox}
+% \vskip1ex
+% \leavevmode%
+% \begin{beamercolorbox}[ht=5ex,leftskip=1cm,rightskip=1cm]{author in head/foot}%
+% %\includegraphics[width=5.5cm]{img/CMMR2013footer.png} \hskip2cm%
+% {\large \textbf{10th International Symposium on Computer Music Multidisciplinary Research (CMMR) Sound, Music and Motion , \hspace{1cm} Marseilles , \hspace{1cm} 15-18 October 2013}}
+
+% \vskip1ex
+% \end{beamercolorbox}
+
+% \vskip0pt%
+% \begin{beamercolorbox}[wd=\paperwidth]{lower separation line foot}
+% \rule{0pt}{2pt}\begin{picture}(0,0) \put(0,0){\includegraphics[width=\paperwidth]{img/CMMR2013footer_alpha.png}}\end{picture}
+% \end{beamercolorbox}
+%}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Display a grid to help align images ... and it looks nice with this color scheme
+%\beamertemplategridbackground[1cm]
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\mode<all>
+
--- /dev/null
+% this style was created by Philippe Dreuw and Thomas Deselaers
+\ProvidesPackage{beamerthemeTF}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\RequirePackage{colorsTF}
+\selectcolormodel{cmyk}
+\mode<presentation>
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\definecolor{veryLightBlue}{rgb}{0.95,0.9,0.95} %
+\definecolor{lightBlue}{rgb}{0.8,0.8,1} % dark blue
+\definecolor{darkBlue}{rgb}{0,0,0.7} % dark blue
+\definecolor{textBG}{rgb}{0.95,0.95,1} % dark blue
+
+
+\setbeamercolor{headline}{fg=black,bg=white}
+\setbeamercolor{footline}{fg=black, bg=white}
+\setbeamerfont{footline}{size=\large,series=\sf}
+\setbeamercolor{separation line}{bg=black}
+\setbeamercolor{title in headline}{fg=black, bg=}
+\setbeamercolor{author in headline}{fg=black, bg=}
+\setbeamercolor{institute in headline}{fg=black, bg=}
+
+\setbeamercolor{framesubtitle}{fg=ta3orange, bg=veryLightBlue}
+\setbeamercolor{author in head/foot}{fg=black, bg=white}
+\setbeamercolor{title in head/foot}{fg=black, bg=white}
+
+\setbeamercolor*{normal text}{fg=black, bg=veryLightBlue}
+
+\setbeamercolor*{block body}{bg=white,fg=black}
+\setbeamercolor*{block title}{bg=telemetaRed,fg=white}
+\setbeamerfont{block title}{size=\large,series=\bf}
+\setbeamercolor{upper separation line head}{fg=red}
+
+\setbeamercolor*{example body}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example text}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example title}{bg=taorange,fg=ta2gray}
+
+\setbeamercolor{alerted text}{fg=red, bg=white}
+\setbeamercolor*{alerted body}{fg=ta3aluminium,bg=white}
+
+%\setbeamercolor{example text}{fg=taorange}
+\setbeamercolor{structure}{fg=ta3skyblue}
+
+\setbeamertemplate{itemize items}[triangle]
+\setbeamertemplate{navigation symbols}{} % no navigation on a poster
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\setbeamertemplate{block begin}{
+ \vskip.75ex
+ \begin{beamercolorbox}[rounded=true,shadow=true,leftskip=1cm,colsep*=.75ex]{block title}%
+ \usebeamerfont*{block title}\insertblocktitle
+ \end{beamercolorbox}%
+ {\ifbeamercolorempty[bg]{block body}{}{\nointerlineskip\vskip-0.5pt}}%
+ \usebeamerfont{block body}%
+ \begin{beamercolorbox}[rounded=true,shadow=true,colsep*=.75ex,sep=.75ex,vmode]{block body}%
+ \ifbeamercolorempty[bg]{block body}{\vskip-.25ex}{\vskip-.75ex}\vbox{}%
+ }
+ \setbeamertemplate{block end}{
+ \end{beamercolorbox}
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\setbeamertemplate{headline}{
+ \leavevmode
+ \begin{beamercolorbox}[wd=\paperwidth]{headline}
+ \begin{columns}[T]
+ \begin{column}{.02\paperwidth}
+ \end{column}
+ \begin{column}{.07\paperwidth}
+ \begin{center}
+ \includegraphics[width=1.2\linewidth]{img/logo_CREM.png}\\
+ % \hspace{1cm}
+ \includegraphics[width=1.2\linewidth]{img/logo_LESC.png}
+ \end{center}
+ \vskip1ex
+ \end{column}
+ \begin{column}{.675\paperwidth}
+ \vskip4ex \raggedleft
+
+ \usebeamercolor{title in
+ headline}{\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
+ \usebeamercolor{author in
+ headline}{\color{fg}\large{\insertauthor}\\[1ex]}
+ \usebeamercolor{institute in
+ headline}{\color{fg}\large{\insertinstitute}\\[1ex]}
+ \end{column}
+ \begin{column}{.25\paperwidth}
+ \vskip1cm
+ \begin{center}
+ \includegraphics[width=.65\linewidth]{img/parisson_logo_FINALE_com.pdf}\\
+ \vspace{2.5cm}
+ \includegraphics[width=.6\linewidth]{img/upmc.png}
+ \end{center}
+ \vskip1.5cm
+ \end{column}
+ \begin{column}{.03\paperwidth}
+ \end{column}
+ \end{columns}
+ \end{beamercolorbox}
+ \begin{beamercolorbox}[wd=\paperwidth]{lower separation line head}
+ \rule{0pt}{2pt}
+ \end{beamercolorbox}
+}
+
+% \setbeamertemplate{headline}{
+% \leavevmode
+% \begin{beamercolorbox}[sep=0.5cm,wd=.8\paperwidth]{headline}
+% \usebeamercolor{title in headline}{\raggedleft\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
+% \usebeamercolor{author in headline}{\raggedleft\color{fg}\large{\insertauthor}\\[1ex]}
+% \usebeamercolor{institute in headline}{\raggedleft\color{fg}\large{\insertinstitute}\\[1ex]}
+% \end{beamercolorbox}%
+% \begin{beamercolorbox}[wd=.2\paperwidth]{logo in headline}
+% \centering
+% \LARGE{LOGO}
+% \end{beamercolorbox}
+
+
+%}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\setbeamertemplate{footline}{
+
+ \begin{beamercolorbox}[wd=\paperwidth]{CMMR 2013 footer}
+ \begin{center}
+ \includegraphics[width=0.5\paperwidth]{img/CMMR2013banner.png}
+ \end{center}
+
+ \end{beamercolorbox}
+
+% \begin{beamercolorbox}[wd=\paperwidth]{upper separation line foot}
+% \rule{0pt}{2pt}
+% \end{beamercolorbox}
+% \vskip1ex
+% \leavevmode%
+% \begin{beamercolorbox}[ht=5ex,leftskip=1cm,rightskip=1cm]{author in head/foot}%
+% %\includegraphics[width=5.5cm]{img/CMMR2013footer.png} \hskip2cm%
+% {\large \textbf{10th International Symposium on Computer Music Multidisciplinary Research (CMMR) Sound, Music and Motion , \hspace{1cm} Marseilles , \hspace{1cm} 15-18 October 2013}}
+
+% \vskip1ex
+% \end{beamercolorbox}
+
+% \vskip0pt%
+% \begin{beamercolorbox}[wd=\paperwidth]{lower separation line foot}
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+% \end{beamercolorbox}
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Display a grid to help align images ... and it looks nice with this color scheme
+%\beamertemplategridbackground[1cm]
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\mode<all>
+
--- /dev/null
+% this style was created by Philippe Dreuw and Thomas Deselaers
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+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
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+\selectcolormodel{cmyk}
+\mode<presentation>
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
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+\definecolor{lightBlue}{rgb}{0.8,0.8,1} % dark blue
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+\setbeamercolor{author in headline}{fg=black, bg=}
+\setbeamercolor{institute in headline}{fg=black, bg=}
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+\setbeamercolor{framesubtitle}{fg=ta3orange, bg=veryLightBlue}
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+\setbeamercolor{title in head/foot}{fg=black, bg=white}
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+\setbeamercolor*{normal text}{fg=black, bg=veryLightBlue}
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+\setbeamercolor*{block body}{bg=white,fg=black}
+\setbeamercolor*{block title}{bg=telemetaRed,fg=white}
+\setbeamerfont{block title}{size=\small,series=\bf}
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+
+\setbeamercolor*{example body}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example text}{fg=ta3aluminium,bg=white}
+\setbeamercolor*{example title}{bg=taorange,fg=ta2gray}
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+ %\vskip1ex
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+ \vskip4ex \raggedleft
+ \usebeamercolor{title in headline}{\color{fg}\textbf{\LARGE{\inserttitle}}\\[1ex]}
+ \usebeamercolor{author in headline}{\color{fg}\large{\insertauthor}\\[1ex]}
+ \usebeamercolor{institute in headline}{\color{fg}\large{\insertinstitute}\\[1ex]}
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+ \vskip1cm
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+ \vspace{1.5cm}
+ \includegraphics[width=.6\linewidth]{img/upmc.png}
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+ \begin{beamercolorbox}[wd=\paperwidth]{lower separation line head}
+ \rule{0pt}{2pt}
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+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
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+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Display a grid to help align images ... and it looks nice with this color scheme
+%\beamertemplategridbackground[1cm]
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\mode<all>
+
--- /dev/null
+% Defines the tango palette for use with LaTeX.
+%
+% Copyright 2006 by Patrick Pletscher <pat _at_ pletscher.org>
+%
+% This program can be redistributed and/or modified under the terms
+% of the GNU Public License, version 2.
+
+% butter (yellowish)
+\definecolor{tabutter}{rgb}{0.98824, 0.91373, 0.30980} % #fce94f
+\definecolor{ta2butter}{rgb}{0.92941, 0.83137, 0} % #edd400
+\definecolor{ta3butter}{rgb}{0.76863, 0.62745, 0} % #c4a000
+
+% orange
+\definecolor{taorange}{rgb}{0.98824, 0.68627, 0.24314} % #fcaf3e
+\definecolor{ta2orange}{rgb}{0.96078, 0.47451, 0} % #f57900
+\definecolor{ta3orange}{rgb}{0.80784, 0.36078, 0} % #ce5c00
+
+% chocolate (brownish)
+\definecolor{tachocolate}{rgb}{0.91373, 0.72549, 0.43137} % #e9b96e
+\definecolor{ta2chocolate}{rgb}{0.75686, 0.49020, 0.066667} % #c17d11
+\definecolor{ta3chocolate}{rgb}{0.56078, 0.34902, 0.0078431} % #8f5902
+
+% chameleon (greenish)
+\definecolor{tachameleon}{rgb}{0.54118, 0.88627, 0.20392} % #8ae234
+\definecolor{ta2chameleon}{rgb}{0.45098, 0.82353, 0.086275} % #73d216
+\definecolor{ta3chameleon}{rgb}{0.30588, 0.60392, 0.023529} % #4e9a06
+
+% sky blue
+\definecolor{taskyblue}{rgb}{0.44706, 0.56078, 0.81176} % #728fcf
+\definecolor{ta2skyblue}{rgb}{0.20392, 0.39608, 0.64314} % #3465a4
+\definecolor{ta3skyblue}{rgb}{0.12549, 0.29020, 0.52941} % #204a87
+
+% plum (violettish)
+\definecolor{taplum}{rgb}{0.67843, 0.49804, 0.65882} % #ad7fa8
+\definecolor{ta2plum}{rgb}{0.45882, 0.31373, 0.48235} % #75507b
+\definecolor{ta3plum}{rgb}{0.36078, 0.20784, 0.4} % #5c3566
+
+% scarlet red
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+\definecolor{ta2scarletred}{rgb}{0.8, 0, 0} % #cc0000
+\definecolor{ta3scarletred}{rgb}{0.64314, 0, 0} % #a40000
+
+% aluminium
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+\definecolor{ta2aluminium}{rgb}{0.82745, 0.84314, 0.81176} % #d3d7cf
+\definecolor{ta3aluminium}{rgb}{0.72941, 0.74118, 0.71373} % #babdb6
+
+% gray
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+
+% telemeta red
+\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
--- /dev/null
+% Defines the tango palette for use with LaTeX.
+%
+% Copyright 2006 by Patrick Pletscher <pat _at_ pletscher.org>
+%
+% This program can be redistributed and/or modified under the terms
+% of the GNU Public License, version 2.
+
+% butter (yellowish)
+\definecolor{tabutter}{rgb}{0.98824, 0.91373, 0.30980} % #fce94f
+\definecolor{ta2butter}{rgb}{0.92941, 0.83137, 0} % #edd400
+\definecolor{ta3butter}{rgb}{0.76863, 0.62745, 0} % #c4a000
+
+% orange
+\definecolor{taorange}{rgb}{0.98824, 0.68627, 0.24314} % #fcaf3e
+\definecolor{ta2orange}{rgb}{0.96078, 0.47451, 0} % #f57900
+\definecolor{ta3orange}{rgb}{0.80784, 0.36078, 0} % #ce5c00
+
+% chocolate (brownish)
+\definecolor{tachocolate}{rgb}{0.91373, 0.72549, 0.43137} % #e9b96e
+\definecolor{ta2chocolate}{rgb}{0.75686, 0.49020, 0.066667} % #c17d11
+\definecolor{ta3chocolate}{rgb}{0.56078, 0.34902, 0.0078431} % #8f5902
+
+% chameleon (greenish)
+\definecolor{tachameleon}{rgb}{0.54118, 0.88627, 0.20392} % #8ae234
+\definecolor{ta2chameleon}{rgb}{0.45098, 0.82353, 0.086275} % #73d216
+\definecolor{ta3chameleon}{rgb}{0.30588, 0.60392, 0.023529} % #4e9a06
+
+% sky blue
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+\definecolor{ta3skyblue}{rgb}{0.12549, 0.29020, 0.52941} % #204a87
+
+% plum (violettish)
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+\definecolor{ta3plum}{rgb}{0.36078, 0.20784, 0.4} % #5c3566
+
+% scarlet red
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+\definecolor{ta2scarletred}{rgb}{0.8, 0, 0} % #cc0000
+\definecolor{ta3scarletred}{rgb}{0.64314, 0, 0} % #a40000
+
+% aluminium
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+\definecolor{ta2aluminium}{rgb}{0.82745, 0.84314, 0.81176} % #d3d7cf
+\definecolor{ta3aluminium}{rgb}{0.72941, 0.74118, 0.71373} % #babdb6
+
+% gray
+\definecolor{tagray}{rgb}{0.53333, 0.54118, 0.52157} % #888a85
+\definecolor{ta2gray}{rgb}{0.33333, 0.34118, 0.32549} % #555753
+\definecolor{ta3gray}{rgb}{0.18039, 0.20392, 0.21176} % #2e3436
+
+% telemeta red
+\definecolor{telemetared}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
--- /dev/null
+\relax
+\providecommand\HyperFirstAtBeginDocument{\AtBeginDocument}
+\HyperFirstAtBeginDocument{\ifx\hyper@anchor\@undefined
+\global\let\oldcontentsline\contentsline
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+\fi}
+\fi}
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+\catcode`;\active
+\catcode`!\active
+\catcode`?\active
+\citation{DublinCore}
+\citation{OAI-PMH}
+\citation{brossierPhD}
+\citation{yaafe_ISMIR2010}
+\citation{vamp-plugins}
+\bibstyle{../splncs03}
+\bibdata{../cmmr_2013}
+\bibcite{brossierPhD}{\hyperlink {beamerbibbrossierPhD}{1}}
+\bibcite{DublinCore}{\hyperlink {beamerbibDublinCore}{2}}
+\bibcite{yaafe_ISMIR2010}{\hyperlink {beamerbibyaafe_ISMIR2010}{3}}
+\bibcite{OAI-PMH}{\hyperlink {beamerbibOAI-PMH}{4}}
+\bibcite{vamp-plugins}{\hyperlink {beamerbibvamp-plugins}{5}}
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--- /dev/null
+\begin{thebibliography}{1}
+\providecommand{\url}[1]{\texttt{#1}}
+\providecommand{\urlprefix}{URL }
+
+\bibitem{brossierPhD}
+Brossier, P.: Automatic annotation of musical audio for interactive systems.
+ Ph.D. thesis, Centre for Digital music, Queen Mary University of London, UK
+ (2006)
+
+\bibitem{DublinCore}
+{Dublin Core} metadata initiative, \url{http://dublincore.org/}
+
+\bibitem{yaafe_ISMIR2010}
+Mathieu, B., Essid, S., Fillon, T., Prado, J., Richard, G.: Yaafe, an easy to
+ use and efficient audio feature extraction software. In: Proc. of ISMIR 2010,
+ Utrecht, Netherlands. pp. 441--446. International Society for Music
+ Information Retrieval (2010),
+ \url{http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}
+
+\bibitem{OAI-PMH}
+Open archives initiative protocol for metadata harvesting,
+ \url{http://www.openarchives.org/pmh/}
+
+\bibitem{vamp-plugins}
+The {Vamp} audio analysis plugin system, \url{http://www.vamp-plugins.org}
+
+\end{thebibliography}
--- /dev/null
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+ defining Unicode char U+00EE (decimal 238)
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+ defining Unicode char U+010C (decimal 268)
+ defining Unicode char U+010D (decimal 269)
+ defining Unicode char U+010E (decimal 270)
+ defining Unicode char U+010F (decimal 271)
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+ defining Unicode char U+0111 (decimal 273)
+ defining Unicode char U+0118 (decimal 280)
+ defining Unicode char U+0119 (decimal 281)
+ defining Unicode char U+011A (decimal 282)
+ defining Unicode char U+011B (decimal 283)
+ defining Unicode char U+011E (decimal 286)
+ defining Unicode char U+011F (decimal 287)
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+\documentclass[final, hyperref, table]{beamer}
+\mode<presentation>
+{
+\usetheme{TF}
+ }
+
+ \usepackage[english,francais]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+ \usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ?
+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+%\usepackage{hyperref}
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+\usepackage[orientation=portrait,size=a0,scale=1.4]{beamerposter}
+
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{1,1,0.8}
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+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\scriptsize, % the size of the fonts that are used for the code
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
+
+
+\institute[Parisson]{\small
+ \inst{1}%
+ Parisson, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
+ 11 rue de Lourmel, 75015 Paris, France\\
+ \inst{3}%
+ CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
+21 Allée de l'Université - 92023 Nanterre, France\\
+%Thanks
+\vskip1ex
+ {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
+}
+
+\date[03/09/2013]{03 septembre 2013}
+%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
+\begin{document}
+%\maketitle
+\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+ \begin{block}{Abstract}\small
+
+ \begin{minipage}{0.74\linewidth}
+ \begin{itemize}
+ \item \emph{Telemeta} is an \alert{open-source audio web Content
+ Management System} (CMS) dedicated to \alert{digital sound
+ archives} secure storing, indexing and publishing.
+ \item The demonstration presents the features of this platform
+ in the context of \alert{\emph{ethnomusicological} research}.
+ \item It focuses on the enhance and collaborative
+ user-experience in accessing audio items and their associated
+ metadata and on the possibility for the expert user to further
+ enrich those metadata.
+ \item \emph{Telemeta} also provides integrated \alert{audio signal
+ processing tools} for automatic analysis of sound items.
+ \end{itemize}
+ \end{minipage}
+ \begin{minipage}{0.24\linewidth}
+ \begin{center}
+ \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
+
+ \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
+ \vskip1ex
+ \colorbox{yellow!50}
+ { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
+ \end{center}
+ \end{minipage}
+ \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
+ \end{block}
+
+% ==================================
+% --------- Corps -----------------
+% ==================================
+ \begin{columns}[t]
+\footnotesize
+% ==================================
+% --------- Colonne gauche ---------
+% ==================================
+ \begin{column}[T]{.49\linewidth}
+ \begin{block}{Introduction}
+ \textbf{Needs}\\
+ \begin{itemize}
+ \item In social sciences like anthropology and linguistics,
+ researchers have to work on multiple types of multimedia
+ documents such as photos, videos, sound recordings or
+ databases.
+ \item The need to easily access, visualize and annotate
+ such materials can be problematic given their diverse formats,
+ sources and given their chronological nature.
+ \end{itemize}
+
+\textbf{The \emph{Telemeta} project}\\
+\begin{itemize}
+\item The CREM laboratory and Parisson have been developing an innovative,
+ collaborative and interdisciplinary open-source web-based multimedia
+ platform since 2007.
+\item Goal : fit the professional requirements from both sound archivists and
+ researchers in ethnomusicology.
+\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
+ l'Homme}:
+\end{itemize}
+\begin{center}
+ \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
+\end{center}
+
+ \end{block}
+
+\begin{block}{Web audio content management features and architecture}
+ \begin{itemize}
+ \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
+ Free Software License Agreement}) web audio content management
+ system which introduces efficient and secure methods for
+ \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
+ digitalized audio file with its metadata.
+ \item \emph{Telemeta} is ideal for
+ professional collaborators who wants to easily organize, backup, archive and
+ publish documented sound collections of audio files, CDs,
+ digitalized vinyls and magnetic tapes over a strong database in
+ accordance with \alert{open web standards}.
+ \item \emph{Telemeta} architecture
+ is \alert{flexible} and can easily be adapted to particular database
+ organization of a given sound archives.
+ \end{itemize}
+
+\begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.47\paperwidth]{img/player_mark.png}
+ \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
+\end{figure}
+
+
+
+The main features of \emph{Telemeta} are:
+\vspace{-0.1cm}
+\begin{itemize}
+\item \alert{Pure HTML} web user interface including high level \alert{search engine}
+\item \alert{Smart workflow management} with contextual user lists, profiles and rights
+ % \item RSS and JSON feed generators
+ % \item XML serialized backup
+\item Model-View-Controller (\alert{MVC}) architecture
+\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
+
+\end{itemize}
+Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
+
+\end{block}
+\begin{block}{Metadata}
+ \begin{itemize}
+ \item In addition to the audio data, an efficient and \alert{dynamic
+ management} of the associated metadata is also required.
+ \item Dynamically handling metadata in a \alert{collaborative} manner optimises
+ the continuous process of knowledge gathering and enrichment of
+ the materials in the database.
+ \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
+ and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
+ Harvesting) \cite{DublinCore,OAI-PMH}.
+ \end{itemize}
+
+\textbf{Contextual Information}\\
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
+
+\textbf{Annotations and segmentation}\\
+Metadata also consist in temporal information such as:
+\begin{itemize}
+\item a list of \alert{time-coded markers} associated with annotations
+\item a list of of \alert{time-segments} associated with labels.
+\end{itemize}
+The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
+It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
+
+\end{block}
+ \end{column}
+
+% ==================================
+% ------- Colonne droite -----------
+% ==================================
+\begin{column}[T]{.49\linewidth}
+ \begin{block}{TimeSide : open web audio processing framework}
+One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
+
+\begin{center}
+ \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+\end{center}
+
+ \begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
+ \caption{TimeSide architecture}
+\end{figure}
+
+\textbf{Goals}\\
+
+\begin{itemize}
+\item \alert{Do} asynchronous and fast audio processing with Python.
+\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
+\item \alert{Analyze} audio content with some external audio feature extraction libraries.
+\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
+\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
+\item \alert{Transcode} audio data in various media formats and stream them through web apps.
+\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
+\end{itemize}
+
+\textbf{Audio features extraction}\\
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
+
+ \begin{itemize}
+ \item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+ \cite{brossierPhD}
+ \item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+ \cite{yaafe_ISMIR2010}
+ \item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+ \cite{vamp-plugins}
+ \end{itemize}
+
+
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
+Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
+\end{block}
+\begin{block}{Code Example (Python)}
+\vskip1ex
+ \begin{minipage}{0.6\linewidth}
+ \begin{lstlisting}
+
+import timeside
+
+# Define some processors:
+decoder = timeside.decoder.FileDecoder('sweep.wav')
+analyzer = timeside.analyzer.Level()
+grapher = timeside.grapher.Spectrogram()
+encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
+
+# Then, the magic pipeline:
+(decoder | analyzer | grapher | encoder).run()
+
+# Get the results:
+grapher.render(output='image.png')
+for key in analyzer.results.keys():
+ print '%s in %s : %s'% (analyzer.results[key].name,
+ analyzer.results[key].unit,
+ analyzer.results[key].data)
+
+\end{lstlisting}
+\end{minipage}
+\hskip2ex
+\begin{minipage}{0.32\linewidth}
+ \begin{center}
+ \textbf{Results}
+ \begin{figure}
+ \centering
+ \includegraphics{img/spectrogram.png}
+ \caption{Spectrogram (sweep signal)}
+ \end{figure}
+ \end{center}
+\vskip5ex
+\begin{lstlisting}
+
+ Level Analyzer Max:[-6.021]
+ Level Analyzer RMS:[-9.856]
+
+\end{lstlisting}
+
+
+\end{minipage}
+
+ \end{block}
+\begin{block}{Références}\tiny
+\bibliographystyle{../splncs03}
+%\label{sec:ref}
+\vspace{-1cm}
+\begin{multicols}{2}[]
+\bibliography{../cmmr_2013}
+\end{multicols}
+ \end{block}
+ \end{column}
+\end{columns}
+\end{frame}
+\end{document}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
--- /dev/null
+\documentclass[final, hyperref, table]{beamer}
+\mode<presentation>
+{
+\usetheme{TF}
+ }
+
+ \usepackage[english,francais]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+ \usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ?
+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+%\usepackage{hyperref}
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+\usepackage[orientation=portrait,size=a0,scale=1.4]{beamerposter}
+
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{1,1,0.8}
+\lstset{%
+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\scriptsize, % the size of the fonts that are used for the code
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
+
+
+\institute[Parisson]{\small
+ \inst{1}%
+ Parisson, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
+ 11 rue de Lourmel, 75015 Paris, France\\
+ \inst{3}%
+ CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
+21 Allée de l'Université - 92023 Nanterre, France\\
+%Thanks
+\vskip1ex
+ {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
+}
+
+\date[03/09/2013]{03 septembre 2013}
+%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
+\begin{document}
+%\maketitle
+\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+ \begin{block}{Abstract}\small
+
+ \begin{minipage}{0.74\linewidth}
+ \begin{itemize}
+ \item \emph{Telemeta} is an \alert{open-source audio web Content
+ Management System} (CMS) dedicated to \alert{digital sound
+ archives} secure storing, indexing and publishing.
+ \item The demonstration presents the features of this platform
+ in the context of \alert{\emph{ethnomusicological} research}.
+ \item It focuses on the enhance and collaborative
+ user-experience in accessing audio items and their associated
+ metadata and on the possibility for the expert user to further
+ enrich those metadata.
+ \item \emph{Telemeta} also provides integrated \alert{audio signal
+ processing tools} for automatic analysis of sound items.
+ \end{itemize}
+ \end{minipage}
+ \begin{minipage}{0.24\linewidth}
+ \begin{center}
+ \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
+
+ \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
+ \vskip1ex
+ \colorbox{yellow!50}
+ { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
+ \end{center}
+ \end{minipage}
+ \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
+ \end{block}
+
+% ==================================
+% --------- Corps -----------------
+% ==================================
+ \begin{columns}[t]
+\footnotesize
+% ==================================
+% --------- Colonne gauche ---------
+% ==================================
+ \begin{column}[T]{.49\linewidth}
+ \begin{block}{Introduction}
+ \textbf{Needs}\\
+ \begin{itemize}
+ \item In social sciences like anthropology and linguistics,
+ researchers have to work on multiple types of multimedia
+ documents such as photos, videos, sound recordings or
+ databases.
+ \item The need to easily access, visualize and annotate
+ such materials can be problematic given their diverse formats,
+ sources and given their chronological nature.
+ \end{itemize}
+
+\textbf{The \emph{Telemeta} project}\\
+\begin{itemize}
+\item The CREM laboratory and Parisson have been developing an innovative,
+ collaborative and interdisciplinary open-source web-based multimedia
+ platform since 2007.
+\item Goal : fit the professional requirements from both sound archivists and
+ researchers in ethnomusicology.
+\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
+ l'Homme}:
+\end{itemize}
+\begin{center}
+ \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
+\end{center}
+
+ \end{block}
+
+\begin{block}{Web audio content management features and architecture}
+ \begin{itemize}
+ \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
+ Free Software License Agreement}) web audio content management
+ system which introduces efficient and secure methods for
+ back-uping, indexing, transcoding, analysing and publishing any
+ digitalized audio file with its metadata.
+ \item \emph{Telemeta} is ideal for
+ professionals who wants to easily organize, backup, archive and
+ publish documented sound collections of audio files, CDs,
+ digitalized vinyls and magnetic tapes over a strong database, in
+ accordance with open web standards.
+ \item \emph{Telemeta} architecture
+ is flexible and can easily be adapted to particular database
+ organization of a given sound archives.
+ \end{itemize}
+
+\begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.4\paperwidth]{../img/telemeta.png}
+ \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
+\end{figure}
+
+
+
+The main features of \emph{Telemeta} are:
+\vspace{-0.1cm}
+\begin{itemize}
+\item \emph{Pure HTML} web user interface including high level \emph{search engine}
+\item Smart \emph{workflow management} with contextual user lists, profiles and rights
+ % \item RSS and JSON feed generators
+ % \item XML serialized backup
+\item Strong Structured Query Language (SQL) or Oracle backend
+\item Model-View-Controller (MVC) architecture
+\end{itemize}
+Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
+
+\end{block}
+\begin{block}{Metadata}
+ \begin{itemize}
+ \item In addition to the audio data, an efficient and dynamic
+ management of the associated metadata is also required.
+ \item Dynamically handling metadata in a collaborative manner optimises
+ the continuous process of knowledge gathering and enrichment of
+ the materials in the database.
+ \item Compatibility : integration of the metadata standards protocols \emph{Dublin Core}
+ and \emph{OAI-PMH} (Open Archives Initiative Protocol for Metadata
+ Harvesting) \cite{DublinCore,OAI-PMH}.
+ \end{itemize}
+
+\textbf{Contextual Information}\\
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
+
+\textbf{Annotations and segmentation}\\
+Metadata also consist in temporal information such as:
+\begin{itemize}
+\item a list of \emph{time-coded markers} associated with annotations
+\item a list of of \emph{time-segments} associated with labels.
+\end{itemize}
+The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
+It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
+
+\end{block}
+ \end{column}
+
+% ==================================
+% ------- Colonne droite -----------
+% ==================================
+\begin{column}[T]{.49\linewidth}
+ \begin{block}{TimeSide : open web audio processing framework}
+One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
+
+\begin{center}
+ \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+\end{center}
+
+ \begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
+ \caption{TimeSide architecture}
+\end{figure}
+
+\textbf{Goals}\\
+
+\begin{itemize}
+\item \alert{Do} asynchronous and fast audio processing with Python.
+\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
+\item \alert{Analyze} audio content with some external audio feature extraction libraries.
+\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
+\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
+\item \alert{Transcode} audio data in various media formats and stream them through web apps.
+\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
+\end{itemize}
+
+\textbf{Audio features extraction}\\
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
+
+ \begin{itemize}
+ \item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+ \cite{brossierPhD}
+ \item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+ \cite{yaafe_ISMIR2010}
+ \item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+ \cite{vamp-plugins}
+ \end{itemize}
+
+
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
+Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide automatic annotation, segmentation and similarity analysis.
+\end{block}
+\begin{block}{Code Example (Python)}
+\vskip1ex
+ \begin{minipage}{0.6\linewidth}
+ \begin{lstlisting}
+
+import timeside
+
+# Define some processors:
+decoder = timeside.decoder.FileDecoder('sweep.wav')
+analyzer = timeside.analyzer.Level()
+grapher = timeside.grapher.Spectrogram()
+encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
+
+# Then, the magic pipeline:
+(decoder | analyzer | grapher | encoder).run()
+
+# Get the results:
+grapher.render(output='image.png')
+for key in analyzer.results.keys():
+ print '%s in %s : %s'% (analyzer.results[key].name,
+ analyzer.results[key].unit,
+ analyzer.results[key].data)
+
+\end{lstlisting}
+\end{minipage}
+\hskip2ex
+\begin{minipage}{0.32\linewidth}
+ \begin{center}
+ \textbf{Results}
+ \begin{figure}
+ \centering
+ \includegraphics{img/spectrogram.png}
+ \caption{Spectrogram (sweep signal)}
+ \end{figure}
+ \end{center}
+\vskip5ex
+\begin{lstlisting}
+
+ Level Analyzer Max:[-6.021]
+ Level Analyzer RMS:[-9.856]
+
+\end{lstlisting}
+
+
+\end{minipage}
+
+ \end{block}
+\begin{block}{Références}\tiny
+\bibliographystyle{../splncs03}
+%\label{sec:ref}
+\vspace{-1cm}
+\begin{multicols}{2}[]
+\bibliography{../cmmr_2013}
+\end{multicols}
+ \end{block}
+ \end{column}
+\end{columns}
+\end{frame}
+\end{document}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
--- /dev/null
+\documentclass[final, hyperref, table]{beamer}
+\mode<presentation>
+{
+\usetheme{TF}
+ }
+
+ \usepackage[english,francais]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+ \usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ?
+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+%\usepackage{hyperref}
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+\usepackage[orientation=portrait,size=a0,scale=1.4]{beamerposter}
+
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{1,1,0.8}
+\lstset{%
+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\scriptsize, % the size of the fonts that are used for the code
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
+
+
+\institute[Parisson]{\small
+ \inst{1}%
+ Parisson, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
+ 11 rue de Lourmel, 75015 Paris, France\\
+ \inst{3}%
+ CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
+21 Allée de l'Université - 92023 Nanterre, France\\
+%Thanks
+\vskip1ex
+ {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
+}
+
+\date[03/09/2013]{03 septembre 2013}
+%\usebackgroundtemplate{\centering \includegraphics[width=\paperwidth]{../presentation/piano_wallpaper_red.png}}
+\begin{document}
+%\maketitle
+\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+ \begin{block}{Abstract}\small
+
+ \begin{minipage}{0.74\linewidth}
+ \begin{itemize}
+ \item \emph{Telemeta} is an \alert{open-source audio web Content
+ Management System} (CMS) dedicated to \alert{digital sound
+ archives} secure storing, indexing and publishing.
+ \item The demonstration presents the features of this platform
+ in the context of \alert{\emph{ethnomusicological} research}.
+ \item It focuses on the enhance and collaborative
+ user-experience in accessing audio items and their associated
+ metadata and on the possibility for the expert user to further
+ enrich those metadata.
+ \item \emph{Telemeta} also provides integrated \alert{audio signal
+ processing tools} for automatic analysis of sound items.
+ \end{itemize}
+ \end{minipage}
+ \begin{minipage}{0.24\linewidth}
+ \begin{center}
+ \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
+
+ \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
+ \vskip1ex
+ \colorbox{yellow!50}
+ { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
+ \end{center}
+ \end{minipage}
+ \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
+ \end{block}
+
+% ==================================
+% --------- Corps -----------------
+% ==================================
+ \begin{columns}[t]
+\footnotesize
+% ==================================
+% --------- Colonne gauche ---------
+% ==================================
+ \begin{column}[T]{.49\linewidth}
+ \begin{block}{Introduction}
+ \textbf{Needs}\\
+ \begin{itemize}
+ \item In social sciences like anthropology and linguistics,
+ researchers have to work on multiple types of multimedia
+ documents such as photos, videos, sound recordings or
+ databases.
+ \item The need to easily access, visualize and annotate
+ such materials can be problematic given their diverse formats,
+ sources and given their chronological nature.
+ \end{itemize}
+
+\textbf{The \emph{Telemeta} project}\\
+\begin{itemize}
+\item The CREM laboratory and Parisson have been developing an innovative,
+ collaborative and interdisciplinary open-source web-based multimedia
+ platform since 2007.
+\item Goal : fit the professional requirements from both sound archivists and
+ researchers in ethnomusicology.
+\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
+ l'Homme}:
+\end{itemize}
+\begin{center}
+ \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
+\end{center}
+
+ \end{block}
+
+\begin{block}{Web audio content management features and architecture}
+ \begin{itemize}
+ \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
+ Free Software License Agreement}) web audio content management
+ system which introduces efficient and secure methods for
+ \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
+ digitalized audio file with its metadata.
+ \item \emph{Telemeta} is ideal for
+ professional collaborators who wants to easily organize, backup, archive and
+ publish documented sound collections of audio files, CDs,
+ digitalized vinyls and magnetic tapes over a strong database in
+ accordance with \alert{open web standards}.
+ \item \emph{Telemeta} architecture
+ is \alert{flexible} and can easily be adapted to particular database
+ organization of a given sound archives.
+ \end{itemize}
+
+\begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.4\paperwidth]{../img/telemeta.png}
+ \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
+\end{figure}
+
+
+
+The main features of \emph{Telemeta} are:
+\vspace{-0.1cm}
+\begin{itemize}
+\item \alert{Pure HTML} web user interface including high level \alert{search engine}
+\item \alert{Smart workflow management} with contextual user lists, profiles and rights
+ % \item RSS and JSON feed generators
+ % \item XML serialized backup
+\item Model-View-Controller (\alert{MVC}) architecture
+\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
+
+\end{itemize}
+Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
+
+\end{block}
+\begin{block}{Metadata}
+ \begin{itemize}
+ \item In addition to the audio data, an efficient and \alert{dynamic
+ management} of the associated metadata is also required.
+ \item Dynamically handling metadata in a \alert{collaborative} manner optimises
+ the continuous process of knowledge gathering and enrichment of
+ the materials in the database.
+ \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
+ and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
+ Harvesting) \cite{DublinCore,OAI-PMH}.
+ \end{itemize}
+
+\textbf{Contextual Information}\\
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
+
+\textbf{Annotations and segmentation}\\
+Metadata also consist in temporal information such as:
+\begin{itemize}
+\item a list of \alert{time-coded markers} associated with annotations
+\item a list of of \alert{time-segments} associated with labels.
+\end{itemize}
+The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
+It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
+
+\end{block}
+ \end{column}
+
+% ==================================
+% ------- Colonne droite -----------
+% ==================================
+\begin{column}[T]{.49\linewidth}
+ \begin{block}{TimeSide : open web audio processing framework}
+One specificity of the Telemeta architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
+
+\begin{center}
+ \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+\end{center}
+
+ \begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.4\paperwidth]{../img/timeside_schema.pdf}
+ \caption{TimeSide architecture}
+\end{figure}
+
+\textbf{Goals}\\
+
+\begin{itemize}
+\item \alert{Do} asynchronous and fast audio processing with Python.
+\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
+\item \alert{Analyze} audio content with some external audio feature extraction libraries.
+\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
+\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
+\item \alert{Transcode} audio data in various media formats and stream them through web apps.
+\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
+\end{itemize}
+
+\textbf{Audio features extraction}\\
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
+
+ \begin{itemize}
+ \item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+ \cite{brossierPhD}
+ \item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+ \cite{yaafe_ISMIR2010}
+ \item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+ \cite{vamp-plugins}
+ \end{itemize}
+
+
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
+Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
+\end{block}
+\begin{block}{Code Example (Python)}
+\vskip1ex
+ \begin{minipage}{0.6\linewidth}
+ \begin{lstlisting}
+
+import timeside
+
+# Define some processors:
+decoder = timeside.decoder.FileDecoder('sweep.wav')
+analyzer = timeside.analyzer.Level()
+grapher = timeside.grapher.Spectrogram()
+encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
+
+# Then, the magic pipeline:
+(decoder | analyzer | grapher | encoder).run()
+
+# Get the results:
+grapher.render(output='image.png')
+for key in analyzer.results.keys():
+ print '%s in %s : %s'% (analyzer.results[key].name,
+ analyzer.results[key].unit,
+ analyzer.results[key].data)
+
+\end{lstlisting}
+\end{minipage}
+\hskip2ex
+\begin{minipage}{0.32\linewidth}
+ \begin{center}
+ \textbf{Results}
+ \begin{figure}
+ \centering
+ \includegraphics{img/spectrogram.png}
+ \caption{Spectrogram (sweep signal)}
+ \end{figure}
+ \end{center}
+\vskip5ex
+\begin{lstlisting}
+
+ Level Analyzer Max:[-6.021]
+ Level Analyzer RMS:[-9.856]
+
+\end{lstlisting}
+
+
+\end{minipage}
+
+ \end{block}
+\begin{block}{Références}\tiny
+\bibliographystyle{../splncs03}
+%\label{sec:ref}
+\vspace{-1cm}
+\begin{multicols}{2}[]
+\bibliography{../cmmr_2013}
+\end{multicols}
+ \end{block}
+ \end{column}
+\end{columns}
+\end{frame}
+\end{document}
+%%% Local Variables:
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+\citation{DublinCore}
+\citation{OAI-PMH}
+\citation{brossierPhD}
+\citation{yaafe_ISMIR2010}
+\citation{vamp-plugins}
+\bibstyle{../splncs03}
+\bibdata{../cmmr_2013}
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+\bibcite{DublinCore}{\hyperlink {beamerbibDublinCore}{2}}
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+\providecommand{\url}[1]{\texttt{#1}}
+\providecommand{\urlprefix}{URL }
+
+\bibitem{brossierPhD}
+Brossier, P.: Automatic annotation of musical audio for interactive systems.
+ Ph.D. thesis, Centre for Digital music, Queen Mary University of London, UK
+ (2006)
+
+\bibitem{DublinCore}
+{Dublin Core} metadata initiative, \url{http://dublincore.org/}
+
+\bibitem{yaafe_ISMIR2010}
+Mathieu, B., Essid, S., Fillon, T., Prado, J., Richard, G.: Yaafe, an easy to
+ use and efficient audio feature extraction software. In: Proc. of ISMIR 2010,
+ Utrecht, Netherlands. pp. 441--446. International Society for Music
+ Information Retrieval (2010),
+ \url{http://ismir2010.ismir.net/proceedings/ismir2010-75.pdf}
+
+\bibitem{OAI-PMH}
+Open archives initiative protocol for metadata harvesting,
+ \url{http://www.openarchives.org/pmh/}
+
+\bibitem{vamp-plugins}
+The {Vamp} audio analysis plugin system, \url{http://www.vamp-plugins.org}
+
+\end{thebibliography}
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+ defining Unicode char U+00AB (decimal 171)
+ defining Unicode char U+00BB (decimal 187)
+ defining Unicode char U+00BF (decimal 191)
+ defining Unicode char U+00C0 (decimal 192)
+ defining Unicode char U+00C1 (decimal 193)
+ defining Unicode char U+00C2 (decimal 194)
+ defining Unicode char U+00C3 (decimal 195)
+ defining Unicode char U+00C4 (decimal 196)
+ defining Unicode char U+00C5 (decimal 197)
+ defining Unicode char U+00C6 (decimal 198)
+ defining Unicode char U+00C7 (decimal 199)
+ defining Unicode char U+00C8 (decimal 200)
+ defining Unicode char U+00C9 (decimal 201)
+ defining Unicode char U+00CA (decimal 202)
+ defining Unicode char U+00CB (decimal 203)
+ defining Unicode char U+00CC (decimal 204)
+ defining Unicode char U+00CD (decimal 205)
+ defining Unicode char U+00CE (decimal 206)
+ defining Unicode char U+00CF (decimal 207)
+ defining Unicode char U+00D0 (decimal 208)
+ defining Unicode char U+00D1 (decimal 209)
+ defining Unicode char U+00D2 (decimal 210)
+ defining Unicode char U+00D3 (decimal 211)
+ defining Unicode char U+00D4 (decimal 212)
+ defining Unicode char U+00D5 (decimal 213)
+ defining Unicode char U+00D6 (decimal 214)
+ defining Unicode char U+00D8 (decimal 216)
+ defining Unicode char U+00D9 (decimal 217)
+ defining Unicode char U+00DA (decimal 218)
+ defining Unicode char U+00DB (decimal 219)
+ defining Unicode char U+00DC (decimal 220)
+ defining Unicode char U+00DD (decimal 221)
+ defining Unicode char U+00DE (decimal 222)
+ defining Unicode char U+00DF (decimal 223)
+ defining Unicode char U+00E0 (decimal 224)
+ defining Unicode char U+00E1 (decimal 225)
+ defining Unicode char U+00E2 (decimal 226)
+ defining Unicode char U+00E3 (decimal 227)
+ defining Unicode char U+00E4 (decimal 228)
+ defining Unicode char U+00E5 (decimal 229)
+ defining Unicode char U+00E6 (decimal 230)
+ defining Unicode char U+00E7 (decimal 231)
+ defining Unicode char U+00E8 (decimal 232)
+ defining Unicode char U+00E9 (decimal 233)
+ defining Unicode char U+00EA (decimal 234)
+ defining Unicode char U+00EB (decimal 235)
+ defining Unicode char U+00EC (decimal 236)
+ defining Unicode char U+00ED (decimal 237)
+ defining Unicode char U+00EE (decimal 238)
+ defining Unicode char U+00EF (decimal 239)
+ defining Unicode char U+00F0 (decimal 240)
+ defining Unicode char U+00F1 (decimal 241)
+ defining Unicode char U+00F2 (decimal 242)
+ defining Unicode char U+00F3 (decimal 243)
+ defining Unicode char U+00F4 (decimal 244)
+ defining Unicode char U+00F5 (decimal 245)
+ defining Unicode char U+00F6 (decimal 246)
+ defining Unicode char U+00F8 (decimal 248)
+ defining Unicode char U+00F9 (decimal 249)
+ defining Unicode char U+00FA (decimal 250)
+ defining Unicode char U+00FB (decimal 251)
+ defining Unicode char U+00FC (decimal 252)
+ defining Unicode char U+00FD (decimal 253)
+ defining Unicode char U+00FE (decimal 254)
+ defining Unicode char U+00FF (decimal 255)
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+ defining Unicode char U+0103 (decimal 259)
+ defining Unicode char U+0104 (decimal 260)
+ defining Unicode char U+0105 (decimal 261)
+ defining Unicode char U+0106 (decimal 262)
+ defining Unicode char U+0107 (decimal 263)
+ defining Unicode char U+010C (decimal 268)
+ defining Unicode char U+010D (decimal 269)
+ defining Unicode char U+010E (decimal 270)
+ defining Unicode char U+010F (decimal 271)
+ defining Unicode char U+0110 (decimal 272)
+ defining Unicode char U+0111 (decimal 273)
+ defining Unicode char U+0118 (decimal 280)
+ defining Unicode char U+0119 (decimal 281)
+ defining Unicode char U+011A (decimal 282)
+ defining Unicode char U+011B (decimal 283)
+ defining Unicode char U+011E (decimal 286)
+ defining Unicode char U+011F (decimal 287)
+ defining Unicode char U+0130 (decimal 304)
+ defining Unicode char U+0131 (decimal 305)
+ defining Unicode char U+0132 (decimal 306)
+ defining Unicode char U+0133 (decimal 307)
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+ defining Unicode char U+013A (decimal 314)
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+ defining Unicode char U+013E (decimal 318)
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+ defining Unicode char U+0144 (decimal 324)
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+ defining Unicode char U+0148 (decimal 328)
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+ defining Unicode char U+0151 (decimal 337)
+ defining Unicode char U+0152 (decimal 338)
+ defining Unicode char U+0153 (decimal 339)
+ defining Unicode char U+0154 (decimal 340)
+ defining Unicode char U+0155 (decimal 341)
+ defining Unicode char U+0158 (decimal 344)
+ defining Unicode char U+0159 (decimal 345)
+ defining Unicode char U+015A (decimal 346)
+ defining Unicode char U+015B (decimal 347)
+ defining Unicode char U+015E (decimal 350)
+ defining Unicode char U+015F (decimal 351)
+ defining Unicode char U+0160 (decimal 352)
+ defining Unicode char U+0161 (decimal 353)
+ defining Unicode char U+0162 (decimal 354)
+ defining Unicode char U+0163 (decimal 355)
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+ defining Unicode char U+0165 (decimal 357)
+ defining Unicode char U+016E (decimal 366)
+ defining Unicode char U+016F (decimal 367)
+ defining Unicode char U+0170 (decimal 368)
+ defining Unicode char U+0171 (decimal 369)
+ defining Unicode char U+0178 (decimal 376)
+ defining Unicode char U+0179 (decimal 377)
+ defining Unicode char U+017A (decimal 378)
+ defining Unicode char U+017B (decimal 379)
+ defining Unicode char U+017C (decimal 380)
+ defining Unicode char U+017D (decimal 381)
+ defining Unicode char U+017E (decimal 382)
+ defining Unicode char U+200C (decimal 8204)
+ defining Unicode char U+2013 (decimal 8211)
+ defining Unicode char U+2014 (decimal 8212)
+ defining Unicode char U+2018 (decimal 8216)
+ defining Unicode char U+2019 (decimal 8217)
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+ defining Unicode char U+201E (decimal 8222)
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+ defining Unicode char U+2031 (decimal 8241)
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+\title[TELEMETA, audio web CMS for ethnomusicological sound archives]{TELEMETA, audio web Content Management System \\for ethnomusicological sound archives}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
+
+\institute[Parisson]{\small
+ \inst{1}%
+ Parisson, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190,
+ 11 rue de Lourmel, 75015 Paris, France\\
+ \inst{3}%
+ CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense,
+21 Allée de l'Université - 92023 Nanterre, France\\
+%Thanks
+\vskip1ex
+ {\small \textcolor{red}{\emph{This work was partially done inside the DIADEMS project funded by the French National Research Agency ANR (CONTINT)}}}
+}
+
+\begin{document}
+%\maketitle
+\begin{frame}[containsverbatim]{}%\pgfsetfillopacity{0.9}
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+ \begin{block}{Abstract}\small
+ \begin{minipage}[T]{0.74\linewidth}
+ \begin{itemize}
+ \item \emph{Telemeta} is an \alert{open-source audio web Content
+ Management System} (CMS) dedicated to \alert{digital sound
+ archives} secure storing, indexing and publishing.
+ \item The demonstration presents the features of this platform
+ in the context of \alert{\emph{ethnomusicological} research}.
+ \item It focuses on the enhance and collaborative
+ user-experience in accessing audio items and their associated
+ metadata and on the possibility for the expert user to further
+ enrich those metadata.
+ \item \emph{Telemeta} also provides integrated \alert{audio signal
+ processing tools} for automatic analysis of sound items.
+ \end{itemize}
+\vskip1ex
+ \colorbox{red!20}{\textbf{KEYWORDS : Sound archives, Metadata, Ethnomusicology, Database, Audio labelling, Web platform}}
+ \end{minipage}
+ \begin{minipage}[T]{0.24\linewidth}
+ \begin{center}
+ \vspace{-0.7cm}
+ \includegraphics[scale=0.9]{img/logo_telemeta_1-1.pdf}
+ \hspace{-3cm}\colorbox{yellow!50}{\Large \textbf{\url{http://telemeta.org/}}}
+ \vskip1ex
+ \colorbox{yellow!50}
+ { Contact : \href{mailto:guillaume@parisson.com}{guillaume@parisson.com} }
+ \end{center}
+\vspace{-1cm}
+\end{minipage}
+ \end{block}
+ \vspace{-1cm}
+% ==================================
+% --------- Corps -----------------
+% ==================================
+ \begin{columns}[t]
+\footnotesize
+% ==================================
+% --------- Colonne gauche ---------
+% ==================================
+ \begin{column}[T]{.33\linewidth}
+ \begin{block}{Introduction}
+\vspace{-0.5cm}
+ \textbf{Needs}\\
+ \begin{itemize}
+ \item In social sciences like anthropology and linguistics,
+ researchers have to work on multiple types of multimedia
+ documents such as photos, videos, sound recordings or
+ databases.
+ \item The need to easily access, visualize and annotate
+ such materials can be problematic given their diverse formats,
+ sources and given their chronological nature.
+ \end{itemize}
+
+\textbf{The \emph{Telemeta} project}\\
+\begin{itemize}
+\item The CREM laboratory and Parisson have been developing an innovative,
+ collaborative and interdisciplinary open-source web-based multimedia
+ platform since 2007.
+\item Goal : fit the professional requirements from both sound archivists and
+ researchers in ethnomusicology.
+\item Official Platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
+ l'Homme}:
+\end{itemize}
+\begin{center}
+ \colorbox{yellow!50} {\normalsize \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
+\end{center}
+\vspace{-1cm}
+\end{block}
+
+\begin{block}{Web audio content management features and architecture}
+\vspace{-0.5cm}
+\begin{itemize}
+ \item \emph{Telemeta} is a free and open source ({\scriptsize CeCILL
+ Free Software License Agreement}) web audio content management
+ system which introduces efficient and secure methods for
+ \alert{backuping}, \alert{indexing}, \alert{transcoding}, \alert{analysing} and \alert{publishing} any
+ digitalized audio file with its metadata.
+ \item \emph{Telemeta} is ideal for
+ professional collaborators who wants to easily organize, backup, archive and
+ publish documented sound collections of audio files, CDs,
+ digitalized vinyls and magnetic tapes over a strong database in
+ accordance with \alert{open web standards}.
+ \item \emph{Telemeta} architecture
+ is \alert{flexible} and can easily be adapted to particular database
+ organization of a given sound archives.
+ \end{itemize}
+
+The main features of \emph{Telemeta} are:
+\vspace{-0.1cm}
+\begin{itemize}
+\item \alert{Pure HTML} web user interface including high level \alert{search engine}
+\item \alert{Smart workflow management} with contextual user lists, profiles and rights
+\item Model-View-Controller (\alert{MVC}) architecture
+\item Strong Structured Query Language (\alert{SQL}) or Oracle backend
+\end{itemize}
+Beside database management, the audio support is mainly provided through an external component, \emph{TimeSide}.
+
+\end{block}
+\begin{block}{Metadata}
+\vspace{-0.5cm}
+ \begin{itemize}
+ \item In addition to the audio data, an efficient and \alert{dynamic
+ management} of the associated metadata is also required.
+ \item Dynamically handling metadata in a \alert{collaborative} manner optimises
+ the continuous process of knowledge gathering and enrichment of
+ the materials in the database.
+ \item Interoperability : integration of the metadata standards protocols \alert{Dublin Core}
+ and \alert{OAI-PMH} (Open Archives Initiative Protocol for Metadata
+ Harvesting) \cite{DublinCore,OAI-PMH}.
+ \end{itemize}
+
+\textbf{Contextual Information}\\
+In ethnomusicology, contextual information could be geographic, cultural and musical. It could also store archive related information and include related materials in any multimedia format.
+
+\textbf{Annotations and segmentation}\\
+Metadata also consist in temporal information such as:
+\begin{itemize}
+\item a list of \alert{time-coded markers} associated with annotations
+\item a list of of \alert{time-segments} associated with labels.
+\end{itemize}
+The ontology for those labels is relevant for ethnomusicology (e.g. speech versus singing voice segment, chorus, ...).
+It should be noted that annotations and segmentation can be done either by a human expert or by some automatic signal processing analysis.
+\end{block}
+\end{column}
+
+% ==================================
+% ------- Colonne centre -----------
+% ==================================
+\begin{column}[T]{.33\linewidth}
+ \begin{block}{Telemeta web interface}
+ \begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.32\paperwidth]{img/player_mark.png}
+ % \caption{Screenshot excerpt of the \emph{Telemeta} web interface}
+ \end{figure}
+ \end{block}
+ \begin{block}{TimeSide : open web audio processing framework}
+One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
+
+\begin{center}
+ \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+\end{center}
+
+\textbf{Goals}\\
+
+\begin{itemize}
+\item \alert{Do} asynchronous and fast audio processing with Python.
+\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
+\item \alert{Analyze} audio content with some external audio feature extraction libraries.
+\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
+\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
+\item \alert{Transcode} audio data in various media formats and stream them through web apps.
+\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
+\end{itemize}
+
+\textbf{Audio features extraction}\\
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
+
+ \begin{itemize}
+ \item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+ \cite{brossierPhD}
+ \item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+ \cite{yaafe_ISMIR2010}
+ \item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+ \cite{vamp-plugins}
+ \end{itemize}
+
+Given the extracted features, every sound item in a given collection can be automatically analyze. The results of this analysis can be displayed as a support to ethnomusicological studies.
+Further works lead by the DIADEMS project will incorporate advance Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
+\end{block}
+\end{column}
+
+% ==================================
+% ------- Colonne droite -----------
+% ==================================
+\begin{column}[t]{.33\linewidth}
+\begin{block}{TimeSide Architecture}
+ \begin{figure}[htbp]
+ \centering
+ \includegraphics[width=0.31\paperwidth]{../img/timeside_schema.pdf}
+ %\caption{TimeSide architecture}
+ \end{figure}
+\end{block}
+
+\begin{block}{Code Example (Python)}
+\vskip1ex
+ \begin{minipage}{0.6\linewidth}
+ \begin{lstlisting}
+
+import timeside
+
+# Define some processors:
+decoder = timeside.decoder.FileDecoder('sweep.wav')
+analyzer = timeside.analyzer.Level()
+grapher = timeside.grapher.Spectrogram()
+encoder = timeside.encoder.VorbisEncoder('sweep.ogg')
+
+# Then, the magic pipeline:
+(decoder | analyzer | grapher | encoder).run()
+
+# Get the results:
+grapher.render(output='image.png')
+for key in analyzer.results.keys():
+ print '%s in %s : %s'% (analyzer.results[key].name,
+ analyzer.results[key].unit,
+ analyzer.results[key].data)
+
+\end{lstlisting}
+\end{minipage}
+\hskip2ex
+\begin{minipage}{0.32\linewidth}
+ \begin{center}
+ \textbf{Results}
+ \begin{figure}
+ \centering
+ \includegraphics{img/spectrogram.png}
+ \caption{Spectrogram (sweep signal)}
+ \end{figure}
+ \end{center}
+\vskip5ex
+\begin{lstlisting}
+
+ Level Analyzer Max:[-6.021]
+ Level Analyzer RMS:[-9.856]
+
+\end{lstlisting}
+
+\end{minipage}
+
+ \end{block}
+\begin{block}{Références}\tiny
+\bibliographystyle{../splncs03}
+%\label{sec:ref}
+\vspace{-1cm}
+\begin{multicols}{2}[]
+\bibliography{../cmmr_2013}
+\end{multicols}
+\end{block}
+
+\end{column}
+\end{columns}
+\end{frame}
+\end{document}
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+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+%\usepackage{hyperref}
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+
+\usetheme{Warsaw}
+%\usetheme{JuanLesPins}
+\setbeamercovered{transparent}
+
+
+% telemeta red
+\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
+\usecolortheme[rgb={0.41568, 0.01176, 0.02745}]{structure}
+
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{1,1,0.8}
+\lstset{%
+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\scriptsize, % the size of the fonts that are used for the code
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+\title[TELEMETA, audio web CMS for Ethnomusicological archives]{TELEMETA\\ Audio web Content Management System \\for ethnomusicological sound archives}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
+
+
+\institute[Parisson]{\tiny
+ \inst{1}%
+ Parisson, Paris, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
+ \inst{3}%
+ CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense, Nanterre, France\\
+%Thanks
+\vskip1ex
+ {\tiny \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
+ \begin{center}
+\hfill
+ \raisebox{-4ex}{\includegraphics[width=0.1\linewidth]{../poster/img/logo_CREM.png}} \hfill
+ \includegraphics[width=0.15\linewidth]{../poster/img/logo_LESC.png}\hfill
+ \includegraphics[width=.3\linewidth]{../poster/img/parisson_logo_FINALE_com.pdf}\hfill
+ \includegraphics[width=.18\linewidth]{../poster/img/upmc.png}\hfill
+ \end{center}
+
+}
+
+
+\begin{document}
+\begin{frame}
+ \maketitle
+\end{frame}
+
+\begin{frame}\tiny
+\frametitle{Telemeta}
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+\begin{block}{The project}
+ \begin{itemize}
+ \item The CREM laboratory and Parisson have been developing an innovative,
+ collaborative and interdisciplinary open-source web-based multimedia
+ platform since 2007.
+ \item Goal : fit the professional requirements from both sound archivists and
+ researchers in ethnomusicology.
+ \item Official platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
+ l'Homme}:
+ \end{itemize}
+\vspace{-0.6cm}
+ \begin{center}
+ \colorbox{yellow!50} { \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
+ \end{center}
+\end{block}
+\begin{block}{The platform}
+ \begin{itemize}
+ \item \emph{Telemeta} is an \alert{open-source audio web Content
+ Management System} (CMS) dedicated to \alert{digital sound
+ archives} secure storing, indexing and publishing with database management through (\alert{SQL}) or Oracle backend.
+ \item The demonstration presents the features of this platform
+ in the context of \alert{\emph{ethnomusicological} research}.
+ \item It focuses on the enhance and \alert{collaborative}
+ user-experience in accessing audio items and their associated \alert{metadata} and on the possibility for the expert user to further enrich those metadata.\\
+ Metadata consist in both \alert{Contextual Ethnomusicological Information} and
+ \alert{Annotations and segmentations} (by human or automatic).
+ \item \emph{Telemeta} also provides integrated \alert{audio signal
+ processing tools} for automatic analysis of sound items through an external component, \emph{TimeSide}.
+ \end{itemize}
+\vspace{-0.5cm}
+ \begin{center}
+ \includegraphics[width=0.3\textwidth]{../poster/img/logo_telemeta_1-1.pdf}\\
+ \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
+ \end{center}
+ \end{block}
+\end{frame}
+\begin{frame}\tiny
+ \frametitle{TimeSide}
+ \begin{block}{TimeSide : open web audio processing framework}
+One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
+\vspace{-0.25cm}
+\begin{center}
+ \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+\end{center}
+\vspace{-0.5cm}
+\textbf{Goals}\\
+\begin{itemize}
+\item \alert{Do} asynchronous and fast audio processing with Python.
+\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
+\item \alert{Analyze} audio content with some external audio feature extraction libraries.
+\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
+\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
+\item \alert{Transcode} audio data in various media formats and stream them through web apps.
+\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
+\end{itemize}
+\end{block}
+
+ \begin{block}{Audio features extraction}
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
+\vspace{-0.1cm}
+\begin{itemize}
+\item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+\vspace{-0.1cm}
+\item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+\vspace{-0.1cm}
+\item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+\end{itemize}
+Given the extracted features, every sound item in a given collection can be automatically analyzed. The results of this analysis can be displayed as a support to ethnomusicological studies.
+Further works lead by the DIADEMS project will incorporate advanced Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
+ \end{block}
+\end{frame}
+\begin{frame}
+ \frametitle{Demonstration}
+
+ \begin{itemize}
+ \item \textbf{Demo Session \#1}
+ \item \alert{Wednesday} October 16th, 14:30 - 16:00
+ \item In the Hall
+ \end{itemize}
+ \begin{center}
+ \includegraphics[width=.3\linewidth]{../poster/img/parisson_logo_FINALE_com.pdf}
+ \end{center}
+
+ \begin{itemize}
+ \item Live demonstration of the \emph{Telemeta} web platform with the CNRS ethnomusicological sound archives
+ \item Live demonstration \emph{Timeside} audio processing framework (Python)
+ \end{itemize}
+\end{frame}
+\end{document}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
--- /dev/null
+\documentclass[final, hyperref, table]{beamer}
+\mode<presentation>
+
+
+ %\usepackage[english]{babel} % "babel.sty"
+% \usepackage{french} % "french.sty"
+% \usepackage{franglais} % "franglais.sty" (a defaut)
+ \usepackage{times} % ajout times le 30 mai 2003
+
+%% --------------------------------------------------------------
+%% CODAGE DE POLICES ?
+%% Si votre moteur Latex est francise, il est conseille
+%% d'utiliser le codage de police T1 pour faciliter la césure,
+%% si vous disposez de ces polices (DC/EC)
+\usepackage[utf8]{inputenc}
+\usepackage[T1]{fontenc}
+
+
+%% ==============================================================
+%\usepackage{graphicx}
+\usepackage{amsmath,amsfonts}
+%\usepackage[table]{xcolor}
+\usepackage{subfigure}
+\usepackage{fancybox}
+%\usepackage{hyperref}
+\usepackage{multicol}
+\usepackage{wrapfig}
+\usepackage{listings}
+\usepackage{xcolor}
+
+\usetheme{Warsaw}
+%\usetheme{JuanLesPins}
+\setbeamercovered{transparent}
+
+
+% telemeta red
+\definecolor{telemetaRed}{rgb}{0.41568, 0.01176, 0.02745} % #6A0307
+\usecolortheme[rgb={0.41568, 0.01176, 0.02745}]{structure}
+
+% Display a grid to help align images
+%\beamertemplategridbackground[1cm]
+
+%We will get the normal bibliography style (number or text instead of icon) by including the following code
+\setbeamertemplate{bibliography item}[text]
+\setbeamerfont{caption}{size=\footnotesize}
+% listings settings
+\definecolor{lstComments}{rgb}{0,0.6,0}
+\definecolor{lstBkgrd}{rgb}{1,1,0.8}
+\lstset{%
+ language=Python, % the language of the code
+ frame=single, % adds a frame around the code
+ commentstyle=\color{lstComments},% comment style
+ backgroundcolor=\color{lstBkgrd}, % choose the background color
+ basicstyle=\scriptsize, % the size of the fonts that are used for the code
+ keywordstyle=\color{blue}, % keyword style
+ showstringspaces=false, % underline spaces within strings only
+}
+\title[TELEMETA, audio web CMS for Ethnomusicological archives]{TELEMETA\\ Audio web Content Management System \\for ethnomusicological sound archives}
+
+\author[Fillon, Pellerin, Brossier, Simonnot]{Thomas Fillon \inst{1,2}, Guillaume Pellerin\inst{1}, Paul Brossier\inst{1}, Jos{\'e}phine Simonnot\inst{3}}
+
+
+\institute[Parisson]{\tiny
+ \inst{1}%
+ Parisson, Paris, France\\
+ \inst{2}%
+ LAM, Institut Jean Le Rond d'Alembert, UPMC Univ. Paris 06, UMR CNRS 7190, Paris, France\\
+ \inst{3}%
+ CREM, LESC, UMR CNRS 7186, MAE, Université Paris Ouest Nanterre La Défense, Nanterre, France\\
+%Thanks
+\vskip1ex
+ {\tiny \textcolor{red}{\emph{This work was partially done inside the DIADEMS project\\ funded by the French National Research Agency ANR (CONTINT)}}}
+ \begin{center}
+\hfill
+ \raisebox{-4ex}{\includegraphics[width=0.1\linewidth]{img/logo_CREM.png}} \hfill
+ \includegraphics[width=0.15\linewidth]{img/logo_LESC.png}\hfill
+ \includegraphics[width=.3\linewidth]{img/parisson_logo_FINALE_com.pdf}\hfill
+ \includegraphics[width=.18\linewidth]{img/upmc.png}\hfill
+ \end{center}
+
+}
+
+
+\begin{document}
+\begin{frame}
+ \maketitle
+\end{frame}
+
+\begin{frame}\tiny
+\frametitle{Telemeta}
+% ==================================
+% --------- Résumé -----------------
+% ==================================
+\begin{block}{The \emph{Telemeta} project}
+ \begin{itemize}
+ \item The CREM laboratory and Parisson have been developing an innovative,
+ collaborative and interdisciplinary open-source web-based multimedia
+ platform since 2007.
+ \item Goal : fit the professional requirements from both sound archivists and
+ researchers in ethnomusicology.
+ \item Official platform online since 2011 : \emph{Archives sonores du CNRS, Musée de
+ l'Homme}:
+ \end{itemize}
+\vspace{-0.6cm}
+ \begin{center}
+ \colorbox{yellow!50} { \hskip3ex \bf \url{http://archives.crem-cnrs.fr} \hskip3ex }
+ \end{center}
+\end{block}
+\begin{block}{\emph{Telemeta} platform overview}
+ \begin{itemize}
+ \item \emph{Telemeta} is an \alert{open-source audio web Content
+ Management System} (CMS) dedicated to \alert{digital sound
+ archives} secure storing, indexing and publishing with database management through (\alert{SQL}) or Oracle backend.
+ \item The demonstration presents the features of this platform
+ in the context of \alert{\emph{ethnomusicological} research}.
+ \item It focuses on the enhance and \alert{collaborative}
+ user-experience in accessing audio items and their associated \alert{metadata} and on the possibility for the expert user to further enrich those metadata.\\
+ Metadata consist in both \alert{Contextual Ethnomusicological Information} and
+ \alert{Annotations and segmentations} (by human or automatic).
+ \item \emph{Telemeta} also provides integrated \alert{audio signal
+ processing tools} for automatic analysis of sound items through an external component, \emph{TimeSide}.
+ \end{itemize}
+\vspace{-0.5cm}
+ \begin{center}
+ \includegraphics[width=0.3\textwidth]{img/logo_telemeta_1-1.pdf}\\
+ \colorbox{yellow!50}{\textbf{\url{http://telemeta.org/}}}
+ \end{center}
+ \end{block}
+\end{frame}
+\begin{frame}\tiny
+ \frametitle{TimeSide}
+ \begin{block}{TimeSide : open web audio processing framework}
+One specificity of the \emph{Telemeta} architecture is to rely on an external component, \emph{TimeSide}, that offers audio player integration together with low and high level audio signal processing capabilities.
+\vspace{-0.25cm}
+\begin{center}
+ \colorbox{yellow!50}{\bf \hskip3ex \url{https://github.com/yomguy/TimeSide/} \hskip3ex }
+\end{center}
+\vspace{-0.5cm}
+\textbf{Goals}\\
+\begin{itemize}
+\item \alert{Do} asynchronous and fast audio processing with Python.
+\item \alert{Decode} ANY audio or video format into numpy arrays thanks to Gstreamer.
+\item \alert{Analyze} audio content with some external audio feature extraction libraries.
+\item \alert{Organize}, \alert{serialize} and \alert{save} analysis metadata through various formats.
+\item \alert{Draw} various fancy waveforms, spectrograms and other cool graphers.
+\item \alert{Transcode} audio data in various media formats and stream them through web apps.
+\item \alert{Playback}, \alert{index}, \alert{tag} and \alert{interact} on demand with a smart high-level HTML5 extensible player.
+\end{itemize}
+\end{block}
+
+ \begin{block}{Audio features extraction}
+TimeSide incorporates some state-of-the-art audio feature extraction libraries such as:
+\vspace{-0.1cm}
+\begin{itemize}
+\item \textbf{Aubio:
+ \colorbox{yellow!50}{\hskip1ex \url{http://aubio.org} \hskip1ex }}
+\vspace{-0.1cm}
+\item \textbf{Yaafe:
+ \colorbox{yellow!50}{\hskip1ex \url{http://yaafe.sourceforge.net}\hskip1ex }}
+\vspace{-0.1cm}
+\item \textbf{Vamp plugins:
+ \colorbox{yellow!50}{\hskip1ex \url{http://www.vamp-plugins.org}\hskip1ex }}
+\end{itemize}
+Given the extracted features, every sound item in a given collection can be automatically analyzed. The results of this analysis can be displayed as a support to ethnomusicological studies.
+Further works lead by the DIADEMS project will incorporate advanced Music Information Retrieval methods in order to provide \alert{automatic annotation}, \alert{segmentation} and \alert{similarity} analysis.
+ \end{block}
+\end{frame}
+\begin{frame}
+ \frametitle{Demonstration}
+
+ \begin{itemize}
+ \item \textbf{Demo Session \#1}
+ \item \alert{Wednesday} October 16th, 14:30 - 16:00
+ \item In the Hall
+ \end{itemize}
+ \begin{center}
+ \includegraphics[width=.3\linewidth]{img/parisson_logo_FINALE_com.pdf}
+ \end{center}
+
+ \begin{itemize}
+ \item Live demonstration of the \emph{Telemeta} web platform with the CNRS ethnomusicological sound archives
+ \item Live demonstration \emph{Timeside} audio processing framework (Python)
+ \end{itemize}
+\end{frame}
+\end{document}
+%%% Local Variables:
+%%% mode: latex
+%%% TeX-master: t
+%%% End:
--- /dev/null
+\beamer@endinputifotherversion {3.10pt}
--- /dev/null
+%% BibTeX bibliography style `splncs03'\r
+%%\r
+%% BibTeX bibliography style for use with numbered references in\r
+%% Springer Verlag's "Lecture Notes in Computer Science" series.\r
+%% (See Springer's documentation for llncs.cls for\r
+%% more details of the suggested reference format.) Note that this\r
+%% file will not work for author-year style citations.\r
+%%\r
+%% Use \documentclass{llncs} and \bibliographystyle{splncs03}, and cite\r
+%% a reference with (e.g.) \cite{smith77} to get a "[1]" in the text.\r
+%%\r
+%% This file comes to you courtesy of Maurizio "Titto" Patrignani of\r
+%% Dipartimento di Informatica e Automazione Universita' Roma Tre\r
+%%\r
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+{ "u" change.case$ "t" change.case$ }\r
+\r
+FUNCTION {space.word}\r
+{ " " swap$ * " " * }\r
+ % Here are the language-specific definitions for explicit words.\r
+ % Each function has a name bbl.xxx where xxx is the English word.\r
+ % The language selected here is ENGLISH\r
+FUNCTION {bbl.and}\r
+{ "and"}\r
+\r
+FUNCTION {bbl.etal}\r
+{ "et~al." }\r
+\r
+FUNCTION {bbl.editors}\r
+{ "eds." }\r
+\r
+FUNCTION {bbl.editor}\r
+{ "ed." }\r
+\r
+FUNCTION {bbl.edby}\r
+{ "edited by" }\r
+\r
+FUNCTION {bbl.edition}\r
+{ "edn." }\r
+\r
+FUNCTION {bbl.volume}\r
+{ "vol." }\r
+\r
+FUNCTION {titto.bbl.volume} % for handling journals\r
+{ "" }\r
+\r
+FUNCTION {bbl.of}\r
+{ "of" }\r
+\r
+FUNCTION {bbl.number}\r
+{ "no." }\r
+\r
+FUNCTION {bbl.nr}\r
+{ "no." }\r
+\r
+FUNCTION {bbl.in}\r
+{ "in" }\r
+\r
+FUNCTION {bbl.pages}\r
+{ "pp." }\r
+\r
+FUNCTION {bbl.page}\r
+{ "p." }\r
+\r
+FUNCTION {titto.bbl.pages} % for journals\r
+{ "" }\r
+\r
+FUNCTION {titto.bbl.page} % for journals\r
+{ "" }\r
+\r
+FUNCTION {bbl.chapter}\r
+{ "chap." }\r
+\r
+FUNCTION {bbl.techrep}\r
+{ "Tech. Rep." }\r
+\r
+FUNCTION {bbl.mthesis}\r
+{ "Master's thesis" }\r
+\r
+FUNCTION {bbl.phdthesis}\r
+{ "Ph.D. thesis" }\r
+\r
+MACRO {jan} {"Jan."}\r
+\r
+MACRO {feb} {"Feb."}\r
+\r
+MACRO {mar} {"Mar."}\r
+\r
+MACRO {apr} {"Apr."}\r
+\r
+MACRO {may} {"May"}\r
+\r
+MACRO {jun} {"Jun."}\r
+\r
+MACRO {jul} {"Jul."}\r
+\r
+MACRO {aug} {"Aug."}\r
+\r
+MACRO {sep} {"Sep."}\r
+\r
+MACRO {oct} {"Oct."}\r
+\r
+MACRO {nov} {"Nov."}\r
+\r
+MACRO {dec} {"Dec."}\r
+\r
+MACRO {acmcs} {"ACM Comput. Surv."}\r
+\r
+MACRO {acta} {"Acta Inf."}\r
+\r
+MACRO {cacm} {"Commun. ACM"}\r
+\r
+MACRO {ibmjrd} {"IBM J. Res. Dev."}\r
+\r
+MACRO {ibmsj} {"IBM Syst.~J."}\r
+\r
+MACRO {ieeese} {"IEEE Trans. Software Eng."}\r
+\r
+MACRO {ieeetc} {"IEEE Trans. Comput."}\r
+\r
+MACRO {ieeetcad}\r
+ {"IEEE Trans. Comput. Aid. Des."}\r
+\r
+MACRO {ipl} {"Inf. Process. Lett."}\r
+\r
+MACRO {jacm} {"J.~ACM"}\r
+\r
+MACRO {jcss} {"J.~Comput. Syst. Sci."}\r
+\r
+MACRO {scp} {"Sci. Comput. Program."}\r
+\r
+MACRO {sicomp} {"SIAM J. Comput."}\r
+\r
+MACRO {tocs} {"ACM Trans. Comput. Syst."}\r
+\r
+MACRO {tods} {"ACM Trans. Database Syst."}\r
+\r
+MACRO {tog} {"ACM Trans. Graphic."}\r
+\r
+MACRO {toms} {"ACM Trans. Math. Software"}\r
+\r
+MACRO {toois} {"ACM Trans. Office Inf. Syst."}\r
+\r
+MACRO {toplas} {"ACM Trans. Progr. Lang. Syst."}\r
+\r
+MACRO {tcs} {"Theor. Comput. Sci."}\r
+\r
+FUNCTION {bibinfo.check}\r
+{ swap$\r
+ duplicate$ missing$\r
+ {\r
+ pop$ pop$\r
+ ""\r
+ }\r
+ { duplicate$ empty$\r
+ {\r
+ swap$ pop$\r
+ }\r
+ { swap$\r
+ pop$\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+}\r
+FUNCTION {bibinfo.warn}\r
+{ swap$\r
+ duplicate$ missing$\r
+ {\r
+ swap$ "missing " swap$ * " in " * cite$ * warning$ pop$\r
+ ""\r
+ }\r
+ { duplicate$ empty$\r
+ {\r
+ swap$ "empty " swap$ * " in " * cite$ * warning$\r
+ }\r
+ { swap$\r
+ pop$\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.url}\r
+{ url empty$\r
+ { "" }\r
+% { "\urlprefix\url{" url * "}" * }\r
+ { "\url{" url * "}" * } % changed in titto-lncs-02.bst\r
+ if$\r
+}\r
+\r
+INTEGERS { nameptr namesleft numnames }\r
+\r
+\r
+STRINGS { bibinfo}\r
+\r
+FUNCTION {format.names}\r
+{ 'bibinfo :=\r
+ duplicate$ empty$ 'skip$ {\r
+ 's :=\r
+ "" 't :=\r
+ #1 'nameptr :=\r
+ s num.names$ 'numnames :=\r
+ numnames 'namesleft :=\r
+ { namesleft #0 > }\r
+ { s nameptr\r
+ "{vv~}{ll}{, jj}{, f{.}.}"\r
+ format.name$\r
+ bibinfo bibinfo.check\r
+ 't :=\r
+ nameptr #1 >\r
+ {\r
+ namesleft #1 >\r
+ { ", " * t * }\r
+ {\r
+ s nameptr "{ll}" format.name$ duplicate$ "others" =\r
+ { 't := }\r
+ { pop$ }\r
+ if$\r
+ "," *\r
+ t "others" =\r
+ {\r
+ " " * bbl.etal *\r
+ }\r
+ { " " * t * }\r
+ if$\r
+ }\r
+ if$\r
+ }\r
+ 't\r
+ if$\r
+ nameptr #1 + 'nameptr :=\r
+ namesleft #1 - 'namesleft :=\r
+ }\r
+ while$\r
+ } if$\r
+}\r
+FUNCTION {format.names.ed}\r
+{\r
+ 'bibinfo :=\r
+ duplicate$ empty$ 'skip$ {\r
+ 's :=\r
+ "" 't :=\r
+ #1 'nameptr :=\r
+ s num.names$ 'numnames :=\r
+ numnames 'namesleft :=\r
+ { namesleft #0 > }\r
+ { s nameptr\r
+ "{f{.}.~}{vv~}{ll}{ jj}"\r
+ format.name$\r
+ bibinfo bibinfo.check\r
+ 't :=\r
+ nameptr #1 >\r
+ {\r
+ namesleft #1 >\r
+ { ", " * t * }\r
+ {\r
+ s nameptr "{ll}" format.name$ duplicate$ "others" =\r
+ { 't := }\r
+ { pop$ }\r
+ if$\r
+ "," *\r
+ t "others" =\r
+ {\r
+\r
+ " " * bbl.etal *\r
+ }\r
+ { " " * t * }\r
+ if$\r
+ }\r
+ if$\r
+ }\r
+ 't\r
+ if$\r
+ nameptr #1 + 'nameptr :=\r
+ namesleft #1 - 'namesleft :=\r
+ }\r
+ while$\r
+ } if$\r
+}\r
+FUNCTION {format.authors}\r
+{ author "author" format.names\r
+}\r
+FUNCTION {get.bbl.editor}\r
+{ editor num.names$ #1 > 'bbl.editors 'bbl.editor if$ }\r
+\r
+FUNCTION {format.editors}\r
+{ editor "editor" format.names duplicate$ empty$ 'skip$\r
+ {\r
+ " " *\r
+ get.bbl.editor\r
+% capitalize\r
+ "(" swap$ * ")" *\r
+ *\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.note}\r
+{\r
+ note empty$\r
+ { "" }\r
+ { note #1 #1 substring$\r
+ duplicate$ "{" =\r
+ 'skip$\r
+ { output.state mid.sentence =\r
+ { "l" }\r
+ { "u" }\r
+ if$\r
+ change.case$\r
+ }\r
+ if$\r
+ note #2 global.max$ substring$ * "note" bibinfo.check\r
+ }\r
+ if$\r
+}\r
+\r
+FUNCTION {format.title}\r
+{ title\r
+ duplicate$ empty$ 'skip$\r
+ { "t" change.case$ }\r
+ if$\r
+ "title" bibinfo.check\r
+}\r
+FUNCTION {output.bibitem}\r
+{ newline$\r
+ "\bibitem{" write$\r
+ cite$ write$\r
+ "}" write$\r
+ newline$\r
+ ""\r
+ before.all 'output.state :=\r
+}\r
+\r
+FUNCTION {n.dashify}\r
+{\r
+ 't :=\r
+ ""\r
+ { t empty$ not }\r
+ { t #1 #1 substring$ "-" =\r
+ { t #1 #2 substring$ "--" = not\r
+ { "--" *\r
+ t #2 global.max$ substring$ 't :=\r
+ }\r
+ { { t #1 #1 substring$ "-" = }\r
+ { "-" *\r
+ t #2 global.max$ substring$ 't :=\r
+ }\r
+ while$\r
+ }\r
+ if$\r
+ }\r
+ { t #1 #1 substring$ *\r
+ t #2 global.max$ substring$ 't :=\r
+ }\r
+ if$\r
+ }\r
+ while$\r
+}\r
+\r
+FUNCTION {word.in}\r
+{ bbl.in capitalize\r
+ ":" *\r
+ " " * }\r
+\r
+FUNCTION {format.date}\r
+{\r
+ month "month" bibinfo.check\r
+ duplicate$ empty$\r
+ year "year" bibinfo.check duplicate$ empty$\r
+ { swap$ 'skip$\r
+ { "there's a month but no year in " cite$ * warning$ }\r
+ if$\r
+ *\r
+ }\r
+ { swap$ 'skip$\r
+ {\r
+ swap$\r
+ " " * swap$\r
+ }\r
+ if$\r
+ *\r
+ remove.dots\r
+ }\r
+ if$\r
+ duplicate$ empty$\r
+ 'skip$\r
+ {\r
+ before.all 'output.state :=\r
+ " (" swap$ * ")" *\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.btitle}\r
+{ title "title" bibinfo.check\r
+ duplicate$ empty$ 'skip$\r
+ {\r
+ }\r
+ if$\r
+}\r
+FUNCTION {either.or.check}\r
+{ empty$\r
+ 'pop$\r
+ { "can't use both " swap$ * " fields in " * cite$ * warning$ }\r
+ if$\r
+}\r
+FUNCTION {format.bvolume}\r
+{ volume empty$\r
+ { "" }\r
+ { bbl.volume volume tie.or.space.prefix\r
+ "volume" bibinfo.check * *\r
+ series "series" bibinfo.check\r
+ duplicate$ empty$ 'pop$\r
+ { emphasize ", " * swap$ * }\r
+ if$\r
+ "volume and number" number either.or.check\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.number.series}\r
+{ volume empty$\r
+ { number empty$\r
+ { series field.or.null }\r
+ { output.state mid.sentence =\r
+ { bbl.number }\r
+ { bbl.number capitalize }\r
+ if$\r
+ number tie.or.space.prefix "number" bibinfo.check * *\r
+ series empty$\r
+ { "there's a number but no series in " cite$ * warning$ }\r
+ { bbl.in space.word *\r
+ series "series" bibinfo.check *\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+ }\r
+ { "" }\r
+ if$\r
+}\r
+\r
+FUNCTION {format.edition}\r
+{ edition duplicate$ empty$ 'skip$\r
+ {\r
+ output.state mid.sentence =\r
+ { "l" }\r
+ { "t" }\r
+ if$ change.case$\r
+ "edition" bibinfo.check\r
+ " " * bbl.edition *\r
+ }\r
+ if$\r
+}\r
+INTEGERS { multiresult }\r
+FUNCTION {multi.page.check}\r
+{ 't :=\r
+ #0 'multiresult :=\r
+ { multiresult not\r
+ t empty$ not\r
+ and\r
+ }\r
+ { t #1 #1 substring$\r
+ duplicate$ "-" =\r
+ swap$ duplicate$ "," =\r
+ swap$ "+" =\r
+ or or\r
+ { #1 'multiresult := }\r
+ { t #2 global.max$ substring$ 't := }\r
+ if$\r
+ }\r
+ while$\r
+ multiresult\r
+}\r
+FUNCTION {format.pages}\r
+{ pages duplicate$ empty$ 'skip$\r
+ { duplicate$ multi.page.check\r
+ {\r
+ bbl.pages swap$\r
+ n.dashify\r
+ }\r
+ {\r
+ bbl.page swap$\r
+ }\r
+ if$\r
+ tie.or.space.prefix\r
+ "pages" bibinfo.check\r
+ * *\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.journal.pages}\r
+{ pages duplicate$ empty$ 'pop$\r
+ { swap$ duplicate$ empty$\r
+ { pop$ pop$ format.pages }\r
+ {\r
+ ", " *\r
+ swap$\r
+ n.dashify\r
+ pages multi.page.check\r
+ 'titto.bbl.pages\r
+ 'titto.bbl.page\r
+ if$\r
+ swap$ tie.or.space.prefix\r
+ "pages" bibinfo.check\r
+ * *\r
+ *\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.journal.eid}\r
+{ eid "eid" bibinfo.check\r
+ duplicate$ empty$ 'pop$\r
+ { swap$ duplicate$ empty$ 'skip$\r
+ {\r
+ ", " *\r
+ }\r
+ if$\r
+ swap$ *\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.vol.num.pages} % this function is used only for journal entries\r
+{ volume field.or.null\r
+ duplicate$ empty$ 'skip$\r
+ {\r
+% bbl.volume swap$ tie.or.space.prefix\r
+ titto.bbl.volume swap$ titto.space.prefix\r
+% rationale for the change above: for journals you don't want "vol." label\r
+% hence it does not make sense to attach the journal number to the label when\r
+% it is short\r
+ "volume" bibinfo.check\r
+ * *\r
+ }\r
+ if$\r
+ number "number" bibinfo.check duplicate$ empty$ 'skip$\r
+ {\r
+ swap$ duplicate$ empty$\r
+ { "there's a number but no volume in " cite$ * warning$ }\r
+ 'skip$\r
+ if$\r
+ swap$\r
+ "(" swap$ * ")" *\r
+ }\r
+ if$ *\r
+ eid empty$\r
+ { format.journal.pages }\r
+ { format.journal.eid }\r
+ if$\r
+}\r
+\r
+FUNCTION {format.chapter.pages}\r
+{ chapter empty$\r
+ 'format.pages\r
+ { type empty$\r
+ { bbl.chapter }\r
+ { type "l" change.case$\r
+ "type" bibinfo.check\r
+ }\r
+ if$\r
+ chapter tie.or.space.prefix\r
+ "chapter" bibinfo.check\r
+ * *\r
+ pages empty$\r
+ 'skip$\r
+ { ", " * format.pages * }\r
+ if$\r
+ }\r
+ if$\r
+}\r
+\r
+FUNCTION {format.booktitle}\r
+{\r
+ booktitle "booktitle" bibinfo.check\r
+}\r
+FUNCTION {format.in.ed.booktitle}\r
+{ format.booktitle duplicate$ empty$ 'skip$\r
+ {\r
+% editor "editor" format.names.ed duplicate$ empty$ 'pop$ % changed by titto\r
+ editor "editor" format.names duplicate$ empty$ 'pop$\r
+ {\r
+ " " *\r
+ get.bbl.editor\r
+% capitalize\r
+ "(" swap$ * ") " *\r
+ * swap$\r
+ * }\r
+ if$\r
+ word.in swap$ *\r
+ }\r
+ if$\r
+}\r
+FUNCTION {empty.misc.check}\r
+{ author empty$ title empty$ howpublished empty$\r
+ month empty$ year empty$ note empty$\r
+ and and and and and\r
+ key empty$ not and\r
+ { "all relevant fields are empty in " cite$ * warning$ }\r
+ 'skip$\r
+ if$\r
+}\r
+FUNCTION {format.thesis.type}\r
+{ type duplicate$ empty$\r
+ 'pop$\r
+ { swap$ pop$\r
+ "t" change.case$ "type" bibinfo.check\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.tr.number}\r
+{ number "number" bibinfo.check\r
+ type duplicate$ empty$\r
+ { pop$ bbl.techrep }\r
+ 'skip$\r
+ if$\r
+ "type" bibinfo.check\r
+ swap$ duplicate$ empty$\r
+ { pop$ "t" change.case$ }\r
+ { tie.or.space.prefix * * }\r
+ if$\r
+}\r
+FUNCTION {format.article.crossref}\r
+{\r
+ key duplicate$ empty$\r
+ { pop$\r
+ journal duplicate$ empty$\r
+ { "need key or journal for " cite$ * " to crossref " * crossref * warning$ }\r
+ { "journal" bibinfo.check emphasize word.in swap$ * }\r
+ if$\r
+ }\r
+ { word.in swap$ * " " *}\r
+ if$\r
+ " \cite{" * crossref * "}" *\r
+}\r
+FUNCTION {format.crossref.editor}\r
+{ editor #1 "{vv~}{ll}" format.name$\r
+ "editor" bibinfo.check\r
+ editor num.names$ duplicate$\r
+ #2 >\r
+ { pop$\r
+ "editor" bibinfo.check\r
+ " " * bbl.etal\r
+ *\r
+ }\r
+ { #2 <\r
+ 'skip$\r
+ { editor #2 "{ff }{vv }{ll}{ jj}" format.name$ "others" =\r
+ {\r
+ "editor" bibinfo.check\r
+ " " * bbl.etal\r
+ *\r
+ }\r
+ {\r
+ bbl.and space.word\r
+ * editor #2 "{vv~}{ll}" format.name$\r
+ "editor" bibinfo.check\r
+ *\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.book.crossref}\r
+{ volume duplicate$ empty$\r
+ { "empty volume in " cite$ * "'s crossref of " * crossref * warning$\r
+ pop$ word.in\r
+ }\r
+ { bbl.volume\r
+ capitalize\r
+ swap$ tie.or.space.prefix "volume" bibinfo.check * * bbl.of space.word *\r
+ }\r
+ if$\r
+ editor empty$\r
+ editor field.or.null author field.or.null =\r
+ or\r
+ { key empty$\r
+ { series empty$\r
+ { "need editor, key, or series for " cite$ * " to crossref " *\r
+ crossref * warning$\r
+ "" *\r
+ }\r
+ { series emphasize * }\r
+ if$\r
+ }\r
+ { key * }\r
+ if$\r
+ }\r
+ { format.crossref.editor * }\r
+ if$\r
+ " \cite{" * crossref * "}" *\r
+}\r
+FUNCTION {format.incoll.inproc.crossref}\r
+{\r
+ editor empty$\r
+ editor field.or.null author field.or.null =\r
+ or\r
+ { key empty$\r
+ { format.booktitle duplicate$ empty$\r
+ { "need editor, key, or booktitle for " cite$ * " to crossref " *\r
+ crossref * warning$\r
+ }\r
+ { word.in swap$ * }\r
+ if$\r
+ }\r
+ { word.in key * " " *}\r
+ if$\r
+ }\r
+ { word.in format.crossref.editor * " " *}\r
+ if$\r
+ " \cite{" * crossref * "}" *\r
+}\r
+FUNCTION {format.org.or.pub}\r
+{ 't :=\r
+ ""\r
+ address empty$ t empty$ and\r
+ 'skip$\r
+ {\r
+ t empty$\r
+ { address "address" bibinfo.check *\r
+ }\r
+ { t *\r
+ address empty$\r
+ 'skip$\r
+ { ", " * address "address" bibinfo.check * }\r
+ if$\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+}\r
+FUNCTION {format.publisher.address}\r
+{ publisher "publisher" bibinfo.warn format.org.or.pub\r
+}\r
+\r
+FUNCTION {format.organization.address}\r
+{ organization "organization" bibinfo.check format.org.or.pub\r
+}\r
+\r
+FUNCTION {article}\r
+{ output.bibitem\r
+ format.authors "author" output.check\r
+ add.colon\r
+ new.block\r
+ format.title "title" output.check\r
+ new.block\r
+ crossref missing$\r
+ {\r
+ journal\r
+ "journal" bibinfo.check\r
+ "journal" output.check\r
+ add.blank\r
+ format.vol.num.pages output\r
+ format.date "year" output.check\r
+ }\r
+ { format.article.crossref output.nonnull\r
+ format.pages output\r
+ }\r
+ if$\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+FUNCTION {book}\r
+{ output.bibitem\r
+ author empty$\r
+ { format.editors "author and editor" output.check\r
+ add.colon\r
+ }\r
+ { format.authors output.nonnull\r
+ add.colon\r
+ crossref missing$\r
+ { "author and editor" editor either.or.check }\r
+ 'skip$\r
+ if$\r
+ }\r
+ if$\r
+ new.block\r
+ format.btitle "title" output.check\r
+ crossref missing$\r
+ { format.bvolume output\r
+ new.block\r
+ new.sentence\r
+ format.number.series output\r
+ format.publisher.address output\r
+ }\r
+ {\r
+ new.block\r
+ format.book.crossref output.nonnull\r
+ }\r
+ if$\r
+ format.edition output\r
+ format.date "year" output.check\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+FUNCTION {booklet}\r
+{ output.bibitem\r
+ format.authors output\r
+ add.colon\r
+ new.block\r
+ format.title "title" output.check\r
+ new.block\r
+ howpublished "howpublished" bibinfo.check output\r
+ address "address" bibinfo.check output\r
+ format.date output\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {inbook}\r
+{ output.bibitem\r
+ author empty$\r
+ { format.editors "author and editor" output.check\r
+ add.colon\r
+ }\r
+ { format.authors output.nonnull\r
+ add.colon\r
+ crossref missing$\r
+ { "author and editor" editor either.or.check }\r
+ 'skip$\r
+ if$\r
+ }\r
+ if$\r
+ new.block\r
+ format.btitle "title" output.check\r
+ crossref missing$\r
+ {\r
+ format.bvolume output\r
+ format.chapter.pages "chapter and pages" output.check\r
+ new.block\r
+ new.sentence\r
+ format.number.series output\r
+ format.publisher.address output\r
+ }\r
+ {\r
+ format.chapter.pages "chapter and pages" output.check\r
+ new.block\r
+ format.book.crossref output.nonnull\r
+ }\r
+ if$\r
+ format.edition output\r
+ format.date "year" output.check\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {incollection}\r
+{ output.bibitem\r
+ format.authors "author" output.check\r
+ add.colon\r
+ new.block\r
+ format.title "title" output.check\r
+ new.block\r
+ crossref missing$\r
+ { format.in.ed.booktitle "booktitle" output.check\r
+ format.bvolume output\r
+ format.chapter.pages output\r
+ new.sentence\r
+ format.number.series output\r
+ format.publisher.address output\r
+ format.edition output\r
+ format.date "year" output.check\r
+ }\r
+ { format.incoll.inproc.crossref output.nonnull\r
+ format.chapter.pages output\r
+ }\r
+ if$\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+FUNCTION {inproceedings}\r
+{ output.bibitem\r
+ format.authors "author" output.check\r
+ add.colon\r
+ new.block\r
+ format.title "title" output.check\r
+ new.block\r
+ crossref missing$\r
+ { format.in.ed.booktitle "booktitle" output.check\r
+ new.sentence % added by titto\r
+ format.bvolume output\r
+ format.pages output\r
+ new.sentence\r
+ format.number.series output\r
+ publisher empty$\r
+ { format.organization.address output }\r
+ { organization "organization" bibinfo.check output\r
+ format.publisher.address output\r
+ }\r
+ if$\r
+ format.date "year" output.check\r
+ }\r
+ { format.incoll.inproc.crossref output.nonnull\r
+ format.pages output\r
+ }\r
+ if$\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+FUNCTION {conference} { inproceedings }\r
+FUNCTION {manual}\r
+{ output.bibitem\r
+ author empty$\r
+ { organization "organization" bibinfo.check\r
+ duplicate$ empty$ 'pop$\r
+ { output\r
+ address "address" bibinfo.check output\r
+ }\r
+ if$\r
+ }\r
+ { format.authors output.nonnull }\r
+ if$\r
+ add.colon\r
+ new.block\r
+ format.btitle "title" output.check\r
+ author empty$\r
+ { organization empty$\r
+ {\r
+ address new.block.checka\r
+ address "address" bibinfo.check output\r
+ }\r
+ 'skip$\r
+ if$\r
+ }\r
+ {\r
+ organization address new.block.checkb\r
+ organization "organization" bibinfo.check output\r
+ address "address" bibinfo.check output\r
+ }\r
+ if$\r
+ format.edition output\r
+ format.date output\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {mastersthesis}\r
+{ output.bibitem\r
+ format.authors "author" output.check\r
+ add.colon\r
+ new.block\r
+ format.btitle\r
+ "title" output.check\r
+ new.block\r
+ bbl.mthesis format.thesis.type output.nonnull\r
+ school "school" bibinfo.warn output\r
+ address "address" bibinfo.check output\r
+ format.date "year" output.check\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {misc}\r
+{ output.bibitem\r
+ format.authors output\r
+ add.colon\r
+ title howpublished new.block.checkb\r
+ format.title output\r
+ howpublished new.block.checka\r
+ howpublished "howpublished" bibinfo.check output\r
+ format.date output\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+ empty.misc.check\r
+}\r
+FUNCTION {phdthesis}\r
+{ output.bibitem\r
+ format.authors "author" output.check\r
+ add.colon\r
+ new.block\r
+ format.btitle\r
+ "title" output.check\r
+ new.block\r
+ bbl.phdthesis format.thesis.type output.nonnull\r
+ school "school" bibinfo.warn output\r
+ address "address" bibinfo.check output\r
+ format.date "year" output.check\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {proceedings}\r
+{ output.bibitem\r
+ editor empty$\r
+ { organization "organization" bibinfo.check output\r
+ }\r
+ { format.editors output.nonnull }\r
+ if$\r
+ add.colon\r
+ new.block\r
+ format.btitle "title" output.check\r
+ format.bvolume output\r
+ editor empty$\r
+ { publisher empty$\r
+ { format.number.series output }\r
+ {\r
+ new.sentence\r
+ format.number.series output\r
+ format.publisher.address output\r
+ }\r
+ if$\r
+ }\r
+ { publisher empty$\r
+ {\r
+ new.sentence\r
+ format.number.series output\r
+ format.organization.address output }\r
+ {\r
+ new.sentence\r
+ format.number.series output\r
+ organization "organization" bibinfo.check output\r
+ format.publisher.address output\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+ format.date "year" output.check\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {techreport}\r
+{ output.bibitem\r
+ format.authors "author" output.check\r
+ add.colon\r
+ new.block\r
+ format.title\r
+ "title" output.check\r
+ new.block\r
+ format.tr.number output.nonnull\r
+ institution "institution" bibinfo.warn output\r
+ address "address" bibinfo.check output\r
+ format.date "year" output.check\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note output\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {unpublished}\r
+{ output.bibitem\r
+ format.authors "author" output.check\r
+ add.colon\r
+ new.block\r
+ format.title "title" output.check\r
+ format.date output\r
+% new.block\r
+ format.url output\r
+% new.block\r
+ format.note "note" output.check\r
+ fin.entry\r
+}\r
+\r
+FUNCTION {default.type} { misc }\r
+READ\r
+FUNCTION {sortify}\r
+{ purify$\r
+ "l" change.case$\r
+}\r
+INTEGERS { len }\r
+FUNCTION {chop.word}\r
+{ 's :=\r
+ 'len :=\r
+ s #1 len substring$ =\r
+ { s len #1 + global.max$ substring$ }\r
+ 's\r
+ if$\r
+}\r
+FUNCTION {sort.format.names}\r
+{ 's :=\r
+ #1 'nameptr :=\r
+ ""\r
+ s num.names$ 'numnames :=\r
+ numnames 'namesleft :=\r
+ { namesleft #0 > }\r
+ { s nameptr\r
+ "{ll{ }}{ ff{ }}{ jj{ }}"\r
+ format.name$ 't :=\r
+ nameptr #1 >\r
+ {\r
+ " " *\r
+ namesleft #1 = t "others" = and\r
+ { "zzzzz" * }\r
+ { t sortify * }\r
+ if$\r
+ }\r
+ { t sortify * }\r
+ if$\r
+ nameptr #1 + 'nameptr :=\r
+ namesleft #1 - 'namesleft :=\r
+ }\r
+ while$\r
+}\r
+\r
+FUNCTION {sort.format.title}\r
+{ 't :=\r
+ "A " #2\r
+ "An " #3\r
+ "The " #4 t chop.word\r
+ chop.word\r
+ chop.word\r
+ sortify\r
+ #1 global.max$ substring$\r
+}\r
+FUNCTION {author.sort}\r
+{ author empty$\r
+ { key empty$\r
+ { "to sort, need author or key in " cite$ * warning$\r
+ ""\r
+ }\r
+ { key sortify }\r
+ if$\r
+ }\r
+ { author sort.format.names }\r
+ if$\r
+}\r
+FUNCTION {author.editor.sort}\r
+{ author empty$\r
+ { editor empty$\r
+ { key empty$\r
+ { "to sort, need author, editor, or key in " cite$ * warning$\r
+ ""\r
+ }\r
+ { key sortify }\r
+ if$\r
+ }\r
+ { editor sort.format.names }\r
+ if$\r
+ }\r
+ { author sort.format.names }\r
+ if$\r
+}\r
+FUNCTION {author.organization.sort}\r
+{ author empty$\r
+ { organization empty$\r
+ { key empty$\r
+ { "to sort, need author, organization, or key in " cite$ * warning$\r
+ ""\r
+ }\r
+ { key sortify }\r
+ if$\r
+ }\r
+ { "The " #4 organization chop.word sortify }\r
+ if$\r
+ }\r
+ { author sort.format.names }\r
+ if$\r
+}\r
+FUNCTION {editor.organization.sort}\r
+{ editor empty$\r
+ { organization empty$\r
+ { key empty$\r
+ { "to sort, need editor, organization, or key in " cite$ * warning$\r
+ ""\r
+ }\r
+ { key sortify }\r
+ if$\r
+ }\r
+ { "The " #4 organization chop.word sortify }\r
+ if$\r
+ }\r
+ { editor sort.format.names }\r
+ if$\r
+}\r
+FUNCTION {presort}\r
+{ type$ "book" =\r
+ type$ "inbook" =\r
+ or\r
+ 'author.editor.sort\r
+ { type$ "proceedings" =\r
+ 'editor.organization.sort\r
+ { type$ "manual" =\r
+ 'author.organization.sort\r
+ 'author.sort\r
+ if$\r
+ }\r
+ if$\r
+ }\r
+ if$\r
+ " "\r
+ *\r
+ year field.or.null sortify\r
+ *\r
+ " "\r
+ *\r
+ title field.or.null\r
+ sort.format.title\r
+ *\r
+ #1 entry.max$ substring$\r
+ 'sort.key$ :=\r
+}\r
+ITERATE {presort}\r
+SORT\r
+STRINGS { longest.label }\r
+INTEGERS { number.label longest.label.width }\r
+FUNCTION {initialize.longest.label}\r
+{ "" 'longest.label :=\r
+ #1 'number.label :=\r
+ #0 'longest.label.width :=\r
+}\r
+FUNCTION {longest.label.pass}\r
+{ number.label int.to.str$ 'label :=\r
+ number.label #1 + 'number.label :=\r
+ label width$ longest.label.width >\r
+ { label 'longest.label :=\r
+ label width$ 'longest.label.width :=\r
+ }\r
+ 'skip$\r
+ if$\r
+}\r
+EXECUTE {initialize.longest.label}\r
+ITERATE {longest.label.pass}\r
+FUNCTION {begin.bib}\r
+{ preamble$ empty$\r
+ 'skip$\r
+ { preamble$ write$ newline$ }\r
+ if$\r
+ "\begin{thebibliography}{" longest.label * "}" *\r
+ write$ newline$\r
+ "\providecommand{\url}[1]{\texttt{#1}}"\r
+ write$ newline$\r
+ "\providecommand{\urlprefix}{URL }"\r
+ write$ newline$\r
+}\r
+EXECUTE {begin.bib}\r
+EXECUTE {init.state.consts}\r
+ITERATE {call.type$}\r
+FUNCTION {end.bib}\r
+{ newline$\r
+ "\end{thebibliography}" write$ newline$\r
+}\r
+EXECUTE {end.bib}\r
+%% End of customized bst file\r
+%%\r
+%% End of file `titto.bst'.\r
+\r
+\r
projects / telemeta-doc.git / commitdiff
